




版權(quán)說明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請進行舉報或認領(lǐng)
文檔簡介
ContentRead"HanselandGretel"ThecharactersAnnotationRead"HanselandGretel"
ThecharactersThestepmother:
controllingselfish,evil
and
rejecttheirstepchildren.
Whenthereisnotenoughfoodormoneyforthewholefamilytosurvive,thestepmotherinthisstoryorderstheirfathertotakethechildrentothedepthsoftheforestandleavethem.Whenthefatherresists,shemocks嘲笑,戲弄himandconvinceshimthatbykeepingthechildrenallfourwouldsoon'perish.Herpersonalityofthestepmotherisclearlyobservable.
TheWicked
Witch:isphysically"wizened,veryold,andbentfromheryears...Withunkindorcrueloruncivil
orevilfeatures...andpooreyesight"
oldwomen
oftenliveinisolatedconditionsandhavelittlecontactwithchildren.Childrentendtofearwhattheydon'tunderstand,andnaturallyportrayoldwomenasafearobjects--witchesVictimizationofChildren:
Women‘sportrayalsoftenperpetuate[p?(:)’petjueit]使永存,使不朽anotherstereotypeoffairytales,namelythe
victimizationofchildren.
HanselandGretelbeginsbyportrayingwomenaspassiveobjects.PassiveversusActiveRolesFirstofall,Gretelisalwaysportrayedastheyoungersister.Theyoungertendstoneedmorecareandiswillingtoacceptguidanceandordersfromherelders.Herpassivityisfurtherdemonstratedwhensheiscommandedbythewitchtocookfoodtofattenupherbrother.PassiveversusActiveRolesHowever,unlikemanyfairytales,HanselandGretelchangesbytheendtoshowtheheroicsideoffemaleroles.ThischangeoccurswhenGretelrealizesthatbothhersurvivalandthatofherbrotherliessolelyinherhands.AndinfactHanselneverregainsthedominantrole.
"withawildimpulseanddemonicstrengththeterrifiedgirlpushedandactuallycrowdedherintotheoven"ThefirstpositiveaspectofthisactionisthatGretelisportrayedasclever.Shecreatestheideaofpushingthewitchin,andtricksherintobendingdown.
Herheroicsalsodemonstrateherphysicalstrength.SheshowsHanselwheretherewerechests"overflowingwithpearlsandotherjewels“Onthewayhome,Greteltakesactionandasksaducktoleadthemontheirjourneyhome.Annotation1.Theforest:Theforestisarecurrent重覆的imageinGermanfairytales,inpartbecauseoveraquarterofthecountryiscomprisedofforestland.IntheGrimms'tales,theforestisasupernaturalworld,aplacewhereanythingcanhappenandoftendoes.AccordingtoJungianpsychology,theforestisarepresentationofthefeminineprincipleandisidentifiedwiththeunconscious沒意識到.Theforestsymbolizesthedangeroussideoftheunconscious,itsabilitytodestroyeverything.2.
Woodcutter:
Woodcutterwasoneofthelowliest,leastpayingjobs.Thefamilyisultimatelyvic‘torious最終勝利overpovertyandthewitch--wholikethericherandhigherclasses--hasmorethanenoughstorageoffoodandtreasurethatcouldbesharedtolessen減輕
thesufferingofthelowerclasses.The"hatredwhichthepeasantryfeltforthearistocracyashoarders囤積者andoppressors"isrepresentedbythekillingofthewitch(Zipes1979).AnnotationAnnotation6.
Bread:
Breadplaysanimportantroleinthisstory.Itappearsinmanyformswithseveralmetaphoricmeanings.Breadisthefoodofthepoor.Itisalsoseenasthemostbasiclife-sustainingfood(Matthews1962).Thestruggletoprovidebreadforthechildrenillustratesthefamily'spovertyandquestforbasicsurvival.Annotation7.
