影視欣賞英文

影視欣賞英文第1頁/共103頁AcademicAchievements:ClassperformanceFinalexaminationBeforeClassWhywehavethiscourse?Howtolearnit?第2頁/共103頁影視藝術(shù)概說——電影就是我們的生活1、藝術(shù)門類：音樂、舞蹈、繪畫、雕塑、建筑、詩、電影——第七藝術(shù)！意大利詩人、電影先驅(qū)者里喬托·卡努杜：“在建筑、音樂、繪畫、雕塑、詩、和舞蹈這六種藝術(shù)，建筑和音樂是主要的；繪畫和雕塑是對建筑的補(bǔ)充；而詩和舞蹈則融化于音樂之中。電影所有這些藝術(shù)都加以綜合，形成運(yùn)動(dòng)中的造型藝術(shù)?！痹陔娪笆飞系谝淮涡Q電影是一種藝術(shù)。從此，“第七藝術(shù)”成“電影藝術(shù)”的同義語。2、“我們是目睹一種不尋常的藝術(shù)，也許是唯一的現(xiàn)代藝術(shù)誕生的見證人，因?yàn)樗仁羌夹g(shù)的產(chǎn)物，又是人類精神的產(chǎn)物?！?/p>

——路易·德呂克（LouisDeluc，法國）第3頁/共103頁ContentsHistory電影史Genre['?a:nr?]電影類型Character角色Narrative敘述Style風(fēng)格CriticalPerspectives評論角度第4頁/共103頁BlockbusterFilm強(qiáng)檔片ComedyFilm喜劇片SocialDramaFilm社會問題片ActionFilm動(dòng)作片DisasterFilm災(zāi)難片RomanceFilm愛情片MusicalFilm音樂片WarFilm戰(zhàn)爭片HorrorFilm恐怖片ScienceFictionFilm科幻片第5頁/共103頁EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinemaClassificationofGenresThefunctionsofGenreHistoryGenreLecture1HistoryandGenre第6頁/共103頁objectivesGettoknowthehistoryofcinemaUnderstandtheclassificationofgenresUnderstandthefunctionsofgenre第7頁/共103頁HistoryEarlyCinema早期電影ClassicalHollywoodCinema經(jīng)典好萊塢電影Post-ClassicalHollywoodCinema后經(jīng)典好萊塢電影美國電影業(yè)中心，位于美國加利福尼亞州洛杉磯城的西北。第8頁/共103頁EarlyCinemaProductionwasbasedontheso-called“cameramansystem”,accordingtowhichfilmsweretheproductofoneindividual(thecameraman)whotookchargeofplanning,writing,filmingandediting電影的制作依靠所謂的“攝影師制度”，也就是說，每部電影都是由個(gè)人制作，這個(gè)人負(fù)責(zé)策劃、編劇、攝影和剪輯Itrecordandrepresentaspectsof“reallife”記錄和重現(xiàn)現(xiàn)實(shí)生活的某些方面Itreliedprimarilyonspectacleratherthannarrative依賴于景象，而不是敘事第9頁/共103頁AugusteLumièreandLouisLumière,French,theyproducedthefirstmovieintheworld-Arrivéed'untrainàLaCiotat

