唐詩風(fēng)骨源于國風(fēng)和漢魏風(fēng)骨復(fù)習(xí)課程

1、唐詩風(fēng)骨源于國風(fēng)和漢魏風(fēng)骨唐詩風(fēng)骨源于國風(fēng)和漢魏風(fēng)骨，它繼承了現(xiàn)實主義文學(xué)的優(yōu)良傳統(tǒng)，橫掃了 齊梁頹靡文風(fēng)。但也借鑒了其中緣情體物，精工流麗的藝術(shù)風(fēng)格，博采前代文學(xué)精華，融合儒、道、釋、俠于一體，經(jīng)過唐初一百余年的詩歌創(chuàng)作實踐和理 論探索，臻于完備。唐詩風(fēng)骨濫觴于初唐四杰、陳子昂，蔚然成風(fēng)于盛唐，流變于中唐，衰微于晚唐?！帮L(fēng)”即思想內(nèi)容，骨即辭采和表現(xiàn)形式。唐詩風(fēng)骨即 堅實的思想內(nèi)容和剛健明麗的表現(xiàn)形式的完美統(tǒng)一。唐詩的風(fēng)骨主要表現(xiàn)為盛 唐詩人積極用世的進(jìn)取精神，居安思危，關(guān)心國運興衰、民生疾苦的憂患意識 和摹寫山川壯麗、田園牧歌、風(fēng)俗人情的美學(xué)理想The style of Tang poet

2、ry stemmed from Guofeng as well as the style of the Han and Wei Dynasty. It inherited the fine tradition of realism literature, threw away the dispirited style of writing of the Qi and Liang Dynasty, but used the experienee of lyric and descript ion, along with the exquisite artistic style for refer

3、e nee, lear ned widely the cream of literature from the predecessors with in tegrati ng the ideas of the Con fucia ni sts, Taoists, Sakyamu ni and Chivalrous, and gradually became perfect after more tha n one hun dred years practice and theory exploratio n. The style of Tang poetry originated from t

4、he four outstanding poets in the early Tang Dynasty and Chen Z-i ang, came into vogue duri ng the flourish ing period of Tang, became divided in the mid-Tang Dynasty, and declined in the late Tang. The vigor of style of Tang poetry is the perfect unity of solid contents and vigorous and sprightly fo

5、rms. It expressed the poets active spirit of progress and the worried consciousness for the fate of the nation in the flourish ing Tang, described the beauty of the mountains and rivers, coun tryside and pastoral song, as well as the folk customs and amorous feeli ngs.女冠的繁榮是唐代出現(xiàn)的一種特別的社會現(xiàn)象。唐代女冠不僅數(shù)量可觀

6、，而且十分活躍地參與當(dāng)時的社會生活，尤其是與當(dāng)時的文人群體交往十分密切。唐代女冠的大量出現(xiàn)與當(dāng)時開放包容的社會風(fēng)氣和女性社會地位的提高有 密不可分的關(guān)系。她們的出現(xiàn)不僅豐富了唐代的社會畫卷，而且也為唐代文人的創(chuàng)作提供了可貴素材，是唐代詩歌發(fā)展的一種重要推動力。T he emerge nee of a large nu mber of Taoist nuns is a kind of particular social phe nomenon in Tang Dyn asty .Taoist nuns in Tang Dyn asty is not only nu merous but also

7、 active to take part in the social life of the time, especially t o keep the closelycon tact s with the group of scholar . The phe nomenon reflected the ope n ethos and the improveme nt of female's social positi on of the day . T he emerge nee of them not only en riched the Tang' s social sc

8、e nes but also provided many treasurable materials for scholars' composition, which is the important compulsion to the Tang poetry developme nt唐詩在主導(dǎo)的人文精神、批判現(xiàn)實精神和抒情言志的藝術(shù)等方面從毛詩及其經(jīng)學(xué)闡釋復(fù)雜、龐大的體系中吸收了豐富的營養(yǎng)，從而鑄造了品格昂揚健康、充滿人文情懷、現(xiàn)實精神和抒情藝術(shù)再創(chuàng)輝煌的唐代詩歌成就。The Tang poetry has absorbed rich nutrition from Maoshi an

9、d the explanation on the study of Confucian classics in the fields of dominant human spirits, critical spirits and the lyric art s, there by casting the poetry achievement s with high spirited and healthy style and full of human emotions. These poetry achievements implicate that the spirit of critic

