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南京工程學院教案【教學單元首頁】
第卜3次課授課學時6教案完成時間:2012.10
UnitOne
章、節(jié)
TextI:HittheNailontheHead
主1.Backgroundinformation
2.Organizationandmainideaofthetext
要
3.Importantlanguagepoints
內(nèi)4.Analogyasanexpositorymeans
5.Readingcomprehensionexercises
容
目
1.Understandingthevariousaspectsrelatedtotheusageofwords.
的2.Knowingtheimportanceofchoosingandusingtherightwordincommunication.
3.Cultivatingasenseofappropriatenessinstyle
與4.Learningtouseanalogyasanexpositorymeans.
要
求
重1.Learningtouseanalogyasanexpositorymeans.
2.Knowingtheprofileofaword-thevariousaspects
點
3.ParaphrasingdifficultsentencesintheTextI.
與4.Masteringsomeimportantlanguagepointsandsentencestructures.
難
點
教
學
1.teacher'slecture
方2.students9discussion(pairwork&groupwork)
3.students'presentation
法4.roleplay
5.videoshow
與
手
段
南京工程學院教案【末頁】
本
單
元1.Variousaspectsrelatedtotheusageofwords.
知2.Theimportanceofchoosingandusingtherightwordin
識
點communication.
歸3.Asenseofappropriatenessinstyle
納4.Analogyasanexpositorymeans.
思1.WhathaveyoulearnedfromthetextabouttheEnglishvocabularyandthe
考
題Englishrhetoric?Doyoufindsuchknowledgeusefulornot?Explainwith
或illustration.
作
業(yè)2.Whataspectsdoweneedtoconsiderwhenweareconfrontedwithseveral
題
wordsbutnotcertainaboutwhichtochoose?
3.Whatcontributestoappropriatenessinstyle?
本Themostimportantis,inthisunit,thatstudentsshouldknowtheimportanceof
單choosingandusingtherightoraccurateword(hitthenailonthehead)in
元communication.Alsostudentsaresupposedtolearntohowtouseanalogyinwriting.
教
學
情
況
小
結
審
閱
意T*y.審閱人:
見
注:教案首頁和末頁中間為授課內(nèi)容
TextIHittheNailontheHead
II.Teachingobjectives
1.Understandingthevariousaspectsrelatedtotheusageofwords.
2.Cultivatingasenseofappropriatenessinstyle
3.Learningtouseanalogyasanexpositorymeans.
III.Warm-upquestions
1.Doesthetitlestrikeyouasabitunusual?
2.HaveyoueverheardoftheEnglishproverb"Hitthenailonthehead”?What
doesitmean?
3.Whosejobinvolveshittingnails?Isthetextconcernedaboutthecarpenter?
Then,what'sthemajorconcernoftheauthor?(stylisticmatter,howtouse
therightwordfromtheextensivevocabulary^oftheEnglishlanguage)
4.Whatsimilaritiesdoestheauthorrecognizeinthejobofacarpenterandthe
workofawriter?
■Theprocessthewriterchoosestherightwordissimilartothewayacarpenter
hammersanail.
■Likethecarpenterwhoneedstodrivehomeeverynail礦hewantshis
workproperlydone,awriterneedstoputeffortsinchoosingtheright
wordifhewantstobeaccurateandconcise.
5.Howmuchdoyouknowaboutstyle?Doyoufinditaninterestingtopic?
6.Howdoyoulikethetext?Doyoufinditdifficultoreasy?Didittakeyou
longtopreparebeforeyoucometotheclass?Aretheremanynewwordsin
thetext?
IV.Organizationofthetext
Directions:
Readthroughthewholetextveryquickly,findoutthemainideaofeachparagraph,
decidewhethersomeparagraphscanbegroupedtogethertoformasectionandhow
eachsectionisrelatedtotheother.
Discuss&conclude:
SectionI(paragraph1-3):Raisingthesubject:
Importanceofchoosingtherightword
Para1:Introducingthetopicbydrawingananalogybetweenthe
carpenterhammeringanailandthewriterusingwords.
Para2-3:Elaboratingontheimportanceofchoosingtherightword一
.Itisaprocessofrealizing,definingandclarifyingyourthought.