呂米埃爾兄弟，法國人，于1895年拍設(shè)了世界上第一步電影《火車進(jìn)站》。這部不到1分鐘的短片成為世界電影誕生的象征和標(biāo)志，不久迅速傳到世界各地。第10頁/共103頁ClassicalHollywoodCinemaThearrivalofsoundandcolor聲音和色彩的出現(xiàn)Theemergenceofthe“studiosystem”產(chǎn)生了“制片廠制度”(BigFive:WarnerBrothers華納兄弟公司；Loew’s-MGM米高梅公司；Fox?？怂构荆籔aramount派拉蒙公司；Radio-Keith-Orpheum雷電華公司LittleThree:Columbia哥倫比亞公司；Universal環(huán)球公司；UnitedArtists聯(lián)美公司)Acinemaofnarrative敘述性的電影時(shí)期Itwastheerainwhichthe“star”wasborn誕生了“明星”Themajorcinematicgenres[‘?a:nr?]emerged主要影片類型形成的時(shí)期第11頁/共103頁你能說出上面世界著名電影公司的名稱嗎？第12頁/共103頁HeisafamousHollywoodstarintheeraofsilentmovieandbroughtlaughtertomillions.Inmostofhisfilms,heisamanwiththetoothbrushmoustache,bowlerhat,bamboocane,andafunnywalk.Silentmovie:TheTramp《流浪漢》1915CharlieChaplin第13頁/共103頁DonJuan《唐璜》(1926)第14頁/共103頁P(yáng)ost-ClassicalHollywoodCinemaDrawsonthetraditionofclassicalHollywoodinaflexible,eclectic變通的manner電影靈活、變通地應(yīng)用了經(jīng)典好萊塢的傳統(tǒng)Genresremain,buttheirconventionsareobservedlessstrictly電影類型仍然存在，但是它們的規(guī)則已經(jīng)不那么嚴(yán)格了第15頁/共103頁CategorizationofGenresGenre類型DefiningCriteria劃分依據(jù)DifferentiatingCriteria分類標(biāo)準(zhǔn)Action動(dòng)作片F(xiàn)ormalCriteria形式Presenceofactionset-pieces有動(dòng)作場景Musical音樂片Presenceofsonganddanceperformance有歌舞表演場景Blockbuster強(qiáng)檔片Style風(fēng)格Spectacularevents壯觀的場面FilmNoir/Neo-Noir黑色電影/新黑色電影Chiaroscuro(明暗對照法)lightinganddarkmise-en-scene(場面調(diào)度)昏暗的燈光和灰暗的布景Comedy喜劇片AffectiveResponse觀眾的反應(yīng)Intendedtogeneratelaughter以使人發(fā)笑為目標(biāo)Horror恐怖片Intendedtohorrify以使人害怕為目標(biāo)Thriller驚悚片Intendedtothrill以使人激動(dòng)為目標(biāo)第16頁/共103頁Genre類型DefiningCriteria劃分依據(jù)DifferentiatingCriteria分類標(biāo)準(zhǔn)SocialDrama社會問題片SubjectMatter題材Serioussocialtopic嚴(yán)肅的神會問題Romance愛情片Romanticrelationshipbetweenlovers愛人之間的浪漫關(guān)系Gangster黑幫片GangstersinurbanAmerica美國都市中的黑幫WarFilm戰(zhàn)爭片Specificmilitaryconflicts某一軍事沖突ScienceFiction科幻片F(xiàn)uturistictechnologies/futureworlds未來技術(shù)或未來世界Fantasy奇幻片Impossibleworlds/fantasticalcharacters奇幻世界或幻想人物Western西部片AmericanWest美國西部Disaster災(zāi)難片Naturalorman-madecatastrophe自然或人為災(zāi)難Crime犯罪片Criminalactivitiesandinvestigation犯罪活動(dòng)和調(diào)查Epic史詩片Biblicalorancienthistory有關(guān)圣經(jīng)或者古代歷史第17頁/共103頁ThefunctionsofgenreToensureandincreaseprofitabilityTheeconomicsofgenreaffectsboththehistoryofgenresandthetendencyforthemtobecombinedtogetherinindividualfilmsProvidefilmaudienceswithpleasureBeviewedasbasicimaginativeformsandstructuresthathelpustointerpretthemeaningandunderstandthesignificanceofourlivesCertaingenresworktopromotecertainideologicalpositionsAsanorganizingprincipleofcinemamaybegivingwaytosomethingratherdifferentseriality系列片第18頁/共103頁SharkTale第19頁/共103頁Genre影片類型ComedyItisamusing.ItdealswithordinarycharactersineverydaySituations.Itsactionsconcludehappily.Itsattitudetowardslifeisbasicallypositive.第20頁/共103頁Thefeaturesofthemovie:Lookingalittlefishy:Allofthefilmmakersspentagreatdealoftimeresearchingvarietiesoffishwhattypesbestsuitedthecharactersin“SharkTale”.Theimitationofthevoicecaters:Halfthefunofhavingacastlikethisinthemoviewascapturingtheirfacesinthecharacters.TheimitationoftherealAmericalife第21頁/共103頁Oscarendedupbeingacleanerwrasse[r?s]厚唇魚,whichisacolorfullystripedfishofblue,blackandyellow.Truetoitsname,acleanerwrasse’sjobistocleanotherfishanditsenvironment,whichmadeworkingattheWhaleWashtheperfectjobforOscar.第22頁/共103頁Angieisanangelfish天使魚.Thefilmmakerusedtheelegant,bigandbillowing巨浪，波濤finasAngie’shair.Lola,ontheotherhand,ispredominantly卓越的，流行的alionfish獅子魚,withalittledragonfishmixedinforeffect,makingheraslethal[‘li:θl]致命的，殺傷性的assheisbeautiful.第23頁/共103頁Sykesisapufferfish,withspinesthatmakehimlooklikeheissomesortoftoughguy.Butwhenhegetsnervous,hepuffsupandhisvoicegetshigh,whichbasicallydestroysthepretense.Lenny:GreatWhiteShark第24頁/共103頁Jellyfish:BernieandErnieOctopus['?kt?p?s]Luca第25頁/共103頁Castinglines:

