青戲節(jié)外國劇組準(zhǔn)備材料

：演出光盤（已收到劇本－中文（收到法文版不到京劇組演職人員護(hù)照復(fù)印件（未收到劇組本國演出證明文件（收到并國立、某某市字樣，提供證明（翻譯劇組每個人員簽字的演出確認(rèn)函（待劇團(tuán)發(fā)回導(dǎo)演(有(劇照有，缺海報洛朗·巴森曾學(xué)習(xí)哲學(xué)并隨后在巴黎十大Nanterre跟隨阿瑟·、依蕾娜·波努、大衛(wèi)·雷斯考特和讓-伊夫魯夫攻讀導(dǎo)演學(xué)他經(jīng)常與視覺戲劇專家大衛(wèi)吉洪丁莫阿波合作尤其是Imomushi,Nuits,VariationsMarionnettes這幾部作品，并在2010年為他創(chuàng)作了戲作品《OctopoulpeleVilain尼MC93劇場創(chuàng)作的中世紀(jì)驚險故事《瘋女人還是世紀(jì)》2009年他成立梅斯劇團(tuán)00年起Lage劇駐場表演關(guān)于整形手術(shù)的故《蒂莫珀里斯，》以及根據(jù)讓-不列顛尼LaurentBazinstudiesphilosophy,heenterstheMasterofFineArtsinTheateratNanterre-ParisXwhereheistrainedwithdirectorssuchasArthurNauzyciel,IrèneBonnaud,DavidLescotandJean-YvesRuf.HeisaregularartisticcollaboratorofDavidGirondinMoab,especiallyfortheproductionsofImomushi,Nuits,VariationsMarionnettes,hewritesanddevelopstheprojectOctopoulpeleVilain,in2010forthecompany.Hisfirstdevisedworksasadirectoraremusicals:SignéCorbeauattheFoliesBergèreandgoontomedievalthriller:FolouleSiècled’OmbrescreatedatMC93Bobigny.In2009,hefoundstheMesdencompany.InresidenceatLaLogetheatresince2010,thecompanypresentsDysmopolis:afantastictaleonplasticsurgery,InsomniedesMurènes:atheatrechoreographyforthreedancersandoneactressandBritannicus,close-up,adaptedfromRacine’sCurrently,LaurentBazinisdevelovariousprojects,oneamongothersisadevisedcontemporaryoperaL’effetW(TheshowhadafirstjobstepatFestival“Croisements”inBeijinginLaurentBazinhasbeenselectedtobeafellowatVillaMedici,theFrenchacademyinRome,asofthe2015劇團(tuán)介紹（中英文奧氏兄弟劇爾羅、讓-米歇爾·焦林、克雷蒙·布雷松和瓦奈莎·馮特。2013年瑪?shù)贍柕隆て绽飱W萊特任副團(tuán)長。和梅斯登劇梅斯登劇團(tuán)的作品探索臺詞與影像之間不同類型的互動，從影響到現(xiàn)代，以創(chuàng)造戲劇敘事的同的創(chuàng)作等。利用本身看起來與戲劇并無太多關(guān)聯(lián)的素材，例如、整形手術(shù)等，制作出觸發(fā)我們思考的敏感的轉(zhuǎn)折點(diǎn)，來對抗并質(zhì)疑傳統(tǒng)戲劇。梅斯登劇團(tuán)憑作品《BadLittleBubbleB20136月獲得Impatience戲劇節(jié)大獎。O’Brotherisasymbolicfraternityexclusivelyrunbyactors:FabienJoubert,ElsaGrzeszczak,GisèleTorterolo,Jean-MichelGuerin,ClémentBressonandVanessaFonte.MathildePriolet esassociatedirectorin2013.TheyareassociateartistsinresidenceattheSalmanazarinEpernay,France.MesdenFoundedbyLaurentBazin,Mesdendevelopsoriginalworkswithanongoingensemble.Mesden’stheatrepiecesarebuiltaroundabroadrangeofsubjectmatterwithcollaboratorsfromdifferentcraftsmanshiptorenewthepossibilitiesofliteraryformsandopentomultipledimensions(plasticarts,interpretation,musicality,technics…).Amongpreciousassociatecollaborators,wecanmentionSvendAndersenforphotographyandGabrielQuillacqforgraphicMesden’sworkexploresmultipletypesofinteractionbetweenspeechandimages,drawingitsworkfrommovieimagestocontemporarycomicstriptocreatenewnarratives,visualandsoundexperiments.Itsworkcombineselementsandstylessuchasitstopics,thatmayseematfirstsightfarfromtheatrematerials(comicbooks,plasticsurgery…).Mesden’sgististoconfrontandquestiontheatretraditionsbyproducingsensitivecrossroadsthattriggerourthoughts.MesdenreceivedtheImpatienceFestivalPriceinJune2013foritsshow:BadLittleBubbleB.1973年一些神秘的在巴黎流傳上顯示的都是已經(jīng)死去的人的。這些出自一位通靈的攝影師埃德瓦多·布蓋（EdouardBuguet）之手。對那那么是怎樣的呢技術(shù)（直接顯影、多重、對反光面的操控。他通過攝影的不同方式讓人們Wearein1873.InParis,mysteriousphotographsonwhichappearshadesofdisappearedindividualsstarttospreadout.TheyareEdouardBuguet’spieceofwork,aFrenchpsychicphotographer.Forthededicatedfollowersofthehereafter,thesepicturesaretheobjectiveevidencethatghostsdoexist.Itsignsascientificdisavowalofmaterialismandimpiety.WhatreallyliesundertheToconveythisstory,LaurentBazintakesusinadiptychshow.First,weattendamock-upconferencewhichisjoyfullycobbledtogethertocontextualisehistoricalfactswhen,inasecondpart,wearetakenalongavisualtale,murkyandfantasticthroughtheeyesofthedaughter’sTwodifferentways-throughlightandnight-ofembracingthephenomenaofgriefandbeliefintheimage.TheshowhasbeenconceivedwiththecollaborationofSvendAndersen,whoisaprofessionalphotographer.Itisframedwithvariousvisualeffectstakenfromphotographicaltechnicsandinthisway,itaimstothinktheartofphotographythroughitsowndevices.主創(chuàng)及演職人員（中英文）克洛伊·蘇赫構(gòu)思與導(dǎo)演：洛朗·藝術(shù)合作與攝影創(chuàng)意：斯凡德·導(dǎo)演編劇助理：瑪嘉利·斯亞燈光設(shè)計：依拉加爾··維爾斯尤設(shè)計：瑪儂·紹賽SvendAndersenAudreyBonnefoyElsaGrzeszczakFabienJoubertChloéSourbetconceived&directedLaurentArtisticcollaborationandphotographicSvendAndersenAssistantdirectoranddramaturgyMagaliChiapponeLucchesiLightingYraga?lGervaiswiththecomplicityofAliceVersieuxSounddesignAlicyaKarsentyManonChoserotBérengèreNaulotAcoproductionbetweenMesden&O’Brother導(dǎo)演的話（中英文《歸來》講述的是19世紀(jì)攝影師埃德瓦多·布蓋的故事。他讓人們相信他女兒的角度講述的神秘的戲第三部分則運(yùn)用一個奇特的廣播邀請我們非常高興能夠與中國觀眾這個關(guān)于信仰與希望的問題希望這部戲可以語言的打動。ThecomingofspiritsconveysthestoryofEdouardBuguet,a19thcenturyphotographerwhopretendedhecouldphotographghostsandwasludicrouslypaidforthat.Theshowisdevisedinthreeparts,eachsectionexploresaverydifferentscopeofdrama.ThefirstpartlookslikeawittyHistorylesson,thesecondisamysteriousshadowplaythatlsthestorythroughthephotographer’sdaughterscrutiny.T