《青島英語導(dǎo)游詞》word版

/ZhanqiaoPierHereweareattheZhanqiaoPark,whichoffersbeautifulsceneryofvidentpines,greengrassandwell-spacedtreesandflowers.ThelongbridgestretchingfarintothevastseaisthefamousZhanqiaoPier.Locatedwithinthecrescent-likeQingdaoBay,440meterslongand8meterswide,thepierlookslikearainbow.Oneithersideofthebridgetherestandcolorfullydecoratedlights.Attheendofthebridgethereisatriangularseawall,inwhichtherestandstheHuilanPavilion.Weatheredbyahundredyears'storm,theZhanqiaoPierisawell-conceivedstructureinthearchitecturalhistory.ItnotonlybridgesQingdaoandtheoutsideworld,butalsobridgesthehistoryandthereality.ItistakenasthesymbolofQingdaoandthewitnessofthehistory.In1891,thegovernmentofQingDynastyappointedZhangGaoyuan,CommanderofDengzhou,tostationtroopsinQingdao,asmallfishingvillageatthattime.Governmentoffices,forts,militarycampswerebuiltinthisvillageoralongthecoast,makingQingdaoaplaceofstrategicimportanceintermsofcoastdefence.Inordertofacilitythetransportationofmilitarysuppliers,GongZhaoyu,anofficeroftheNorthernNavy,orderedbuildingmaterialstobetransportedfromLvshunandasimplewoodenpierwasthenbuiltonthecoast.Itwasonly200meterslongandratherplaininappearance,knownas"theZhanqiaoPieroftheNavy"or"theZhanqiaoPierontheCoast".In1897,QingdaowasinvadedandoccupiedbyGerman.InordertotransportmilitarysuppliesfromEurope,theGermansrebuilttheoriginalpierwithstonefoundationatthenorthernendandlaidlightrailwayonthepier.Itwasextendedto350meterslongandremainedapierforthepurposeofmilitaryuse.In1922,QingdaoreturnedtoChina.In1931,QingdaoAfterliberation,muchattentionhasbeenpaidtothemaintenanceandprotectionoftheZhanqiaoPier.Atthenorthernendofthepier,acoastalparkknownastheZhanqiaoParkThepavilionatthesouthernendofthepieristheabove-mentionedHuilanPavilion.Roofedwithyellowglazedtilesandsupportedby24respaintedpillars,thepavilionisatwo-storeyedoctagonalstructure.Nowinsidethepavilionthereisamini-aquariumwhereyoucanenjoysomeseaanimals.Standingbythepaviliontouristscanenjoythesurgingbillowslayeruponlayer,whickpresentsamagnificentsightofBillowsReturningatthePavilion.Look.Agroupofseagullsisflockingnearerandnearer.InQingdaoforlongtime,greateffortshavebeenmadetoprotecttheseagulls.Everytimeitbreezesandtheseaiscalm,thousandsuponthousandsofseagullshoveroverthebeautifulQingdaoNow,theZhanqiaoPierhasbeenrecognizedasthesymbolofQingdaoandtheprideofQingdaonatives.Thetrademarkoftheworld-famousTsingtaoBeerisdesignedaccordingtotheHuilanPavilionatthesouthernendoftheZhanqiaoPier. TianhouItisknownthatinChina'scoastalareas,therearemanyTianhoutempleswithdifferentstyles.Today,wewillvisittheoldesttempleexistingQingdao-theTianhouPalace.NowitisalsotheTianhouPalacewasfirstbuiltatthethirdyearinthereignofEmperorChenghau(1467)inMingDynasty.Atthattime,Qingdaowasturnedintoaport,sotheshippingindustryinthiscitybecameincreasinglyprosperousandmanybusinessmenandtravelersgatheredhere.OnebusinessmandonatedalandandraisedfundstobuildtheTianfeiPalacehere.LateritwasrenamedTianhouPalace.AtthattimetherewereonlythreehallsofShenmuandtwowingroomsoftheDragonKing,theGodofWealth.Sincethenitwasrebuiltformanytimes,italreadyhadaconsiderablescaleinQingDynasty.Inthepast,TianhouPalacewasanimportantplaceforthebusinessmenandfishermeninQingdaotoprayforthegods.DuringtheperiodofCulturalRevolution,theTianhouThisbuildingistheOperaTower,whichismainlyforthepilgrimstoseetheoperas.ThepaintingswrappedaroundthepillarsareaboutthestoriesofADreamofRedMansionaswellasthestoriesoftheSpringandAutumn.Theplaqueofthe"TianhouEnteringintothefrontyard,firstlywecanseetheoperastage.OnthewallsurroundedthestagearepaintedthesceneofmakingsacrificialofferingstotheseainZhougeVillage,afishingvillageintheTianhengTownofJimo(onecounty-levelcityinQingdao).ThecustomofmakingsacrificialofferingstotheseawasformedduringtheMingandQingDynasties.Tomakesacrificialofferingstothesea,peopleshouldselectanauspiciousdaybeforeoraftertheTomb-sweepingDayandGrainRain.Inrecentyears,undertheparticipationandorganizationofthelocalgovernment,thistraditionalcustomwillhavewelldevelopment.ThesmallroominthenorthwestcornerisCloisonnemakingworkshops.Theroominthenortheastisaworkshopforthepaper-cut,recurringthelifeoftheChina'straditionalresidents.Enteringintothebackyard,firstlywecanseetwostonetablets.OneisbuiltatthefourthyearinthereignofEmperorTongzhi(in1865),andtheotheroneisbuiltatthethirteenthyearinthereignofEmperorTongzhi(in1874).TheinscriptiondescribestheprosperityofQingdaoportatthetime-businessmenandvisitorsallgatheredhere,whichtoldusthesituationofTianhouInthemiddleofthecourtyardtherearetwoginkgotreeswithmorethan500yearsold.Accordingtorecords,whentheTianhouTheHolyMotherofHeavenlyEmpressisenshrinedinthemainhallofthebackyardofTianhouPalace.InthesouthofChina,peoplecallher"Mazu",literally"Mother-Ancestor",butinthenorthofchina,peoplecallher''Tianhou'',literally"HeavenlyEmpress"or"HeavenlyQueen".Thestatueis2.8mhigh,carvedfromonesingletrunkofcamphorwood.Itisthelargestwood-carvedstatueofTianhouinChinatoday,whichwasfromPutian,Tianhouistheindigenousgoddessoftheseawhoprotectsfishermenandsailors,andisinvokedasthegoddesswhoprotectsEastAsianswhoareassociatedwiththeocean.HermortalnameisLinMoniang.Sheiswidelyworshippedinthesouth-easterncoastalareasofChinaandneighbouringareasinSoutheastAsia,especiallyZhejiang,Fujian,Taiwan,Guangdong,andVietnam,allofwhichhavestrongsea-faringtraditions,aswellasmigrantcommunitieselsewherewithsizeablepopulationsfromtheseareas.InSouthernSongDanasty,shewasgiventhefirstTitleas"PrincessofSupernaturalFavour"inA.D.1155byEmperorGaozongofSong.IntheYuanDynasty,shewasofficiallythe"ProtectoroftheEmpireandtheBrilliantlyOutstandingHeavenlyPrincess"InMingDynasty,shewasgivenas"HolyMotherofHeavenAbove"in1417bytheYongleEmperor.IntheQingDynasty,shewasmadethe"HeavenlyEmpress".Herlastimperialtitlewasgivenas"HolyMotherinHeaven"in1839bytheDaoguangEmperor.Accordingtolegend,LinMoniangwasbornin960AD(duringtheearlyNorthernSongDynasty)astheseventhdaughterofLinYuan(林愿)onMeizhouIsland,Fujian.Shedidnotcrywhenshewasborn,andthushergivennamemeans"SilentGirl."Therearemanylegendsaboutherandthesea.Althoughshestartedswimmingrelativelylateattheageof15,shesoonbecameanexcellentswimmer.Sheworeredgarmentswhilestandingontheshoretoguidefishingboatshome,eveninthemostdangerousandharshweather.Accordingtolegend,LinMoniang'sfatherandbrotherswerefishermen.Oneday,aterribletyphoonarosewhiletheywereoutatsea,andtherestofherfamilyfearedthatthoseatseahadperished.Inthemidstofthisstorm,dependingontheversionofthelegend,shefellintoatrancewhileprayingforthelivesofherfatherandbrothersordreamedofherfatherandbrotherswhileshewassleepingorsittingataloomweaving.Ineitherstory,herfatherandbrotherweredrowning.However,Moniang'smothernowdiscoveredherandtriedtowakeher,anddivertedMoniang'sattention,causinghertodropherbrother,whoasaresultdrowned.Consequently,Moniang'sfatherreturnedaliveandtoldtheothervillagersthatamiraclehadhappen.Otherversionsofthestoryrelatefourdrowningbrothers,withthreereturningandthefourthlosttoherbeingrevived(withnomentionofafather).Tianhouherselfisusuallydepictedwearingaredrobeinpaintingsormurals,butinsculptureisalwaysclothedinthejewel-festoonedrobesofanempressholdingeitheraceremonialtabletorajewelstaff,andwearingtheeasilyrecognizedflat-toppedimperialcapwithhangingbeadsfrontandback.ThereareatleasttwoversionsofLinMoniang'sdeath.Inoneversion,shediedin987attheageof28,whensheclimbedamountainaloneandflewtoheavenandbecameagoddess.Anotherversionofthelegendsaysthatshediedatage16ofexhaustionafterswimmingfarintotheoceantryingtofindherlostfatherandthathercorpselaterwashedashoreinNankanIslandoftheMatsuIslands.BuddhismandTaoismborrowedpopulardeitiesfromeachotherinattemptstoattractdevoteestotheirtemples.InanattempttojustifyTianhou'spresenceinBuddhisttemples,legendswerecirculatedclaimingthatTianhou'sparentsprayedtoGuanYinforason,butGuanyinansweredtheirprayerswiththebirthofyetanotherdaughter.ItwasthenbelievedthatTianhouwasareincarnationofGuanyinonearth,anditisGuanyinsheissaidtohavebeenespeciallydevotedtoasachild.Asaresult,TianhouisrecognizedandrespectedinboththeTaoistandBuddhistpantheonsofdeities(althoughtoalesserextentintheBuddhistfaith).Afterherdeath,thefamiliesofmanyfishermenandsailorsbegantopraytoherinhonorofheractsofcourageintryingtosavethoseatsea.Theworshipforherspreadquickly.Muchofherpopularityincomparisontootherseadeitiesresultedfromherroleasacompassionatemotherlyprotector,incontrasttoauthoritarianfatherfiguresliketheDragonKings.Sheisusuallydepictedwearingaredrobe,andsittingonathrone.AsoftenhappenstoreveredfolkheroesinChineseculture,shebecameanempressfigureduringtheYuanDynasty.StartingfromFujian,worshipofTianhou/MazuspreadtotheneighbouringcoastalprovincesofZhejiangandGuangdong,andthencetoallcoastalareasofmainlandChina.WithemigrationandespeciallytheChinesediasporaofthe19thand20thcenturies,itfurtherspreadtoTaiwan,Vietnam,Ryukyu,Japan,andSouthEastAsia;theroleofMazuaspatronoftheseasensuredthatnewlyarrivedimmigrantsoftenerectedtemplestoherfirst,togivethanksforarrivingsafely.Today,worshipofTianhou/Mazuisalsofoundinothercountrieswithsizeablepopulationsfromtheseregions.Intotal,therearearound1,500Mazutemplesin26countriesoftheworld.IntheeastwingroomenshrinedAoGuang,theDragonKingoftheEasternSea.ThefourDragonKingsare,inChinesemythology,thedivinerulersofthefourseas(eachseacorrespondstooneofthecardinaldirections).TheDragonKingoftheEasternSeaissaidtohavethelargestterritory.AlthoughDragonKingsappearintheirtrueformsasdragons,theyhavetheabilitytoshapeshiftintohumanform.TheDragonKingsliveincrystalpalaces,guardedbyshrimpsoldiersandcrabgenerals.Legendhasitthatthedragonwasabletogounderthesea,mountthecloudsandridethemistandsummonwindandrain.Infact,thedragonwasmerelyfabricatedasasymbolofconqueringthenaturebytheancients.Theyexpectedtheexistenceofdragonwhichcouldhavecompassionforthedifficultiesandsufferingsintheworldandcouldhelpthoseindifficulties.Asaresult,thosewhofirstworshippedthedragonkingwerefishermenandboatowners.ThewestwingroomisshrineofMammon,inwhichBiGan,theGodofCivilWealth,isenshrined.BiGan,theuncleoftheKingZhou,waswellknownforhisoutspokenandjustice.BecauseheadmonishedtheKingZhouinpublic,sohisheartwasdugoutbytheking.Heisfreefromanybiasbecauseofnoheart.So,tobetheGodofCivilWealth,hewasveryrespectedbythepeopleeventoday.TheanotheronewhoisnexttoBiGanistheGodofMilitaryWealth,GuanYu.Withrighthandstrokinghislongbeardandlefthandholdingthebook,hehasaseverelookonhisfaceandstandsonagoldenfrog.GuanYuwasageneralduringtheThreeKingdomsperiods,thenhebecameagodafterdied.TherestandtwostatuesofheavenlyguardswhosafeguardtheGodofWealth.Oneholdingthecornucopiaistheofficialofstorehouse,whoismainlyformanagingthetreasury;theanotheroneisZhoucang,carryingtheswordforGuanYu.ThewestwingroominthebackyardisTianhouCultureExhibitionRoom.ThereistheoriginalplaqueofTianhouPalaceandplentyofphotographs.TheyintroducethebirthanddevelopmentoftheTianhoucultureandhowtheTianhouculturespreadoutallovertheTianhouPalacehasahistoryofmorethan500years,andduringthislonghistory,ithadexperiencedlotsofsufferings,restorationsandhardtimes.ItisnotveryeasytohaveanewlookfortheTianhouQingdaoArtMuseumLocatedontheNo.7ofDaxueRoad,QingdaoArtMuseumisinagroupofbuildingsurroundedbyredwallswithyellowtiles,whichareuniqueintheChinesetraditionalarchitecture.Itcoversanareaof14,183squaremeterswithatotalbuildingareaof4,108squaremeters.

QingdaoArtMuseum,originallybuiltfrom1934to1940,isdesignedbyWangHan,ourdomesticarchitect.DesignedaccordingtotheGermanarchitecture,itwastheidealcombinationoftheChineseandWesternstyle.Atthattime,thisbuildingwastheoldsiteofTheWorldRedCross,QingdaoBranch.AfterNewChinawasfounded,thefrontyard,locatedonNo.37ofYushanRoad,becamealibrary.In1965,QingdaoAlthoughbeforethereweresomeartexhibitionsinthemuseum,therewasnospecificQingdaoArtMuseum.ItwasapityfortheartistsinQingdaoArtMuseumismainlyforthecollection,researchandexhibitionofthemodernandcontemporaryartists'works.TheexhibitionisfocusThemuseumisdividedintothreeparts:theRomanExhibitionHall,theMainHallExhibitionArea(includingtheeastwinghallandwestwinghall)andtheIslamicExhibitionHall.Theyareopenedupdependingonthedifferentneeds.TheRomanExhibitionHall,locatedinfrontofQingdaoArtMuseum,isastandardEuropeanRomanesquearchitecturewithspecialartisticcomponents,suchasinternalstructure,columnhead,wall,relief,andsoon.Dividedintothefirstandsecondfloor,ithas22exhibitionhallswithatotalareaof900squaremeters.TheshowcaselengInthecenterofQingdaoArtMuseum,theMainHallExhibitionArea(includingtheeastwinghallandwestwinghall)isaunifiedandencompassingclassicalChinese-stylearchitecture,modeledontheconstructionpatternoftheConfucianTempleinQufu.Itisunlikethehall,butlikeTheMainHallExhibitionArea(includingtheeastwinghallandwestwinghall)hasatotalareaof550squaremeters.Themainhall,32meterslong,9meterswideand12metershigh,coversanareaof288squaremeterswiththeshowcaselengthof118meters.Theeastandwestwinghall,27meterslongand6meterswide,coversanareaof262squaremeterswiththeshowlengthof160meters.ThemainhallandeastwinghallmainlydisplaytheartworksofChinesepaintingsandcalligraphy.Whileyougoinside,youcansmellthescentoftheink.Thewestwinghallmainlydisplaystheartworksofpaper-cut.Whileyougoinside,youcannothelppraisingthemarveloushandicrafts.TheIslamicExhibitionHall,locatedinthebackyardofQingdaoArtMuseum,isdividedintoupperandlowerstorey.ItisatypicalArab-stylebuildings,rarelyopensup.TheIslamicExhibitionHall,21meterslongand6.2meterswide,hasatotalareaof260squaremeterswithatwo-storeyshowcaseFortheconvenienceoftherestandcommunicationofthevisitorsandartists,theArtMuseumalsooffersateahousewithelegantenvironment.Ifyouareinterestedinthearts,QingdaoArtMuseumisdefinitelyaniceplaceSmallHillysceneryplaysanimportantroleinQingdao.ManyQingdaonativeshavesaidthatQingdaoisahillycityfloatingonthesea.Ithinkthereasonisthattherearenumeroushillsinthecityproper.TheSmallFishHillissuchanexample.TheSmallFishHillwasoriginallyasmallanonymoushill.InDong'eCountythereisafamousBuddhistHillknownastheFishHill.SotheroadaroundthisanonymoushillwasnamedFishHill,andlaterthishillwasnamedaftertheroad,hencethenameSmallFishHill.DuringtheGermanoccupationperiod,theSmallFishHillwasafortresshill.In1985,itwasbuilttobeahillypark.LocatedbytheHuiquanBay,theSmallFishHillisthefirsthillygardeningparkofclassicalstyleeverdevelopedinQingdao.Itisonly61metershighandcoversanareaof2.5squarekilometerswiththebuildingareaof800squaremeters.Ascendingthestairsstepbystep,wecanseetheBlueBillowPavilion,acreasingarchitectureofclassicalstyle.BecausestandinginthispavilionyoucanenjoytheripplingbluewavesoftheHuiquanOnthetopofthehillthereisathree-storeyedhexagonalTide-ViewingPavilion.Itis18metershighanddecoratedwithupturnedeaves.Upontothetopofthepavilionyoucanhavefullviewofthesceneofthecityproper,whichisusuallyas"res-roofedbuildings,greentrees,blueseaandclearsky".IntheeastofthehillthereistheYongcuiPavilion,connectedwiththeTide-ViewingPavilionbyawindingcorridor,wherewallisdecoratedwithlargeandcolor-glazedfrescowiththemotifof"MarkoftheHill","EightImmortalsCrossingtheSea"and"UniverseofPuSongling".ThiswhiteroundalabasterreliefistheMarkoftheHill.Withadiameteroftwometers,itconsistsoftheChineseCharacter"small"and"hill"andancienthieroglyph"fish".Surroundingthemarkthereisapaintingwallcarvedontheblackmarble.Itshowsthelifescenesofancientlaboringpeople'shuntingandfishing.Thefrescowiththemotifof"EightImmortalsCrossingtheSea",9meterslongand2.67meterswide,ismadebythestudentsandteachersintheFineArtInstituteofTsinghuaUniversity.Turingthecorner,thereisthefrescowiththemotifof"UniverseofPuSongling",9.1meterlongand2.67metershigh.ItdescribestheformerresidenceofPuSonglingandsomestoriesfromthenovelStrangeTalesfromMake-doStudio,suchasHuapi,XiFangping,Cuzhi,TaoistonMountCatholicChurchCatholicChurchislocatedonthehighhillockofnorthZhejiangRoad,southareaofQingdaocity.Itstartedconstructionin1932andfinishedin1934.Coveringanareaof2,470squaremeters,CatholicChurchisthelargestbuildingofGothicstyleinQingdao.Thehallinsidecanhold1000peopleforservice.Themainconstructionlengthis60meters.Atthattime,thedoublesteeplesofthechurchhadbeenthehighestlevelofthecity.Itsoriginalnamewas"SaintMichael'sChurch".Itsstructurewasfromtheunionofreinforcedconcreteandthegranite.Thereisaclocktowerontheinnerofbothsidesofthefrontdoor.Thetowerheightis56meterssetwithanupright4.5metershighgiantcrossand4bellshunginthebelltower.TheMarchbuildingsareinRomanarchitecture,theheightofthehallis18meters.Itcanaccommodateoveronethousandpeople.Therearareaisequippedwithtwobigaltars;therearetwosmallaltarssymmetricallyundertheleftandrightside.Itmatcheswiththemuralsaintpaintingsabove,showingtheuniquepatternandartisticstyle.