Unquestionably,SharkTale’sall-starcastwasamongthefilm’smostimportantcollaborations.Thisiscertainlyoneofthemostextraordinarycastseverassembledforanykindofmovie.

第26頁/共103頁MatchingGameAngelinaJolieRenéeZellweger蕾妮齊維格第27頁/共103頁WillSmithJackBlackRobertDeNiro羅伯特德尼羅第28頁/共103頁

ThefilmmakerstooktheearsofOscardownalittlebit,andthenWillSmithhadnotroublecatchingthelikeness.第29頁/共103頁Lola’slipsareveryreminiscent[,rem?‘nisnt]使人聯(lián)想…的ofhervocalalteregoandherdorsal背部的

finwasmadetoformherlongflowinghair.第30頁/共103頁Thesharksaredifferentiated[,dif?‘ren∫i:,eit]accordingtotheircharacters.DonisplayedbyRobertDeNiro,whichiswhyhe’sgotthatmole胎記.第31頁/共103頁Lennyisagentlershark.Sohisteetharen’tsharpandhehastheroundernosefullercheeks.第32頁/共103頁TherearealsotouchesofReneeZellwegerseeninAngie.Thereisasweetnesstothewayhereyescrinkleup起皺，卷縮.第33頁/共103頁ReallifeScenesinthemovieOneofthemostinterestingfeaturesinthismovieistheimitationoftherealAmericanworld.Theproducersofthemoviecreateda“fishfied”underseaworldwhichisquitefamiliartous.Contest:Whocangetthemost?第34頁/共103頁TimesSquare第35頁/共103頁FlowerShop第36頁/共103頁TrafficAccident第37頁/共103頁Trafficlights第38頁/共103頁Dirt-wagon垃圾車第39頁/共103頁tourists第40頁/共103頁NewsReport第41頁/共103頁P(yáng)awnshop當(dāng)鋪第42頁/共103頁trolleybustour無軌觀光電車第43頁/共103頁Sushibowl第44頁/共103頁第45頁/共103頁WhaleWash第46頁/共103頁HorseraceSeaHorseRace第47頁/共103頁WalkofFame第48頁/共103頁NewYorkTimesSquare

紐約時(shí)代廣場時(shí)代廣場是位于美國紐約市曼哈頓區(qū)第42大街、弗洛德街跟第7路交叉的三角地帶。之所以稱其為“時(shí)代廣場”是從1904年紐約時(shí)代雜志的本社在這里演出開始的?，F(xiàn)在紐約時(shí)代雜志的本社位于第43街的第8路與第7路之間但時(shí)代廣場的名稱及地位并沒變化。這個(gè)地方作為弗洛德街劇院的中心聚集了很多劇院、賓館、餐廳，著名的百老匯就坐落在這里。時(shí)代廣場是美國的文化中心，被稱為“世界的十字路口”。第49頁/共103頁第50頁/共103頁第51頁/共103頁第52頁/共103頁第53頁/共103頁2010年留名好萊塢星光大道名單揭曉

