簡愛讀后感英文版-簡愛英文版讀后感

簡愛讀后感英文版_簡愛英文版讀后感janeeyreabeautifulsouljaneeyre,isapoorbutaspiring,smallinbodybuthugeinsoul,obscurebutself-respectinggirl.afterweclosethecoversofthebook,afterhavingalongjourneyofthespirit,janeeyre,amarvelousfigure,hasleftussomuchtorecallandtothink:werememberhergoodness:forsomeonewholostarmsandblindedineyes,forsomeonewhodespisedherforherordinariness,andevenforsomeonewhohadhurtherdeeplyinthepast.werememberherpursuitofjustice.it'slikeacompanionwiththegoodness.butstill,avirtuouspersonshouldpromotethegoodnessononesideandmustcheckthebadnessontheotherside.werememberherself-respectandtheclearsituationonequality.inheropinion,everyoneisthesameatthegod'sfeet.thoughtherearedifferencesinstatus、inpropertyandalsoinappearance,butallthehumanbeingareequalinpersonality.wealsorememberherstrivingforlife,hertoughnessandherconfidencewhenwethinkofthisgirl,whatshegaveuswasnotaprettyfaceoratranscendenttemperamentthatmakeusadmiredeeply,butahugecharmofherpersonality.actually,shewasn'tpretty,andofcourse,theordinaryappearancedidn'tmakeothersfeelgoodofher,evenherownauntfeltdisgustedwithit.andsomeotherseventhoughtthatshewaseasytolookdownonandtotease,sowhenmissingrammetjaneeyre,sheseemedquitecontemptuous,forthatshewasobviouslymuchmoreprettierthan'theplainanduglygoverness。butasthelittlegovernesshadsaid:'doyouthink,becauseiampoor,obscure,plain,andlittle,iamsoullessandheartless?youthinkwrong!'thisistheideaofequalityinjaneeyre'smind.godhadn'tgivenherbeautyandwealth,butinstead,godgaveherakindmindandathinkingbrain.herideaofequalityandself-respectimpressussomuchandletusfeelthepowerinsideherbody.inmymind,thoughaperson'sbeautyonthefacecanmakeothersoncefeelthatoneisattractiveandcharming,ifhisorhermindisn'tthesamebeautifulastheappearance,suchasbeautycannotlastfor,whenothersfindthatthebeautywhichhadcharmedthemwasonlyafalsity,it'snottrue,theywilllikethepersonnomore.foralongtime,onlyaperson'sgreatvirtue,anoblesoul,abeautifulheartcanbecalledasaneverlastingbeauty,justaskahillgibranhassaid,that'beautyisaheartenflamedandasoulenchanted。icanfeelthathowbeautyreallyis,asweareallfleshlymen,sowecan'tdistinguishwhetheramanisofnoblenessorhumbleness,butfleshlymen,sowecan'tdistinguishwhetheramanisofnoblenessorhumbleness,butastherearegreatdifferencesinoursouls,andfromthat,wecanknowthatwhetheramanisnobleorordinary,andevenobscure,thatis,whetherheisbeautifulornot.簡愛讀后感英文版_簡愛英文版讀后感ananalysisofjaneeyrethenovelisrichinpoetry,symbolismandmetaphor.itdoesnotfiteasilyintoadefinitepattern,beingneitheranovelofmannersinthetraditionofausten,orastraightforwardgothicromanceinthestyleofmrsradcliffe.whatcharlottebrontedidwastocreateaworkwhichcleverlyblendselementsofthetwostyles,andwhichremainsuniquelyindependentofthematthesametime,sinceitaddressesissueswhichwereatthetimerathercontroversial.thenoveliswritteninthefirstperson,andthusmagnifiesthecentralcharacter-thereaderenterstheworldofjaneeyreandistransportedthroughherexperiencesatfirsthand.thisatoncemakestheworksubjective,especiallysinceweknowthatcharlottesbrontesownlifeandexperiencesweresocloselyinterwovenwiththeheroine's.aswellasthiswelearnonlyattheendofthenovelthattheeventsarebeingrelatedtoustenyearsafterthereconciliationwithrochester-thusthenarrativeisretrospective。cbiscleverinblendingthenarrativesothatattimesjaneseemstobespeakingasanadultwithadulthindsight,whileatothersshesheisinthemiddleofthem,asachildoryoungwoman.theindecisionwhichisacentralissueinthebook,isheightenedbythisdevice.weneverknow,asreaders,whethertobeentirelytrustfulofjanesactionsandthoughts,becauseweareneversurewhehersheisspeakingimpulsivelyormaturely.thisintensifiesthereadersdilemmaastowhatisrightandwronginthedramaticrelationshipswhicharepartofje'slife.canwebelievewhattheheroinesays,orisshedeceivingherself?thenovelisprimarilyalovestoryandaromancewherewishescometruebutonlyaftertrialsandsuffering.thesupernaturalhasitsplace,asdodreams,portentsandprophesies.theheroinebeginspoorandlonelyandendsuprichandloved;theorphanfindsagoodfamilytoreplacethewickedone;allthebasicingredientsofclassicromanticfairytalearepresent.theromanticelementispresentintwoformsinjaneeyre;thefamilyaspectisdealtwithinthegateshead,lowoodandmoorhouseepisodes,whichinvolvetheexchangingofthewickedreedfamilyforthebenevolentriversone;andtheloveromanceisdealtwithinthethornfieldandferndeanepisodes.bothaspectsare,ofcourselinkedandinterwoventhroughoutthenovel.thereisalsoastrongelementofrealisminthenovel,which,marriedtotheromanticaspect,enhancesthenovel'sstrength.thesenseofplaceisverystrong;weareabletoexperiencebothexteriorandinteriorsettingswithstartlingclaritythroughoutthestory,inaseriesofvividdeivepassages.thecentralcharactersarealsorealisticandtheirconfrontationsandsufferingschangetheminabelievableway.eventheunlikelyismadeplausible,withauniqueblendofhighdramaandperceptivelowcomedythemorefantasticromanticaspects;thecoincidences;thesecrets;thesupernaturaloccurrences,arebalancedbytherealism,andthisisofcourseamajorstrength.thegothicinfluencecannotbeignored,althoughcbhasrefinedthetechniqueconsiderablyfromtheauthenticgothicofthe1790's.intheoriginalgenre,theheroinewouldtypicallybeabductedandthreatenedwithseduction,orworse!.therewouldbealover-arespectable,well-bredyoungman-whowouldendeavortorescuetheheroineandwouldsucceedaftermanytrial.theseducerwouldbeabrigandknowthatiadorecorsairs!andhewouldlockthegirlupinaremotecastle.therewaslittlefreedomformiddleclasswomenduringtheperiodofthegothicnovel,andthiswasstillthecaseinthetimeofcb.marriageespeciallywasoftenabargain,wherebyfortunesweresecuredbyusingthefemaleasapawn.awoman'svaluelargelydependedthereforeonhersexualpurityandshewasguardedandsecuredasaresult.men,onthecontrary,werepotentandfree;loversandmistresseswerecommon.ironicallythewomenwhoprovidedtheirservicesweresocialoutcastsasaresult.injaneeyreweseeelementsofthegothicromance,inthatthornfieldhallandrochesteraredescribedverymuchint