Unit3TheartofpaintingReading課件-高中英語(yǔ)譯林版(2020)選擇性

Unit3ReadingFirstimpressionsArtisadiverserangeofhumanactivitiesincreatingvisual,auditoryorperformingarts.藝術(shù)是人類(lèi)在創(chuàng)造視覺(jué)、聽(tīng)覺(jué)或表演藝術(shù)方面的各種活動(dòng)。Whichtypedotheybelongto?Visualarts視覺(jué)藝術(shù)Performingarts表演藝術(shù)Auditoryarts聽(tīng)覺(jué)藝術(shù)architecture建筑dancefilmphotography攝影painting繪畫(huà)sculpture雕塑drama戲劇

musicopera歌劇pottery陶藝Whichtypedotheybelongto?architecturedancefilmphotographypaintingsculpturedramapotterymusicWewillfocusonthevisualarts,especiallythepaintingsinthisunit.Visualarts視覺(jué)藝術(shù)Auditoryarts聽(tīng)覺(jué)藝術(shù)Performingarts表演藝術(shù)operaWherecanwegoandenjoythisbeautifulpainting?AnartmuseumWhereisthepassagetakenfrom?A.anewsreportB.atraveljournalC.amagazineD.atextbookWhatdoyouthinkthetraveljournaltalksaboutaccordingtothetitleandthepicture?根據(jù)標(biāo)題和圖片，你認(rèn)為這本游記講的是什么？

easel

畫(huà)架paints顏料

brushes畫(huà)筆palette調(diào)色板Thepassageisaboutpainting.Pre-reading(Prediction)PART1PART2PART3Para.1Para.2-4Para.5-6Whilereading(Structure)FirstimpressionsPara.1MytriptoParis:visiting______________________.Para.2Twogreatest_____________painters.

Para.3Painter:

________________

Para.4Painter:_______________________Para.5_____________whichcanbeseenthroughouttheimpressionists’paintings.

theMuseed’Orsay.Pierre-AugusteRenoirSimilarities

Listentothetapeandcompletethechart.CladueMonetPara.6InfluenceFastreadingImpressionistVisitingtheMuseed’Orsay.Similarities&Influence相同點(diǎn)&影響TwogreatestImpressionist

paintersCladueMonetPierre-AugusteRenoirPara.1TranslatingAsahugeartfan,IknewexactlywhatIwaslookingforwardto

mostaboutmytriptoParis:visitingtheMuseed’Orsay.

作為一個(gè)狂熱的藝術(shù)迷，我非常清楚自己此次巴黎之旅最期待的是什么：參觀奧賽博物館。這家舉世聞名的藝術(shù)博物館坐落于一座古老的鐵路大樓里，以19世紀(jì)印象派運(yùn)動(dòng)時(shí)期一些最著名的畫(huà)作為特色。Housedinanoldrailwaybuilding,thisworld-famousartmuseumfeaturessomeofthebest-knownpaintingsfromtheImpessionistmovementofthe19thcentury.

behousedin坐落于，被設(shè)于…StructurePara.1Feature特色Location位置AsIwanderedthroughtheimpressionistgallery,IappreciatedmasterpieceslikeTheBalletClassandTheCardPlayers.我漫步于印象派展館，欣賞著像《舞蹈課》和《紙牌玩家》這樣的杰作。盡管我在電腦屏幕上已經(jīng)欣賞過(guò)數(shù)百次，但當(dāng)我終于親眼見(jiàn)到實(shí)物時(shí)，還是覺(jué)得猝不及防，驚嘆不已。EventhoughIhadadmiredthemhundredsoftimesonmycomputerscreen,nothingcouldhavepreparedmeforthewonderIfeltwhenIfinallylaideyesontherealthing.Para.2Translatingpreparesb.forsth.使某人為某事做好準(zhǔn)備Para.2TranslatingWhileitwashardtopick

afavouritepaintingoutofsomanyamazingworks,theartistswhomadethedeepestimpressiononme

weretwoofthegreatestimpressionistpainters,

ClaudeMonetandPierre-AugusteRenoir.雖然從這么多令人稱(chēng)奇的作品中很難選出一幅最喜歡的，但兩位偉大的印象派畫(huà)家給我留下了最深的印象——克勞德·莫奈和皮埃爾·奧古斯特·雷諾阿。para.2ClaudeMonet克勞德·莫奈Pierre-AugusteRenoir皮埃爾·奧古斯特·雷諾阿Impression,Sunrise莫奈CladueMonet《日出·印象》BlueWaterLilies《藍(lán)睡蓮》

