畫冊(cè)文案(中英文翻譯)

精選優(yōu)質(zhì)文檔傾情為你奉上精選優(yōu)質(zhì)文檔傾情為你奉上專心專注專業(yè)專心專注專業(yè)精選優(yōu)質(zhì)文檔傾情為你奉上專心專注專業(yè)改變，從自己開始英國(guó)最古老的建筑物——威斯敏斯特教堂的旁邊矗立著一塊墓碑，上面刻著一段非常著名的話：當(dāng)我年輕的時(shí)候，我夢(mèng)想改變這個(gè)世界；當(dāng)我成熟以后，我發(fā)現(xiàn)我不能夠改變這個(gè)世界，我將目光縮短了些，決定只改變我的國(guó)家；當(dāng)我進(jìn)入暮年以后，我發(fā)現(xiàn)我不能夠改變我們的國(guó)家，我的最后愿望僅僅是改變一下我的家庭，但是，這也不可能。當(dāng)我現(xiàn)在躺在床上，行將就木時(shí)，我突然意識(shí)到：如果一開始我僅僅去改變我自己，然后，我可能改變我的家庭；在家人的幫助和鼓勵(lì)下，我可能為國(guó)家做一些事情；然后，誰(shuí)知道呢?我甚至可能改變這個(gè)世界。異域風(fēng)情時(shí)空旅行格調(diào)感受家具中的性格身體和精神的旅行——Changefromtheirown

Britain'soldestbuildings-WestminsterAbbeystandsnexttoagravestone,inscribedwithaveryfamous:

WhenIwasyoung,Idreamedofchangingtheworld;

WhenImatured,IfoundthatIcannotchangetheworld,Iwillshortentheeyesabitanddecidedtochangeonlymycountry;

WhenIenterthetwilightyearslater,IfoundthatIcannotchangeourcountry,mylastwishisjusttochangemyfamily,butthisisalsoimpossible.

WhenIlieonmydeathbed,Isuddenlyrealize:IfIhadonlytochangemyself,thenImightchangemyfamily;

Thehelpandencouragementofhisfamily,forthecountry,Imighthavetodosomething;

Then,whoknows?Imightevenchangetheworld.

Traveltheexotictimetravelstylefeelthebodyandspiritofthecharacterinthefurniture-一切，從自然開始……尚雋，以回歸自然為使命的家具品牌。千萬(wàn)不要小覷了家具對(duì)于房子的作用，沒有家具，房子只是一個(gè)四四方方的盒子，缺少了靈魂和個(gè)性。尚雋崇尚自然、時(shí)尚、進(jìn)步、快樂，她對(duì)綠色時(shí)尚和品質(zhì)生活孜孜不倦的追求，在家具行業(yè)引發(fā)了一股新的潮流。尚雋，在于精益求精的高貴，在于百尺竿頭更進(jìn)一步的人生態(tài)度。她把來(lái)自自然的美和感悟融合于產(chǎn)品之中，將格調(diào)與藝術(shù)創(chuàng)意融于一體，能讓人從家具中品味出自然與人生的真諦，構(gòu)筑出一種物我兩忘的境界。尚雋秉承“自然、時(shí)尚、進(jìn)步、快樂”的品牌精神，時(shí)尚、潮流的家具品牌，詮釋出使用者對(duì)人生的積極掌握、創(chuàng)造出無(wú)限自信。在一間充滿溫馨氛圍的酒店里住宿，也能感覺出“家”的滋味。無(wú)須刻意，自然就好。Traveltheexotictimetravelstylefeelthebodyandspiritofthecharacterinthefurniture-

Everythingfromnatural...

ShangJunfurniturebrandwhosemissionistoreturntonature.

Donotunderestimatetheroleoffurnitureforthehouse,thefurniture,thehouseisjustaboxybox,thelackofsoulandpersonality.ShangJunrespectfornature,fashion,progress,andhappiness,hergreenfashionandqualityoflifeoftirelesspursuit,hassparkedanewtrendinthefurnitureindustry.ShangJun,isthenobleexcellenceisaccomplishedbythesuccessinthefurtherattitudetowardslife.Hernaturalbeautyandsentimentintomarketableproducts,styleandartisticcreativityintoone,canpeopletastefromthefurnituretothenaturalandthetruemeaningoflife,andbuildoutoftherealmofonekindofthingsIforgot.

ShangJunadheringtonature,fashion,progress,andhappiness,"thespiritofthebrand,fashion,thetrendofthefurniturebrand,interpretationsusersactivelifetomastertocreateunlimitedself-confidence.Accommodationinahotelfullofwarmatmosphere,alsocouldfeelthetasteof"home".Noneedtodeliberately,likeanatural.萬(wàn)物之和和者，諧也。古代神話之人類創(chuàng)始，亦和諧二字之發(fā)端。盤古開天辟地，清氣上浮，濁氣下降，宇宙從此清朗和諧，四季分明，不再混沌。女媧得見天如穹廬，地角方正，萬(wàn)木崢嶸，山水盈盈，適宜生靈，便用巧手創(chuàng)造出熱鬧非凡、人聲鼎沸的人世。從入隨天玄地黃的一刻起，人類由遠(yuǎn)古的原始懵懂走到了今天的文明大成。無(wú)論是成功的個(gè)體，還是興旺的民族，生存之道莫過(guò)于對(duì)一個(gè)字的始終遵循：和！國(guó)家，講究鼎鼐調(diào)和，則政清人和，民和年豐，有邦安國(guó)定的大好局面。社會(huì)，講究惠風(fēng)和暢，則和諧繁榮，一倡百和，用善點(diǎn)亮人性與理性的光燭，把終極社會(huì)理想含弘光大。企業(yè)，講究和衷共濟(jì)，則上和下睦，和氣生財(cái)。把全局觀和局部觀協(xié)調(diào)好，企業(yè)就會(huì)蘊(yùn)含著欣欣向榮的蓬勃生機(jī)。家庭，講究一團(tuán)和氣，則父慈子孝、夫妻琴瑟和鳴，弟兄塤篪相和。“和”字之于人類個(gè)體，更是意蘊(yùn)無(wú)窮。和能致祥，和能生財(cái)，出門要趁風(fēng)和日麗，待人接物要和氣春風(fēng)，做人要優(yōu)秀如和璧隋珠，做事更要講究天時(shí)、地利、人和……天時(shí)、地利說(shuō)到底屬于敬畏神靈的信仰，而“人和”才是內(nèi)心的根本與準(zhǔn)則！Andofallthings

And,harmonic.

