英國文學史復習資料

英國文學史資料BritishWritersandWorksI.OldEnglishLiterature&TheLateMedievalAges<Beowulf>貝奧武夫:thenationalepicoftheAnglo-SaxonsEpic:longnarrativepoemsthatrecordtheadventuresorheroicdeedsofaheroenactedinvastIandscapes.Thestyleofepicisgrandandelevated.e.g.Homer'sIliadandOdysseyArtisticfeatures:UsingalliterationDefinitionofalliteration:arhetoricaldevice,meaningsomewordsinasentencebeginwiththesameconsonantsound頭韻）SomeexamplesonP5UsingmetaphorandunderstatementDefinitionofunderstatement:expressingsomethinginacontrolledwayUnderstatementisatypicalwayforEnglishmentoexpresstheirideasGeofferyChaucer杰弗里？喬叟1340（?）~1400（首創(chuàng)雙韻體”英國文學史上首先用倫敦方言寫作。約翰德萊頓（JohnDryden）稱其為英國詩歌之父”代表作《坎特伯雷故事集》。）ThefatherofEnglishpoetry.writingstyle:wisdom,humor,humanity.<TheCanterburyTales坎特伯雷故事集：firsttimetouseheroiccouplet'雙韻體）bymiddleEnglishvTroilusandCriseydeM^羅伊拉斯和克萊希德<TheHouseofFame：聲譽之宮MedievalAges'popularLiteraryform: Romanee傳奇故事）FamousthreeKingArthurSirGawainandtheGreenKnightBeowulfTheRenaissaneePeriodAperiodofdramaandpoetry.TheElizabethandramaistherealmainstreamoftheEnglishRenaissanee.Renaissaneetheactivity,spirit,ortimeofthegreatrevivalofart,literature,andlearninginEuropebeginninginthe14thcenturyandextendingtothe17thcentury,markingthetransitionfromthemedievaltothemodernworld.ThreehistoricaleventsoftheRenaissanee-rebirthorrevival:newdiscoveriesingeographyandastrologythereligiousreformationandeconomicexpansionrediscoveryofancientRomanandGreekcultureThemostfamousdramatists:ChristopherMarloweWilliamShakespeareBenJohnson.EdmundSpenser埃德蒙？斯賓塞1552~1599(后人稱之為詩人的詩人”。)Thepoets'poet.ThefirsttobeburiedinthePoet'scornerofWesterminsterAbbey＜TheFaerieQueene仙后(forQueenElizabeth)ThethemeisnotArmsandtheman”，butsomethingmoreromanticFiercewarsandfaithfullloves”.Artisticfeatures:UsingSpenserianStanzaDefinitionofSpenserianStanza:astanzaofninelinesababbcbcc.Eightlinesiniambicpentameter,andlastlineiniambichexameter.＜TheShepherdsCalendar牧人日歷ThethemeistolamentoverthelossofRosalind.＜Amoretti＞愛情小唱ThomasMore托馬斯？莫爾1478~1535OneofthegreatestEnglishhumanists＜Utopia＞烏托邦Francis Bacon弗蘭西斯？培根1561~1626(哲學家、散文家；在論述探究知識的著作中提出了知識就是力量這一著名論斷；近代唯物主義哲學的奠基人和近代實驗科學的先驅(qū)。)Philosopher,scientist,laythefoundationformodernscienee.ThefirstEnglishessayist.Writingstyle:brevity,compactness&powerfulness,well-arrangingandenrichingbyBiblicalallusions,metaphorsandphilosophytomarisreason.＜TheAdvancement_of丄earning＞學術(shù)的推進一＜Essays＞隨筆(famousquotas:＜Ofstudies〉)ThethemeofOfStudiesusesandbenefitsofstudyanddifferentwaysadoptedbydifferentpeopletopursuestudies.BenJonsonvComedyofHumours〉＜Volpone,orthefox＞狐貍ChristopherMarlowe柯里斯托弗？馬洛1564~1595UniversityWits”，thepioneerofEnglishdrama（完善了無韻體詩。）Blankverse:writteninunrhymediambicpentameter.