JamesCameron詹姆斯·卡梅隆

MarkWahlberg

馬克·沃爾伯格第54頁/共103頁RussellCrowe

拉塞爾·克勞

JohnCusack

約翰·庫薩克

第55頁/共103頁ColinFirth

科林·費(fèi)爾斯

GaleAnnHurd

蓋爾·安妮·赫德

第56頁/共103頁AlanMenken

阿蘭·蒙肯

RandyNewman

蘭迪·紐曼

第57頁/共103頁AdamSandler

亞當(dāng)·桑德勒EmmaThompson

愛瑪·湯普森

第58頁/共103頁AmericanPopCultureHip-HopcultureNewYorkCityLosAngelesCity第59頁/共103頁Hip-Hop1.Whatiship-hop?2.TheElements:Hip-hopmusic:Deejaying(turntablingEmceeing(freestylerap)--->MCHip-hopdance:Breakingboy,boogieboy

GraffitiHip-HopT-shirt

第60頁/共103頁Hip-hop

isaculture.Thetermislooselyusedwhenreferringtocommercializedrapmusic,howeverhip-hopismorethanjustmusic.ItistheheartbeatofAmericanghettoyouthwhoclaimedtheirownself-expressionandusedittoriseabovetheirphysicalcircumstances.Hip-hopculturehasitsrootsinpride,truth,courageandself-determination.Asaresultithasgrowntoinfluencealmosteverysegmentoftheplanet.第61頁/共103頁Graffiti,orgraf,isoneofthefourelementsofhip-hopculture(theotherthreebeingbreakdance,DJingandrapping).Itstartedasundergroundurbanartboldlydisplayedinpublicareas,usuallysidesofbuildingsorwalls.Itwasusedbycitizenstomakepoliticalandsocialcommentary,aswellasgangstomarkterritory.第62頁/共103頁第63頁/共103頁NewYorkAttractions第64頁/共103頁ThecenterpieceoftheproductiondesignwasthefishfiedTimesSquare,withitsJumbotron,billboardsandtrafficjams.Therearebillboardsfor“Coral-cola”,“FishKing”,“OldWavy”第65頁/共103頁StatueofLiberty

：ThisgiftfromFrancehasbecomethesymbolofNewYorkCity.ItwasagiftfromtheFrenchgovernmentforthe100thbirthdayofAmerica'sIndependence.ThesteelframeworkwasmadebyGustaveEiffel,whoalsobuilttheEiffelTowerinParis.TheStatueofLibertyis46,5metershighandtogetherwiththepedestalitreaches93meters.Itusedtobepossibletotakethestaircaseinsidethestatueandwalkallthewayupthe354stepstotheheadfromwhereyouhaveaniceviewonNewYorkCity,butforsecurityreasonsitwasnotallowedanymoreforsometimeafterSept.11.

第66頁/共103頁EmpireSateBuilding:Morethananyotherbuildingintheworld,theEmpireStateBuildingrepresentstheambitionofhumanstobuildtowersthatreachfortheskies.ItprobablyisNewYork'sbestknownlandmarkandisprominentonmanypostcardsAtthetimeitwasbuilton5th.Avenue,itbrokeallrecordsandwasdubbed'the8thworldwonder'.Ithad64elevators(now73)andwasbuiltinonly1year,45days.YoucanvisittheEmpireStateBuildingfromwhereyouhaveamagnificentview.TheEmpireStateBuildingissituatedsouthofMidtown,awayfromtheskyscraperclustersdowntowninthefinancialdistrictandmidtown,sothisisoneofthefewplacesinManhattanwhereyouhaveagreat360degreesview.（KingKong;AnAffairtoRemember;SleeplessinSeattle）第67頁/共103頁第68頁/共103頁CentralParkisoneofthoseplacesthatmakeNewYorksuchagreatplacetolive.Thehugepark,843acreslarge,islocatedinthecenterofManhattan.Itsdesignisanexampleforcityparksaroundtheworld.Theparkboastsseverallakes,theaters,icerinks,fountains,tenniscourts,baseballfields,manyplaygroundsandotherfacilities.ItisalsohometotheCentralParkZooandtheMetropolitanmuseumofArt.Especiallyduringtheweekends,whencarsarenotallowedintothepark,CentralParkisawelcomeoasisinthishecticcity.第69頁/共103頁Brooklyn,aboroughfoundedbytheDutchinthe17thcenturywasanindependentcityuntil1898,whenBrooklyndecidedinaclosevotetobecomeaboroughofNewYork.AtthattimetheBrooklynbridgehadconnectedthetwocitiesfor15years.TheimpressivebridgespanstheEastriverfromBrooklyntolowerManhattanandstretchesforabout1.5km.

