園林專業(yè)外文文獻(xiàn)園林061

1、本科畢業(yè)設(shè)計(jì)外文文獻(xiàn)及譯文 文獻(xiàn)題目：reviewing the development of modern landscape architecture in america 文獻(xiàn)來(lái)源：期刊文獻(xiàn)發(fā)表日期：2008.10.25 院 （部）： 藝術(shù)學(xué)院專 業(yè)： 園林班 級(jí)： 園林061姓 名： 張峻濤學(xué) 號(hào)： 2006061324指導(dǎo)教師： 魯敏教授翻譯日期： 2010.6.9外文文獻(xiàn)：reviewing the development of modern landscape architecture in america 1 introduction the new century came

2、in the end, turn of the century, a century or even millennium replace actually replaced in a flash, in this moment, the united states modern landscape architecture profession has gone through an extraordinary century.in the passing away of hundred years, the united states the emergence of modern lan

3、dscape architecture and development to guide the direction of modern landscape architecture, and covers almost all of the exploration.therefore, we hope that through their review and thinking, can and enlightenment. 2 development industrial revolution has brought about tremendous and far-reaching ch

4、anges to the 19th century, known as the "father of american landscape architecture" of the fl olmsted and vaux designed by british architect, new york's central park (1858) the construction, marking the ordinaryliving landscape to come.as a starting point, the landscape architecture fr

5、om the path of independence, and with modern american society and the democratic process, moving from a very small selection of traditional professional into the world of human life for almost all the scales involved in the subject; in the shortshort bar for more than a century, the landscape of hum

6、an experience in several dimensions greatly expanded.2.1 the expansion of the field of professional practice and ideal as a symbol of a series of city parks (1865 thurmond philadelphia park, jinshan park, 1870 san francisco, chicago, 1871 south park, etc.) and the beginning of modern landscape archi

7、tecture practice, such as a pioneer in the olmsteadinitiative, adhere to the whole land from the city and the perspective of the modern landscape architecture professional practice areas of the start location; including urban parks and green space systems, urban and rural landscape road system, resi

8、dential areas, schools, real estate development and national parksplanning and design management in the broad field.with the social development and understanding of human nature continues to expand, the practice of landscape architecture and further extend to the entire field of human settlements co

9、nditions.modern landscape architecture in perspective increasingly clear that completely changed the concept of practice, of course, the traditional small-scale private gardens and garden design continue, and ecology, such as land planning, landscape protection and planning, investigation and assess

10、ment of land resources and landscape protectionmanagement of these professional practice to make the landscape architecture in a more general level and more public scale operation.today, as a human society gradually away from the natural environment to answer, landscape architecture, construction ya

11、rd will no longer be enlarged version, but a practical subject, covering almost 10,000 people and the natural environment aspects of the relationship between the practice of subject area, itstheoretical methods and social responsibility also will expand and change.2.2 clients and professional practi

12、tioners to expand american modern landscape architecture from the central park, the already small number of people is no longer a luxury for admiration, but the general public space for physical and mental regeneration.landscape into the lives of ordinary people, to meet the aspirations of ordinary

13、people, it should be said that it was given to modern society and democracy.modern landscape architecture enables modern landscape architecture, social life with real roots, with continuous vitality and dynamism.with human beings the process of industrialization and urbanization make the deteriorati

14、ng natural environment, the survival and continuation of human beings also under threat.to environmental issues in contemporary society to highlight the status of the point of view, the modern landscape architecture services is no longer limited to a group of man-made object, but as a human interdep

15、endence with other species with itself has a multi-cultural existence of natural systemsin part, to expand the vision of modern landscape architecture to the cultural circle of the entire human interaction with the natural biosphere and sustainable development. broad areas of professional practice t

16、o make the necessary professional knowledge landscape architects increasingly present a comprehensive and integrated features.today, many landscape architects will be required for landscape architecture practice, extensive knowledge and feel a bit embarrassed.correspondingly, with a variety of diffe

17、rent professional backgrounds to participate in the practice of landscape architecture to, of which both traditional gardener, there are architects, urban planners, botanists, geographers, environmental and even painters and artistssculptor.they have their own unique knowledge and the professional a

18、dvantages of modern landscape architecture makes the richness of the multi-scene, to explore a variety of professional landscape architecture in modern science and art both in deepening and expand the experience of landscape architectural design and methods.2.3 design elements and design practices t

19、o expand was used as a multi-purpose practice professional, modern landscape design palette of material also extends to traditional landscape design can not imagine the situation.landscape design plant is no longer the dominant element of the dominant, but rather an alternative landscape materials,

20、land, rocks, water, concrete, bricks, wood, tile, steel, plastic and glass and many naturalartificial material in the modern landscape design can be used, even the local hardware store in a form element plated frog also appears in the modern landscape works.avant-garde in the small-scale urban garde

21、n design, almost no natural landscape materials greatly challenges the traditional definition of the limitations of the landscape. landscape design materials with rich phase reflect the diversity of modern landscape design practices, from large-scale landscape planning and design of the sad (survey

