Analysis of Modern Chinese Literature and the complexity of the relationship of modern and contemporary literature the role of ideas in which

1、 Analysis of Modern Chinese Literature and the complexity of the relationship of modern and contemporary literature the role of ideas in which Paper Keywords modern literature the concept of modern Chinese literature Abstract modern Chinese language and modern literature with its special relationshi

2、p is complex, this complexity through the emergence and development of both, so just from the perspective of localization is not fully explain the relationship between This article attempts to modern literary concept for both the impact of the emergence and development into both the relationship, to

3、 clear disputes between the two. 1 Modern Chinese Literature and the complex relationship of modern 1.1 Modern Chinese born fission As a carrier of modern Chinese literature, modern Chinese language, not in a stable environment evolved from the language down, but has undergone a huge transformation

4、and change the form of human language. This creates a binary of modern Chinese of one hand, modern Chinese language as a derivative of the ancient Chinese, the language elements, grammatical structures and cultural background have a close internal relations, and phonetic language with the West a hug

5、e difference on the other hand, modern Chinese birth is the overthrow of the ancient Chinese system for the purpose of, in particular, to overthrow the heart of the ancient classical Chinese, so the modern Chinese vocabulary, grammar and expressions, which have consciously borrowed from the West pho

6、netic language, which makes the two modern Chinese Westernization with the classical tradition and the characteristics of these two extremes. 1.2 In the literature, exploring the birth of the modern Chinese As we all know, China is a modern man-made changes in the language of the literary revolution

7、 of the pilot, which was created as a literary language with the dual task of creating, so modern and modern Chinese literature is a time in the creation of identity, is accompanied by students, we can not pinpoint which one was first born and created another one, because it is not a rheological nat

8、ure of the process, but the purpose of the synchronization process. In addition, the modern form of Chinese as a language, still in his early period, and compared to other countries, modern languages, such as modern English and modern Japanese, are probably 100 years too late in the process, one has

9、 the basic shape form of modern Chinese language, literature and create regulations to the border, the other innovation of modern literature and practice, are the new elements added to the rule among the modern Chinese, from this perspective, the modern relationship between Chinese and modern litera

10、ture relationship is not a simple decision, but on two concomitant originated in the later development, and both promote each other and influence you have me I have you in the relationship of mutual penetration. 1.3 Western Literature on the impact of the current Chinese Westernized part of modern C

11、hinese, in addition to traditional classical conscious change the word order and sentence structure in, the other a deeper level of change in modern literature from the impact of Westernization. Because of some ancient Chinese literature and Western literature has never been seriously writing style,

12、 such as realism, individualism and aestheticism of modern colors, etc., so that the kernel on modern literature and classical learning in ancient China had a huge difference, so because of concerns about the real life and peoples individual form of expression, that is language, rhetoric and structu

13、re have changed. This is specific to the modern Chinese map, and to produce some unique properties. First, the modern Chinese language as the ancient Chinese tradition, oriental languages ?and hieroglyphic language of the cultural core, and produce literature in the view of Western culture have comp

14、atibility problems, but at the same time, part of the Westernization of modern Chinese, after all, given to the Western concept of literature in modern Chinese literature in the implementation of a certain space, and finally, as we said earlier, is a modern Chinese language is still in development s

15、tage, in view of Western literature in Chinese literature and continue to join implementation, but also for those who continue to provide new modern Chinese expression, to explore it in the narrative, descriptive, self-expression and so can play the potential of expanding the boundaries of modern Ch

16、inese. More features to make our modern language and modern literature provides a discussion of the relationship between some useful tips: First, from the perspective of rhetoric, see the modern Chinese as a carrier of modern literature, modern literature to provide a boundary, and secondly, we also

17、 see the emergence of modern Chinese literature, is derived from the particularity of literary concepts and creative attention to the critical events in modern Chinese (the transfer section 209 (pick No. 189 on the impact of the development of the first Third, in discussing both the cultural identit