Pierre-AugusteRenoir皮埃爾·奧古斯特·雷諾阿（法）印象派重要畫(huà)家。1841年生于法國(guó)，后來(lái)隨家搬遷到巴黎。以油畫(huà)著稱(chēng)，亦作雕塑和版畫(huà)。作品有《包廂》《游船上的午餐》《煎餅?zāi)シ康奈钑?huì)》等Lunchonthecruiseship《游艇上的午餐》theloge

《包廂》FieldsofWheat麥田1.WhatdoweknowabouttheMuséed’Orsay?A.Itislocatedinanoldrailwaybuilding.B.Itisthemostfamousintheworld.C.Therearepaintingsofallkindsofmovements.D.Itisaplaceeveryoneexpectstovisit.2.Whomadethedeepestimpressiononthewriter?A.CladueMonetB.PaulGauguinC.VincentvanGoghD.MonetandRenoirCarefulreadingReadparas.1-2

andchoosetherightanswer.Line2Line12Para.3TranslatingIcouldseefromMonet'sworksthathewasgreatlyinspiredbynature.

Inthelastthreedecadesofhislifehepaintedmostly

scenesfromhisgarden.

從莫奈的作品中，我可以看出他深受大自然的啟發(fā)。在他生命的最后三十年里，他畫(huà)的大多是自家花園里的風(fēng)景。其中一處風(fēng)景就展現(xiàn)在他著名的《藍(lán)睡蓮》里，我在展館里端詳了好一陣子。OneofthesescenesisshowninthefamouspieceBlueWaterLilies,

whichIstudiedforquiteawhileinthegallery.Para.3TranslatingIcouldn'tbelieveitwhenIheardhedidaround250paintingsofthesamewaterlilypond,allindifferentcoloursandstyles.當(dāng)聽(tīng)說(shuō)同一個(gè)睡蓮池他畫(huà)了大約250幅畫(huà)，每一幅顏色和風(fēng)格都各異時(shí)，我簡(jiǎn)直難以置信。令人贊嘆的是，莫奈每次端詳睡蓮池這處簡(jiǎn)單的風(fēng)景，都以獨(dú)特的方式讓它的美躍然于畫(huà)布之上。Itisamazingthateverytime

Monetstudiedthissimplescene,hebroughtthepond'sbeautytothecanvasinauniqueway.para.3BlueWaterLiliesaround250paintingsindifferentcolorsandstylesfreebrushwork自由的筆觸mostlyfromhisgardenMonet莫奈vividcolor生動(dòng)的色彩inauniquewayPara.4TranslatingRenoir,Inoticed,preferredtopaintscenesofeverydaylife.Forme,themostinterestingofhispaintingsishis1876masterpieceDanceatLeMoulindelaGalette,

whichshowslifeinabusyneighbourhoodofParisonaSundayafternoon.我注意到，雷諾阿更喜歡描繪日常生活場(chǎng)景。在我看來(lái)，他最有趣的畫(huà)作是他1876年的杰作《煎餅?zāi)シ坏奈钑?huì)》，這幅畫(huà)展現(xiàn)了某個(gè)周日下午巴黎一處熱鬧街區(qū)的生活。DanceatLeMoulindelaGalettebyRenoirPara.4TranslatingWhenIsawitupclose,Iwas

struckbythesmallareasoflightacrossthepainting,andthewaythesoftedgesofthefiguresseemedtomixtogether.There’ssomuchgoingon,butsolittlecleardetail.Thiseffectmakesthelivelymovementofthedancealmostjumpoutattheviewer.

