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TheMediaUnit6Lesson1FromPagetoScreenDoyoustillknowanyotherfilmsorTVseriesthatareadaptedfrombooks?Istheadaptationasuccess?Step1Lead-in“Page”referstotheoriginalbook.“Screen”referstothefilm.Thefilmcanbeadaptedfromthebook.Whatdoes“page”referto?Whatdoes“screen”referto?Howdoessomethinggofrompagetoscreen?Step2PredictingReadthetitle“FromPagetoScreen”andpredictwhatwillbetalkedaboutinthepassage.Step2Predicting預(yù)測(cè)thehistoryofadapted

films?thedevelopmentofadaptedfilms?thechallengesofadaptedfilms?thebenefitsofadaptedfilms?howpeopleadaptthebooksintofilms?

Readthearticlequicklyandfindthemainideaofeachpart.(

)Para.1(

)Para.2(

)Para.3-6(

)Para.7A.Therearesomehighlysuccessfulfilmsmadefrompopularbooksdespiteallkindsofchallenges.B.Thereasonsforthefailureofmanyadaptations.C.Afilmhasmanysourcematerials,butmanyadaptationsarenotsatisfactory.D.Readingabookandwatchingafilmaredifferent,butweallhavehighexpectationstoafilmmadefromabook.DCBAStep3FastreadingRead

and

Explore

Readparagraph1.Whatisthewriter’sattitudetowardsit?Whatwillthefollowingparagraphbeabout?Step4Carefulreading

Readingabookandwatchingafilmaretwoverydifferentexperiences,butit’snormaltohavehighexpectationswhenafilmofafavouritebookismade.TherearemanytimesIhavebeenpessimisticaboutorevendisappointedbyafilmofabookIlove.Althoughhighlyregardedbooksdonotalwaysmakegoodfilms,itissafetosaythatgreatfilmsmaybemadefromnotparticularlygoodbooks.(TheGodfatherimmediatelyspringstomind.)第一課從紙書(shū)到屏幕讀書(shū)和看電影是兩種截然不同的體驗(yàn)。如果人們最喜歡的書(shū)籍被翻拍成電影,他們對(duì)電影的期待值自然更高,這種現(xiàn)象很正常。不止一次,我喜歡的書(shū)籍拍成電影,我都不看好,甚至很失望。盡管高質(zhì)量的書(shū)并不總是能拍出好看的電影,優(yōu)秀的電影也可能來(lái)自不是那么好的書(shū),說(shuō)的倒是沒(méi)錯(cuò)。(這讓我馬上想到《教父》。)TheSourceMaterialsPage______booksScreen______filmsclassicnovelsshortstoriescomicbooksstageplaysbiographiesautobiographiesReadparagraph2,Whatarethesourcematerialsforadaptedfilmsandthequestionsraisedbytheauthor?Step4CarefulreadingReadparagraph2,Whatarethesourcematerialsforadaptedfilmsandthequestionsraisedbytheauthor?Q1:

Whydomanyadaptationsandindeedremakesfailbothcinemaaudiencesandcritics?Q2:Whydosomeadaptationsgetlowerratingsthanothers?Step4CarefulreadingThesourcematerialforafilmmaybetakenfromclassicnovels,shortstories,comicbooksandstageplays,aswellasnon-fictionsuchasbiographiesandautobiographies,eventhosewritten

byghostwriters.Allcanworkwell,butwhydomanyadaptationsandindeedremakesfailbothcinemaaudiencesandcritics?Andwhydosomeadaptationsgetlowerratingsthanothers?

一部電影可以取材自經(jīng)典小說(shuō)、短篇小說(shuō)、漫畫(huà)書(shū)、舞臺(tái)劇,也可以取自傳記、自傳等非小說(shuō)作品,甚至是代筆人寫(xiě)的作品。這些素材都可以拍出很棒的作品,但為什么許多改編、翻拍的電影沒(méi)能受到電影觀眾與評(píng)論家的好評(píng)呢?為什么有些改編作品的評(píng)分比其他作品低呢?TheoriginalVSFilm

Para.3TopicsentenceAquestionisobviouslyhowclosetotheoriginalthefilmis.原著TheCast

Para.4TopicsentenceAnotherproblemareaisthecast.演員陣容Readparagraph3-6,Whatarethemainchallengesfacedbyfilm-makers.Underlinethetopicsentence.