18、y, be sure to pay attention to the binary fission and the resulting conflict is compatible with the contradictions. 2 to Man save the world - to create a language to create literature Salvation to the text, which is a literary means to enlightenment and the pilot, the concept of literature for socia

19、l change, changes in modern Chinese literature, the most central position in the accounting view of the large literature from macro terms, Chinas modernity does not arise spontaneously, but under the pressure of external forces were forced to produce, is to point to a salvation for the purpose, whil

20、e specific to the literature, it is also Chinas modern intellectual progress of this modern anxiety, gave birth to the modern Chinese language and Chinese modern literature we can see Qiuting Liangs vernacular is the subject of this new theory, the phonetic alphabet Cai saving ideas, as well as Lian

21、g advocated by the people want a new country, not a new country without first novel, reflects the same logic, that is, salvation must first save, save save their thoughts first, we must first put the idea to save the literature. . In this transformation produces many of the modern concept of literat

22、ure, such as civilian and popular literature, literature to reproduce the objective world, through the literary figure shows the complexity of human nature and good publicity and literary purpose is to view the authors own personality, and so also In view of this large literature are under the influ

23、ence of selectively imported from the West. When the literature and language change will naturally become the leader in Chinas modernization and reform has been a great deal of attention, we saw the early rise in the vernacular, in order to comprehensively with the classical opposition against class

24、ical as opposed to the vernacular, as opposed to written spoken high stress in the field of languages ?on their wisdom, created the general public can understand the language, emphasizing the language of life communicative effects, corresponding, in literature, authors began to man in the street rat

25、her than the literati class as his imaginary audience, so that the pattern in the literature, the novel became a literary prose instead of poetry occupied a central position in the pattern of the style. the language and text simultaneously, from the lower status change the text in order to save the

26、world view of the large literature under the guidance of happen, it makes no change in step two, complementary, and sometimes even able to integrate. 3 Aesthetics dispute - the awakening body of literature However, the early revolutionaries were overlooked point is that language and literature in th

27、is context too much as the instrumental role of their own cultural heritage and aesthetic effect was almost reduced to a minimum. We mentioned earlier, Chinese language and literature in the modern transformation of time, the main effort and focus are placed so popular and mass and realism of the Ma

28、y Fourth period of modern Chinese literature as a landmark reform period, The values ?of good literature reflects this. to Hu as the representative of progressive intellectuals in the look of Chinese classical literature, discovered the lack of the spirit of realism, they believe that this lack is t

29、he sort of language - the lack of classical precise forms of expression and nonlinear logic of the kernel caused Based on this, they put into the improvement of literature and language improvement for the proposition, which is a new literary creation, explore and create a new form of language has be

30、come an important, sometimes the only task. However, the essence of literature, after all, not a tool, it has its own unique heritage and aesthetic pursuit of the pursuit of the new literary movement in the truth has two meanings: First, to reproduce the sense of true, that is, we had discussed of r

31、ealism, the second is the performance of significance of the true, requires a real demonstration of their writers mind and personality of these two sense of true simultaneously with the ancient literature of the pseudo as opposed to their share of the literature works to achieve common, so a proposi

32、tion has led to the current literature, instrumental, the latter a necessary requirement for a proposition to return to their literature the body. As a Chinese leader in journalism, one of Hus ideas about literature reflects two contradictory requirements of the state was his hand that the new langu

33、age and literature to complete the form and spirit of the old opposition, this simple opposition He raised a lot of thought to, such as writing poetry as a kind of contrary to the literary aesthetic of the proposition, which directly led to his own and that he had the initial impact of a number of n

34、ew literary creators rhetorical rough, and this is his new poetry <<try set>> the main reason for the Lu Xun criticized, but on the other hand, he was in the West under the influence of literary ontology, consciously or unconsciously, this emphasis on the value of literature itself. In the May Fourth period, Lu Xun as the representative of a g