我近距離觀賞時(shí)，畫(huà)面上遍布著小面積的光斑，人物柔和的輪廓似乎融為一體,令我驚嘆不已。畫(huà)上呈現(xiàn)的內(nèi)容如此豐富，但清晰的細(xì)節(jié)又如此之少。這種效果使得生動(dòng)的舞蹈動(dòng)作似乎躍然于觀眾面前。Renoir雷諾阿para.4Masterpiece:Subject:Characteriestics:DanceatLeMoulindelaGalette《煎餅?zāi)シ坏奈钑?huì)》lifeinabusyneighbourhoodofParisonaSundayafternoonType:real-lifepaintingshowtheeffectof_______________ofthefigures___________detaillightsoftedgesRenoir雷諾阿solittleclear《煎餅?zāi)シ坏奈钑?huì)》DanceatLeMoulindelaGalette1.Renoirpreferredtopaintscenesofeverydaylife.T/F2.Renoir'smasterpieceDanceatLeMoulindelaGaletteisverydetailed.T/FReadpara.4anddecidethestatementsare

TorF.CarefulreadingLine21Line26Para.4ReadingStructureTwoofthegreatestImpressionistpaintersParas.2-4Pierre-AugusteRenoirClaudeMonetDetailedinformationFamouspieceSubjectsofpaintingOtherinformationHepaintedmostlyscenes________________inthelastthreedecadesofhislifeHepaintedabout250paintingsofthesamewaterlilypond,allin___________________________.Hebroughtthepond’sbeautytothecanvas_______________inauniquewaydifferentcolorandstylesfromhisgardenBlueWaterLiliesMonetDetailedinformationFamouspieceSubjectsofpaintingOtherinformationHepreferredtopaintscenesof____________Hismasterpieceshows_______________________.Itischaracterizedbythesmallareasof_______andthewaythe_________________seemedtomixtogether.everydaylifesoftedgesoffigureslightDanceatLeMoulindelaGalettelifeinabusyneighbourhoodRenoirPara.5Translating

Althoughthepaintingshadverydifferentsettings,

itwastheirsimilaritiesthat

stayedwithmelongafterIlefttheMuseed’Orsay—similaritieswhichcanbeseenthroughouttheImpressionists'paintings.盡管這兩幅畫(huà)的背景截然不同，但在我離開(kāi)奧賽博物館后很長(zhǎng)一段時(shí)間里，一直縈繞著我的卻是它們的相似之處——這種相似之處在印象派的畫(huà)作中到處可見(jiàn)。Para.5TranslatingMonetandRenoir,alongwithotherlike-mindedartists,soughtliberationfromtherulesoftheoldstyle.莫奈和雷諾阿，以及其他志趣相投的藝術(shù)家，都力求從舊風(fēng)格的束縛中尋求解放。Everydaysubjectmatterwasthemainfocusoftheirworks,asopposedtothehistorypaintingsthathadtraditionallydominatedEuropeanart.日常題材是他們作品的重點(diǎn)，這有別于傳統(tǒng)上在歐洲藝術(shù)界占主流地位的歷史題材畫(huà)作。Para.5TranslatingTheyemployedfreebrushworkandusedcolourstoshowtheeffectoflightonthings,creatingpaintingsthatwerefarless

realisticthantheworksthatcamebefore.他們運(yùn)用自由的筆觸，使用色彩來(lái)表現(xiàn)光線投射在物體上的效果，創(chuàng)作的畫(huà)遠(yuǎn)不如前人之作那么寫(xiě)實(shí)。Tome,thesetechniquesaretheessenceoftheImpressionistviewofart.在我看來(lái)，這些技巧是印象派藝術(shù)觀的精髓。Para.5TranslatingImpressionistartistsdidnottrytopainteverydetailinascene—justabrief“impression”theyhadatthatmoment,burningwith

vividcoloursandlight,beforeitdisappeared.印象派畫(huà)家試圖描繪的并非某個(gè)場(chǎng)景的所有細(xì)節(jié)——而是他們當(dāng)時(shí)產(chǎn)生的瞬間“印象”，在它消失之前，迸發(fā)著鮮明的光彩。WhatarethesimilaritiesbetweenMonet’sandRenoir’spaintings?seekliberationfromtherulesoftheoldstylepara.5Whatistheoldstyle?Whatisthenewstyle?都力求從舊風(fēng)格的束縛中尋求解放。oldstylenewstylepara.5theImpressionists’paintingstheworksthatcamebeforeSubjects:Techniques:Styles:Focus:everydaysubjectmatterhistorypaintingslessrealisticrealisticjustabrief“impression”everydetailinasceneemployfreebrushworkusecolortoshowtheeffectoflight/aso_______topposedatraveljournalwherewhowhatTheMuséed’OrsayClaudeMonetPierre-AugusteRenoirVincentvanGoghPaulGauguinTheBalletClassTheCardPlayersBlueWaterLiliesDanceatLeMoulindelaGalettePara.6Translating