QingdaoGuesthouse(theoldsiteoftheOfficialResidenceofGermanGovernor)Builtin1905-1908,itusedtobeanofficialresidenceofGermanGovernorduringGermanoccupationperiod,andhencealsonamed"Governor'sBuilding".Thebuildingismainlyingranite,andthuscommonlycalled"StoneThearchitecturewasbuiltinastylenowadaysrarelyseeninEuropeeveninGerman.Witharoyalwooden-structuredinner,itisacastle-stylebuildingandlooksmagnificentfromtheoutside.Itisabout30metershigh,theroofshavinganunsymmetricstructureinfourfacets,thespiresupportedbymarbleposts,withashapeoflongslopelikeacliff.Decoratedwithbrightredandblueontheroofs,itappearslikeabrilliantandexquisitepalace.Intheyardthereareexuberanttreesandcarpet-likelawn,whichleadaEuropeanidyllicmoodtoit.Watewavepattersaremouldedintothewallofthefacadeofthebuilding;thegraniteoftheeavesiscarvedintoahugeanchor;theroofsarebuiltlikeaship'schimney;atthenorthendacommandpostwiththecannonseenapparentlybelowit.Enteringintotheloungeonthesecondflooralongtheredcarpet,youwillseetheelegantandluxuriouslayoutanddesign.Andthenyouwillfeelasifyouwereinaroyalcourt.Onbothsidesoftheloungethereisaparlour,ameetingroom,abanquethallandadancehallguestroomsareonthesecondandthethirdfloors.QingdaoGuesthouseisalsolikeamuseum:carvingdados,walllamp,fireplaces,andvariousbranch-shapedpendantlamps.Somevaluableoilpaintings,inlaidpicturesandtin-inlaidglasspictures;therearealsoguncabinets,winecabinetsandantiquecabinets,whichwereallbuiltinGermanandshippedhereandinwhichallkindsofprecioushandicraftarticlesfromdifferentcountriesarenowdisplayed.InthesouthiisthelivingroomandofficeroomforChairmanMao.From12thJulyto11thAugustIn1957,ChairmanMaoZedonglivedinthisroom.ThefurnituresinthisroomarespeciallymadeforChairmanMao.Atthattime,manycentralleaderscameheretoholdthemeetingofthePoliticalBureauoftheCentralCommitteeoftheChineseCommunistParty.Thisisthediningroom.Inthebeginningof1940,WangJingwei,LiangHongzhiandWangKemingatheredheretoholdtheso-called''historical''meetingof"ThreeofTriumvriate".Theywantedtounitetheforcesofthetraitorstoestablishapuppetgovernment.AfterthemeetinginQingdao,thePseudoCentralGovernmentisonstageinNanjing.Youcanseethistable.Itsdesignisveryspecial.Inthemiddlethereisagroove,sothetablecanbeenlargedbydraggingout.Atthattime,theGermangovernorsataroundthistablewithhisfamilytohavemeals.Thisisameetingroom.Astheoriginalwallpapersweregolden,thisroomwasnamed"GoldenHall".In1957,themeetingofthePoliticalBureauoftheCentralCommitteeoftheChineseCommunistPartywasheldinthisroom.Nowweareinthelounge,9metershigh.InthenorthwestcornerthereisafloorclockbuiltinGerman.AndthisplaceistherestingroomforthevisitorswhowaitformeetingtheGermangovernor.Thenlookupandyouwillfindacolorfulwindow.ThroughittheGermangovernorcanseethevisitorsandthendecideswhethertoreceivethevisitorsornot.Thenweenterintothedancehall.Thebranch-shapedpendantlampisamongthebiggestofitskindwhichhasmorethanahundredbulbsandthebronzelampholderaloneweighsaton.ThegrantpianowasmadeinStuttgartofGermanin1876.Thekeysofthepianoaremadeofivory.ThefactoryproducingthispianowasdestroyedbythefireoftheSecondWorldWar,sothispianohasbeentheonlywell-preservedoneintheworldandamostprecioustreasure.Thenascendingalongthestairs,wecometothethirdfloor.TherearethebedroomsfortheGermangovernorandhisfamilyandtheofficeroom.Weguessthisroomistheplayroomorgamesroom.AtthattimetheGermangovernormightplaycardswithhisfriendsorhisfamilymembers.Why?Itisbecauseofthelampinthisroom..ThisistheofficeroomfortheGermangovernor.thewritingdeskisveryspecial.Thedrawerhastwoparts-theouterandinner,sothegovernorcanputsomese