Thefoundingoftheancientmythsofhuman,alsotheoriginatorofthewordharmony.Pangu,clearairfloatingsewagedownfromthiscoolandbrightandharmoniousuniverse,withfourdistinctseasons,isnolongerchaotic.TheNuwasawdaysasQionglu,angleFounder,toweringtreesYingyinglandscapesuitablecreatures,weuseskilledtocreateabustling,crowdeddied.FromintowithTianxuanRehmanniamoment,thehumanwalkedbytheoriginalignorantoftheancientcivilizationtodayDacheng.Individualwhetheritissuccessfulorprosperousnation,survivethanawordalwaysfollow:

Countries,payattentiontoDingNaireconcilethepoliticalQingandpeopleandNianfeng,Kuniyasunationalexcellentsituation.

Society,payattentiontoWaiFungCheong,harmonyandprosperity,advocateofonehundredandlitwithgoodhumannatureandrationallightcandle,theultimatesocialidealcontainingHiromitsu.

Enterprises,payattentionandpulltogethertheupperandlowerMuharmoniously.Globalviewandapartialviewofcoordination,theenterpriseswillcontainthrivingvitality.

Families,payattentiontoHarmony,Fucizixiao,coupleofband-ming,brothersXunChiphaseand.

Theword"and"intheindividualhumanbeing,isinfiniteimplication.AndenergycausedbyCheung,andcanmakemoney,gooutliketotakethissunny,interpersonalgasspringbreeze,everyoneshouldbeexcellentasandbiSuibeads,thingstopayattentiontotheday,geography,and...climate,geographybelongsinthefinalanalysisawebeliefinthegods,"and"istheheartofthefundamentalandGuidelines精神和諧尚雋家具作為一個(gè)具有影響力的成功企業(yè)，尊重自然，善待生命，感恩于消費(fèi)者，視同行為朋友，視員工如手足，連對(duì)手都給予足夠的贊美與欣賞。對(duì)于資源的珍惜，更是讓人充分感受到其濃濃的人文關(guān)懷，因?yàn)樯须h家具從不會(huì)浪費(fèi)每一分有用的木材。正是這樣懷有大愛的經(jīng)營(yíng)理念，形成了尚雋家具獨(dú)特的世界觀，類同宗教大美，認(rèn)為大愛即和諧，和諧即包容，不同即大同。從哲學(xué)角度來(lái)講，“和”是方與圓的對(duì)立統(tǒng)一，是直線與曲線的對(duì)立統(tǒng)一，也是定與動(dòng)的對(duì)立統(tǒng)一。因?yàn)槭澜绲囊?guī)律一直是大安靜里蘊(yùn)含大律動(dòng)，大挫敗里昭示大勝利，大黑暗后面藏著大光明，大矛盾里尋求大和諧。尚雋家具對(duì)大變化的看法永遠(yuǎn)持客觀態(tài)度，善于從小處著眼，懂得從一粒沙里看世界，在一滴水里觀大海。面對(duì)市場(chǎng)的波詭云譎，尚雋家具堅(jiān)持不變的信念就是：理性看待世界，睿智洞察市場(chǎng)，全力做好自己！Spiritualharmony

StillJunfurnitureasaninfluentialsuccessfulenterprise,respectfornature,treatlife,Thanksgivingintheconsumer,regardedasactsoffriends,asemployeesofbrotherhood,opponentsaregivenenoughpraiseandappreciation.Treasureofresources,morepeoplefeelthefullthickhumanecare,becausethestillJunfurniturefromwillnotwasteeachsuchusefultimber.Issuchcherishedloveofthebusinessphilosophy,ShangJunfurnitureuniqueviewoftheworld,ofsimilarreligiousgreatbeauty,greatlovethattheharmony,theharmonythatisinclusiveanddifferentthatDatong.

Fromaphilosophicalpointofview,"and"squarewithacircleofunityofopposites,thelinesandcurvesoftheunityofoppositesisalsofixedanddynamicunityofopposites.Becausethelawoftheworldhasbeencontainslargerhythm,quietadmissionoffailuredeclaresbigvictory,thedarkhiddenbehindlargebrightbigcontradictionseekharmony.

