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2022年大學(xué)英語考試模擬卷
(本卷共分為1大題50小題.作答時(shí)間為180分鐘,總分100分,60分及格。)
單位:姓名:考號:
題號單選題多項(xiàng)選擇判斷題綜合題總分
分值
得分
一、單項(xiàng)選擇題(共50題,每題2分。每題的備選項(xiàng)中,只有一個(gè)最符合題意)
1.Isthereanythingmoreboringthanhearingaboutsomeoneelse,sdream
AndisthereanythingmoremiraculousthanhavingoneofyourownThe
voluptuouspleasureofHarukiMurakamifsenthralIingfictions-fulIof
enigmaticimagery,randomnonsense,andprofunditiesthatmayormaynot
holdupintheIightofday-remindsmeofdreaming.Likenootherauthor
Icanthinkof,Murakamicapturesthejuxtapositionsofthetrivialand
themomentousthatcharacterizedreamIife,thosecrazyincidentsthat
seemsovividinthemomentandsoblurryandpreposterouslateron.His
charactersIiveordinaryIives,boilingpastaforIunch,ridingthebus,
andbIastingPrincewhileworkingoutatthegym.Thensuddenlyand
matter-of-factIy,theydosomethingutterlynuts,Iikestrikeupa
conversationwithacoquettishSiamesecat.Ormaybemackereland
sardinesbegintorainfromthesky.InMurakami*sworId,thesethings
makecomplete,cock-eyedsense.LikemanyofMurakami*sheroes,Kafka
TamurainKafkaontheShorehasmorerewardingrelationshipswith
Iiteratureandmusicthanwithpeople.(Murakamifspassionformusic
isinfections;nothingmademewanttorushoutandpurchaseaBrahms
CDuntiIIreadhisSputnikSweetheart.)Onhis15thbirthday,Kafkaruns
awayfromhisTokyohomeforobscurereasonsrelatedtohisfamous
scuIptorfather.Hischoiceofadestinationisarbitrary.Orisit
"Shikoku,Idecide.That'swhereI'IIgo...ThemoreIlookatthemap
—actua11yeverytimeIstudyit-themoreIfeelShikokutuggingatme."
OntheislandofShikoku,KafkamakeshimselfafixtureattheIocaI
Iibrary,wherehesettlesintoacomfortabIesofaandstartsreadingThe
ArabianNights:"LikethegenieinthebottIetheyhavethissortofvital,
Iivingsenseofplay,offreedomthatcommonsensecan'tkeepbottIed
up."AsinaDavidLynchmovie,alItheIibrarystaffersarephilosophical
eccentricsreadytoadvancethesurreaInarrative.Oshima,the
androgynousclerk,taIkstoKafkaabout(inevitably)Kafkaandthemerits
ofdrivingwhileIisteningtoSchubert("adense,artistickindof
imperfectionstimulatesyourconsciousness,keepsyoualert.IfIIisten
tosomeutterlyperfectperformanceofanutterlyperfectpiecewhile
I'mdriving,Imightwanttoclosemyeyesanddierightthere").The
tragicallyalluringheadIibrarian,MissSaeki,oncewroteahitsong
called"KafkaontheShore"—andmayormaynotbeKafka*sIong-1ost
mother.Alarmingly,shealsostarsinhiseroticfantasies.In
alternatingchapters,MurakamirecordstheevenodderanticsofNakata,
asimpIemindedcatcatcherwhospendshisdayschattingwithtabbiesin
avacantTokyolot.Oneafternoon,amenacingdogleadshimtothehome
ofasadisticcatkillerwhogoesbythenameJohnnieWalker.Walkerends
updeadbytheendoftheencounter;backinShikoku,Kafkaunaccountably
findshimselfdrenchedinbIood.Soon,NakatatoobeginsfeeIingan
inexpIicablepulItowardtheisland.Ifthisplotsoundstota11y
demented,trustme,itgetsevenweirderthanthat.Likeadream,you
justhavetobethere.And,Iikeadream,whatthisdazzlingnovelmeans
-orwhetheritmeansanythingatalI—wemayneverknow.
Whatis"KafkaontheShore"
A.ItisafictionwrittenbyaheadlibrarianMissSaeki.
B.ItisanautobiographicalnovelofKafkaTamura.
C.ItisamovieadaptedfromHarukiMurakamifsbook.
D.Itisthenameofahitsonginanovelunderthesamename.
2.ThomasHardywrotethefollowingnoveIsEXCEPT
[A]GreatExpectations.