Section2(paragraph4-10):
Explainingthevariousaspectsintheprofileofaword
Para4-7:IIllustratinghowwordswithcommonrootshavedifferent
meanings(Semanticaspect)
Para8:Illustratinghowwordswithsimilarmeaningsmayhave
differentassociations(Connotationalaspect)
Para9:Illustratinghowwordswithsimilarmeaningsmayhavestylistic
differences.(Stylistic/situationalaspect)
Para10:Pointingoutthatageneralnotionmaybeexpressedbyavariety
vofspecificwords(Variationinexpression)
Section3(paragraph11):Conclusion:
Qualityismoreimportantthanquantityinlearning
vocabulary(withananalogytoechothebeginning)
V.Textworkandlanguagepoints
SectionI(paragraph1-3)
Paragraph1:
1.Callstudents,attentiontotheuseofanalogybyaskingquestionssuchas
■Howdoestheauthorintroducethesubject?
■Whatexpositorymeansisusedinthefirstparagraph?
■Canyouexplainthedifferencebetween“comparison”and"analogy”?
2.Askstudentstoreadthepassageonpage?withthefollowingquestionsinmind:
■WHATisthepurposeofdrawingananalogy?
■WHENisitoftenused?
■HOWisitdifferentfrom“comparison”?
3.Askstudentstoidentifytheuseofcomparisonandtheuseofanalogyinpara..1
Comparison
Aclumsymanaskillfulcarpenter
Agoodwriteraskillfulcarpenter
Analogy
Awriterchoosingtherightword
I
Acarpenterhammeringanail
4.Sumupthemainpoints:
Analogyisaspecialkindofcomparisonandamoreconcretewaytoexplain
things.Thepurposeofanalogyistoexplainsomethingabstractandremote.
Withanalogy,ofthetwothingsbeingcompared,oneisusuallyafamiliar
subject,whichhelpstoexplaintheother,whichisusuallyadifficultand
abstractsubject,somethinghardtodefine.
Paragraph2?3
1.Askquestionstocheckstudents9understandingofthetext
■Howisparagraph2linkedtothepreviousone?Whatdoestheword
6tthis^^referto?
■Isiteasytofindthewordthatexpressespreciselywhatawriterwantsto
express?Why?Doyouhavethisprobleminwriting?
-Wordsaremanyinnumber
-Wordsmayhavesubtledifferencesinthem(semantic,stylistic)
■Doesabigvocabularyguaranteetheabilityofusingtherightword?
Why?
■Doyouagreewiththeauthorthatthereisagreatdealoftruthinthe
seeminglystupidquestion“HowcanIknowwhatIthinktillIseewhatI
say?”
[Thequestionsoundsirrational,butistrue.Unlesswehavefoundthe
exactwordstoverbalizeourownthoughts,wecanneverbeverysureof
whatourthoughtsare.Withoutwords,ourthoughtscannotbedefinedor
statedinaclearandprecisemanner.]
rdefiningyourthought
Choosingwordsisaprocessof,clarifyingwhatyoumean.
realizingyourmeaning
2.Callstudents9attentiontotheauthor'sgeneralization(line11-16:Wordsare
manyandvarious...thosewhohearorreadourwords(line19-21)“〃ishard
work...wearedealingwith")Askthemtoreadaloud.Remindstudentsthe
importanceofgeneralizationafterillustrations.
Languagepoints
1)(line4)drivesomethinghome:force(thenail)intotherightplace;make
somethingunmistakablyclear,e.g.
■Thepersonwhowinstheargumentistheonewhodriveshomehis
points.
■Advertiserskeeprepeatingthenamesoftheproductinorderto
drivethemessagehome.
(also:drivehometosb,sth.)
■YoumustdrivehometoJohnwherethedifficultylies.
■YoumustdriveithometoJohnthatwedon'thaveenoughmoney.
2)(line4)hittingitsquarelyonthehead:directly,usedbothliterallyand
figuratively,examples:
■Theboxerhithisopponentsquarelyonthejaw.
■Wemustfacetheproblemsquarely.
3)(line7)cleanEnglish:Englishwhichispreciseandclear(incontrastwith
vague,slovenlylanguage)
4)(line10)scrupulouswriters:writerswhoareverycareful,payingattention
todetails——絲不茍的作家.“scrupulous“generallymeanspainstaking,
meticulous(i.e.payinggreatattentiontosmallthings).Itmaybepositiveor
negativeinassociation,e.g.