Readparagraph3,Whydoaudiencesalwayshavethefeelingof“thefilmisnotlikethebook”?Becausethefilm’slengthisabouttwohours,someplotsareleftoutorchanged.Eventheendingsmaybechanged.Step4Carefulreading

Akeyquestionisobviouslyhowclosetotheoriginalthefilmis.Sinceatypicalfilmisonlyaroundtwohourslong,itbecomesaquestionforscreenwriterstodecidewhatisappropriateforthescreenandwhattoleaveout.Screenwriterstakecreativelibertyandsometimestheremaybechangestotheplot,additions,andevendifferentendingstopleaseproducers,directorsandtestaudiences.I,likemanypeople,haveoftenleftthecinemafeeling“thefilmisnotlikethebook”.顯而易見(jiàn),一個(gè)關(guān)鍵的問(wèn)題在于這部電影與原作接近程度如何。電影通常只有兩小時(shí)左右,在有限的時(shí)間里,編劇要決定書(shū)中哪部分適合銀幕,哪部分不適合。對(duì)此編劇有一定的創(chuàng)作自由度,有時(shí)為了迎合制片人、導(dǎo)演、觀眾,會(huì)改動(dòng)部分情節(jié),甚至演繹不同結(jié)局。和很多人一樣,我也經(jīng)常在看完電影后感嘆“這部電影和原作不一樣”。Anotherproblemareaisthecast.Findingactorsacceptabletofilmaudiencescanmeanthedifferencebetweensuccessandfailure.Readersofthebookusetheirimaginationstovisualisecharactersandhaveverydefiniteideasabouthowcharactersshouldlookandsound.ThisiswhereIthinkmanyfilmadaptationsfalldown.另一個(gè)問(wèn)題是演員陣容。找到電影觀眾所接受的演員,有時(shí)決定著電影的成敗。讀者會(huì)通過(guò)自己的想象,將書(shū)中的人物形象化,角色的外貌、聲音他們都有明確的想法。我認(rèn)為選擇的演員不符合他們的想象,成為很多電影改編失敗的原因。TechnicalReasonsPara.5TopicsentenceSomefilmsaredifficulttobeadaptedfortechnicalreasons.TheScreenwriterPara.6TopicsentenceOnemaythinkthatitisthebookwriterwhoisinthebestpositiontodofilmadaptations.Infact,sometimesauthorsareveryinvolvedintheprocessandmayevenbethescreenwriter.Somebooksarejusttoodifficulttobeadaptedfortechnicalreasons,althoughfilmslikeLifeofPiarechangingthisidea.CGI(ComputerGeneratedImage)technologyhashadahugeimpactonthefilmindustry.Itallowedthepreviouslyunfilmabletobecomeareality.一些書(shū)由于技術(shù)原因很難拍成電影,雖然《少年派的奇幻漂流》等電影的出現(xiàn)正在改變這一問(wèn)題。電腦生成動(dòng)畫(huà)技術(shù)對(duì)電影產(chǎn)業(yè)有重大影響,讓以前無(wú)法拍攝的內(nèi)容成為現(xiàn)實(shí)。Onemaythinkthatitisthebookwriterwhoisinthebestpositiontodofilmadaptations.Infact,sometimesauthorsareveryinvolvedintheprocessandmayevenbethescreenwriter.Thiscanactuallybeadisadvantagebecausetheymaybetooclosetothematerialandfinditdifficulttoadapttoanewform.Atothertimestheyarenot,andthereareinstanceswherewritershavebeenveryunsatisfiedwiththefilmversionsoftheirwork;StephenKingisanexampleofthis.EvenmoreextremewasnovelistJ.D.Salinger,whomadesurenofilmversionsofhispopularnovelACatcherintheRyecouldeverbemade.Inthissituation,itisclearthatviewerswillnotbedisappointed!Forme,anyway,itisalwaysabadideatowatchafilmofabookyoulove.人們可能會(huì)認(rèn)為,最適合改編電影的人應(yīng)該是書(shū)籍作者本人。事實(shí)上,作者有時(shí)的確會(huì)參與改編,甚至可能擔(dān)任電影編劇。但這其實(shí)有局限性,因?yàn)樽髡弑救丝赡苓^(guò)于忠于書(shū)中內(nèi)容,很難將其改編成一種新的形式。有時(shí)作者本人并不是電影編劇,于是出現(xiàn)了作者對(duì)自己作品所拍攝的電影版本非常不滿意的情況。史蒂芬?金就是這樣。小說(shuō)家杰羅姆?大衛(wèi)?塞林格更為極端,他永遠(yuǎn)不準(zhǔn)自己廣受歡迎的小說(shuō)《麥田里的守望者》被拍成電影版本。如果是這樣,讀者就永遠(yuǎn)不會(huì)失望!不管怎樣,我認(rèn)為去看自己鐘愛(ài)的書(shū)籍翻拍成的電影不會(huì)是個(gè)好主意。Readparagraph7,Whatistheconclusiondrawnbytheauthor?Howdidtheauthorconcludehisargument?