<TheTragicalHistoryofDoctorFaustus>浮士德博士的悲居U（根據(jù)德國民間故事書寫成）vTamburlaine>帖木耳大帝<TheJewofMalta〉馬耳他的猶太人WilliamShakespeare威廉？莎士比亞1564~1616Historicalplays:HenryVI;HenryIV:RichardHI;HenryV；RichardII:HenryVIIIFourComedies:<AsYouLikelt>皆大歡喜；vTwelfthNight>第十二夜；<AMidsummerNight'SDre>仲夏夜之夢；vMerchantOfVenice>威尼斯商人FourTragedies:<Hamlet>哈姆萊特；<Othello>奧賽羅；<KingLear>李爾王；<Macbeth>麥克白ShakespeareSonnet:154<TheSonnets>Threequatrainandonecouplet,ababcdcdefefggAsonnetisalyricconsistingof14lines,usuallyiniambicpentameterrestrictedtoadefinitionrhymescheme.The17thCenturyJohnMilton約翰？彌爾頓1608~1674（詩人、政論家；失明后寫《失樂園》、《復樂園》、《力士參孫》。）Epics:vParadiseLost〉失樂園vParadiseRegained>復樂園Dramaticpoem:<SamsonAgonistes力士參孫<Areopagitica>論出版自由<TheDefenceoftheEnglishPeople為英國人民聲辯<OnHisBlindness>我的失明Thissonnetiswritteniniambicpentameterrhymedinabbaabbacdecde,typicalofItaliansonnet.ItsthemeisthatpeopleusetheirtalentforGod,andtheyservehimbestshocanendurethesufferingbest.JohnBunyan約翰？班揚1628T688（代表作《天路歷程》，宗教寓言，被譽為具有永恒意義的百科全書”，是英國文學史上里程碑式著作。與但丁的《神曲》、奧古斯丁的《懺悔錄》并列為世界三大宗教題材文學杰作。）Puritanpoet（清教徒派詩人）ReligionaryAllegory:<ThePilgrim'sProgress歷程’JohnDonnetheMetaphysicalpoet玄學派詩人）.MetaphysicalPoetry（玄學詩）：（用語）thedictionissimple,theimageryisfromtheactual,（形式）theformisfrequentlyanargumentwiththepoet'sbeloved,withgod,orwithhimself.（主題:love,religious,thought）Artisticfeatures:conceitsorimagery奇思妙喻syllogism三段論Meditations沉思錄TheFlea虱子SongsAndSonnetsHoly_SonnetsValediction:<Forbidding_Mourning>The18thCenturyArevivalofinterestintheoldclassicalworks,order,logic,restrainedemotion（抑制情感）andaccuracyTheAgeofEnlightenment/Reason:themovementwasafurtheraneeoftheRenaissaneeofthe15thand16thcentries,aprogressiveintellectualmovement,reason（rationality）,equality&science（the18hcentury）小說崛起:Inthemid-century,thenewlyliteraryform,modernEnglishnovelrised（realisticnovel現(xiàn)實主義小說）Gothicnovel（哥特式小說）：mystery,horror,castles（frommiddleparttotheendofcentury）Alexander Pope亞歷山大"蒲柏1688T744（18世紀英國最偉大的詩人，其詩多用 英雄雙韻體”’heroiccouplets'0詞句工整、精練、富有哲理性。）OneofthefirsttointroducerationalismtoEngland.<AnEssayonCriticism〉批評論Artisticfeatures:1.Usingheroiccouplets'<TheRapeoftheLock〉卷發(fā)遇劫記vMoralEssays〉道德論vEssayonMan〉人論vTheDunciad〉愚人記SamuelJohnson塞繆爾約翰遜1709~1784Dictionary=<ADictionaryofEnglishLanguage〉英語大詞典JonathanSwift喬納森制威夫特1667~1745（十八世紀杰出的政論家和諷刺小說家 amastersatirist）vGulliver'sTra>lS歹U佛游記（fictionalwork）Fourparts:Lilliput小人國Brobdingnag大人國FlyingIsland飛島Houyhnhnm馬島<AModestProposal〉一個小小的建議<TheBattleofBooks〉書戰(zhàn)<ATaleofaTub沐桶的故事<TheDrapper'sLetters^個麻布商的書信DanielDefoe丹尼爾？笛福1660~1731（小說家，新聞記者，小冊子作者；十八世紀英國現(xiàn)實主義小說的奠基人。）Heisthefirstwriterstudyofthelower-classpeople,hislanguageissmooth,easy,colloquialandmostlyvernacular,andheisthefounderofrealisticnovel.