[B]TessoftheD'Urbervilles.
[C]TheReturnoftheNative.
[D]UndertheGreenwoodTree.
3.Questions7and8arebasedonthefollowingnews.Attheendofthe
newsitem,youwiIIbegiven20secondstoanswerthequestions.Now
Iistentothenews.
JohnHolmesthoughtthattheBurmesegovernmentcouldbemore
followingtheconstitutionalreferendum.
A.naive
B.feasible
C.open
D.elastic
4.TheroadfromMiIduratoMerbein,innorth-westVictoria,isasadsight.
Manyofitsfarmsarecoveredwithwinegrapes,dyingonthevines.Farmers
plantedthevineshopingtocashinontheseeminglyendlessboomin
Australianwine.Butin2007theboomturnedtobust,foreingmanyfarmers
towalkawayfromgrapesandlandtheycannotsell.Overthepast15
yearsAustraIia'swineindustryhasbeenoneofitsgreatsuccessstories.
ExportrevenueslastyearreachedA$3billion($2.4billion),fourtimes
thefigurefrom1997.Britain,AmericaandCanada,amongthemost
competitivemarketsforwine,areAustralia1sthreebiggestcustomers.
ButthesufferinginplacesIikeMiIduraandnearbyRenmarkinSouth
AustraIiaisasignthattheindustryfelIvictimtoitsownsuccess.
FlushedwithagrowingdemandforAustralianwines,agrapeshortage,
andsoaringgrapeprices,growersrushedtoplantmorevinesinthelate
1990s.In1998theyputinarecord16,000newhectares,doubIethenew
plantingstwoyearsearIier.In2005Australiaproducedalmost2miIIion
tonsofwinegrapes,aquartermorethananalystssayitsmarketscan
absorb.ThencameAustralia'sworstdroughtinacentury.MiIduraand
Renmarkaresurroundedbydesert,andfruitfarmsandvineyardssurvive
onlywithirrigationfromtheMurrayRiver,theIifebIoodofAustralia,
sagriculture.SmalIerfirms,whichsupplythebigwinemakerswithsome
oftheirgrapes,facedadoublewhammy:fallinggrapepricesandcuts
toirrigationwater.StephenStrachan,chiefexecutiveoftheWine-
makers,FederalionofAustraIia,reckonsthedroughtwasaturningpoint,
evenatragiconeinsomecases,inforcingtheindustrybackto
"sustainablelevels".ThepIantingrushhasended.The3,600hectares
ofnewvinesplantedin2006aImostequaledthe3,400hectaresofvines
rippedoutofthegroundthatyear.Thedroughthasalsoledtomuch
soul-searchingamongAustraliaJs2,000wineproducersabouthowthe
industrycanrecaptureitsreputationforquaIitywines.Thereisnow
stiffcompetitioninthemid-marketfromotherNewWorldproducers,
notabIyNewZeaIand,wherethewineindustryisbooming.MuchAustralian
wineduringthegrapeglutfounditswayontotheworldmarketasbulk
orncommodity"wine,soldatlowpricesorevenataloss.Thisharmed
Australia'sreputationamongconsumers.AustraIianproducersnowface
thetaskofearningareputationforquaIityratherthanquantity.The
appreciationoftheAustraliandollar,whichmakesAustralianwinesmore
expensiveoverseas,hasbroughtanewurgencytothejob.Historically,
manyAustralianwinemakershavederidedtheFrenchapproachtomaking
wine,especiallytheideathatthefinestwinescomeonlyfromaterroir
―theunionofcIimateandsoiIcharacteristicofeachpIace.AustraIian
producersinsteadpridethemseIvesonwhattheyregardasalesssnooty
andmoredemocraticapproach:blendinggrapesfromdifferentregionsto
achieveaconsistentwine.Butsomearenowaskingwhethermarketingan
Australianwine'slocality,asmuchasitsgrapevariety,mightwork
better.SomesmalIerproducersarealreadydoingjustthat.InMargaret
RiverinWesternAustralia,forexampIe,smalIwinemakersproduce3%of
thecountry1sproduction,mainlyatthehighendofthemarket,and
independentIyofthebigcompaniesthatpredominateineasternAustraIia.
