印象主義及其以后的美術(shù)

demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo19世紀(jì)下半葉產(chǎn)生于法國，而后波及歐美的一個重要的現(xiàn)代畫派。19世紀(jì)60年代，畫家馬奈以新的色彩觀念畫出了《草地上的午餐》和《奧林匹亞》兩畫，遭到攻擊與誹謗，然而他的新觀念卻使許多青年畫家佩服，于是一群年輕畫家聚集在他身邊，這便是印象畫派起始的前提。1874年，這群年青畫家在巴黎舉辦了第一次展覽，莫奈的《日?demo

“不要失掉你所感覺到的第一印象”強調(diào)畫家對客觀事物的感覺和印象，注重繪畫的光、色、形、意、美的融合。主張走出畫室，進(jìn)行戶外寫生。采用原色并列、重疊和補色手法，形成印象派新的繪畫語言。為了表現(xiàn)物體的動態(tài)變化和光色的斑斕絢麗、光怪陸離，印象派畫家采用小筆觸和色調(diào)并列方法，有些顏色不再在調(diào)色板上調(diào)配，而是紅、黃、藍(lán)三原色并列，時而重疊，并把紅和綠、黃和紫、藍(lán)和橙色補互對比，使色彩在強烈視覺沖擊中產(chǎn)生新的和諧。提出應(yīng)自然而隨意demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo馬奈?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo吹

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雷諾阿demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo新印象主demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo保羅·西涅克把修拉開創(chuàng)的理論加以發(fā)揚。修拉死后，西涅克成為新印象派的首領(lǐng)。他運用長方形筆觸描繪巴黎城市風(fēng)光和鄉(xiāng)間景色，特別是許多水上風(fēng)光。雖然仍然使用純色，但畫?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo玩

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demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo克里姆?

啤酒demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo綜合主義與納比派象征主義日本主義自然?

demodemo單擊此處編輯母版文本樣式第?

*demodemodemodemo*

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demodemodemodemodemo

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demodemodemo

印象主義——demodemodemodemodemodemodemodemodemodemodemodemodemodemodemo

主要代表demodemo克勞特-莫奈(1840-demodemodemodemodemodemodemo《塞納河之晨》demodemodemo珍妮·薩?demodemodemodemo

主要代表

demodemo穿紅背心demodemodemodemo凡高的臥室

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demodemodemo印象主義（19世紀(jì)60年代）新印象主義（19世紀(jì)80年代后半期）后印象主義（19世紀(jì)80demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo特demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo吹

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demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo熨?demodemodemodemodemodemodemo印象主?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo新印象主義是十九世紀(jì)末的法國繪畫運動，時間約在1880年左右，又稱“點彩派”或“分色主義”。它起源于一些畫家反對印象主義對光線及色彩的看法，企圖以更科學(xué)的方式，把各種色調(diào)加以分析，直接將原色一小點一小點的畫在畫布上，取代以調(diào)色盤混色的?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo喬治·修拉

(GeorgesSeurat,1859?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo保羅·西涅克

(PaulSignac,1863-demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo保羅·塞尚

（P．Cezanne，18demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo梵?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo為了它，我拿自己的生命去冒險；由于它，我的理智有一半崩潰了；不過這demodemodemodemo保羅·高更

（P．Gauguin184demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo畢生的努力幾乎都是為了擺脫古典、文藝復(fù)興、寫實主義等一脈相承的強大傳統(tǒng)，他主張繪畫的抽象性，亦即綜合概括的特性，一直在思考形、色和線的抽象意義。反對從感覺出發(fā)模仿自然，提倡從精神出發(fā)去利用大自然，試圖借助對自?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo

主張對矯飾的維多利亞風(fēng)格，以及傳統(tǒng)的裝飾風(fēng)格進(jìn)行反思。提倡師法自然，從自然形態(tài)中去提取新風(fēng)格的視覺元素，如：從動物、植物的生長規(guī)律等方面去發(fā)掘其本質(zhì)的形態(tài)。這些線條大多取自花梗、花蕾、葡萄騰、昆蟲翅膀等自然界中優(yōu)美的有波狀曲線的形體。否定直線，用富有內(nèi)在活力demo

莎?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo其它流派—demodemodemodemodemodemo

demodemodemodemodemodemodemodemodemodemodemodemodemodemo馬奈莫奈雷諾阿德

莫奈的?demodemodemodemodemodemodemo《魯昂大教堂，陽光demodemodemodemodemo莫奈自demodemodemodemodemodemo

demodemodemodemo圣雷米demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo凡·高自從于1880年學(xué)習(xí)了米勒的作品后，決心也成為一個“農(nóng)民畫家”。《吃土豆的人》（1885年創(chuàng)作）是凡·高受到米勒影響的第一幅創(chuàng)作。在構(gòu)思這幅畫時，他似乎感demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo十四朵向demodemo戴灰氈帽的自畫像1demodemodemo葛飾北demodemodemo

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(GeorgesSeurat,1859?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo保羅·西涅克

(PaulSignac,1863-demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo保羅·塞尚

（P．Cezanne，18demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo梵?demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo為了它，我拿自己的生命去冒險；由于它，我的理智有一半崩潰了；不過這demodemodemodemo保羅·高更

（P．Gauguin184demodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemodemo畢生的努力幾乎都是為了擺脫古典、文藝復(fù)興、寫實主義等一