Beridofthem:
MariaTatarstatesthatinpoverty-strickenfamilieschildabandonmentandinfanticide殺嬰werenotunknownpracticesevenuptothetimewhentheGrimmswerecollectingtheirstoriesintheearly1800s(Tatar1987).Manypsychologistsconsiderthistaletobeaboutchildren'sfearofabandonmentandtheiroralgreed.Childrenhaveafearofabandonmentbytheirparents.Annotation8.
Aloneinthewood:
JuliusHeusherstatesthatthewoodsrepresentthelossofsecurityandpreviousvalues(Heuscher1974).
10.
Husband:
Thefather/husband'sroleinthetaleisaninterestingone.Whilethefatherisusuallythebirthfatherofthechildren,hehasdifferentlevelsofresponsibilityfortheabandonmentacrossversionsofthetale.Thetextualhintthatthewife'swisheswillwinoverthechildren'ssafetycomesfromthewordchoiceof"husband"over"father"todescribetheman'sprimaryrole.Annotation12.
Step-mother:
Theimageoftheevilstepmotheroccursfrequentlyinfairytales.Sheisassociatedwithjealousyandcruelty(Olderr1986).Thestepmotherfigureisactuallytwosided,inthatwhileshehasdestructiveintentions,heractionsoftenleadtherolesintosituationsthatidentifyandstrengthenhisorherbestqualities.ThestepmotherisaconventionaddedbytheGrimmsintheirsuccessiveeditionsofthetaleofHanselandGretel.Annotation13.
I'llbeabletofindawaytoescape,nofear:Hanseltakestheleaderroleatthebeginningofthetale,comfortinghissisterandworkingtosavetheirlives.HeisthedominantcharacterwhileGretelfollowshim.Later,Gretelwillbecometheleaderbykillingthewitchandfindingawayhomeacrossalake.Gretel'sgrowththroughadversity不幸isaninterestingprogressionthroughthestory.Annotation15.
Whitepebbles:
Pebblessymbolizejustice.InancientGreece,avotewithawhitepebbleindicatedthatthevoterthoughtthesuspectwasnotguilty.Whitepebbleshavealsobeenusedasgravesitegiftstoensurerebirthofthespirit.Thepebblesrepresentthechildren'srigidity頑固,不變性andtheirrefusaltochangeAnnotation16.
Godwillnotdesertus:
thereligiousthemesinthetaleasrepresentingthecultureinwhichitwascreatedorally.Heassumesthatthereligiousaspectsareincludedsincereligionwasacentraltodailylifewhenthestorywasfirstcreated(Bettelheim1976).Itisalsoimportanttonotethatsincetheirearthlyfatherhasabandonedthem,theGrimmshavethechildrenturntoGodtheFathertosavethem(Zipes1997).Annotation19.
Kitten:Catsareassociatedwiththefeminine(vonFranz1970).Inthisinstance,thecatontheroofmayrepresentthedeadbiologicalmother,especiallysincethekittenwasaddedbytheGrimmswhochangedthemotherintoastepmother.JuliusHeuscherbelievesthatthekittenrepresentsthechildren'sneedtostayclosetohomeAnnotation20.
White:
Whitesymbolizeslight,innocenceandpurity(Matthews1986).Whiteisalsoassociatedwithfaithandpeace.Itisarecurring重現(xiàn)colorinthisversionofthetaleandisfrequentlymentioned.Withtheexceptionofthewitch'sredeyes,itistheonlycolormentioned.
21.
Fire:
Fireisassociatedwithlife,warmthandspirit.Insometraditionsitisalsothe"bringerofconsoling可安慰的thoughts,driverawayofevilterrors"Annotation25.
Naughtychildren:
Notethestepmother'sdefensemechanismofblamingthechildrenfortheirabsencetoavoidherownincrimination控告.Thestepmotheriscontinuallyabusiveinherlanguagetowardsthechildren,callingthemnaughty,donkeys,fools,andlie-abeds在床上.TheGrimmsaddedmostofthislanguagetointensifyhernastycharacter.Annotation26.