DenisHorgan,theownerofLeeuwinEstate,ravesabouttheregion*ssoiI
andclimate,andprideshimselfonLeeuwin*shigh-qualitywines,which
seiIforasmuchasA$95abottIe.SteveWebber,thewinemakeratDe
Bortoli,afamilywineryintheYarraVaileyofVictoria,arguesthat
AustraliacannolongerhopetocompeteonpriceaIone."Wehavetobe
maltingmoreinterestingwines,andwehavetolookmoretoourregions,
astheFrenchdo,"hesays.AustraIia's2008grapeharvestisexpected
tobebackdownto1.6miIIiontons.GrapesareonceagaininshortsuppIy,
andpricesarerisingmodestly.Butonlythefoolhardywouldtakethis
asachancetomakeakilling,andstartpIantingagain.
GrowersinAustraliapIantedofnewvinesin1996,accordingto
thepassage.
A.3,600hectares
B.3,400hectares
C.8,000hectares
D.16,000hectares
5.ItwassaidbySirGeorgeBernardShawthat"EnglandandAmericaare
twocountriesseparatedbythesamelanguage."Myfirstpersonal
experienceofthiswaswhenIworkedasacampcounselorfortwomonths
in2000inSummerCamprunbytheBoyScoutsofAmerica,aspartofan
internationalleaderexchangescheme.BeforeIwent,alItheparticipants
intheschemeweregivenashortIistofwordsthatareincommonuse
intheUKwhichAmericanswouIdeitherbeconfusedbyorwouIdevenoffend
them.Imemorizedthewordsandthought"I'IIcopen.WhenIfinally
arrivedintheStatesthreemonthslater,Irealizedthatperhapsa
IifetimeofwatchingAmericantelevisionwasnotadequatepreparation
forappreciatingandcopingwiththedifferencesbetweenAmericanand
Britishspeech.InthefirsthourofarrivingatthecampIwasexposed
toHighSchooIAmericanEnglishtBlackAmericanEnglishandAmerican
EnglishspokenbyJoePubIic,alIeverydifferenttoeachother.Needless
tosay,Ididcopeintheend.TheAmericansImetwereverywelcoming
andhelpful,andIfoundtheywerepatientwithmewhenImadeasociaI
fauxpaswhenIusedaninappropriatewordorphrase.Uponmyreturn
Ibegantowonderwhetheranyonehaddocumentedthedifferencesbetween
AmericanandBritishEnglish.Ifoundseveralbooksonthesubjectbut
oftenthesewerewritteninadryandacademicway.IfeltthatIcould
dobetterandusemysenseofhumorandpersonaIexperiencestoheIppeopIe
frombothsidesofAtIantictocommunicatemoreeffectiveIywhenthey
meet.MyresearchintothesubjectledmetoseveralconeIusions.
Firstly,AmericanEnglishandBritishEnglisharecovering,thanksto
increasedtransatIantictraveIandthemedia.ThemovementofsIangwords
ismostlyeastwards,thoughafewwordsfromtheUKhavebeenadopted
bytheIvyLeaguefraternities.Thisconvergenttrendisarecentone
datingfromtheemergenceofHo11ywoodasthepredominantfiImmaking
centerintheworldandalsofromtheSecondWorIdWarwhenlargenumbers
ofAmericanGlswerestationedintheUK.Thistrendwasconsolidated
bytheadventoftelevision.Beforethen,itwasthoughtthatAmerican
EnglishandBritishEngIishwoulddivergeasthetwoIanguagesevoIved.
In1789,NoahWebsterstatedthat:"NumerousIocaIcauses,suchasanew
country,newassociationsofpeople,newcombinationsofideasinthe
artsandsomeintercoursewithtribeswho11yunknowninEuropewill
introducenewwordsintotheAmericantongue."Hewasright,buthisnext
statementhassincebeenprovedtobeincorrect.nThesecauseswiII
produceinthecourseoftimeaIanguageinNorthAmericaasdifferent
fromthemodernDutch,DanishandSwedisharefromtheGermanorfrom
oneanother."WebsterhadunderratedtheamountofsociaIintercourse
betweenEnglandandherformercolony.EvenbeforeWebsterhadstarted
tocompiIehisdictionary,wordsandexpressionsfromtheAmericahad
alreadyinfiItratedtheBritishlanguage,forexampIe"canoe"and
"hatchetSecondIy,therearesomegeneralizationsthatcanbemade
aboutAmericanandBritishEnglishwhichcanreveaIthenatureofthe
twonationsandtheirpeoples.Britishspeechtendstobelessgeneral,
anddirectedmore,innuancesofmeaning,attendantmurmuringsandpauses,
carriesaweaIthofsharedassumptionsandattitudes.Inotherwords,
theBritisharepreoccupiedwiththeirsociaIstatuswithinsocietyand
speakandactaccordinglytofitintothesociaIclasstheyaspireto.