■Heisscrupulousinhisbusinessdealings,(positive,正派,謹慎)
■Thenursetreatedhimwiththemostscrupulouscare,(positive)
■Thepaperisnotentirelyscrupulousinsettingitsassumptions,(negative)
■Hepaysscrupulousattentiontostyle,(positive)
Compare:66unscrupulous^^不擇手段的(usuallynegativeinassociation)
5)shadesofmeaning:slightdifferencesinmeaning.
6)Someusefulsentencepatternsinthissection
■(line13)Itisnotonlyamatterofitisalso...
■(line19)Itishardwork+doingsth
■(line23)...hesitatedoingsth(also..hesitateaboutdoingsth,hesitate
todosth.hesitateatsth.)
Sentencesforparaphrase
1."Awordthatismoreorlessright,aloosephrase,anambiguousexpression,a
vagueadjective,willnotsatisfyawriterwhoaimsatcleanEnglish.”:i.e.A
writerwhoisparticularlyconcernedaboutthepreciseexpressioninEnglishwill
neverfeelhappywithawordwhichfailstoexpressanideaaccurately.
2.“Choosingwordsispartoftheprocessofrealization,...forthosewhohear
orreadourwords.”:i.e.Theprocessoffindingtherightwordstouseisa
processofperfectionwhereyoutrytosearchforwordsthatmaymostaccurately
expressyourthoughtsandfeelings,andwordsthatmaymosteffectivelymake
yourlistenersandreadersunderstandyourthoughtsandfeelings.
3.“Itishardworkchoosingtherightwords,butweshallberewardedbythe
satisfactionthatfindingthembrings.”:i.e.Findingthemostsuitablewordto
useisinnosenseeasy.Butthereisnothinglikethedelightweshallexperience
whensuchawordisfound.
Relevantinformation:
TheallusiontoFlaubert(Note7,page5)
GustaveFlaubert(1821-1880),Frenchnovelist,wasassociatedwith,though
notrepresentativeof,themovementofnaturalismandknownasoneofthe
greatestrealistsofthenineteenth-centuryFrance.Hedevotedhislifetolong
hoursspentinheavytoiloverhiswork.Hiswritingismarkedbyexactnessand
accuracyofobservation,extremeimpersonalityandobjectivityoftreatment,and
precisionandexpressivenessinstyle,ortheprincipleofthemotjuste.
Section2(paragraph4-10):Thevariousaspectsinwordusage
(I)Thesemanticaspectofwords(paragraph4-7)
1.Askstudentstomakecommentsonthethreepairsofexamplesgiveninthis
sectionCompareandcontrasttheirdifferencesinmeaning.
human:of,orrelatingtoman,
1)Je.g.humanbeing;humannature;humanrights
humane:.characterizedbykindness,mercy,orcompassion.
e.gahumanejudge/ojficer
chumanaction=actiontakenbyman
Lhumaneaction=mercifulaction
£humankiller=personthatkillshumans
Ihumanekiller=thatwhichkillsbutcauseslittlepain,esp.
instrumentsforthepainlesskillingofanimals
ranxiety:associatedwithworry/fear
2)Y
-eagerness:fullofinterestordesire
singularity(ofmind):oddity,peculiarity,sththatsinglesapersonout
"fromothers思想奇特、古怪
3)[
singleness(ofmind):holdingsteadfastlytothepurposeinmind,without
beingdrawnasidebylessworthyobjects.思想專一、堅定
2.Pointoutwhatmayhappenifweconfusewordswithasimilarform,(onepossible
consequence:malapropism).
Explain:Malapropismistheuseofawordinmistakeforonesoundingsimilar,
resultingincomiceffect,e.g.^allegory"for"alligator";"delusions"for
“allusions"
ThewordhasitsorigininMrs.Malaprop,afamouscharacterinSheridan's
comedytheRivals(1775).Sheisnotedforherblundersintheuseofwords."As
headstrongasanallegory(alligator)onthebanksoftheNile“isoneofher
grotesquemisapplications.Shealsorequeststhatnodelusions(allusions)tothe
pastbemade.Shehasgivenusthewordmalapropismasanameforsuch
mistakes.
Askstudentswhethertheycanrecallothernamesoffictioncharactersthathave
enteredtheEnglishdictionaryasMrs.Malaprop,(e.g.Mr.Micawber,RipVan
Winkle...etc)
"RipVanWinkle"isashortstorybytheAmericanauthorWashingtonIrving
publishedin1819,aswellasthenameofthestory'sfictionalprotagonist.