第70頁/共103頁GrandCentralTerminalisoneofthetwomonumentalgatewaysthatwerebuiltintheheydayofrailwaytransportation.Themonumentalrailwaystationwasconstructedin1903-1913fortheNewYorkandHarlemRailroadcompany.ItisagrandBeaux-Artsbuildingwhichservesasatransportationhubconnectingtrain,metro,carandpedestriantrafficinanefficientway.Ithas67traintracksontwodifferentlevels.第71頁/共103頁RockefellerCenter:ThedesignofthecomplexwasdonebythearchitectBenjaminWistarMorris.WhentheMetabandonedtheprojectafterthe1929stockmarketcrash,Rockefellercameupwithaplanforacorporatecomplextohousethenewradioandtelevisioncorporations.RadioCitywasborn.OneofthefirstbuildingscompletedwastheRCAbuilding,whichservedastheheadquartersoftheRadioCorporationofAmerica.第72頁/共103頁MadisonSquare

UnitedNationsHeadquarters第73頁/共103頁TimesSquare第74頁/共103頁Wheneveryoutalktoanybodyintheworld,youcansafelytellhimthattheTimesSquareisN.Y..On8.April,2004,theTimesSquarehadits100anniversariescelebration,whichlastedmorethan8months.Amongtheworldfamouscitysquares,theTimesSquareisthesmallestonewhichisoutofmostpeople’sexpectation.Manytouristsdon’tknowtheyareintheTimesSquarewhentheyareactuallythere.TheycannotimaginethatthistrianglezoneisthefamousTimesSquare.Inthetermsofitsarea,itcannotbeconsideredasasquare.However,thissquareattractsmorethan2600milliontouristsperyear.ItisseenasthesymbolofN.Y.,theaccelerator加速器ofAmerica.Peoplecanfeelaccuratelythesocialbeatwhentheyareinthesquare.第75頁/共103頁In1904,theNewYorkTimesbuilttheTimesToweron43rdstreetjustoffBroadwaytoreplacethepremisesinDowntown.ThesquarefacingthebuildingwascalledtheLongacresquare,butwassoonrenamedTimesSquare.theinaugurationoftheTimes'newheadquarterswascelebratedwithafireworksdisplay,startingaNewYear'sevetraditionwhichstillcontinuestoday.Thefirstfamousball-loweringfromthe1TimesSquare'srooftoppolewasheldonNewYear'sEve1907.AtthestartofthefirstWorldWar,TimessquarewasthecenteroftheTheaterdistrictandattractedalargenumberofvisitors.Thismadethesquareanidealplaceforbillboards.In1917thefirstlargeelectricdisplaybillboardwasinstalled.Thebillboardshavebecomesuchatouristattractionforthearea,thatthezoningnowrequiresthebuildingstobecoveredwithbillboards!第76頁/共103頁LosAngeles

第77頁/共103頁TheCityofLosAngelesalsoknownasL.A.,isthesecond-largestcityintheUnitedStatesintermsofpopulation,aswellasoneoftheworld'smostimportanteconomic,cultural,andentertainmentcenters.ItwasincorporatedasacityinCaliforniaonApril4,1850,whenthecity'spopulationwasonly1,610,andisthecountyseatofLosAngelesCounty.Asofthe2000census,ithasapopulationof3,694,820,butaMay1,2005CaliforniaDepartmentofFinanceestimateshowsthecity'spopulationat3,957,875,withthemetropolitanareaat17,545,623.Thecityisalsolargebygeographicstandardssinceitsprawlsovermorethan465squaremiles(1200squarekilometers),makingitphysicallylargerthanNewYorkCityandChicago.Inaddition,LosAngelescanbeconsideredtobean"Alpha"worldcitysinceithashostedtwoOlympicGames(in1932and1984)andishometoworld-renownedscientificandculturalinstitutions.第78頁/共103頁Hollywood