22、- analysis - design), highway planning and conservation planning projects in the "qian cengbing" modeand "patch - corridor - matrix" model to the modern minimalist garden courtyard design, many rational functionalism, ecology, and art design techniques and the environment beyond

23、the traditional rules of style and design techniques of naturalthe debate, the scope and scale to adapt to a variety of landscape design practice, to meet different design requirements, and created a different landscape image. 3 evolution as the landscape is a living, changing organism, like the gro

24、wth of the modern landscape architecture in the past more than a century as the development of american society as changing, reflecting the social reality of a particular time.3.1 naturalistic style swing beginning with the vast territory the united states, changing the natural landscape to landscap

25、e design has almost natural pursuit of naturalism, olmsted and his followers in a city park system planning and design to promote naturalism, against the pursuit of dignity andclear structure of classicism.park-style attractions and beautiful natural environment was poor cities in stark contrast to

26、a return to nature to meet the needs of society.however, after the u.s. landscape architecture through the flashy veneer of the late victorian eclectic landscape, city beautiful movement and the revival of classical neo-classical trends and so transform the style of decades and did not get out swing

27、ing in the modern society to adapttheir own way.3.2 modernism before and after world war ii, modern art and modern architecture in theory and works under the influence of american modernist landscape architecture in the so-called "harvard revolution" after forming.modernist landscape archi

28、tecture is not the most positive contribution to the use of new materials, but that function should be the starting point of this concept design, modern landscape architecture and thus out of a beautiful design or landscape type transcendentalism, to the venue and the reality of the times fit, given

29、 the rational application of landscape architecture and greater creative freedom.as harvard revolution "james rose said:" we can not live in the painting, but as a group to design the landscape paintings of our daily lives plundering the region's use of the opportunity."he is most

30、 concerned about the use of space, rather than planning the landscape design or so-called order. the leaders of thomas church, california school works is not really encouraging the order form, but free design language as well asdesign itself, the venues and the delicate balance between employer requ

31、irements. another master garrett eckbo modern landscape design landscape design is more emphasis on the social scale, emphasizing landscape architecture's role in public life. in his view, "if the designonly consider beautiful, is the lack of inherent rationality of the luxury community. &q

32、uot;geometric sense of order most of his works of dan kiley also that the mapping design is life itself, the pursuit of the function will produce real art. the best symbol of thisa period of landscape design and environmental care for the landscape architect is lawrence halprin, his work reflects th

33、e progress of modernism in all aspects of landscape architecture, including the design of the social role of natural systems to adapt to stress, as well as function and process of the formits importance and so on. he's a natural place as a dramatic landscape inspired urban planning of public lan

34、dscape design, urban landscape is not only beautiful but also recreational place for people to become the city's open space human. 60 years since the 20th century, social democracy, brought about the promotion of public participation in decision-making system changes in all aspects of american s

35、ociety, landscape architecture is also true, but harpring is a direct supporter of this change and advocates, areharpring made his company is the design process to adapt to new social realities, through seminars and information feedback, etc. to achieve the wishes of the public involved in the desig

36、n so that the community was able to landscape design set-up. modern doctrine of the community through landscape architecture designfactors and features to further stress and social realities embarked on the road simultaneously.3.3 ecological ethics 70 years before, increasingly concerned about the e

37、cological environment, landscape architecture, university of pennsylvania professor lan mcharg proposed to include landscape as a geology, topography, hydrology, land use, plants, wildlife and climate and other decisive factors interrelated whole to look atpoint of view.stressed the landscape plan s

38、hould comply with the intrinsic value of nature and natural processes, and improved in order to factor stratified analysis and map overlay technology as the core of the ecological planning, macharg called "qian cengbing model."the theory and method of landscape architecture to a certain ex

39、tent given the scientific nature of the landscape as you can experience all kinds of objective analysis and conclusion, with clearly defined subjects.macharg scope of the study focused on large-scale landscape and environmental planning, but for any scale of landscape architecture practice, this mea

40、nt that an important message.that is in addition to an aesthetic landscape outside the system or an ecosystem, and those are just the art of the arrangement of plants and landscape design methods, more detailed design is the concept of environmental ethics.although the landscape architectural practi

41、ce in a pluralistic exploration, the natural determinism of the ideas are only one kind of assumptions ji, but vulnerable when the critical state of the environment when there macharg and pennsylvania school of the most significant yes cujinlandscape architecture as the ideological foundation of the

42、 professional work of the new criteria, the broad information landscape designers the potential structure of thinking laid an indelible mark.for the modernist landscape architects, the concept of eco-ethics to tell them, in addition to social ties between people, all people are born with the earth&#

43、39;s ecological systems closely associated with.3.4 post-modernism and the art of landscape to explore when large-scale ecological landscape planning and rational method of turning at the same time, small-scale landscape architectural design by 60 environmental art since noon, and postmodern film in