Thisisparticularlyevidentwhentalkingtosomeonefrom"themiddle
class"whenhepointsoutthatheis"uppermiddleclass"ratherthan
"middleclass"or"lowermiddleclass".JohnMajor(theformerUKPrime
Minister)mayhavesaidthatwearenowIivingina"classlesssociety"
buttheclasssystemstillprevaiIs.AtthatmomentbothheandtheLeader
oftheOpposition,TonyBlair,weretalkingaboutcapturingthe"middle
England","middleclassvote"asthekeytowinningthenextgeneral
election.AmericanspeechtendstobeinfIuencedbytheover-heated
languageofmuchofthemedia,whichisdesignedtoattachanimpression
ofexcitingactivitytopassive,ifsometimesinsignificantevents.Yet,
curiously,reaIlyviolentactivityandIife-changingeventsarehidden
inbIindantiseptictonesthatservetodisguisethereaIity.TwoexampIes
comereadilytomind-theUSMiIitarywiththeir"friendlyfire"and
"collateraIdamages"andthebusinessworldwiththeir"downsizing".
BritishpeopletendtounderstatementwhereasAmericanstowards
hyperbole.ABritonmightrespondtoasuggestionwithawordsuchas
"Terrific!"onlyifheisexpressingrapturousenthusiasm,whereasan
Americanmightusethewordmerelytosignifypoliteassent.Thirdly,
TheAmericanIanguagehaslessregardthantheBritishforgrammatical
form,andwi11happilybulIdozeitswayacrossdistinetionsratherthan
steerapath
A.supportthestatementofBernardShaw.
B.describehispersonalexperiences.
C.showhissenseofhumor.
D.helppeople,scommunication.
6.Iknownowthatthemanwhosatwithmeontheoldwoodenstairsthat
hotsummernightoverthirty-fiveyearsagowasnotataiIman.Butto
afive-year-old,hewasagiant.Wesatsidebyside,watchingthesun
godownbehindtheoldTexacoservicestationacrossthebusystreet,
astreetthatIwasnevera11owedtocrossunlessaccompaniedbyanadult,
orattheveryleast,anoldersibling.Cherry-scentedsmokefrom
Grandpa1spipekeptthehungrymosquitoesatbaywhilegray,wispyswirls
dancedaroundourheads.Nowandagain,heblewasmokeringandlaughed
asItriedtotargettheholewithmyfinger.I,cladinacoolsummer
night,andGrandpa,hissleevelessT-shirt,satwatchingthetraffic.
Wecountedcarsandtriedtoguessthecolorofthenextonetoturnthe
corner.Onceagain,Iwascaughtinthemiddleofcircumstances.The
fourthbornofsixchiIdren,itwasnotuncommonthatIwaseithertoo
youngortoooldforsomething.ThisnightIwasboth.Whilemytwobaby
brotherssleptinsidethehouse,mythreeoldersibIingspIayedwith
friendsaroundthecorner,whereIwasnota11owedtogo.Istayedwith
Grandpa,andthatwasokaywithme.IwaswhereIwantedtobe.My
grandfatherwasbabysittingwhiIemymother,fatherandgrandmotherwent
out."Thirsty"Grandpaasked,neverremovingthepipefromhismouth.
"Yes,"wasmyreply.nHowwouldyouIiketorunovertothegasstation
thereandgetyourselfabottIeofCoke"Icouldn,tbeIievemyears.
HadIhearditrightWashetalkingtomeOnmyfamily'smodestincome,
Cokewasnotapartofourbudgetordiet.Afewtantalizingsipswas
alIIhadeverhad,andcertainlynevermyownbottIe."Okay,"Ireplied
shyly,alreadywonderinghowIwouIdgetacrossthestreet.SurelyGrandpa
wasgoingtocomewithme.Grandpastretchedhislonglegoutstraight
andreachedhishugehanddeepintothepocket.IcouldhearthefamiIiar
janglingoftheloosechangehealwayscarried.Openinghisfist,he
exposedamoundofsiIvercoins.Theremusthavebeenamilliondollars
there.Heinstructedmetopickoutadime.Afterhedepositedtherest
ofthechangebackintohispocket,hestoodup."Okay,"hesaid,helping
medownthestairsandtothecurb,"I'mgoingtostayhereandkeep
anearoutforthebabies.11IItellyouwhenit'ssafetocross.You
goovertotheCokemachine,getyourCokeandcomebackout.Waitfor
metote11youwhenit'ssafetocrossback."Myheartpounded.IcIutched
mydimetightIyinmysweatypalm.Excitementtookmybreathaway.
