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1、 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill part v the romantic period (1820-1900) an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill time-line monroe doctrine1823 hugo: hunchback of notre dame1831 dickens: oliver twist1837 dumas: the thr
2、ee musketeers1844 poe: the raven1845 darwin: origin of species1859 american civil war1861-1865 twain: huckleberry finn1884 bell invents telephone1876 an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill romanticism (1820-1900) stressed emotion, imagination, and indiv
3、idualism emotional subjectivity basis of arts favorite artistic topics: fantasy and the supernatural period of the industrial revolution resulted in social and economic changes middle ages/concept of chivalry 1815) franz schubert vocal music guide: p. 224 brief set, cd 3:12 based upon narrative ball
4、ad with supernatural topic by goethe listen for:through-composed form piano portrays galloping horse different characters have their notes pitched at different levels to emphasize dialog dramatic ending an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chapter 5:
5、robert schumann german, early to mid-romantic (1810-1856) problem with hand ended his ambition wanted to be piano virtuoso temperamentally unsuited for some of the musical positions he attempted married his piano teachers daughter committed to asylum where he died - treatments and gadget made proble
6、m worse an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill robert schumanns music wrote piano pieces, art songs, and later symphonies piano pieces and art songs frequently in cycles known for his gift for melody an appreciation 2006 the mcgraw-hill companies, inc.
7、all rights reserved. mcgraw-hill listening from carnaval (1834), a cycle of program music by robert schumann estrella, for his first fiance ternary form, note syncopation in b section listening guide p. 229 brief set, cd 3:18 reconnaissance (reunion) ternary form, note b section shift from homophoni
8、c to polyphonic texture listening guide p. 229 brief set, cd 3:20 an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chapter 6: clara wieck schumann german (1819-1896) a leading 19th century pianist pair was friends with johannes brahms married robert schumann one
9、of first well-known women composers stopped composing after his death focused on performing his works an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill clara wieck schumanns music stopped composing at age 36 considered herself primarily a performer wrote: - perhap
10、s related to negative attitude toward women composers - possibly due to her close association with overwhelming geniuses like brahms and her husband - songs - piano pieces - a piano concerto - a trio for piano, violin, and cello an appreciation 2006 the mcgraw-hill companies, inc. all rights reserve
11、d. mcgraw-hill listening liebst du um schonbeit (if you love for beauty; 1841) clara wieck schumann vocal music guide: p. 232 brief set, cd 3:22 based upon a poem by ruckert listen for:varied strophic form ( a a a” ) folk-like quality of melody piano fills in spaces in vocal melody at times and at o
12、thers responds to or continues vocal melody an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chapter 7: frederic chopin polish born musician (1810-1849) early to mid-romantic composer wrote almost exclusively for piano came to paris at age 21 europes romantic per
13、iod artistic capital made extensive use of piano pedals composed mostly for chamber concert avoided concert halls affair with aurore dudevant (a.k.a. george sand) an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chopins music developed personal style at early age
14、 not program music, but evokes an image unique harmonic style influenced others most of his pieces are elegant miniatures an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill listening nocturne in e flat major, op. 9, no. 2 frederic chopin (1830-31) listening outline
15、: p. 234 brief set, cd 3:26 nocturne (night piece)slow, lyrical, intimate piece for piano listen for: expressive, emotional presentation with subtle shifts in tempo and dynamics note pedal notation on printed music (p. 235) an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mc
16、graw-hill listening etude in c minor, op. 10, no. 12 (revolutionary; 1831?) frederic chopin listening outline: p. 236 brief set, cd 3:29 etudestudy piece focusing upon a specific performance technique listen for: speed 1893) antonin dvorak first movement: adagio; allegro molto listening guide: p. 25
17、7 brief set, cd 3:41 listen for: based upon american folk melodies use of non-major/minor scales sonata form (but with 3 themes, not 2) an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chapter 14: peter ilyich tchaikovsky russian, late romantic (1840-1893) marrie
18、d, divorced two weeks later supported by benefactress (patron) did not start until age 21 studied music in russia they corresponded but never met traveled europe and united states by age 30 had a symphony, opera, tone poem and his first great orchestra work an appreciation 2006 the mcgraw-hill compa
19、nies, inc. all rights reserved. mcgraw-hill tchaikovskys music wrote symphonies, concerti, overtures, operas, and more fused russian folk music and european style an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill listening romeo and juliet overture-fantasy peter i
20、lyich tchaikovsky listening guide: p. 260 basic set, cd 5:44 listen for: depicts events and characters, but is not a re-telling of the story different melodies for characters/groups of characters and events love theme has become very well known an appreciation 2006 the mcgraw-hill companies, inc. al
21、l rights reserved. mcgraw-hill chapter 15: johannes brahms german composer (1833-1897) became close friends with the schumanns lived with clara while robert in asylum lifelong friends with clara, he never married son of a musician (father played bass) at 13, studied music by day/played gigs by night
22、 studied earlier composers works in detail especially bach, haydn, mozart & beethoven bettmann/corbis an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill brahmss music considered somewhat conservative due to his use of classical forms wrote in all traditional forms
23、except opera an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill listening symphony no. 3 in f major, op. 90 johannes brahms third movement: poco allegretto listening outline: p. 264 brief set, cd 3:48 listen for: classical form with romantic harmonies scherzo form
24、( a b a ) triple meter, as in classical 3rd movement reduced instrumentation for movement an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chapter 16: giuseppe verdi italian (1813-1901) studied in busseto & milan supported by patron married patrons daughter mid-
25、and late-romantic composer wrote operas with political overtones - nationalist, supported unification of italy critics blasted him scandalous subjects seemed to condone rape, suicide, and “free love” known for opera an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hil
26、l verdis music wrote for middle-class audience favorite topic: love story w/ unhappy ending final opera ends with “all the worlds a joke!” an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill listening la donna e mobile (woman is fickle) aria from rigoletto (1851) gi
27、useppe verdi listening guide: p. 268 basic set, cd 6:20 listen for: middle class topic, as in classical period text familiar melody an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill chapter 17: giacomo puccini italian (1858-1924) known primarily for operas late-ro
28、mantic composer became wealthy and world famous due to the popularity of his music opera la boheme his first major success bettmann/corbis an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill made use of exoticism, setting his operas in foreign places his operas make
29、 use of short melodies, simple phrases, and realistic dialog artistic style verismo (reality): “true to life” an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcgraw-hill listening la boheme (1896) giocomo puccini act i: scene between rodolfo and mimi through rodolfos aria che gelida manina (how cold your little hand is!) storyline of meeting of rodolfo and mimi (p. 269) vocal music guide: p. 271 brief set, cd 3:51 listen for: dialog is more realistic tempo shifts to accentuate music & text an appreciation 2006 the mcgraw-hill companies, inc. all rights reserved. mcg
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