ShangJunFurnitureviewchangeforeverholdanobjectiveattitude,goodatsmallandfocused,andknowhowtoseetheworldfromagrainofsand,andadropofwaterintheviewofthesea.Thefaceofthemarket'slumpy,ShangJunfurnitureadheretothesamebelief:arationalviewoftheworld,wiseinsightintothemarket,andmakeeveryefforttoown!諸家言和篇“和”字是天道，天道就是天地之間不同事物發(fā)展的自然規(guī)律?！吨芤住肥侵腥A萬(wàn)經(jīng)之始，它的偉大之處在于遵照自然規(guī)律這個(gè)天道，把宇宙自然生命的和諧與人際關(guān)系的和諧看成是一致的。從《周易》之后，歷朝歷代的諸子百家經(jīng)典之作，無(wú)不以“和”為基礎(chǔ)而立言，所以歷代社會(huì)的繁榮，都在于博大包容、“和而不同”之美?！吨芤住罚骸案髡粤?，保合大和”，《國(guó)語(yǔ)》：“以他平他謂之和，故能豐長(zhǎng)而物歸之?！薄兜赖陆?jīng)》：“萬(wàn)物負(fù)陰而抱陽(yáng)，沖氣以為和?！薄稑酚洝罚骸昂?，故百物不失”，“和，故百物皆化?！薄盾髯印罚骸叭f(wàn)物各得其和以生。”《春秋繁露》：“德莫大于和?！薄端尉拔墓P記·考古》：“天下太和，兵革不興。”《金史·樂志上》：“乃取大樂與天地同和之義，名之曰太和。”朱熹：“大和，陰陽(yáng)會(huì)合沖和之氣也。”孔子的“君子和而不同，小人同而不和。”讓不同的萬(wàn)物在一起相互作用，承認(rèn)差異，在不同之上尋求統(tǒng)一、理解，世界才能充滿生命力，才有多彩紛呈的統(tǒng)一。古日本深受中華諸家“和”文化的影響，在天平寶字元年（757年），索性把《論語(yǔ)》中的句子“禮之用，和為貴”照搬過(guò)去，將自己定為“大和”民族。他們也對(duì)和有自己的認(rèn)識(shí)：和平乃為小和，和睦可稱中和，唯和諧方為大和。編者絮語(yǔ)：EDITOR'SNOTE尚雋家具新工業(yè)園區(qū)鳥瞰圖ThenewShangJunfurnitureIndustrialParkaerialview尚雋新工業(yè)園由國(guó)際知名的建筑設(shè)計(jì)大師精心設(shè)計(jì)，外觀造型采用維多利亞風(fēng)格，高貴典雅、美觀大氣、氣勢(shì)非凡，具有較高的人文思想內(nèi)涵和藝術(shù)品位，充分體現(xiàn)了尚雋家具為國(guó)內(nèi)外一流酒店打造家具精品的專業(yè)素養(yǎng)和設(shè)計(jì)水準(zhǔn)。本工業(yè)園位于偉人故里歷史文化名城廣東省中山市南朗鎮(zhèn)，總占地面積20000多平方米，總投資八千多萬(wàn)元，總建筑達(dá)5萬(wàn)平方米，將于2014年完成第一期基礎(chǔ)工程建筑，建成后將設(shè)有環(huán)境一流的生產(chǎn)加工車間、高標(biāo)準(zhǔn)的家具樣板房、展示廳、產(chǎn)品研發(fā)設(shè)計(jì)樓、員工公寓、員工活動(dòng)中心、行政樓等配套設(shè)施，通過(guò)基礎(chǔ)設(shè)施的升級(jí)改造，尚雋家具將以嶄新的面貌和更優(yōu)質(zhì)的服務(wù)迎接國(guó)內(nèi)外客商前來(lái)參觀考察和洽談業(yè)務(wù)。同時(shí)，在此特別感謝曾經(jīng)支持和幫助過(guò)尚雋家具的所有合作單位：山東皇明太陽(yáng)谷、上海張江高科技產(chǎn)業(yè)園酒店、北京鵬潤(rùn)國(guó)際酒店、蘭州愷撒龍海參館、梅州聯(lián)邦酒店、江西財(cái)政廳井岡山接待樓、阿瓦斯SantaTsabel西班牙酒店、東盟園印尼領(lǐng)事館、東莞長(zhǎng)江國(guó)際酒店、中華全國(guó)總工會(huì)、內(nèi)蒙古職工之家、廣西壯族自治區(qū)御林灣會(huì)所、廣東東莞世紀(jì)新城會(huì)所、云南昆明星耀水鄉(xiāng)、珠海華發(fā)里埃維拉、中山遠(yuǎn)洋城——以上單位本產(chǎn)品專集作為案例作了精彩展示，謹(jǐn)此致謝！ShangJunnewindustrialparkbythearchitecturaldesignmasterofinternationalfamousdesign,appearancewithVitoriastyle,elegance,elegant,extraordinarymomentum,withhigherandtheartsandhumanitiesconnotationquality,professionalqualityanddesignstandardsfullyembodiestheShangJunfurnitureforthehomeandabroadtocreatefurnitureboutiqueTheClassHotel.TheindustrialparkislocatedinZhongshanCity,GuangdongProvince,thetownofNamLonghometownofgreathistoricalandculturalcity,coversanareaof20000squaremeters,atotalinvestmentofabouteightymillionyuan,thetotalconstructionof50000squaremeters,thefirstphaseofconstructionwillbecompletedin2014,willbebuiltwithenvironmentfirst-classproductionworkshop,amodelofthehousing,ahighstandardoffurnituretheexhibitionhall,productR&Ddesignbuildings,staffapartments,staffactivitycenter,administrativebuildingsandotherfacilities,throughtheupgradingofinfrastructure,ShangJunfurniturewillbeanewlookandmorequalityservicestomeetthedomesticandforeignmerchantstocometovisitandnegotiatebusiness.Atthesametime,thanksforthesupportandhelpisonceJunfurnitureallcooperationunit:ShandongHiminSolarValleyHotel,Shanghai,ZhangjiangHi-TechIndustrialParkofBeijingPengrunInternationalHotel,LanzhouFederalHotel,MeizhouMuseumofCaesarLonghai,JiangxiDepartmentoffinanceofJinggangshanreceptionbuilding,agasSantaTsabelSpagnaHotel,ASEANParkIndonesiaconsulate,DongguantheYangtzeRiverInternationalHotel,theAll-ChinaFederationoftradeunions,theInnerMongoliahomeofworkers,theGuangxiZhuangAutonomousRegionYuLinBayClub,GuangdongDongguanMetroCenturyClub,YunnanKunmingStarRiver,ZhuhaiHUAFARiviera,OceanCityinZhongshan--moreunitsintheproductssectionasacasemadeawonderfulshow,thankyou!