Ifamanyieldsoncehe'sdonefor,andso,becausehehadgiveninthefirsttime,hewasforcedtodosothesecond:Thissentenceshowsaman'sroleinhishome.Onceagain,theirpatri'archal家長的viewisemphasizedinthestory.29.
Pigeon:Sincepigeonsareoftendomesticatedbirds,theyareassociatedwiththedesiretoreturnhomeindreaminterpretations.Pigeonsareconsidereddeathomensinsomesuperstitions."Astrangepigeon,especiallyifwhite,alighting落,下onthehouseorflyinginfrontofoneindicatesdeath."Annotation30.
Birds:
Birdsarepredominantthroughoutthisstory.Theykeepthechildrentrappedinthewoodsbyeatingthebreadcrumbs.Abirdleadsthechildrentothewitch'shouse.Abirdalsoprovidesthefinalmeansoftheirescapebyhelpingthemcrossthewater(Tatar2002).Abirdcansymbolizeair,wind,time,immor’tality不朽,thefemaleprinciple,aspiration渴望,prophecy預言能力,love,andfreedom.Annotation31.
Third:
Threesymbolizeshopeandresolutionofconflict.Itisgenerallyafavorablenumber(Olderr1986).Threeisapopularnumberinfairytales,usuallyofferingchangeorresolutioninthethirdinstanceofacertaineventorseriesofactions.Sinceitisthethirdmorninginthestory,weknowthatHanselandGretelareabouttohaveanewexperience.Annotation32.
Snow-whitebird:
Followingananimalinaforestandbeingledtoaconfrontation面對面withanevilbeingoccursinothertales(vonFranz1970).Becausethebirdrepresentssalvation拯救,joy,andpeacethroughitscolor,thechildrenaresupposedtomeetthewitchwithpositiveresults.Theencounterisfortheirgood(Dieckmann1986).Annotation33.
Cottagewasmadeofbreadandroofedwithcakes,whilethewindowwasmadeoftransparentsugar:Germany'srichtraditionofcreatinggingerbreadhousesandotheritemshascausedthehousetobedescribedasgingerbreadinfollowingrewritingsandtellings.Cakeisthefoodoftherich,asymboloffeastingandplenty(Olderr1986).Inalandwherebreadisapreciousfood,cakewouldbealuxurybeyondthechildren'simaginations.Sugarwouldalsobeapreciouscommodityintimeoffamine,especiallyappealingtochildrenwiththeirreputationforsweettooths.Thewitch'scottageisoneofthemorepopularelementsinillustrationsofthetale.Annotation35.
"Nibble,nibble,littlemouse,/Who'snibblingmyhouse?":
Notethewoman'sgentlewordsdespiteHanselandGretel'swantondestructionofherhouse.Thechildrenareliterallyeatingheroutofhouseandhome,butsheisnotupset.SheonlybecomesoffensivelateraftershehaslockedupHanselandissureofherprey.Annotation41.
Aregularfeast-day:Afeast-dayisadaydesignatedforfeastingusuallyassociatedwithareligiousholidayorfestival.FeastdaysareoftenassociatedwiththeRomanandAnglicanchurches.42.
Redeyes,andcannotseefar:Redeyesareanimageassociatedwithsorrowandwithdemonicfury.Eyesightisassociatedwithmentalperception知覺,indicatingthatthewitch'spooreyesightmeanspoorreasoningability,whichallowsHanselandGreteltobesther.TheGrimmsaresettingupthecircumstancesforHanselandGretel'sescapefromthewitchAnnotation44.
Whenhe'sfatI'lleathimup:Fatonanimalmeatisconsideredtoaddflavorandtendernesstothemeat.Leanmeatisconsideredtoughandlessofadelicacyincookingcircles.50.
Irondoor:Superstition迷信haslongcreditedironwiththepowerofdrivingawaywitchesandevilspirits(Waring1978).Lockingthewitchbehindtheoven'sirondoorperhapspreventsherfromescaping.Annotation51.
