上傳人：灰***

認證信息

認證類型：機構(gòu)認證

認證主體：寧夏凱米世紀網(wǎng)絡(luò)科技有限公司

IP屬地：寧夏

統(tǒng)一社會信用代碼/組織機構(gòu)代碼

91640100MA774ECW4K

IP屬地：寧夏 上傳時間：2021-12-05 格式：DOCX 頁數(shù)：4 大?。?80.71KB 積分：6 舉報 版權(quán)申訴

1、基于文本的游戲 基于文本的游戲在智能手機及手持設(shè)備領(lǐng)域卷土重來。finley最近將自己的創(chuàng) 作焦點轉(zhuǎn)向這片領(lǐng)域，逐步涉獵基于瀏覽器的內(nèi)容。finley負責academagia: the making of mages的創(chuàng)作工作,這款游戲幾個 月前剛由black chicken studio發(fā)行。這是款瞄準9歲以上用戶的pc游戲，融 合生活模擬及文本角色扮演游戲的玩法機制。academagia雖然不是aaa掌機游戲，但對finley來說卻是個重要的學習經(jīng) 歷。遺憾的是，文案作者（游戲邦注：尤其是那些投身在線領(lǐng)域的創(chuàng)作者）通常 需要很努力地融入項目開發(fā)過程屮。finley表示，“這是款大型游戲，所

2、以我 需要在空間中添加許多游戲構(gòu)思。”finley i前正在創(chuàng)作可下載內(nèi)容的探險活動。很快，她將開始著手續(xù)集的故事 創(chuàng)作。值得一提的是，玩家反饋信息在她構(gòu)思續(xù)集故事的過程中起到促進作用。“目睹論壇的社區(qū)成員冋應(yīng)游戲內(nèi)容及探索我所創(chuàng)作的內(nèi)容是非常美妙的經(jīng)歷?！?和 black chicken studio 合作后不久后,finley 就接受 slooce technologies 的要約，擔任公司的互動故事設(shè)計師和游戲設(shè)計師（游戲邦注:slooce基于short message service推岀眾多單人及多人文本游戲）?，F(xiàn)在她開始創(chuàng)作選擇自我探 險風格類型的故事，雖然故事具有嚴格的文字限制。f

3、inley表示，“我會試玩自己的新游戲構(gòu)思，讓好友一同進行體驗，雖然他們 沒有智能手機?！彼龥]有細談自己即將發(fā)行的作品，但她表示，此游戲充分挖掘 文本游戲題材的可能空間。入行初始academagia既是款生活模擬游戲，又是款文本角色扮演游戲finley踏入游戲領(lǐng)域始于她早前參加舊金山的game developers conference (gdc) ofinley表示，“我3歲開始寫作，5歲開始玩游戲。”約在4年前，她就開始思 考如何將兩種興趣結(jié)合起來。她有一些朋友自己創(chuàng)建游戲開發(fā)工作室，他們建議 她到gdc轉(zhuǎn)轉(zhuǎn)。雖然她很滿意參加會議，也碰到很多重要的iir主管，但他們沒 有游戲創(chuàng)作的職位空缺

4、，更不要說得到工作室的內(nèi)部職位或外包合同。盡管之前遭遇挫折，finley第二年繼續(xù)參加大會，這次她遇到幾位有所幫助的 創(chuàng)作者ofinley表示，“在同他們接觸后，我非常確信自能夠在此行業(yè)中立足?！痹谟诹粞园宸磸?fù)發(fā)布消息及發(fā)送大量郵件后，finley最終在作家論壇屮發(fā)現(xiàn)創(chuàng) 作職位空缺，就是前面說到的«academagia»創(chuàng)作工作，她的激情和技能令她得 到這份工作，并且很快就得到提拔。自由職業(yè)生活這是academagia居住地city of mineta的概念地圖現(xiàn)在finley正積極平衡自由創(chuàng)作同持續(xù)尋找新工作之間的關(guān)系。各項目截然不 同，這意味著finley無法循環(huán)利用創(chuàng)