尚雋，以回歸自然為使命的家具品牌。尚雋秉承“自然、時(shí)尚、進(jìn)步、快樂”的品牌精神，時(shí)尚、潮流的家具品牌，詮釋出使用者對(duì)人生的積極掌握、創(chuàng)造出無(wú)限自信。在一間充滿溫馨氛圍的酒店里住宿，也能感覺出“家”的滋味。無(wú)須刻意，自然就好。ShangJuantoreturntonatureasthemissionofthefurniturebrand.ShangJuanadheringtothe"nature,fashion,andprogress"and"happyspiritofthebrand,fashion,thetrendoffurniturebrand,explanationgivesusersactivelygraspoflife,createunlimitedconfidence.Inaroomfullofsweetatmosphereofthehotelaccommodation,alsocanfeelthetasteof"home".Donotneedtodeliberately,natureisgood.尚雋，以回歸自然為使命的家具品牌。千萬(wàn)不要小覷了家具對(duì)于房子的作用，沒有家具，房子只是一個(gè)四四方方的盒子，缺少了靈魂和個(gè)性。尚雋崇尚自然、時(shí)尚、進(jìn)步、快樂，她對(duì)綠色時(shí)尚和品質(zhì)生活孜孜不倦的追求，在家具行業(yè)引發(fā)了一股新的潮流。尚雋，在于精益求精的高貴，在于百尺竿頭更進(jìn)一步的人生態(tài)度。她把來(lái)自自然的美和感悟融合于產(chǎn)品之中，將格調(diào)與藝術(shù)創(chuàng)意融于一體，能讓人從家具中品味出自然與人生的真諦，構(gòu)筑出一種物我兩忘的境界。尚雋秉承“自然、時(shí)尚、進(jìn)步、快樂”的品牌精神，時(shí)尚、潮流的家具品牌，詮釋出使用者對(duì)人生的積極掌握、創(chuàng)造出無(wú)限自信。在一間充滿溫馨氛圍的酒店里住宿，也能感覺出“家”的滋味。無(wú)須刻意，自然就好。ShangJuantoreturntonatureasthemissionofthefurniturebrand.Don'tunderestimatetheroleofthefurnitureinhouse,nofurniture,housejustasquarebox,thelackofasoulandpersonality.ShangJuanadvocatenatural,fashion,progress,happiness,hergreenfashionandtirelesspursuitofqualityoflife,hassetoffanewtrendinthefurnitureindustry.ProgressisShangJuan,striveforperfectionofnobility,furtherattitudetowardslife.Shefusesfromthenaturalbeautyandthefeelingintheproduct,thestyleandartisticcreativityintoanorganicwhole,canletapersonfromthefurnituretastenatureandthetruemeaningoflife,buildgiveakindofthingIlefttwooftherealm.ShangJuanadheringtothe"nature,fashion,andprogress"and"happyspiritofthebrand,fashion,thetrendoffurniturebrand,explanationgivesusersactivelygraspoflife,createunlimitedconfidence.Inaroomfullofsweetatmosphereofthehotelaccommodation,alsocanfeelthetasteof"home".Donotneedtodeliberately,natureisgood.旅行者的天堂酒店，是旅途中的“家”，旅行者的天堂無(wú)數(shù)人來(lái)了，又離開在匆匆忙忙的人生中，總有那么一方天地為他們停留、駐守天南地北的人，五湖四海的文化，在這里交融、滲透，最終形成了酒店包羅萬(wàn)象的一種文化，那就是寬容和豐富外地人眼中的酒店，擁有濃郁的地方特色，而當(dāng)?shù)厝搜壑械木频?，卻又是最具異域風(fēng)情的地方，在不同的人眼中，她展現(xiàn)出不同的風(fēng)TheparadiseofthetravelerHotel,ajourney"home"inthetraveler'sparadiseMillionsofpeoplecomeandleaveInhurryinlife,thereisalwaysapartyfortheirstay,heavenandearthHereallpeople,allovertheworldculture,blendingandinfiltration,eventuallyformedacomprehensivehotelakindofculture,thatistoleranceandrichForeignersintheeyesofthehotel,havefull-bodiedlocalcharacteristics,andtheeyesoflocalhotel,butitisthemostexoticplace,intheeyesofdifferentpeople,sheshowsdifferentwind改變，從自己開始英國(guó)最古老的建筑物——威斯敏斯特教堂的旁邊矗立著一塊墓碑，上面刻著一段非常著名的話：當(dāng)我年輕的時(shí)候，我夢(mèng)想改變這個(gè)世界；當(dāng)我成熟以后，我發(fā)現(xiàn)我不能夠改變這個(gè)世界，我將目光縮短了些，決定只改變我的國(guó)家；當(dāng)我進(jìn)入暮年以后，我發(fā)現(xiàn)我不能夠改變我們的國(guó)家，我的最后愿望僅僅是改變一下我的家庭，但是，這也不可能。當(dāng)我現(xiàn)在躺在床上，行將就木時(shí)，我突然意識(shí)到：如果一開始我僅僅去改變我自己，然后，我可能改變我的家庭；在家人的幫助和鼓勵(lì)下，我可能為國(guó)家做一些事情；然后，誰(shuí)知道呢?我甚至可能改變這個(gè)世界。Change,beginfrommyselfBritain'soldestbuilding-atombstonestandsnexttoWestminsterAbbey,inscribedwithaveryfamoussaying:WhenIwasyoung,mydreamistochangetheworld;WhenImaturelater,IfoundIcan'tchangetheworld,I'mgoingtolookshorter,decidedtochangeonlymycountry;WhenIenteredthetwilight,IfoundthatIcan'tchangeourcountry,mylastwishisjustachangeofmyfamily,butthisisnotpossible.WhenI'mlyinginbed,dying,Isuddenlyrealize:ifatfirstIonlytochangemyself,thenImaychangemyfamily;Helpandencouragementinmyfamily,Icoulddosomethingtothenation;Then,whoknows?Imightevenchangetheworld.