GrandpaheldmyhandtightIy.TogetherweIookedupthestreetanddown,
andbackupagain.Hesteppedoffthecurbandtoldneitwassafeto
cross.HeletgoofmyhandandIran.IranfasterthanIhadeverrun
before.Thestreetseemedwide.IwonderedifIwouldmakeittotheother
side.Reachingtheotherside,IturnedtofindGrandpa.Therehewas,
standingexactIywhereIhadlefthim,smilingproudly.Iwaved."Go
on,hurryup,"heyeIled.MyheartpoundedwiIdlyasIwaIkedinside
thedarkgarage.Ihadbeeninsidethegaragebeforewithmyfather.My
surroundingswerefamiIiar.IheardtheCoca-CoIamachinemotorhumming
evenbeforeIsawit.IwaIkeddirectIytothebigoldred-and-white
dispenser.Iknewwheretoinsertmydime.Ihadseenitdonebeforeand
hadfantasizedaboutthismomentmanytimes.Thebigoldmonster
greedilyacceptedmydime,andIheardthebottIesshift.OntiptoesI
reachedupandopenedtheheavydoor.Theretheywere:oneneatrowof
thickgreenbottles,necksstaringdirectIyatme,andicecoldfromthe
refrigeration.Iheldthedooropenwithmyshoulderandgrabbedone.
Withaquickyank,Ipulleditfreefromitsbondage.Anotherone
immediatelytookitsplace.ThebottIewascoldinmysweatyhands.I
wiIIneverforgetthefeeIingofthecooIgIassonmyskin.Withtwohands.
IpositionedthebottleneckundertheheavybrassopenerthatwasboIted
tothewall.Thecapdroppedintoanoldwoodenbox,andIreachedin
toretrieveit.Iwascoldandbentinthemiddle,butIknewIneeded
tohavethissouvenir.Cokeinhand,Iproudlymarchedbackoutintothe
earlyeveningdusk.GrandpawaswaitingpatientIy.Hesmiled."Stop
rightthere,"heyeIled.Oneortwocarsspedbyme,andonceagain,
Grandpasteppedoffthecurb."Comeon,now,”hesaid,"run."Idid.Cool
brownfoamsprayedmyhands."Don*teverdothatalone,"hewarned.I
heldtheCokebottIetightIy;fearfulhewouldmakemepouritintoa
cup,miningthisdreamcometrue.Hedidn't.Onelongswa11owofthe
coIdbeveragecooIedmysweatingbody.Idon*tthinkIeverfeltsoproud.
BysayingIwascaughtinthemiddleofcircumstances"inthethird
paragraph,theauthormeans
A.hewasfacingadilemmaanddidnotknowwhatdecisiontomake.
B.hewascaughtwhenhewasdoingsomethingthathewasnotsupposedto
do.
C.hewaseithertooyoungortoooldforsomethingasthefourthborn
ofsixchildren.
D.hewasdoingsomethingthatrequiredhimtoccnsiderdifferent
circumstances.
7.Isthereanythingmoreboringthanhearingaboutsomeoneelse*sdream
AndisthereanythingmoremiraculousthanhavingoneofyourownThe
voluptuouspleasureofHarukiMurakamiysenthralIingfictions-fulIof
enigmaticimagery,randomnonsense,andprofunditiesthatmayormaynot
holdupintheIightofday-remindsmeofdreaming.Likenootherauthor
Icanthinkof,Murakamicapturesthejuxtapositionsofthetrivialand
themomentousthatcharacterizedreamIife,thosecrazyincidentsthat
seemsovividinthemomentandsoblurryandpreposterouslateron.His
charactersIiveordinaryIives,boilingpastaforIunch,ridingthebus,
andbIastingPrincewhileworkingoutatthegym.Thensuddenlyand
matter-of-factIy,theydosomethingutterIynuts,Iikestrikeupa
conversationwithacoquettishSiamesecat.Ormaybemackereland
1
sardinesbegintorainfromthesky.InMurakamisworIdtthesethings
makecomplete,cock-eyedsense.LikemanyofMurakami9sheroes,Kafka
TamurainKafkaontheShorehasmorerewardingrelationshipswith
Iiteratureandmusicthanwithpeople.(Murakami*spassionformusic
isinfections;nothingmademewanttorushoutandpurchaseaBrahms
CDuntiIIreadhisSputnikSweetheart.)Onhis15thbirthday,Kafkaruns
awayfromhisTokyohomeforobscurereasonsrelatedtohisfamous
scuIptorfather.Hischoiceofadestinationisarbitrary.Orisit
"Shikoku,Idecide.That,swhereI'IIgo...ThemoreIlookatthemap
-actua11yeverytimeIstudyit-themoreIfeelShikokutuggingatme."
