旗袍介紹英語演講課件

2014年5月27日中國(guó)傳統(tǒng)文化—旗袍TheChinesetraditionalculture–Cheongsam

中國(guó)傳統(tǒng)文化—旗袍TheChinesetraditioncontentsThedefinitionofcheongsamTheevolutionofcheongsamThestructureofcheongsamRepresentativefiguresThefactionsofcheongsamonPicturesappreciatingcontentsThedefinitionofcheoThedefinition（定義）TheQiPaoalsoknownasthecheongsamormandaringown(長(zhǎng)袍)；Itisabody-hugging(緊身的)one-piece(連衣裙)ChinesedressThedefinition（定義）TheQiPaoWhycallQipaochinadressQipao,whichisfamouswithitsharmonyandunity,isknownastherepresentativeoftheChinesedressculture.Itshowstheeleganttemperament（優(yōu)雅氣質(zhì)）ofChinesewomen,demonstratestheculture(文化)andvirtues（美德）ofournation.WhycallQipaochinadressQipa1920s1930s

1940s1920s1930s

AftertheOpiumWar(鴉片戰(zhàn)爭(zhēng)),thewideandloosebodyhadgraduallybecomeshortandnarrow.In1919,theOrdinance（法令）aboutgarmentswasannouncedbytheNationalGovernmentandcheongsamwasestablishedtobethenationalgarments.AftertheOpiumWar(鴉片戰(zhàn)爭(zhēng)),IntheearlyRepublicofChina（中華民國(guó)），thecheongsambegantobepopularagain.Thebodybecameshortened.Thewaist（腰部）wasnarrowed.IntheearlyRepublicofChi

1930sand1940ssawthecheongsaminitspeakfashion(時(shí)尚頂峰).AffectedbythestylesoftheEurope,astepforwardwasmadeinexposingthefemalefigure（女性曲線）1930sand1940ssawthechIntheEastAsia,thefoundingofthePeople’sRepublicofChinamarkstheendoftheoldlife.Thecheongsam,whichhasbeencherishedbypeopleforalongtimewasnotpracticalandwassetaside(放置一旁).Butin1950sand1960s,cheongsamsbegantoshowupagain（再次出現(xiàn)）inthepeople'slives.IntheEastAsia,thefouFrog盤扣Thestructure立領(lǐng)襟衩Mandarincollar立領(lǐng)Lapel/frontofagarment襟Openings衩embroidery刺繡Frog盤扣Thestructure立領(lǐng)襟衩MandarThestyle(樣式)Chi-paohasmanystyles,andthechangeismainlybasedonsleeves,Jin,collar,openings,andthelengthofCheongsam.Sleeves（袖子）:widesleeves,narrowandlongsleeves,middlesleeves,shortsleevesorsleeveless.Jin（襟）:roundJin,straightJin,slantingJin(斜襟),doubleJin（雙襟）,PipaJin（琵琶襟）,andsoon.Collar(領(lǐng)):highcollar,lowcollar，orcollarless.Openings（開衩）:highopenings,lowopenings,noopeningThestyle(樣式)Chi-paohasmanylongsleevesshortsleevessleeveless.longsleevesshortsleevesslee如意襟琵琶襟斜襟雙襟如意襟高領(lǐng)低領(lǐng)無領(lǐng)高領(lǐng)低領(lǐng)無領(lǐng)高開衩低開衩高開衩低開衩Thefactions(派別)TheBeijingstyle京派ShanghaistyleThefactions(派別)TheBeijingstTheBeijingstyleappearsreservedandconcise京派風(fēng)格顯得矜持凝練；京派TheBeijingstyleappearsreseShanghaistyleabsorbingtheWestArtsisup-to-date,flexibleandhasastrongbusinessatmosphere.海派風(fēng)格吸收西藝為，標(biāo)新且靈活多樣，商業(yè)氣息濃厚。海派ShanghaistyleabsorbingtheWRepresentativefigures張愛玲EileenChang(1920-1995)Awell-knownwriter，beaddictedtocheongsam.Lifeisacolorfulgown,coveredwithlice.生命是一襲華美的袍子，上面

爬滿了虱子。

衣服是一種言語，隨身帶著一種袖珍戲劇……貼身的環(huán)境——那就是衣服，我們各人住在各人的衣服里Representativefigures張愛玲宋美齡SoongMay-ling(1897-2003)FirstladyinRepublicofChina.旗袍第一夫人Sheownsthemostnumberofqipaoallovertheworld.宋美齡旗袍第一夫人Sheownsthemost鄧麗君WherethereareChinesethereishervoice,shereallymadethebeautyofthecheongsam,cheongsamaccomplishedherlegend.有華人的地方就有鄧麗君的歌聲，她成全了旗袍的美麗，旗袍成就了她的傳奇。鄧麗君WherethereareChinesethe

Inthefilm《IntheMoodforLove》（似水年華）

，MaggieCheung（張曼玉）changemorethan23setsofqipao,afterthemovierelease,Itsetoffarushof“cheongsamhot(旗袍熱)."