ManypeoplethinkofHollywoodastheplacewherethestarslive,wheretheykeeptheirmilliondollarhomesandlivetheirlifestylesoftherich&famous-wheretheyshopattheluxuriousboutiquesofRodeo

Drive,andwhereyoumightglimpseflocksofcelebritiesatatrendyrestaurant.Sorry,folks,butthatdescribesBeverly

Hills,notHollywood.Hollywoodiswherethestarswork,notwheretheylive.第79頁/共103頁

Hollywoodisanindustrialtown,wheretheindustryjusthappenstobefilm-making-anditlookslikeit.ThefewstudiosthatremainwithinthebordersofHollywoodpresentonlyblankwallsandfacelesssoundstagestotheoutsideworld.Tothecasualpasserby,theymightjustaswellbefactories.Andinasensetheyare-filmfactories,grindingouttheiruniqueproduct:celluloid.第80頁/共103頁HollywoodAttractionsGrauman'sChineseTheatre:Themostfamousmotionpicturetheatreintheworld.Seethehand&footprintsoftheStarsimmortalizedincement.

Haveyourownhandsorfootprintsimmortalized.

第81頁/共103頁Hollywood&Highland:Shopping&EntertainmentCenterthatincludesshops,restaurants,fourmovietheatres,nightclub&broadcastingstudios.A640roomhotel,ballroomandthe175,000sq.feet"Kodak"theatrewhichishometotheAcademyAwards.SituatednexttoGrauman'sChineseandcoversnearlytwocityblocks.

第82頁/共103頁HollywoodRooseveltHotel.

FromthepasttothepresenttheRooseveltisawellknownHollywoodlandmarkthathasbeencompletelyrestoredtoitsoriginalsplendor.

HasafreeHollywoodhistoryexhibitionincludingtheoriginalcamerausedtofilm"GonewiththeWind"andphotos

ofHollywoodpastandpresent.The

fulllengthMirrornexttotheelevatoronthelowerfloor,issaidtobehauntedbyMarilynMonroe.ThemirrorusedtohanginMarilyn'ssuiteandherimagenowappearsinit.

第83頁/共103頁第84頁/共103頁

HollywoodEntertainmentMuseum:

Thismuseumwascreatedtopreserveandcelebratetheentertainmentindustry.

Visitorsaregivena

behindthescenestourofallfacetsoftheentertainmentindustry,includingtelevision,film,radio,soundrecordingandthenewmedia.PopularexhibitsincludethebridgeofStarTrek'sU.S.S.Enterprise;thebarfrom"Cheers",completewithsignaturesofcastmemberscarvedintothebar;aMaxFactormake-updisplay,

historicalcameraequipmentandagiftshop.

第85頁/共103頁ElCapitanTheatre.MarvelousoldtheatrepurchasedandrestoredbytheDisneyCorporationtoitsformersplendor.UsedbyDisneyforalltheirnewfilmpremieresintheUnitedStates.Nowoneofthehighestgrossingcinema'sintheU.S.A.YoucannowwatchthelatestDisneyfilmsinasumptuouslyrestoredtheatrefromabygoneage第86頁/共103頁第87頁/共103頁TheHollywoodWalkofFame

第88頁/共103頁HollywoodWalkofFame.

HollywoodBlvd.

Tel:-(323)-469-8311.A

tributetoover2000artistswhohavemadesignificantcontributionsto

film,radio,television,

theatreandtherecordingindustries.

ThefirststarplacedonFebruary91960,wasforJoanneWoodward.

Oneof

Hollywood'smostpopulartouristattractions,theWalkofFameliesonbothsidesofHollywoodBlvd.fromGowertoLaBreaandbothsidesofVineStreet,fromYuccatoSunset.TheSilverFourLadiesofHollywoodGazebo,atLeaBrea,shouldnotbemissed.第89頁/共103頁

Thelyricsof"CelluloidHeroes"*