威斯敏斯特教堂墓志銘英文版：WhenIwasyoungandfreeandmyimaginationhadnolimits,Idreamedofchangingtheworld.AsIgrewolderandwiser,Idiscoveredtheworldwouldnotchange,soIshortenedmysightssomewhatanddecidedtochangeonlymycountry.Butit,too,seemedimmovable.AsIgrewintomytwilightyears,inonelastdesperateattempt,Isettledforchangingonlymyfamily,thoseclosesttome,butalas,theywouldhavenoneofit.Andnow,asIlieonmydeathbed,Isuddenlyrealize:IfIhadonlychangedmyselffirst,thenbyexampleIwouldhavechangedmyfamily.Fromtheirinspirationandencouragement,Iwouldthenhavebeenabletobettermycountry,andwhoknows,Imayhaveevenchangedtheworld.酒店思想家：藝術(shù)與文化并存意大利家具之所以有這樣的美譽(yù)，不僅因?yàn)樗钦诘臍W洲古典風(fēng)格的發(fā)源地，意大利工匠更把每件家具都當(dāng)作藝術(shù)品的那份認(rèn)真與浪漫。對(duì)品質(zhì)的追求，是對(duì)各種珍貴木材、高級(jí)家具漆料、頂級(jí)牛皮等原材料的堅(jiān)持精選，確保每件家具從原料到制成都是精品；對(duì)細(xì)節(jié)的追求，是由經(jīng)驗(yàn)豐富的工匠承襲古法，對(duì)每一處配件都堅(jiān)持純手工打造。經(jīng)過(guò)如此精雕細(xì)琢的每一件家具，都堪稱藝術(shù)精品，不但結(jié)實(shí)耐用，而且非常美觀。同時(shí)，精致的外型設(shè)計(jì)與力求完美的生產(chǎn)工藝，成為了意大利家具最鮮明的特色，使其烙印上了一種雋永并無(wú)可取代的珍貴價(jià)值。Hotelthinker:artandcultureItalianfurniturehassuchareputation,notonlybecauseitisthebirthplaceofauthenticEuropeanclassicalstyle,Italiancraftsmenputeverypieceoffurnitureasaworkofartthatseriousandromantic.Isthepursuitofquality,foravarietyofpreciouswood,seniorfurniturepaint,topleatheradheretoselectrawmaterials,suchas,toensurethateverypieceoffurnituremadefromrawmaterialstoisfine;Pursuitofdetails,itisbyexperiencedcraftsmenfromwine,toeverypartssticktopuremadebyhand.Aftersuchafinelycraftedeverypieceoffurniture,isart,notonlystronganddurable,andverybeautiful.Delicateappearancedesignatthesametime,andstrivetoperfectproductiontechnology,becamethemostdistinctivefeaturesofItalianfurniture,makeitsbrandinameaningfulandpreciousirreplaceablevalue.中式莊重儒雅東方的文化深藏著一種神秘的氣質(zhì)，流行也因她的神秘而蔓延千年……尊貴，彰顯氣勢(shì)簡(jiǎn)潔的造型、洗練的線條，中國(guó)明式家具中蘊(yùn)含著文人墨士的審美情趣，形成了明式家具獨(dú)特的藝術(shù)風(fēng)格及文人氣質(zhì)。窗格、飛檐、如意門環(huán)、翹頭案幾……富中國(guó)傳統(tǒng)內(nèi)涵的文化元素，以現(xiàn)代極簡(jiǎn)約的造型藝術(shù)，恰到好處的點(diǎn)綴和寫意在現(xiàn)代風(fēng)格的家具中，使之在中式古典風(fēng)格中透出現(xiàn)代的韻味。ChinesesolemneleganceDeepOrientalcultureamysterioustemperament,stylealsospreadbythemysteryofheronethousandyears...Honor,revealimposingmannerCompactmodel,washspracticelines,brighttypefurnitureinChinacontainstheliteratiinkandaesthetictemperamentandinterest,formedauniqueartisticstyleofbrighttypefurnitureandliteratitemperament.Pane,cornices,ruyiknocker,casebecomewarpedheadafew...RichconnotationofChinesetraditionalculturalelements,themodellingwithmodernminimalistart,properornamentandfreehandbrushworkintraditionalChinesepaintinginthemodernstyleoffurniture,makeitamodernfullyinChineseclassicalstylelastingappeal.歐式貴族氣質(zhì)歐式家具高檔氣派、尊貴典雅，裁切雕刻都很精細(xì)，輪廓和轉(zhuǎn)折部分由優(yōu)雅的曲線或曲面構(gòu)成，家具造型藝術(shù)感強(qiáng)，線條流暢，家具色彩鮮艷、溫暖、富麗。詩(shī)一樣的醇厚，藝術(shù)品一樣的精美時(shí)空在這里交匯，仿佛空氣中都彌漫著懷舊、緬想的氣息……古典家具在這片空間中營(yíng)造出一種安逸舒適的氛圍，使行色匆匆的客人卸下疲憊，在喧囂中享受難得的寧?kù)o和自在。時(shí)尚的布料，現(xiàn)代的色彩，依然勾勒出古香古色的韻味，強(qiáng)烈的色彩變化，每一個(gè)線條所展現(xiàn)出來(lái)的裝飾美，以及不同色澤的木材質(zhì)感，演繹著全新的現(xiàn)代巴洛克風(fēng)格。作為文藝復(fù)興的發(fā)源地的歐洲，對(duì)藝術(shù)的執(zhí)著與追求一直深刻地影響著后世，在各個(gè)藝術(shù)及生活領(lǐng)域，都可以查見歐洲元素的滲透。這種在悠久文化的積淀之下薈萃而成的人文底蘊(yùn)，使得歐式家具享譽(yù)全球，成為奢華高端的代名詞。