<Robinson Crusoe〉魯賓遜漂流記ItpraisethefortitudeofthehumanlaborandthePuritan.Robinsongrewfromanaiveandartlessyouthintoashrewdandhardenedman‘temperedbynumeroustrialsinhiseventfullife.Itisanadventurestory,Robinson,narrateshowhegoestosea,getsshipwreckedandmaroonedonaIonelyisland,strugglestolivefor24-yearsthereandfinallygetsrelievedandreturnstoEngland.<MollFlanders><ColonelJacque><Captainsingleton〉HenryFielding亨利？菲爾丁1707~1754（英國小說家，戲劇家，被譽為 英國小說之父”。）Heiscalled“FatherofEnglishnovel”.Hewasthefirsttowritea“Comicepicinprose”（散文體史詩）,andthefirsttogivethemodernnovelitsstructureandstyle.novels:<TheHistoryofTomJones,aFoundling〉棄嬰湯姆？瓊斯<TheHistoryoftheAdventuresofJosephAndrews約瑟夫？安德魯<TheLifeofMrJonathanWild,theGreat〉大詩人江奈生減爾德vAmelia〉愛米禾H亞plays:<TheHistoricalRegisterfor1736〉一七三六年歷史記事<DonQuixoteinEngland〉堂吉柯德在英國OliverGoldsmith奧利弗？格爾德斯密斯1730~1774poems:<TheTraveller〉旅游人<TheDesertedVillage>荒村novel:<TheVicarofWakefield〉威克菲爾德牧師傳RichardBrinsleySheridan理查德？布林斯利"施萊登1751T816<TheRivals〉情敵<TheSchoolforSeandal>造謠學校WilliamBlake威廉？布萊克1757~1827vSongsofInnocenee>天真之歌Ahappyandinnocentworldfromchildren'eye.vSongsofExperience>經(jīng)驗之歌Awordofmisery,poverty,disease,warandrepressionwithamelancholytonefrommeneyes.Include:<TheChimneySweeper><London><TheTyger>LambisasymbolofpeaceandpurityTygerisasymbolofdreadandoiolenee<TheMarriageofHeavenandHell〉天堂與地獄的婚姻RobertBurns羅伯特？彭斯1759~1796ThegreatestScottishpoetinthelate18century.PoemsChieflyintheScottishDialect主要用蘇格蘭方言寫的詩_<John_Anderson，一My_Jo>約翰？安德生，我的愛人—<ARed,RedRose一朵紅紅的玫瑰<AuldLong Syne>往昔時光<AMan'saManforA'>不管另E—套<MyHeart'sintheHighlands>我的心在那高原上<BruceAtBannockburn><TheTreeOfLiberty〉TheRomanticPeriodTheromanticperiodbeganin1798thepublicationofWordsworthandColeridge'vLyricalBallads>,andendin1832withSirWalterScott'death.Romanticism:Itemphasizethespecialqualitieofeachindividualsmind.(人應(yīng)該是獨立自由的個體)Init,emotionoverreason,spontaneousemotion,achangefromtheouterworldofsocialcivilizationtotheinnerworldofthehumanspirit,poetryshouldbefreefromallrules,imagination,nature,commonplace.TwomajornovelistsoftheRomanticperiodareJaneAusten(realistic)andWalterScott(romantic).TheLakePoets湖畔詩人，wholivedinthelakedistrict.WilliamWordsworth;SamuelTaylorColeridge;RobertSoutheyWilliamWordsworth威廉？華茲華斯1770~1850(與柯爾律治、騷塞同被稱為 湖畔派”詩人。TheLakePoets<LyricalBallads〉抒情歌謠集(withSamuelTaylorColeridge)―<l_Wondered_Lonely_As_A_Cloud>_Theme:1.Natureembodieshumanbeingsintheirdiversecircumstanee.Itisnaturethatgivehim§trengthandknowledgefullofpeace”2.ltisblisstorecolledthebeautyofnatureinpoetmindwhileheisinsolitude.Comment:Thepoetisverycheerfulwithrecallingthebeautifulsights.Inthepoemonthebeautyofnature,thereaderispresentedavividpictureoflivelyandlovelydaffodils(水仙)andpoet'sphilosophicalideasandmysticalthoughts.LinesComposedAFewMilesAboveTinternAbbeyTheSolitaryReaper孤獨的害U麥女<ThePrelude〉序曲SamuelTaylorColeridge塞繆爾？泰勒？科爾律治1772~1834TheLakePoets<TheRimeoftheAncientMariner〉古舟子頌一<Christabel〉柯里斯塔貝爾一_<Kubla_Khan〉忽必烈汗一Artisticfeatures:mysticism,demonismwithstrongimagination,astrangeterritory<FrostatNight〉半夜冰霜<Dejection,anOde〉憂郁頌<LyricalBallads〉抒情歌謠集(withWilliamWordsworth)GeorgeGordonByron喬治？戈登？拜倫1788~1824(拜倫式英雄Byronicheroes孤傲、狂熱、浪漫，卻充滿了反抗精神。內(nèi)