Conclusion:TherehavebeensomehighlysuccessfulfilmsmadefrompopularbooksHow:Bygivingexamplesofsomesuccessfulfilms.Despitethechallenges,therehavebeensomehighlysuccessfulfilmsmadefrompopularbooks.Forme,Jaws,HarryPotterandTheLordoftheRingsallfitthiscategory.AndpossiblythebestproofofasuccessfuladaptationistheJamesBondseries,themajorityofwhichhasbeenadaptedfromthe007novelsoflanFleming.Perhapsunusually,audiencesseemtoacceptthattheactorswhohave45playedJamesBondhavechangedsooften,althougheveryoneseemstohavetheirfavourite.IknowIdo.盡管挑戰(zhàn)重重,還是有一些改編自暢銷(xiāo)書(shū)的電影取得了極大成功,例如《大白鯊》《哈利波特》和《指環(huán)王》都是成功的案例??赡茏詈玫睦邮钦材匪?邦德系列,該系列的大部分作品都改編自伊恩?弗萊明的《007》系列小說(shuō)。系列影片中詹姆斯?邦德的扮演者經(jīng)常換人,但觀眾們似乎也能接受,這讓人難以相信。但我相信每位觀眾和我一樣,都有自己最喜歡的那個(gè)扮演者。Part1(para.1)Part2(para.2)Part3(paras.3~6)Part4(para.7)Introducethetopicandthewriter’sopinionMainchallengesfacedbyfilm-makersConclusionSourcematerialsQuestionsStep5Readforstructure1.Whatfactorsshouldbetakeninto

considerationwhenadaptingbooksintofilms?2.Whatistheauthor’sopinionattheendaboutadaptedfilms?

Highlighttheevidenceinthearticle.Doyouagreewiththeauthor’spointofview?Whyorwhynot?P54

5Think&ShareStep6ReadfordeepunderstandingCheckyouranswers.1.Whatfactorsshouldbetakenintoconsideration

whenadaptingbooksintofilms?Theselectionofcasts,theuseoftechnologyandthe

screenwritersshouldbeconsideredwhenadaptingbooksintofilms.2.Whatistheauthor’sopinionattheendaboutadapted

films?Highlighttheevidenceinthearticle.Doyouagreewiththeauthor’spointofview?Whyorwhynot?●Theauthorispessimistic/negativeaboutit,becausehesaysthat“itisalwaysabadideatowatchafilmofabookyoulove”.●

“Despitethechallenges,therehavebeensomehighlysuccessfulfilmsmadefrompopularbooks.”Usethecorrectformofthewordsbelowtocompletethesentences.pessimisticjournalistgenerateratingadaptation

libertyappropriate

screenwriter

cast

version

critic

visualiseP54

71.Somefilm__________getlower______thantheoriginalbooks

becausetheyoften

failwithbothcinemaaudiencesand______.2.Arts_________JamesHopehasoftenbeen___________aboutafilm

ofabookheloves.3._____________havedifficultydecidingwhatis___________forthe

screenandtakecreative______bychangingtheplotandmaking

additions.4.The_____maybetheproblem.Readers_________charactersand

havedefinite

ideasabouthowtheyshouldlookandsound.5.CGI(Computer__________Image)

technologyhasmadeitpossible

forthepreviously

unfilmabletobecomeareality

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