Plot:ThestoryofRipVanWinkleissetintheyearsbeforeandaftertheAmericanRevolutionaryWavRipVan
Winkle,avillagerofDutchdescent,livesinanicevillageatthefootofNewYork'sCatskillMountains.An
amiablemanwhosehomeandfarmsufferfromhislazyneglect,heislovedbyallbuthiswife.Oneautumndayhe
escapeshisnaggingwifebywanderingupthemountains.Afterencounteringstrangelydressedmen,rumoredto
betheghostsofHenryHudson^crew,whoareplayingnine-pins,andafterdrinkingsomeoftheirliquor,hesettles
downunderashadytreeandfallsasleep.Hewakesuptwentyyearslaterandreturnstohisvillage.Hefindsout
thathiswifeisdeadandhisclosefriendshavediedinawarorgonesomewhereelse.Heimmediatelygetsinto
troublewhenhehailshimselfaloyalsubjectofKingGeorgeHI,notknowingthatinthemeantimetheAmerican
Revolutionhastakenplace.Anoldlocalrecognizeshim,however,andRip'snowgrowndaughtereventuallyputs
himup.AsRipresumeshishabitofidlenessinthevillage,andhistaleissolemnlybelievedbytheoldDutch
settlers,certainhen-peckedhusbandsespeciallywishtheysharedRip'sluck.
TobeaRipvanWinkle,istoawakesuddenlytoprofoundchangesinone's
surroundings.Thismaybeduetophysicalabsenceortoabsenceofmind.Someone
whohasremainedoblivioustosocialandpoliticalchangesoveranextendedperiod
canbesaidtobe'Rip-Van-Winkleish*.
Cinderellaisapopularfairytaleembodyingaclassicfolktalemyth-elementofunjust
oppression/triumphantreward.Thousandsofvariantsareknownthroughouttheworld.Thetitle
characterisayoungwomanlivinginunfortunatecircumstanceswhichsuddenlychangeto
remarkablefortune.Theword''Cinderella"has,byanalogy,cometomeanonewhounexpectedly
achievesrecognitionorsuccessafteraperiodofobscurityandneglect.Thestill-popularstoryof
Cinderellacontinuestoinfluencepopularcultureinternationally,lendingplotelements,allusions,
andtropestoawidevarietyofmedia.
3.Askstudentstogivefurtherexamplesofconfusingwords,i.e.wordsthatlook
similarinformbutdifferentinmeaning,suchas“credulous”and“credible”,etc.
LanRuaqapoints:
1)distinct:adj.A.differentinkinde.g.
■Weshouldkeepthetwoideasdistinct.將兩個概念區(qū)別開來
■Donkeysandhorsesaredistinctanimals.不同的動物
B.clearlymarked,plain,e.g.
■adistinctimprovement明顯的
■adistinctpronunciation清晰的
2)afield:adv.awayfromone'shomeorusualenvironment,e.g.
■Don'tgotoofarafield.
Inthetext,itmaybeinterpretedas:Thereisnoneedforustomakeaneffortto
findproofofbadcarpentryinlanguage.^^Namely,64Youcanfindexamplesofbad
usageeverywherearoundyou.^^
3)rife:(predicativeonly)widespread,common,increasinglyprevalent,e.g.
■Superstitionisstillrifeinthecountry.(Not:rifesuperstition)
■Thecountrywasrifewithrumorsofwar.
■Crimeandviolencewererifeinthiscitybeforeliberation.
■Diseaseusedtoberifeinthiscountry.
(II)Thecoimotationalaspectofaword(paragraph8)
1.Askstudentstosumupthemainpointoftheparagraph.
2.Callattentiontothecohesivelinkinthetopicsentence(from"malapropism“tomove
toanewpoint—inappropriatenessresultingfromanignoranceoftheword's
connotation)
3.Discussthedifferentconnotationsineachofthefollowing:
r-imprisoned-force,coercion,compulsion,againstwill
-contained-moregeneral,neutral
J-epitomized-literary,formal
-summedup-general
I-distilled--moreformal,
Illustratetheusagewithfurtherexamples,e.g.
■Thecharterincludessomeconditionsthatimprison(限制)theindustrial
workerstoday.
■Heepitomizes(概括、凝聚)thegoodqualitiesofhisfamily,(bea
perfectexample,typify)
■Watercanbemadepurebydistillingit.(提煉)
4.Givefurtherexamplestoillustratethatwordswithsimilarorsamemeaningmay
havedifferentconnotations,e.g.
廠happiness
joy
々delight
rapture
匚ecstasy
5.Callattentiontothegeneralization(line56-60)whichwellsumsupwhat'sbeen
discussedintheparagraph.
LanRnagepoints:
Coercion:todosth.undercoercion;togetsth.bycoercion
Coerce:tocoercesb.intodoingsth.
■Hepaidthemoneyundercoercion.被迫
■Theterroristsgotwhattheywantedbycoercion.(Longman)
■Theterroristscoercedthepilotintoacceptingtheirdemandnottoland.
脅迫(Longman)
(III)Thesituationalaspectofwords(paragraph9)_
1.Introducetostudentstheconceptofregister,andlevelofformality(e.g.Martin
Joo'sFiveClocks:frozen-formal-consultative-casual-intimate)
2.Askstudentstocommentonthestylisticdifferencesinthetwopairsofexamples
giveninthetext.
3.Askstudentstogivefurtherexamplestoillustratethedifferencesinstyle,such
as::
rpoorP-face-begin
-poverty-stricken<-mug|-commence
-penniless1-visagej-inaugurate
=broke1I-initiate
4.Discuss:
■Whatarethefactorsthatdecidethestyle?(subjectmatter,participants,
circumstancesetc.)
■Isitrighttoconsiderastyleasmoresuperiortoanother?(e.g.formal
styleisbetterthaninformalstyle.)Whatcriteriashouldweusewhen
evaluatingthestyle?
/RefertoRandolphQuirk'sAGrammarofContemporaryEnglish:
-AscaleofstylesexistsinallouruseofEnglish.Eachofusworksnot
justwithonestylebutdifferentstyles.
-Ahaphazardknowledgeofseveralstylesmaybeworsethanuselessif
wedonotknowtheoccasionswhenweareshiftingfromonetoanother.
-Itistheheightofnaivetytogoroundwithasingleyardstick,measuring
IEnglishas"good"or"bad")
(IV)Variationinexpression:genericvs.specific(paragraph10)
1.Askstudentstosortoutthespecificverbsfor"walk”accordingtothedifferent
connotationormannerinvolved.Classifythemintosensiblecategories,suchas
-walkingwithoutmakinganoise(creep...)
-walkinginashowyway(strut,stalk...)
-walkingwithoutadefiniteaim(loiter,ramble...
-walkingwithleisure(stroll,saunter,meander,lounge)
-walkingwithbigsteps(stride,march,...)
-walkingwithdifficulty(plod,tramp,trudge,...)
-...etc.
2.Referstudentstotheexerciseon9(Workbook)forpractice.
Summary:Profileofaword-thevariousaspects
Cultural
Section3:Conclusion
1.Callstudents5attentiontotheanalogyusedinthelastparagraph.Identifythetwo
subjectsbeingcomparedandtheparallelelements.
2.Paraphrasetheconcludingsentence“Agoodcarpenterisnotdistinguishedby...
cleanlyonthehead.”
Tojudgewhetheracarpenterisgoodorbad,wewouldnotjustseehowmany
toolshehas.Whatcountsishisskills.Inthesameway,awriterisnotjudgedby
thenumberofwordsheknows,butbyhisabilityinusingsuchwords.Inother
words,qualityismoreimportantthanquantityinlearningvocabulary.
LanqiiaRepoints
1)alliterationindiscouragedanddismayed...(line87)
tohaveagoodcontrolandcommandover...(line93)
similarto“safeandsound”
2)takecourage:bebrave,beconfidente.g.
■It'sachallengingjob,buttakecourageandworkhardatit,andyou'llbe
rewarded.
VI.Classroomdiscussion
1.WhathaveyoulearnedfromthetextabouttheEnglishvocabularyandthe
Englishrhetoric?Doyoufindsuchknowledgeusefulornot?Explainwith
illustration.
2.Whataspectsdoweneedtoconsiderwhenweareconfrontedwithseveral
wordsbutnotcertainaboutwhichtochoose?
3.Whatcontributestoappropriatenessinstyle?
南京工程學院教案【教學單元首頁】
第4~5次課授課學時」教案完成時間:2012.10
章、節(jié)UnitTwoTextI:Bewarethedirtyseas
主1.Backgroundinformation
2.Organizationandmainideaofthetext
要
3.Importantlanguagepoints
內(nèi)4.Textorganizationpattern:causeandeffectpattern
5.Readingcomprehensionexercises
容
目
1.Toknowsomebasicknowledgeaboutwaterpollutionandwaterpollutioncontrol.