EuropeannobletemperamentHigh-gradestyle,theeleganteuropean-stylefurniture,cuttingengravingisveryfine,outlineandturningpartconsistsofelegantcurveorcurvedsurface,furnituremodellingartisticsenseisstrong,smoothlines,thefurnitureofbrightcolors,warm,richly.Poemismellow,elegantworksofartSpace-timeintersectionhere,asiftheairisfilledwithnostalgicbreathandthinkof...Classicalfurnitureinthespacecreateaatmosphereofeaseandcomfort,relievehurryingtogueststired,enjoytherarepeaceandateaseinthehustleandbustle.Fashionfabric,thecolourofthemodern,drawtheoutlineofthecharmofancientsweetpatina,intensecolorchanges,eachlineisdisplayedbythedecorativebeauty,aswellasthedifferentcolourandlustreofwoodtexture,withanewinterpretationofthecontemporarybaroquestyle.AsthebirthplaceoftheRenaissanceofEurope,thepersistenceandpursuitofarthasbeenprofoundlyinfluencedthelatergenerations,andinthefieldoftheartandlife,canlookuptoseetheEuropeanelementofthepenetration.Thisunderthelongculturalaccumulationandhumanisticbackground,makingEuropetypefurnitureisfamousinallovertheworld,becomethepronounofluxurioushigh-end.簡(jiǎn)單的夢(mèng)在這安靜舒適的空間里，聽一首古典樂曲，領(lǐng)略那穿越靈魂的美。深夜里，是誰(shuí)走進(jìn)你的夢(mèng)中。金戈鐵馬，時(shí)空流轉(zhuǎn)，粗獷、斑駁、狂野，是古羅馬留給時(shí)間的印記。叔本華說(shuō)：我們很少想到我們有什么，可是總想到我們?nèi)笔裁?。?mèng)中，我們彼此靠近，仿佛為了溫暖那些靠在一起的靈魂。以明快色彩和現(xiàn)代造型彰顯多彩個(gè)性，現(xiàn)代主義風(fēng)格，正引領(lǐng)國(guó)際家居裝修風(fēng)格走向個(gè)性化時(shí)代?，F(xiàn)代新簡(jiǎn)約主義系列，揉合國(guó)際流行的簡(jiǎn)潔明快的幾何線條，以極具感性的色彩，為都市現(xiàn)代酒店融入更多浪漫的國(guó)際色彩。SimpledreamInthisquietandcomfortablespace,listeningtoclassicalmusic,appreciatingthethroughthebeautyofthesoul.Whoislateatnight,walkintoyourdream.Warriors,time-spaceconversion,straightforward,mottled,wild,istheRomanlefttheimprintoftime.Schopenhauersaid:"weseldomthinkofwhatwehave,butalwaysthinkofwhatwelack.Adream,weclosetoeachother,asifinordertowarmthesoultogether.Withbrightcolorsandmodernmodellingrevealpersonality,colorfulstyleofmodernism,isleadinginternationalhouseholddecoratesastyletoindividuationage.Modernnewseriesofminimalism,withinternationalpopular,conciseandlivelygeometryline,withhighlysensitivecolour,astheurbanmodernhotelwithmoreromanticinternationalcolor.自然主義的返璞每一件家俬都是獨(dú)一無(wú)二的，因?yàn)樗蛔⑷肓烁星楹退囆g(shù)，它是唯一的，是帶有珍貴的個(gè)性化印記的！正如人們普遍認(rèn)同的“勞斯萊斯”“勞力士”一樣彌足珍貴，成為上流社會(huì)人們追逐和擁有的永恒主題。家具的起源：席地而坐的家具(遠(yuǎn)古時(shí)代至三國(guó)時(shí)期)——過(guò)渡時(shí)期的家具（魏晉南北朝至五代時(shí)期）——垂足而坐時(shí)期的家具（宋朝至元朝）——鼎盛時(shí)期的明清家具——近現(xiàn)代家具（1819年至今）NaturalismtoreturnproductEachpieceoffurnitureisunique,becauseitwasinjectedwithemotionandart,itistheonly,isapreciouspersonalizedstamp!Asitiswidelyaccepted"rolex"treasured"Rolls-Royce",becomeupper-classpeoplechaseandhaveaneternaltheme.Furniturefurnitureorigins:sitonthefloor(ancienttimestoTheThreeKingdomsperiod),thefurnitureoftheperiodoftransition(weijinsouthernandnortherndynastiestothefivedynastiesperiod),pedalandsitintheperiodoffurniture(songdynastytoyuandynasty)-theheydayoftheMingandqingdynastiesfurniture,modernfurniture(1819-present)遇見在這個(gè)躲過(guò)世界末日的世界里，冬日慵懶的陽(yáng)光撒滿一地，孤寂的心也隨之雀躍起來(lái)。遇見一家酒店猶如遇見一個(gè)人，默默佇立的家俬無(wú)言地代表著他的品味性格是彌漫著貴族氣息？還是充滿書香古味？或是前衛(wèi)簡(jiǎn)約……越是接近自然，越是經(jīng)典永恒。每次不期然的邂逅，都是一次美麗的遇見。TomeetInthisworldfromtheendoftheworld,lazywintersunshaman,lalisolitudeofheart.Foundahotelislikemetaman,standingsilently,silentcharactertorepresenthistasteIsfilledwitharistocratic?Orfullofelegantancientflavor?Oravant-gardecontracted...Themoreclosetonature,theeternalclassic.Eachhadunexpectedlyencounter,isabeautifulmeet.法國(guó)雕刻：經(jīng)典藝術(shù)和時(shí)尚文化的聯(lián)姻雕刻，是人類一種傳達(dá)情感的藝術(shù)現(xiàn)象，也是一種溝通靈魂的文化現(xiàn)象。它以其靜止的、占有實(shí)在體積的物質(zhì)形態(tài)，展示動(dòng)態(tài)的人類發(fā)展的心路歷程。在漫長(zhǎng)的歷史長(zhǎng)河中，雕刻作為人類文化最好的象征符號(hào)之一，盡情表述著不同時(shí)期、不同地域、不同習(xí)俗的人們內(nèi)心的藝術(shù)感覺和深層的文化思路。世界雕刻大國(guó)——法蘭西的雕刻藝術(shù)，即充分說(shuō)明了這一問(wèn)題。從它不同時(shí)期所呈現(xiàn)出的不同傳統(tǒng)手法和時(shí)髦樣式中，可清晰地看出其文化藝術(shù)的演變過(guò)程和發(fā)展軌跡。萊茵河以西的法蘭西雖算不上文明古國(guó)，卻也是人杰地靈之邦，其雕刻史上從已被發(fā)現(xiàn)的最早雕刻《勞塞爾的維納斯》(發(fā)現(xiàn)于法國(guó)西南部一個(gè)山洞的中楣上)算起，距今也有一萬(wàn)余年。爾后雖沒有古埃及時(shí)期的雕刻盛世，也沒有古希臘、羅馬時(shí)期的藝術(shù)輝煌，但中世紀(jì)及其以后的藝術(shù)卻脫穎而出，顯示出非凡的藝術(shù)創(chuàng)造精神，特別是在雕刻領(lǐng)域作出了無(wú)愧于古人的光輝成就。