Perishmiserably:
Burningoccursofteninfairytales.Itissymbolicofpurification(Matthews1986).Thewitchbeingburntcanalsorepresentevildestroyingitself(Luthi1976).54.
Lake:
Thecrossingofthewatertobeajourneytoahigherlevelofexistenceforthechildren.Hefindsthecrossingtobesimilartotherite典禮ofpassagerepresentedinbaptism洗禮orotherrituals宗教儀式associatedwithnewbeginnings.Waterisasymbolofthefeminineandoftheunconciousinpsychoanalysis(Matthews1986).Annotation55.
Whiteduck:AccordingtoDiannRusch-Feja,theduckrepresentsamaternalreplacementsinceitrepresentsafeminineaspectinGermanictraditionalongwithswansandgeese(Rusch-Feja1995).Theduckrescuesthechildrenwhentheirownmotherfiguresfailthem.Theduckisasignoffi’delity忠誠andoffreedomfromworry(Olderr1986).The“helpfulanimal”isafairlycommonfairytalemotif主題.Annotation56.
Carryusacrossseparately:Gretelappearstohaveachievedanewmaturitywithherdefeatofthewitch.ShenolongerneedstoholdHansel‘shand,butcancrossthelakeseparatefromhim.Thisalsoshowsthatsheisthinkingbeyondherownneedsandconsideringtheabilitiesofsomeone--orsomething--else.Shedoeswanttooverburdentheduck,acompassionate有同情心的thoughtwhenshehashadfewpreviously.
Annotation57.
Thewomanhaddied:
Thestepmoth
溫馨提示
- 1. 本站所有資源如無特殊說明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請下載最新的WinRAR軟件解壓。
- 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
- 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁內(nèi)容里面會有圖紙預覽,若沒有圖紙預覽就沒有圖紙。
- 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
- 5. 人人文庫網(wǎng)僅提供信息存儲空間,僅對用戶上傳內(nèi)容的表現(xiàn)方式做保護處理,對用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對任何下載內(nèi)容負責。
- 6. 下載文件中如有侵權(quán)或不適當內(nèi)容,請與我們聯(lián)系,我們立即糾正。
- 7. 本站不保證下載資源的準確性、安全性和完整性, 同時也不承擔用戶因使用這些下載資源對自己和他人造成任何形式的傷害或損失。
最新文檔
- 供方調(diào)查表模版
- 2024四川江油鴻飛投資(集團)有限公司公開招聘工作人員筆試參考題庫附帶答案詳解
- 九年級化學下冊 第六章 金屬6.3 金屬礦物與冶煉教學設計 (新版)粵教版
- 人音版一年級上冊歡樂谷我有一只小羊羔獲獎教學設計
- 人教版八年級歷史與社會上冊教學設計:3-5昌盛的秦漢文化
- 德勤入職培訓匯編
- 九年級歷史下冊 第三單元 第9課《列寧領(lǐng)導的社會主義革命與建設》教學設計4 華東師大版
- 七年級生物上冊 第2單元 第1章 第1節(jié)《練習使用顯微鏡》教學設計 (新版)新人教版
- 任務一《金屬絲便簽夾》(教案)-五年級上冊勞動浙教版
- 工廠安全管理培訓資料
- 幼兒園《開關(guān)門要小心》
- 《運營管理》第2版題庫與參考答案
- 基于PLC的自動配料系統(tǒng)畢業(yè)設計論文
- 企業(yè)事業(yè)單位突發(fā)環(huán)境事件應急預案備案表范本
- 煙花爆竹工程設計安全規(guī)范
- 回旋加速器的五個有關(guān)問題
- 四川省中學生學籍卡片
- 夕陽簫鼓-鋼琴譜(共11頁)
- 地面沉降監(jiān)測技術(shù)要求
- 基本建設項目建設成本管理規(guī)定解讀
- 金色的魚鉤課本劇
評論
0/150
提交評論