中國語言文化-旗袍 英文

1、中國傳統(tǒng)文化中國傳統(tǒng)文化旗袍旗袍 contents.The definition of cheongsam .The develpoment of cheongsam .The structure & style cheongsam.Representative figures. Conclusion.The definition（定義）（定義） The Qi Pao or Chi-Pao, also known as the cheongsam or mandarin gown(長袍)； A body-hugging (緊身的)one-piece(連衣裙)Chinese dress

2、； The English vocabulary cheongsam comes from the Cantonese(廣東話) . It is known in Mandarin Chinese（普通話） as the qpo in Beijing and Shanghai .The Development The Cheongsam （旗袍）came from the Manchus （滿族人）who grew out of（產(chǎn)生于） ancient Nuzhen tribes（女真部落）. In the early 17th century, Nurhachi（努爾哈赤）, a grea

3、t political and military strategist, unified the various Nuzhen tribes and set up the Eight Banners System（八旗制度）. Over the years, a collarless（無領(lǐng)）, tubeshaped gown was developed, which was worn by both men and women. That is the embryo （胚胎）of the Qipao. The dress is called Qipao in Chinese or transl

4、ated as “banner gown（旗服）”, for it came from the people who lived under the Banner System.Wide and loose Cover bodyA - lineThe late Qing Dynasty After the Opium War(鴉片戰(zhàn)爭), the European-style suits entered China first. The wide and loose body had gradually become short and narrow. In 1919, the Ordinan

5、ce（法令） about garments was announced by the National Government and cheongsam was established to be the national garments.In 1920s In the early Republic of China（中華民國中華民國），the cheongsam began to be popular again. The body became shortened. The waist （腰部腰部）was narrowed. Later there was a new change th

6、at style of collar （領(lǐng)子領(lǐng)子）was highlighted to be fashionable to show feminine appearance.From the 1930s to 1940s 1930s and 1940s saw the cheongsam in its peak fashion(時尚頂峰時尚頂峰). Affected by the styles of the Europe, a step forward was made in exposing the female figure（女性曲線女性曲線）. The cheongsam in 1930

7、s was shortened with the length to the knees, and the cuffs(袖口袖口) were also narrowed. Golden EraGolden Era From the 1950s to 1960s In the East Asia, the founding of the Peoples Republic of China marks the end of the old life. The cheongsam, which has been cherished by people for a long time was not

8、practical and was set aside(放置一旁放置一旁). But in 1950s and 1960s, cheongsams began to show up again （再次出現(xiàn)再次出現(xiàn)）in the peoples lives.From 1966 to 1976Cultural Revolution（文革）, disaster.In modern timesPopular again now.1920s 1930s 1940s. The structure & style(樣式樣式)frog 盤扣collar 領(lǐng)lapel / front of a garm

9、ent襟openings 衩embroidery刺繡 Chi-pao has many styles, and the change is mainly based on sleeves, Jin, collar, openings, and the length of Cheongsam.Sleeves （袖子）（袖子）:wide sleeves, narrow and long sleeves, middle sleeves, short sleeves or sleeveless.Jin（襟）（襟）: round Jin, straight Jin, slanting Jin(斜襟),

10、double Jin（雙襟）, Pipa Jin（琵琶襟）, and so on. slanting Jin(斜襟斜襟) double Jin（雙襟）（雙襟） Pipa Jin（琵琶襟）（琵琶襟） Collar(領(lǐng)領(lǐng)): high collar, low collar，or collarless.Openings（開衩）（開衩）: high openings, low openings, no openings. Representative figures張愛玲張愛玲: Eileen Chang (1920-1995) A well-known writer，be addicted to c

11、heongsam.Life is a colorful gown, covered with lice. 生命是一襲華美的袍子，上面 爬 滿了虱子。 衣服是一種言語，衣服是一種言語，隨身帶著一種袖珍戲隨身帶著一種袖珍戲劇劇貼身的環(huán)境貼身的環(huán)境那就是衣服，我們各人那就是衣服，我們各人住在各人的衣服里住在各人的衣服里宋美齡宋美齡:Soong May-ling(1897-2003)，F(xiàn)irst lady in Republic of China.She owns the most number of qipao all over the world.鄧麗君鄧麗君: Where there are C

12、hinese there is her voice, she really made the beauty of t he c he ongs a m , cheongsam accomplished her legend. 有華人的地方就有鄧麗君的歌有華人的地方就有鄧麗君的歌聲，她成全了旗袍的美麗，旗袍聲，她成全了旗袍的美麗，旗袍成就了她的傳奇。成就了她的傳奇。 In the film In the Mood for Love（似水年華） ，Maggie Cheung （張曼玉）（張曼玉）change more than 23 sets of qipao, after the movie release.It sets off a rush of “cheongsam hot(旗袍熱).” China Top 10 Brands. Conclusion Qipao, which is famous with its harmony and unity ,is known as the representative of the Chinese dress culture. It shows the elegant temperament（優(yōu)雅氣質(zhì)） of Chinese