心充滿了孤獨與苦悶，卻又蔑視群小。恰爾德 哈羅德是拜倫詩歌中第一個拜倫式英雄”。)Byronichero”isaproud,mysteriousrebelfigureofnobleorigin,againsttyrannicalrulesormoralprinciples.<DonJuan〉唐？璜vChildeHarold'sPilgge〉恰爾德？合羅德爾游記<Cain〉該隱<WhenWeTwoParted當初我們倆分另UvSheWalksInBeauty〉PersyByssheShelley波西？比希？雪萊1792~1822PoeticDrama:vPrometheusUnbound漸軍放了的普羅米修斯Theme:thedramacelebraiesman'victoryovertyrannyandoppressionvQueenMab￡布女王vRevoltoflslam>伊斯蘭的反叛<TheCenci^契一家<ADefenceofPoetry>詩辯<TheNecessityofAtheism^神論的必要性―Lyrics:_<OdetotheWestWind>西風頌Theme:Theauthorexpresshiseagernesstoenjoytheboundlessfreedomfromthereality.Comparethewestwindtodestroyeroftheoldwhodrivesthelastsignsoflifefromthetrees,andpreserverofthenewwhoscattertheseadsshichsillcometolifeinthespring.Thisisapoemaboutrenewal,aboutthewindblowinglifebackintodeadthings,implyingnotjustanarcoflife（whichwouldendatdeath）butacycle,whichonlystartsagainwhensomethingdies.Comment：PercyByssheShelley's"OdetotheWestWind"iswritteniniambicpentameter.Itcontainsfivesonnetlengthstanzas,eachwithaclosingcouplet.Therhymingschemeformisababcbcdcdedee.Thetoneispoignant.Manywillagreethatthispoemisaninvocationforanunseenforcetotakecontrolandrevivelife.Artisticfeatures:Usingrerzarima（三行詩ababcbcdcdedefe…）<ToaSkylark〉至攵云雀John Keats約翰？濟慈1795~1821（美即是真，真即是美”是他的著名詩句。）Fourgreatodes:<OdeonaGrecianUrn希臘古甕頌<OdetoaNightingale〉夜鶯頌<OdetoPsyche〉心靈頌<OdeOnMelancholy>憂有匕頌<ToAutumn>秋頌Theme:ThethemeofJohnKeats'poem,"ToAutumn",isthatchangeisbothnaturalandbeautiful.Thepoempraisesthegloriesofthefallseasonbyusingalmosteverytypeofimagerytobothcharmandappealtothereader.Comment:Thespeakerinthepoemacknowledgesthattimepassesby,butalsoassertsthatthischangeusuallyyieldssomethingnewandbetterthanwhatcamebefore.Eachofthepoem'sthreestanzasrepresentstheevoIvingoftwodifferenttypesofchange.Onetypeofchangeshowninthepoemisthechangeofperiodsinaday.JaneAusten簡？奧斯丁1775~1817Shecomparedherworkstoafineengravinguponaliterarypieceofivoryonlyinchessquire.―<Sense_and_Sensibility理智與感情_<Pride_and_Prejudic>_傲慢與偏見（chapter」）【ElizabethBennet&Darcy]intheendfalseprideishumbledandprejudicedissolved【Collins&CharlotteLucas]seetherealityofmarriageasanecessarystepifawomanistoavoidthewretchednessof agingspinsterhood【Lydia&Wickham]shownthedangersoffecklessrelationshipsunsupportedbymoney.【Mr.&Mrs.Bennet,Mr.Collins,LadyCatherinedeBurgh]comiccharacters<MansfieldPark>曼斯菲爾德莊園<Emma>愛瑪<NorthangerAbbey>諾桑覺寺<Persuasion>勸導Walter Scott沃爾特？