‘法蘭西是一個(gè)崇尚文化的民族，8至10世紀(jì)的“加洛林王朝”時(shí)期，查理曼大帝就以號(hào)稱崇尚文化而煊赫一時(shí)。12世紀(jì)的法蘭西更是如此，基督教藝術(shù)發(fā)展到了一個(gè)高峰時(shí)期，幾乎無(wú)處不在興建教堂和修道院，而雕刻又是其建筑裝飾的重要藝術(shù)手法。Frenchcarved:marriageofclassicalartandfashioncultureSculpture,isakindofhumanconveyemotionartphenomenon,isalsoakindofcommunication,theculturalphenomenonofthesoul.Itwithitsstatic,possessionisthematerialformofvolume,displaydynamichumandevelopmentjourney.Inthelonghistory,sculpture,asoneofthebestsymbolofhumanculture,fullyexpressedthedifferentperiod,differentregions,differentcustomsofthepeopleinsidetheartisticfeelinganddeepculturalideas.Theworldpowers-carvingsculptureofFrance,thatis,fullyillustratestheproblem.Fromitspresentindifferentperiodsofdifferenttraditionalmethodsandmodernstyle,canseeclearlytheevolutionanddevelopmentofartandcultureinthetrajectory.TheRhinerivertothewestofFranceisnotcivilization,butitisalsoabeautifulstate,andtheengravingfromhavebeendiscoveredinthehistoryoftheearliest"loweSelmaVenus"(foundinacaveofsouthwestFranceinMeiShang),therearemorethantenthousandyearsago.ThennoancientEgyptiansculptureprosperoustime,northeancientGreekandRomanart,buttheartofthemiddleagesandlaterstandout,showsaremarkablespiritofartisticcreation,especiallyinthefieldofsculpturehasmadegloriousachievementsworthyoftheancients."Franceisanationadvocatingculture,8to10century""addlorrainedynastyperiod,Charlemagneinwhichadvocatecultureandxuan.12th-centuryFrance,Christianartdevelopmentreachedapeakperiod,almostubiquitousbuildingchurchesandmonasteries,andcarvingisanimportantartofthebuildingdecoratesgimmick.新自然主義愛因斯坦曾經(jīng)說(shuō)過(guò)，“自然界最不可理解的事情是，自然是可以被理解的”。春天從這美麗的花園里走來(lái)，/就像那愛的精靈無(wú)所不在；每一種花草都在大地黝黑的胸膛上，從冬眠的美夢(mèng)里蘇醒?？茨伭虽摻钏嗟亩际校_始渴望溫暖的陽(yáng)光、清新的空氣、充滿生機(jī)的植物給自己放個(gè)假，回歸自然把滿腔閑情溶化于濃淡有致的碧清與蔚藍(lán)，享受那難得的一刻閑暇……原木、纏藤、青竹、纖麻、厚革……自然的材質(zhì)和色彩，揉合著鄉(xiāng)村原野的淳樸粗曠，在自然樸實(shí)中釋放出人性最本質(zhì)的休閑和親和，給你營(yíng)造一種夢(mèng)想中的鄉(xiāng)村田園。若不是讓畫筆蘸滿田園的七色顏料，人間靈巧的畫師又怎能繪出斑斕的七色彩虹？NewnaturalismEinsteinoncesaid,"themostincomprehensiblethinginnature,natureisthe"canbeunderstood.Springiscomingfrominthisbeautifulgarden,/likethespiritofloveareeverywhere;Eachkindofflowersandplantsintheearthinthebosomofthedark,towakeupfromhibernationdreams.Looktiredofreinforcedconcretecity,begantodesiretowarmsunshine,freshair,fullofvitalityoftheplantGiveoneselfputonefalse,returntonatureBringleisuremeltwithclearwaterinshadesofblue,toenjoythemomentofleisure...Logs,wrappedfiberrattan,bamboo,hemp,thickleather...Natureofthematerialandcolor,mixwithruggedsimplicityofthecountry,releasetheveryessenceofhumannatureinthenaturalguilelessleisureandaffinity,giveyoucreatearuralidyllofmydreams.Ifitisnottobrushitwithgardensevencolorpigments/day,howcanhumancleverpainter/drawcolorfulsevenrainbowcolor?不可被復(fù)制的手工藝術(shù)意大利，作為引領(lǐng)高端時(shí)尚的重心和歐洲古典藝術(shù)文化的起源，始終行在時(shí)尚與藝術(shù)生活的前端，因此使眾多高端客群深深為之傾倒。剪刀石頭布為滿足高端客群對(duì)意大利家具的熱愛與需求，多年前踏便上亞平寧半島，開始意大利的百年工藝探尋之旅。意大利的工匠師們自小就對(duì)藝術(shù)耳濡目染，從他們身上看到對(duì)工作的熱情、堅(jiān)持與創(chuàng)新，他們將一生奉獻(xiàn)給手工家具，一筆一刻用他們的作品傳遞精彩的生活態(tài)度！在純正的意大利家具上，沒有臨摹仿制的千篇一律，沒有為求謀生而半路出師的工匠，沒有粗糙含糊、不經(jīng)推敲的細(xì)節(jié)問(wèn)題，只有意大利工匠扎實(shí)精湛的技藝與深厚的藝術(shù)人文內(nèi)涵的融合創(chuàng)作，使得所造就的家具擁有無(wú)以復(fù)加的“與眾不同”，將意大利推向真正釀造頂級(jí)奢華家具的風(fēng)向標(biāo)。富文化、重傳承、注細(xì)節(jié)、嚴(yán)把關(guān)，這些意大利工藝獨(dú)到的特色，使之傲立于世界家具界的頂峰。剪刀石頭布長(zhǎng)期經(jīng)營(yíng)意大利進(jìn)口窗簾面料，深受意大利獨(dú)特人文精神、藝術(shù)氣息的熏陶。典雅的意大利窗簾布藝，更需要純正意大利家具的完美搭配，方能相得益彰，呈現(xiàn)居室的奢華品位。因此自2011年底起，剪刀石頭布正式引進(jìn)意大利進(jìn)口家具，結(jié)合國(guó)內(nèi)外整體軟裝設(shè)計(jì)師團(tuán)隊(duì)與意大利進(jìn)口窗簾面料、燈飾、地毯、飾品等，為顧客帶來(lái)真正意大利的尊崇家居體驗(yàn)！