5、作樣本。finley建議，“應(yīng)征新工作，最好制作新的樣本，以此說明你有針對項目的題 材、氛圍和風格設(shè)計故事?！边@需要耗費很多精力，而且你無法保證自己一定能 夠獲得這份工作，但這給你未來的工作奠定良好基礎(chǔ)。如今自由創(chuàng)作者面臨殘酷現(xiàn)實，他們的社區(qū)互助成員也會變成他們的競爭對手。 應(yīng)對此情形的一個策略是，瞄準特殊細分市場，鎖定既有客戶基礎(chǔ)。另一策略就 需要我們通過使用量身定做的寫作樣本，然后在過程屮不斷學習并提升自己的能 力。finley總結(jié)表示，游戲文案的寫作風格和玩法機制一樣具有獨特性。writer toiya finley talks about text-based games and pa

6、ths to game writingtext-based games livetext-based games are making a comeback in the world of smartphones, handhelds, and good ol' cel 1 phones. finley, who fairly recently tremsitioncd her writing skills to the game industry，started in browser-based games. she is now looking ahead to the futur

7、e of texting games.finley writes for academagia: the making of mages, which was released a couple of months ago by black chicken studio. this pc game, aimed at audicncos ages 9+, combines mechanics from life simulation and text-based role-playing games.academagia, although not a console aaa title, h

8、as been a great learning experience for finley as a freelancer. undoubtedly writers, especially those working online, often struggle to be fully included in the development process- "it' s a vast geime, so i was able to add a lot of my ideas to the universe, ” says finley.finley is currentl

9、y writing the downloadable content adventures. soon, she will be starting design work on the sequel. above all, player feedback drives her as she t hinks ahead to the sequel. "it，s been a pre tty awesome experi cncc watch ing the comm unity on the forums respond to the game and discover the ele

10、ments which i contributed. ”shortly after working with black chicken studio, finley also picked up a cont rac t as an int erac tive story desig net and game desi gner for slooce technologics. slooce creates single-player and multiplayer text-based games over short message service (sms). she gets to

11、spend her days writing choose-your-own adventure style stories, albeit within a tight word count limit.i， m also playing around with new game concepts, which enable friends to play with each other, even if they don' t have smartph on es, ” fin ley shares. of course, she can' t talk about tho

12、se, but their impending releases will demonstratc the exciting possibilities of the text-based game genre.freelanee beginningsfinley， s journey into the game industry started with literal journeys to the game developers conference (gdc) in san francisco.'t m one of those t ve been writing since

13、i was three!， types and i，d been playing games since i was five, ” says finley. about four years ago, she began to explore how she could combine her two passions. a friend of hers who was an owner of a game development studio suggested she check out gdc. although she cnjoyed the event and met with s

14、everal very helpful human resource representatives, there weren" t any openings for game writers, let alone studios with in-house positions or freelance contracts.despi te the setback, finley attended the event again the fol lowing year and met a community of supportive writers. uafter spending

15、 time with them, 1 was pretty confident that 1 could work in the industry, ” finley shares.it took time and lots of posting on message boards and mailing lists, but eventually finley found a request on a writers forum for lore writers, which turned out to be academagia. her enthusiasm and ski 1is le

16、d to a position and later promotion.freelance lifenow, finley is balancing the age-old challenge of freelancing一 continuously seeking new work while completing contracts. each project is di f fere nt, which mea ns tha t finley can，t recycle writ ing samples time and time again.“when applying for a j

17、ob, you need to create all new samples that show you tailor your work to the project" s genre, tone, and style, ” advises finley. this can take a lot of effort and energy, and doesn' t guarantee getting the position， but it does build a portfolio for future work.not ably, freelance writ ers

18、 also face the unfortunate real ity that t heir supportive community can also be their competition. one strategy for handling this situation involves finding a unique niche and stieking with an established dient base. the other strategy requires developing your ski ils by focusing on getting a position usi ng t ai