的2.GettoknowreasonsofpollutionabouttheMediterranean.
3.Learntousecauseandeffectpatterninwritingandreading.
與
要
求
1.Learningtousecauseandeffectpatterninwritingandreading.
重2.Knowingtheimportanceofenvironmentalprotection.
3.ParaphrasingdifficultsentencesintheTextI.
點
4.Masteringsomeimportantlanguagepointsandsentencestructures.
與
難
點
教1.teacher'slecture
2.students'discussion(pairwork&groupwork)
學
3.students7presentation
方4.roleplay
5.videoshow
法
與
手
段
南京工程學院教案【末頁】
本
單1.Backgroundinformation
元
2.Organizationandmainideaofthetext
知
識3.Importantlanguagepoints
點4.Textorganizationpattern:causeandeffectpattern
歸5.Readingcomprehensionexercises
納
思
考
題Afterclassdiscussion:
或Citeevidenceofpollutioninourenvironment,andpredictitsconsequences,both
作
業(yè)immediateandfar-reaching.
題
1.Waterpollutionisamajorelementof20th-centuryenvironmentalpollution.To
本preventfurthercontaminationofoceans,lakes,rivers,andstreams,governmentsall
單overtheworldhastotakemeasures.Waterpollutioncontrolisthetopicthatdraws
元theattentionoftheworldbecauseitoftengosidebysidewithlocaleconomical
教development.
學2.Causeandeffectpatterninreadingandwriting.
情3.Topicsentenceinparagraphwritingandreading.
況
小
結
審
閱
意T*y.審閱人:
見
注:教案首頁和末頁中間為授課內(nèi)容
UnitTwo
TextIBewaretheDirtySeas
I.Pre-readingQuestions
1.Howdoesthetitleofthetextstrikeyou?Why"thedirtyseas”?Whatcausestheseastobecome
dirty?Whyarethereaderscalledontobewareofthem?
II.AbouttheMediterranean:
*
*LocationofTheMediterraneansea
TheMediterraneanSeaisaseaconnectedtotheAtlanticOceansurroundedbythe
Mediterraneanregionandalmostcompletelyenclosedbyland:onthenorthbyEurope,onthe
southbyAfrica,andontheeastbyAsia.TheseaistechnicallyapartoftheAtlanticOcean,
althoughitisusuallyidentifiedasacompletelyseparatebodyofwater.
TheMediterraneanSeaisconnectedtotheAtlanticOceanbytheStraitofGibraltaron
thewestandtotheSeaofMarmaraandBlackSea,bytheDardcmellesandtheBOSDOTUS
respectively,ontheeast.Theman-madeSuezCanalinthesouth-eastconnectsthe
MediterraneanSeawiththeRedSea.
個TheMediterraneancivilization
TheancientMediterraneancivilization,fromancienttimestothebeginningoftheMiddle
Ages,isoneofthemostdistinguishedcivilizationswhichhaveinfluencedpositivelyawide
developmentofthehumancultures.
TheMediterranean'svastandvariedculturallegacy,whichincludesthealphabetdevisedby
thePhoenicians,thephilosophyanddramaofGreeks,theRomanmasteryofcivilengineeringand
theastronomicaladvancesoftheEgyptians,hasplayedafundamentalroleinthedevelopmentof
Westerncivilization.Theregionhasprovidedameetingpointfbrthepeoplesandculturesof
Europe,AfricaandAsia.
?PleaserefertoNote3onpage19.
?RecommendedBookforafterclassreading:
?TheMediterranean:CradleofEuropeanCulture
?ByMichaelStreeter
TheMediterranean-world-famousresort
TheusualmodernimageoftheMediterraneanisofblueskies,asparklingsea,longsandy
beaches,andarichandexcitingdietoffoodandwine.FromSpaintoTurkey,andfromItalyto
Tunisia,theregion'smanyresortsholdaseeminglyendlessattractionfortourists.Whetheritisfor
thevirtuallyguaranteedsunshine,thebeautifulviews,theenchantinglightorthedelicioussea
food,theMediterraneanattractsconstantstreamofvisitorstoitsshoresandislandeachyear.It
hasalwaysbeenthefavoriteresortintheworld.
ButtheMediterraneanseaisheavilyillbecauseo
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