ThemanualartcannotbecopiedItaly,asaleadinghigh-endfashion'scentreofgravityandtheoriginsoftheEuropeanclassicalartculture,alwayswalkinthefrontofthefashionandartlife,thusmakingmanyhigh-endcustomerswithdeeply.ScissorsstoneclothloveofItalianfurnituretomeetthehigh-endcustomersandrequirements,steppingonthepeninsula,manyyearsagobeganinItalyinonehundredprocessfortrip.CraftsmanmastersofartfromhischildhoodinItaly,fromtheirbodyseepassion,persistenceandinnovationtowork,theydevoteyourlifetohandmadefurniture,amomentintheirworkpasswonderfullifeattitude!OnpureItalianfurniture,notcopycopyofthesame,nocraftsmeninordertomakealivingandthewaytoleave,noroughvagueandnotbytheweighandthedetailsoftheproblem,onlyItaliancraftsmensolidexquisiteartistryandprofoundculturalconnotationofartcreation,hasbroughtthefurniturehastoppedthe"different",Italytoactuallymakethetopluxuryfurniturevane.Il,heritage,andnotethedetails,guardapassstrictly,theItaliantechnologyuniquecharacteristics,makeitproudlytotheworldthepeakoffurnitureindustry.Scissorsrockclothlong-termoperationimportedItaliancurtainfabrics,deeplyinfluencedbyItalianuniquehumanisticspiritandartisticedification.ElegantItaliancurtainclothart,moreneedtoperfectcollocation,pureItalianfurniturecanbringoutthebestineachother,presentabedroomluxurygrade.Sosincetheendof2011,stonescissorsclothformallyintroducedimportedItalianfurniture,combinedwithdomesticandforeigngeneralsoftoutfitdesignerteamandItalianimportsofcurtainfabrics,lighting,carpet,adornarticle,etc.,bringcustomerrespectofrealItalianhouseholdexperience!工藝傳承造就巔峰之作手工藝是意大利千年積淀形成的社會(huì)文化與生活方式中不可或缺的一部分，也給全世界追求高品位生活的人帶來(lái)了奢華、高雅、舒適的意大利家具。任憑時(shí)光流逝，意大利工匠們依舊采用祖輩世代傳承的工藝古法來(lái)進(jìn)行家具的制作。從選材到雕刻，從鑲嵌到拋光，意大利人認(rèn)為只有這種細(xì)膩、專注、用心的手工制作才能表現(xiàn)出意大利制造的真諦。如今，意大利手工藝以其巧奪天工、細(xì)致考究聞名于世，尤其是手繪及雕刻工藝。手繪比較常用在一些家具表面，而雕刻比較常用在一些裝飾部件如把手、桌腿椅腿、床背板等地方。無(wú)論手繪或雕刻，都是一道棘手的工藝，需要一氣呵成。任何斷續(xù)或失誤，往往會(huì)造成整個(gè)部件的報(bào)廢，導(dǎo)致之前的所有努力付諸東流。而且在家具上增加以上藝術(shù)工藝時(shí)，需要有相當(dāng)?shù)哪托?，?xì)致的心思及對(duì)美的完全掌握。任何一件家具產(chǎn)品從開始制作到完工，都被視為手工藝術(shù)品，而非工藝品。在手繪過(guò)程中，為了獲得最佳效果，必須嚴(yán)格遵守每道工序之間的間隔時(shí)間。作為一種特殊的上漆工藝，只有之前的顏色干透之后，才能繪制下一個(gè)顏色，整個(gè)加工過(guò)程持續(xù)時(shí)間極長(zhǎng)。優(yōu)秀的手繪作品，往往使家具更具表現(xiàn)力及張力，更可以豐富家具的藝術(shù)層次。在雕刻過(guò)程中，為了防止加工過(guò)程中木料斷裂，作為原料的實(shí)木必須足夠柔軟堅(jiān)韌，細(xì)紋不能過(guò)于突出，即使是上等的木材，也要按照傳統(tǒng)在戶外暴曬一年，考驗(yàn)其品質(zhì)。前期準(zhǔn)備工作會(huì)借助機(jī)器完成，在木料上刻出大致形狀，除去多余部分，為真正整木雕刻工藝打下基礎(chǔ)。然后，工藝師用靈巧的雙手用輔以長(zhǎng)期使用的工具，完成木雕作品的每一個(gè)細(xì)節(jié)，將木料雕刻成藤蔓、旋渦、花卉等極具造型或藝術(shù)感的作品。圓頭鑿刀、長(zhǎng)柄鏟刀、尖頭刻刀，都是雕刻時(shí)最常用的工具。經(jīng)過(guò)工匠的巧手，一件獨(dú)一無(wú)二的木雕藝術(shù)作品就此誕生。每一處雕花，都栩栩如生，渾然天成。家具也因木雕、紋飾變得豐滿圓潤(rùn)，視覺感覺與存在感豐厚，同時(shí)兼顧實(shí)用性與卓然美感。另外，還有貼金箔工藝，也是意大利家具文化傳承的完美體現(xiàn)。貼金箔又稱“貼金”，是一種古老的技藝。在歐洲，中世紀(jì)時(shí)漢堡、維也納等地已有金箔加工業(yè)，如今國(guó)內(nèi)外許多建筑物也都會(huì)運(yùn)用此工藝（歐洲許多歌劇院、教堂、清真寺圓頂、宮殿等），以表現(xiàn)其富麗堂皇或尊貴莊重。真正的金箔是以含金量為99.99％的金條為主要原料，經(jīng)化滌、錘打、切箔等十多道工序特殊加工而成，厚度不足萬(wàn)分之一毫米。這些光亮柔軟、輕如鴻毛、薄如蟬翼的金箔無(wú)法用手直接拿起，必須經(jīng)工匠師強(qiáng)大的專注力與耐心，用專業(yè)的技術(shù)一層層貼飾在各種物體上，保證在拍打、涂膠、打磨、上漆的過(guò)程中既不會(huì)對(duì)金箔造成損壞，又能完美呈現(xiàn)其藝術(shù)感。這種耗時(shí)耗力的工藝如今鮮少有年輕人愿意加入，因此整個(gè)金箔行業(yè)后繼乏人，含有此工藝的家具愈顯彌足珍貴。這些刻畫入時(shí)光的藝術(shù)與激情，經(jīng)得起歲月的沖擊考驗(yàn)，成為恒久經(jīng)典。正如同剪刀石頭布集團(tuán)了解意大利工藝與品質(zhì)之美，并融合中國(guó)消費(fèi)者的需求，精選眾多有五十年甚至上百年歷史的意大利手工家具品牌，滿足追求不同風(fēng)格的高端消費(fèi)者的喜好，將純正的意大利工藝藝術(shù)家具帶入更多中國(guó)家庭，一如意大利的文化與藝術(shù)的傳承，歷久彌新！TechnologytransfermakeaculminationCraftswereformedinonethousandinItalyanintegralpartofsocialcultureandlifestyle,alsohasbroughtthepursuitofhighqualitylifeofpeoplearoundtheworldluxury,elegantandcomfortablefurnitureinItaly.Timegoesby,theItal