44、centives, art and landscape linkages have done a lot of new exploration.a new generation of landscape architect peter walker combines minimalism, classical and modernist minimalism to create a unique landscape.full of mystery in his landscape design work, walker used a simple form, repetition, geome

45、tric structure of the natural materials from the material in a natural structure of the original million-style together, bringing a new structureproduced new means of visual integrated experience.mystery of general features of nature, human contact with nature has a mysterious atmosphere by a metaph

46、or out of the art scene, landscape architecture in the function and esthetics were given on the basis of meaningful artistic temperament.and martha schwartz landscape design works are denied the authenticity of the material, instead of a serious banter.complex instead of simple, modernist landscape

47、of dull and discard the reason was the designer.designers to express artistic ideas and new understanding of the landscape: the landscape is a man-made or artificial modification of the set of the space, which is the basis and background of public life, is related to art and life.post-modernist nove

48、l materials with almost eerie and staggered hybrid system reflects the composition of post-modern american society complex and contradictory social reality to the image of diverse social values embodied multi-source, expressed in this complex society tovulnerable groups, speech power of the social i

49、deals of postmodernism.in the performance style, these active experiments with neo-classical 19th century landscape architecture are similar, the same inspiration for the visual arts, also emphasized the use of circular geometry rather than the so-called naturalistic style.but here, the individual i

50、magination combines the functions of caring modernist sound art to think about the social elements of the modern landscape as a creative opportunity, rather than constraints, and create a unique landscape art in the role of the environment re-established and deepenedbut this time the art is designed

51、 to encourage, rather than a priori form of domination. 4 conclusion after a century in both the arts and sciences extension and development of modern american landscape architecture has its own characteristics in their social and ecological scale and traditional garden set aside the watershed, in t

52、he constant expansion and change has becomethe values of a diverse multi-professional practice.however, the nature of human perception of the media, three potential concern for landscape architecture - aesthetic, environmental and social, in the united states in the development of modern landscape a

53、rchitecture, and not weakened over time, on the contrary, emphasized the human landscapeharmony with nature, emphasizing social justice embodied in the landscape, emphasizing the spiritual landscape in the joy of the people want more and more clear as the cornerstone of which constitute its value sy

54、stem.from small scale to large garden courtyard and street-scale national parks, the care of their value in practice may be different emphasis, but each design is a good balance of these three values and comprehensive, not just design-orienteda simple form or function to meet.today, as china's e

55、conomic development, our city building and landscape design and practice into a high-speed development period, but the competent departments of landscape architecture education, integrated with the mess and ignored the separation of landscape architectural practice so that we kaleidoscopereality tha

56、t can not be sure what we are or how we should call ourselves architects, landscape architects, environmental designers?shallow emerging formalized, the lack of real concern for people and the environment arbitrary landscape design, landscape architecture, deeply reflects the value of our concern fo

57、r poor and pale, in our landscape architecture are still full of confusion and chaos whenu.s. founder of modern landscape architecture, olmsted, and many american pioneer of modern landscape architecture theme insists - to create sustainable, and his life and just the landscape, and give a clear ide

58、a as to imagine thatform, may be able to give us much encouragement and inspiration.the thrust of modern landscape architecture in the united states to pursue a century, may be the same with us into the modern landscape architecture in the next century.中文譯文：美國(guó)現(xiàn)代景觀建筑學(xué)發(fā)展的回顧與思索 1引言新世紀(jì)到底來(lái)了，世紀(jì)之交，百年替換乃至千年

59、替換其實(shí)都在一瞬間，在這一瞬之后，美國(guó)現(xiàn)代景觀建筑學(xué)專業(yè)也走過(guò)了一個(gè)不平凡的世紀(jì)。在逝去的百余年里，美國(guó)現(xiàn)代景觀建筑學(xué)的產(chǎn)生與發(fā)展引導(dǎo)了現(xiàn)代景觀建筑學(xué)的走向，并且?guī)缀鹾w了所有的探索。因此我們希望通過(guò)對(duì)其的回顧和思考，能有所啟示和借鑒。 2拓展工業(yè)革命給社會(huì)帶來(lái)的變革巨大而深遠(yuǎn)，到了19世紀(jì)，被稱為"美國(guó)景觀建筑學(xué)之父"的f. l. olmsted和英國(guó)建筑師vaux設(shè)計(jì)的紐約中央公園(1858年)的建造，標(biāo)志著普通人生活景觀的到來(lái)。以此為起點(diǎn)，景觀建筑學(xué)從此走上獨(dú)立的道路，并隨著美國(guó)社會(huì)的現(xiàn)代和民主進(jìn)程，逐漸從傳統(tǒng)的極少選擇范圍的專業(yè)變成為幾乎涉及人類(lèi)生活世界所有尺度的學(xué)科；在短短扎一個(gè)多世紀(jì)中，人類(lèi)的景觀體驗(yàn)在幾個(gè)維度上大大拓展了。2.1專