TheImpressionists'visioninspiredawholenewgenerationofPost-ImpressionistpainterssuchasVincentvanGoghandPaulGauguin,whoseworksarealsodisplayedattheMuseed’Orsay.印象派的遠(yuǎn)見(jiàn)卓識(shí)啟發(fā)了新一代的后印象派畫(huà)家，如文森特·凡·高和保羅·高更，奧賽博物館有展出他們的作品。ⅡAppreciatesomePost-Impressionistpaintings.VincentvanGoghⅡAppreciatesomePost-Impressionistpaintings.PaulGauguinPara.6TranslatingItisalsoworthyofnotethatPost-ImpressionistpainterswerenottheonlyonestobeinfluencedbyImpressionismthemovementhashadalastinginfluenceonmodernart,encouragingartiststolookattheworldfromanentirelynewpointofview.Itcertainlyleftalastingimpressiononme.值得注意的是，后印象派畫(huà)家并不是唯一受印象派影響的群體——這場(chǎng)運(yùn)動(dòng)還對(duì)現(xiàn)代藝術(shù)產(chǎn)生了持久的影響，鼓勵(lì)著藝術(shù)家們從一個(gè)全新的視角去看待世界。當(dāng)然，這也給我留下了難忘的印象!StructuresimilaritiestheImpressionists’paintingsinfluencesParas.5-6DetailedreadingPara.5-6Readparagraph5andmakeacomparisonbetweentheImpressionists’paintingsandtheworksthatcamebeforebyfillinginthefollowingtable.TheworksthatcamebeforeTheImpressionists’paintingsSubjectsStylesRealisticFocusHistorypaintingsEverydaysubjectmatterLessrealisticEverydetailinasceneJustabrief“impression”theyhadatthatmomentTheNightWatch,1642,RembrandtImpression,Sunrise,1872,ClaudeMonet倫勃朗《夜巡》莫奈《日出印象》TheGleaners,

1857,Millet米勒《拾穗者》para.6WhatinfluencesdidtheImpressionistshave？

on________________paintersPost-ImpressionistVincentvanGogh文森特·梵高PaulGauguin保羅·高更Post-impressionistpaintingsImpressionistpaintingspaymoreattentionto________self-emotionpara.6WhatinfluencesdidtheImpressionistshave？

on________________painterson__________artonthewriterItleftalastingimpressiononthewriter.Post-ImpressionistmodernItencouragedartiststolookattheworld_______________________________.fromanentirelynewpointofviewRelaxourselvesKnowabouthistoryExpressfeelingsEnrichourlivesWhydoweneedart?…FurtherthinkingWhichofthefollowingisanimpressionistpainting?PostreadingReadthetraveljournalagaincarefullyandfinishA2onpage32.Whilereading(Details)WORKSUMMARY

1.TheauthorwasmostimpressedbyMonetandRenoir. 2.Renoir’smasterpieceDanceatLeMoulindelaGaletteisverydetailed. True(Para2Line11)False(Para4Line26)Theusercandemonstrateonaprojectororcomputer,orpresentationandmakeitfilmtobeusedinapart1Theusercandemonstrateonaprojectororcomputer,orpresentationandmakeitfilmtobeusedinapart1WORKSUMMARY

3.TheImpressioniststriedtopaintextremelyrealisticpaintings.

4.TheImpressionistsshowedtheeffectoflightonthingswithcolours.5.VanGoghwasinfluencedbyImpressionism. False(Para5Line36)True(Para5Line34)True(Para6Line39)RevisionFinishB1onPage33.

VincentvanGoghwasoneofthemostgiftedartistsofhisgeneration.Hebeganworkinginanart(1)_______whenhewas16yearsold.However,itwasnotuntilmorethana(2)_______laterthathestartedtoseriouslyconsiderbeinganartisthimself.VanGoghbecamedepressedafterhemovedtoLondon.In1880,hetookuppainting,fromwhichhedrewmuchcomfort.Ashebeganto(3)_