CheongsamreflectstheelegantcharmoforientalwomenInthefilm《IntheMood旗袍介紹英語演講課件PicturesappreciatingPicturesappreciating旗袍介紹英語演講課件旗袍介紹英語演講課件旗袍介紹英語演講課件玉脂白Expo(展覽會(huì))2010ShanghaiChina立領(lǐng)采用中式旗袍的演變，既有中國(guó)文化含義的詮釋又融入了國(guó)際時(shí)尚化的設(shè)計(jì)手法。玉脂白Expo(展覽會(huì))2010ShanghaiChiCheongsamforMissManners青花瓷青花瓷系列設(shè)計(jì)靈感取自青花瓷器，采用了中國(guó)傳統(tǒng)針繡，再現(xiàn)了青花瓷的暈染效果。寶藍(lán)CheongsamforMissManners青花瓷MypersonalopinionsIbelievethatthecheongsams,theChinesenationalgarments,willdevelopwellandstandinthepeakoftheworldclothing（屹立于世界服裝的頂峰）inthefuture.ChineseChi-paoshouldn’tbeforgottenbycontemporarygirls（當(dāng)代女孩）.Mypersonalopinions旗袍介紹英語演講課件

2014年5月27日中國(guó)傳統(tǒng)文化—旗袍TheChinesetraditionalculture–Cheongsam

中國(guó)傳統(tǒng)文化—旗袍TheChinesetraditioncontentsThedefinitionofcheongsamTheevolutionofcheongsamThestructureofcheongsamRepresentativefiguresThefactionsofcheongsamonPicturesappreciatingcontentsThedefinitionofcheoThedefinition（定義）TheQiPaoalsoknownasthecheongsamormandaringown(長(zhǎng)袍)；Itisabody-hugging(緊身的)one-piece(連衣裙)ChinesedressThedefinition（定義）TheQiPaoWhycallQipaochinadressQipao,whichisfamouswithitsharmonyandunity,isknownastherepresentativeoftheChinesedressculture.Itshowstheeleganttemperament（優(yōu)雅氣質(zhì)）ofChinesewomen,demonstratestheculture(文化)andvirtues（美德）ofournation.WhycallQipaochinadressQipa1920s1930s

1940s1920s1930s

AftertheOpiumWar(鴉片戰(zhàn)爭(zhēng)),thewideandloosebodyhadgraduallybecomeshortandnarrow.In1919,theOrdinance（法令）aboutgarmentswasannouncedbytheNationalGovernmentandcheongsamwasestablishedtobethenationalgarments.AftertheOpiumWar(鴉片戰(zhàn)爭(zhēng)),IntheearlyRepublicofChina（中華民國(guó)），thecheongsambegantobepopularagain.Thebodybecameshortened.Thewaist（腰部）wasnarrowed.IntheearlyRepublicofChi

1930sand1940ssawthecheongsaminitspeakfashion(時(shí)尚頂峰).AffectedbythestylesoftheEurope,astepforwardwasmadeinexposingthefemalefigure（女性曲線）1930sand1940ssawthechIntheEastAsia,thefoundingofthePeople’sRepublicofChinamarkstheendoftheoldlife.Thecheongsam,whichhasbeencherishedbypeopleforalongtimewasnotpracticalandwassetaside(放置一旁).Butin1950sand1960s,cheongsamsbegantoshowupagain（再次出現(xiàn)）inthepeople'slives.IntheEastAsia,thefouFrog盤扣Thestructure立領(lǐng)襟衩Mandarincollar立領(lǐng)Lapel/frontofagarment襟Openings衩embroidery刺繡Frog盤扣Thestructure立領(lǐng)襟衩MandarThestyle(樣式)Chi-paohasmanystyles,andthechangeismainlybasedonsleeves,Jin,collar,openings,andthelengthofCheongsam.Sleeves（袖子）:widesleeves,narrowandlongsleeves,middlesleeves,shortsleevesorsleeveless.Jin（襟）:roundJin,straightJin,slantingJin(斜襟),doubleJin（雙襟）,PipaJin（琵琶襟）,andsoon.Collar(領(lǐng)):highcollar,lowcollar，orcollarless.Openings（開衩）:highopenings,lowopenings,noopeningThestyle(樣式)Chi-paohasmanylongsleevesshortsleevessleeveless.longsleevesshortsleevesslee如意襟琵琶襟斜襟雙襟如意襟高領(lǐng)低領(lǐng)無領(lǐng)高領(lǐng)低領(lǐng)無領(lǐng)高開衩低開衩高開衩低開衩Thefactions(派別)TheBeijingstyle京派ShanghaistyleThefactions(派別)TheBeijingstTheBeijingstyleappearsreservedandconcise京派風(fēng)格顯得矜持凝練；京派TheBeijingstyleappearsreseShanghaistyleabsorbingtheWestArtsisup-to-date,flexibleandhasastrongbusinessatmosphere.海派風(fēng)格吸收西藝為，標(biāo)新且靈活多樣，商業(yè)氣息濃厚。海派ShanghaistyleabsorbingtheWRepresentativefigures張愛玲EileenChang(1920-1995)Awell-knownwriter，beaddictedtocheongsam.Lifeisacolorfulgown,coveredwithlice.生命是一襲華美的袍子，上面

爬滿了虱子。

衣服是一種言語，隨身帶著一種袖珍戲劇……貼身的環(huán)境——那就是衣服，我們各人住在各人的衣服里Representativefigures張愛玲宋美齡SoongMay-ling(1897-2003)FirstladyinRepublicofChina.旗袍第一夫人Sheownsthemostnumberofqipaoallovertheworld.宋美齡旗袍第一夫人Sheownsthemost鄧麗君WherethereareChinesethereishervoice,shereallymadethebeautyofthecheongsam,cheongsamaccomplishedherlegend.