OntheislandofShikoku,Kafkamakeshimselfafixtureatthelocal
Iibrary,wherehesettlesintoacomfortablesofaandstartsreadingThe
ArabianNights:"LikethegenieinthebottIetheyhavethissortofvital,
Iivingsenseofplay,offreedomthatcommonsensecan'tkeepbottIed
up."AsinaDavidLynchmovie,alItheIibrarystaffersarephilosophical
eccentricsreadytoadvancethesurreaInarrative.Oshima,the
androgynousclerk,taIkstoKafkaabout(inevitably)Kafkaandthemerits
ofdrivingwhileIisteningtoSchubert("adense,artistickindof
imperfectionstimulatesyourconsciousness,keepsyoualert.IfIIisten
tosomeutterlyperfectperformanceofanutterlyperfectpiecewhile
I'mdriving,Imightwanttoclosemyeyesanddierightthere").The
tragicallyalluringheadIibrarian,MissSaeki,oncewroteahitsong
called"KafkaontheShore"—andmayormaynotbeKafka*sIong-1ost
mother.Alarmingly,shealsostarsinhiseroticfantasies.In
alternatingchapters,MurakamirecordstheevenodderanticsofNakata,
asimpIemindedcatcatcherwhospendshisdayschattingwithtabbiesin
avacantTokyolot.Oneafternoon,amenacingdogleadshimtothehome
ofasadisticcatkillerwhogoesbythenameJohnnieWalker.WaIkerends
updeadbytheendoftheencounter;backinShikoku,Kafkaunaccountably
findshimseIfdrenchedinbIood.Soon,NakatatoobeginsfeeIingan
inexpIicablepulItowardtheisland.IfthisplotsoundstotaIIy
demented,trustme,itgetsevenweirderthanthat.Likeadream,you
justhavetobethere.And,Iikeadream,whatthisdazzlingnovelmeans
―orwhetheritmeansanythingatalI-wemayneverknow.
Accordingtotheauthor,whichofthefollowingisNOTtrueaboutHaruki
Murakami1snoveIs
A.Theybringthesensorypleasuretotheauthor.
B.Theyarefullofimaginationwithoutanyprofundities.
C.Theyjuxtaposethetrivialwiththemomentous.
D.Theyaresimilarincharacteristicstodreams.
8.WhatshouldthechiIdrendotoensurethepossessionoftheirsites
A.Frequentlychangetheirpasswordsofonlineaccounts.
B.Puttheirphotosonlinefrequentlyandrandomly.
C.Guaranteethedecencyoflanguageontheirsites.
D.Usetheirreadfullnamefortheironlineaccount.
9.HumanIanguagecancopewithanysubjectwhatever,anditdoesnot
matterhowfarawaythetopicofconversationisintimeandspace.Which
designfeatureofIanguagedoesthisphenomenonreferto
[A]Productivity.
[B]Culturaltransmission.
[C]Displacement.
[D]Arbitrariness.
10.ThemainmountainrangeinthewestofUSstretchingfromtheCanadian
bordertoNewMexicois
[A]theAppalachianMountains.
[B]theRockyMountains.
[C]theGreenMountains.
[D]theWhiteMountains.
11.TheroadfromMiIduratoMerbein,innorth-westVictoria,isasad
sight.Manyofitsfarmsarecoveredwithwinegrapes,dyingonthevines.
Farmersplantedthevineshopingtocashinontheseeminglyendlessboom
inAustraIianwine.Butin2007theboomturnedtobust,forcingmany
farmerstowaIkawayfromgrapesandlandtheycannotsell.Overthe
past15yearsAustraliaswineindustryhasbeenoneofitsgreatsuccess
stories.ExportrevenueslastyearreachedA$3billion($2.4bi11ion),
fourtimesthefigurefrom1997.Britain,AmericaandCanada,amongthe
mostcompetitivemarketsforwine,areAu
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