斯科特1771~1832（歷史小說之父”）Fatherofhistorynovels<RobRoy>羅伯？羅伊<lvanhoe> 艾凡赫TheVictorianPeriodCommonsenseandmoralpropreity,againbecamethepredominantpreoccupation.Criticalrealistswereallconcernedaboutthefateofthecommonpeopleandeverydayevents.CharlesDickens查爾斯？狄更斯1812~1870（批判現(xiàn)實主義小說家）criticalrealistwriter<ThePosthumousPapersofthePickwickClub匹克威克外傳<OliverTwist〉奧利弗？特維斯特（霧都孤兒）<TheOldCuriosityShop>老古玩店<AChristmasCarol〉圣誕頌歌<DombeyandSon〉董貝父子<DavidCopperfield〉大衛(wèi)？科波菲爾<BleakHouse〉荒涼山莊<HardTimes〉艱難時世<ATaleofTwoCities〉雙城記（London&Paris）<GreatExpectations^大前程<OurMutualFriend>我們共同的朋友WilliamMakepeaceThackeray威廉?麥克匹斯？薩克雷1811~1863<VanityFair>oraNovelwithoutaHero名禾U場(thenameisanexcerptfrom<ThePilgrim'Progress>byJohnBunyan)<TheBookOfSnobs>CharlotteBronte夏洛蒂？勃朗特1816~1855<Jane_Eyre>??愛JaneEyre,aplainlittleorphan,wassenttoLowood,acharityschool.Thereshesufferalotand8yearslatersheleftschoolandbecameabovernessatThornfieldHall.Thereshefallsinlovewiththemaster,Mr.Rochester.Itisnotedforitssharpcriticismoftheexistingsociety,e.g.charityinstitutionsuchasLowoodSchoolItisasuccessfulintroductiontothefirstgovernessheoineintheEnglishnovel,whomrepresentsthosemiddle-classworkingwomenstrugglingforrecognitionoftheirbasicrightsandequalityasahumanbeing.<Shirley>雪莉<Professor>教師EmilyBronte艾米莉渤朗特1818~1854<WutheringHeights>呼嘯山莊Astoryabouttwofamilieandanintrudingstranger.【TheEarnshawFamily】Mr.Earnshaw,hiswife,thesonHindley,thedaughterCatherine,Heathcliff【TheLintonFamily】Mr.Linton,hiswife,sonEdgar,daughterIsabella<OldStoic〉GeorgeEliot喬治？艾略特1819~1880<TheMillontheFloss>弗洛斯河上的磨坊<AdamBede>亞當？比德<SilasMarner〉織工馬南<Middlemarch〉米德爾馬契AlfredTennyson阿爾弗萊德？丁尼生1809T892（維多利亞時代最具代表性的偉大詩人）PoetLaureate（桂冠詩人）<InMemoriam〉悼念Tomemorializehisfriend<Break, Break,Break〉?中擊、沖擊、沖擊<IdyllsoftheKing>國王敘事詩Robert Browning羅伯特？白朗寧1812~1889<MyLastDutchess^已故的公爵夫人<HomeThoughtsFromAbroad〉海外鄉(xiāng)思ElizabethBarrettBrowing①vSonnetfromthePortuguese葡萄牙十四行詩RobertLouisStevenson①vTreasureIsland：金銀島ThomasHardy托馬斯？合代1840~1928(小說多以農(nóng)村生活為背景；自然主義小說家。 Wessexnovels;novelsofcharacterandenvironmen)⑴Novels一<_Tess_Of_TheD'Urbervilles*德伯家的苔絲Themeexperienceisastointensity,andnotastoduration<JudeTheObscure無名的裘德<UnderTheGreenwoodTree綠蔭下<FarFromTheMaddingCrowd〉遠離塵囂<TheMayorOfCasterbridge〉卡斯特橋市長<TheReturnoftheNative還鄉(xiāng)(2)PoemsWessexPoemsAndOtherVersesPoemsOfThePastAndPresentTheDynasts列國1900~1950The20thCenturyPlaywrightsOscarWildeGeorgeBernardShawOscarWilde奧斯卡？王爾德1856~1900(TheAestheticMovement:ArtforArt'sSake)4Comedies:vTheImportanceOfBeingEarnest〉認真的重要vLadyWindermere'sFa溫德米爾夫人的扇子<AWomanOfNoImportance〉一個無足輕重的女人<AnIdealHusband〉理想的丈夫Novel:vThePictureOfDorianGray〉多利安？格雷的畫像FairyStories:<TheHappyPrinceAndOtherTales快樂王子故事集GeorgeBernardShaw喬治？伯納？蕭1856~1950(英國杰出的批判現(xiàn)實主義劇作家)criticalrealisticdramatist⑴PlaysPlaysUnpleasant<MrsWarren'SPeosio門>華倫夫人的職業(yè)vWidowers'Houses>鰥夫的房產(chǎn)PlaysPleasantvArmsAndMan>武器與人<TheManOfDestiny>左右命運的人Plays<ManAndSuperman>A與超人vPygmalion>匹格瑪禾U翁<TheAppleCart>蘋果車<SaintJoa門>圣女貞德Novelists(Realists)JosephConcrad<LordJim>吉姆爺<Heart_Of_Darkness>B暗的心Whythebook'stitleisHeartofDarkness?ThestoryhappenedinCongo,theheartofAfrica,andthecolorofpeople'sskininthereisblack.Mostimportantpointaboutthetitleistotheevilinhumans'heart.Whatisthesymbolismofblackandwhite【Black/dark-】death,evil,ignorance,mystery,savagery,uncivilizedMiddleAges,whenscieneeandknowledgewassuppressed,astheDarkAges.AccordingtoChristianity,inthebeginningoftimeallwasdarkandGodcreatedlight.AccordingtoHeartofDarkness,beforetheRomanscame,Englandwasdark.Inthesameway,Africawasconsideredtobeinthedarkstage.【W(wǎng)hite/light】life,goodness,enlightenment,civilized,religion.Yet,inConcrad,theusualpatternisreverseanddarknessmeanstruth(Thetruthwithin,thereforedarkandobscure.),whitenessmeansfalsehood.ThiscontrasttellsapoliticaltruthaboutcolonialismintheCongo.ThecontrastalsosuggestsapsychologicaltruthaboutMarlowandtheEuropeansmind.

Whitealsosuggestsanynumberofunpleasantmoraltruths.Thetradeinivoryiswhiteanddirty.KurtzthewhitemanistotallycorruptCommentThebookimpliesthatcivilizationsarecreatedbythelawsandcodesthatencouragementoachievehigherstandards.Thelawactsasabuffertopreventmenfromrevertingbacktotheirdarkertendencies.Civilization,however,mustbelearned.Londonitself,inthebookasymbolofenlightenment,wasonce"oneofthedarkerplacesoftheearth"beforetheRomansforcedcivilizationupontheBritons.Butcivilizedsocietydoesnotgetridofprimevalsavagetendencieswhichlurkinthebackground.ThissavageryisseeninKurtz.MarlowmeetsKurtzandhefindsamanthathastotallythrownofftherestraintofcivilizationandhasde-evolvedintoaprimitivestate.Character【Kurtz】representswhateverymanwillbecomeiflefttohisownintrinsicdesireswithoutaprotective,civilizedenvironment.【Marlow】representsthecivilizedsoulthathasnotbeendrawnbackintosavagerybyadark,alienatingjungle.NarrativeStructuresstory.InHeartofDarkness,wehaveanoutsidenarratortellingusastoryhehasheardfromMarlow.ThestoryMarlowtellscentersaroundKurtz.However,mostofwhatMarlowknowsaboutKurtz,hehaslearnedfromothers.TheyhavegoodreasonfornotbeingtruthfultoMarlow.ThereforeMarlowhastopiecetogethermuchofKurtzsstory.WilliamSomersetMaugham<OfHumanBondage^性的枷鎖EdwardMorganFoster(E.M.Foster)<APassageToIndia印卩度之行vHawardsEnd＞霍華茲別墅Modernists⑴3NovelistsJamesJoyceDavidHerbertLawreneeVirgirniaWoolfDavidHerbertLawrenee戴維？赫伯特？勞倫斯1885T930①<Sons_And丄overs>JL子與情人(autobiographical)【Mrs.Morel】,daughterofamiddle-classfamily,is"awomanofcharacterandrefinement",astrong-willed,i