10、al realism and the lyric art have recreated a glorious prospect.初唐四杰在接受楚辭時，是以反對者的姿態(tài)出現(xiàn)的，但骨子里正得楚辭之精 神。尚為的生命價值追求，悲劇性的生命歷程，決不委心從俗的高尚人格,這 都是他們在創(chuàng)作中自然接受楚辭的主要原因。但他們?nèi)鄙俦匾纳铋啔v與生 活基礎(chǔ)，思想不夠深沉，重個人價值而輕社會生活關(guān)懷，才華橫溢而又急于求 成，在接受楚辭的同時，在創(chuàng)作上出現(xiàn)變異。The Four Virtuosos of the early Tang dyn asty had mastered the spirit the Chu

11、 Poem in their heart of hearts, though they had bee n as the opposed whe n they bega n to accept the Chu Poem. The avocation of the life-value, the tragic career, and the lofty pers on ality of aga in st- custom, all these were why they accepted the Chu Poem naturally in their creation. And because

12、of the inexperieneed- life the little- deep thought , the val uing themselves without close atte nti on to the society, so they had variation in their creative action as they accepted the Chu Poem.初唐四杰的人格品位與初唐宮廷詩人御用性不同，在帝國初興的時代氣息與他 們自己獨特的身世遭際中形成的健康的儒俠互補的人格精神 ，使他們具有崇尚 雄詞健筆的詩學(xué)理想，詩歌創(chuàng)作中把儒家的功名理想與任俠尚武的民間性

13、結(jié)合起來，詩歌華彩而不傷氣骨，有剛健之風(fēng)，基本具有了盛唐之音的風(fēng)格內(nèi)涵，擔(dān)當(dāng)了引領(lǐng)唐詩走出了六朝低迷輕艷詩風(fēng)低谷的重任。It is the differenee between the taste of personality of the four distinguished in Primary Tang Dyn asty and that of the employed poets for the emperor and the healthy pers on ality formed from their special life experie nee that promise th

14、em the poetic ideal using powerful writing style with strong words. In the poetic ereation, they conn ected the Con fucia n ideal of success and fame with the folk ideal of justice, which resulted in the dynamic poetry bearing the style and connation of the poetry in the prosperous Tang Dyn asty, th

15、us tak ing the resp on sibility for leadi ng poetry in Tang Dynasty to climbing of f the bottom.“初唐四杰”之一的駱賓王，天性穎悟，有十卷詩文傳世。其詩以七言歌行見長，多悲憤之詞。因他“讀書頗存涉獵”，對歷史掌故了然于心，融化在詩文中，奇崛警人又自然舒展。他的詩歌世界，既是典故的寶庫又有心路的 標(biāo)識。Luo binwang, one of the outsta nding poets in the early Tang Dyn asty, was in tellige nt and left ten

16、 volumes of pomes. He was especially famous for his seve n-character pomes, which were full of sorrow. He read extensively and kept historical allusions in mind. His pomes, with many allusi ons, are a store for allusi ons and a symbol for his in ternal world.初唐四杰的賦創(chuàng)作代表著賦體文從宮體的桎梏中解放出來。他們表現(xiàn)時代精神，抒發(fā)個人性情

17、，表現(xiàn)題材走向廣闊的社會人生。又注重辭藻、用典等 ，表現(xiàn)了天 才的創(chuàng)作才能。The prose poems by the Four-talented Poets indicated that the prose poems began to free themselves from the shackles of the conven tio nal prose poems. Their prose poems reflected the spirits of the time, expressed pers onal emoti ons, and covered a wide range o

18、f subjects. Meanwhile, their writings laid stress on the diction and literary allusi ons. Therefore, their writ ings in flue need the further developme nt of the prose poem writi ng in the Tang Dyn asty.初唐四杰的辭賦、駢文因被斥為“時帶六朝錦色”而多不被人認(rèn)同。這兩種文體 在事實上起到了開拓文學(xué)樣式新路的作用。在辭賦的影響下，“四杰”的歌行呈現(xiàn)出鋪陳展衍，縱橫捭闔的氣勢；同時,辭賦中借事抒情的手法，賦予歌行一體以 極大的語言表現(xiàn)力。而駢文的對偶、聲律等形式方面的特點，被“四杰”運用于七言歌行，促進(jìn)了“初唐體”的形成也被推廣到近體詩中，完善了五言律詩的格律體制。Critics are prone t o have lowly appraised the Fu and Pia n Wen of Chu Tang Si Jie because of their Six Dyn asties literary style. Bu