畢業(yè)設(shè)計(jì)外文資料翻譯-現(xiàn)代中國動(dòng)畫電影錄音技術(shù)的發(fā)展

1、畢業(yè)設(shè)計(jì)外文資料翻譯學(xué) 院： 專業(yè)班級： 學(xué)生姓名： 學(xué) 號： 指導(dǎo)教師： 外文出處：(外文) Liu, Y. M. The Development of Modern Chinese Animation Film Recording TechnologyJ.Art and Design Review,2015, 3, 83-86. 附 件：1. HYPERLINK H:12261102崔蕓婧外文翻譯外文翻譯譯文.docx 外文資料翻譯譯文； 2. HYPERLINK H:12261102崔蕓婧外文翻譯外文文獻(xiàn)原文.pdf 外文原文 指導(dǎo)教師評語：本翻譯所選原文對設(shè)計(jì)具有一定的參考價(jià)值，翻譯語

2、句通順，格式、字?jǐn)?shù)符合學(xué)校規(guī)定，翻譯結(jié)果符合中文閱讀習(xí)慣，反映了該生的專業(yè)英語應(yīng)用水平。簽名： 2015年10月14日外文資料翻譯譯文 現(xiàn)代中國動(dòng)畫電影錄音技術(shù)的發(fā)展摘 要現(xiàn)代中國動(dòng)畫電影是伴隨著記錄而不斷發(fā)展和技術(shù)創(chuàng)新的，聲音發(fā)展從原來的字幕到現(xiàn)代的環(huán)繞聲，中國動(dòng)畫電影錄制技術(shù)取得了很大進(jìn)展。本文介紹了中國第一部有記錄的動(dòng)畫電影，例如，分析了錄音和早期的后期，噪聲的影響和立體聲的應(yīng)用，所以為動(dòng)畫電影工作者及相關(guān)從業(yè)人員提供參考?！娟P(guān)鍵詞】現(xiàn)代動(dòng)畫，電影錄音技術(shù)，中國1介紹現(xiàn)代中國動(dòng)畫電影的發(fā)展不僅是不斷改革的成像過程創(chuàng)新的過程，也是一種記錄，從文本替代的過程中的立體化聲音。研究中國現(xiàn)代動(dòng)畫電

3、影錄制技術(shù)旨在推動(dòng)中國動(dòng)畫的發(fā)展創(chuàng)業(yè)精神的記錄技術(shù)。通過不同的歷史時(shí)期中國動(dòng)畫電影的情景再現(xiàn)技術(shù)，展示了中國動(dòng)畫電影的第一被國外同行技術(shù)和動(dòng)畫電影，中國動(dòng)畫電影自力更生并從困境中突圍，經(jīng)過不斷的研究開發(fā)和應(yīng)用新技術(shù)和新方法（白，2013），向世界介紹了中國特色的動(dòng)畫電影的過程。動(dòng)畫電影錄制技術(shù)的發(fā)展和真人動(dòng)作片，最初是由無聲電影開始的。在那個(gè)時(shí)候，當(dāng)需要?jiǎng)赢嬔輪T說話時(shí)，可臨時(shí)切換屏幕，文字顯示在屏幕，然后切換回屏幕繼續(xù)。無聲電影時(shí)代，需要?jiǎng)赢嬋宋镎f話，就會像一個(gè)魚從嘴里吐出泡泡，彈出一個(gè)對話框，對話框中顯示的數(shù)字說。傳統(tǒng)漫畫以同樣的方式說話。至于背景音樂，它會在電影院里的活樂隊(duì)的形式。因此，原

4、來的動(dòng)畫電影錄音實(shí)際上取代了聲音的話。直到20年代后的錄音機(jī)，一套完整的錄音技術(shù)應(yīng)運(yùn)而生，這是一種歷史性的時(shí)刻；磁記錄。這項(xiàng)新技術(shù)在電影業(yè)的潛力是立即被敏感的從業(yè)人員，然后投入電影制作，但技術(shù)仍然是原來的；操作方法是在床上播放記錄的同時(shí)，原來的樂隊(duì)是由一臺機(jī)器（太陽，2014）所取代。雖然在今天看來，這種模式是原創(chuàng)和落后，它仍然標(biāo)記著一部電影從無聲電影時(shí)代到有聲音的時(shí)代。2中國第一部錄制的動(dòng)畫電影2.1前兩個(gè)短片錄制模式世界前兩個(gè)動(dòng)畫錄制模式是20世紀(jì)30年代“維他風(fēng)”和“有聲電影”的。前者是電影聲音記錄在記錄;后者將直接記錄在膠片上的聲音。 “維他風(fēng)”記錄模式具有拍攝通常需要更多的機(jī)器，同時(shí)

5、當(dāng)一個(gè)優(yōu)點(diǎn)，這是為確保圖像和聲音同步操作，避免出現(xiàn)在兩個(gè)鏡頭中間的聲音再次“一卡通”或“跳”的問題。但其缺點(diǎn)也不允許忽視，攝像機(jī)數(shù)量決定了航班預(yù)訂，所以鏡頭的長度不能隨意縮短，這使得攝影的驕傲，即利用“蒙太奇”。2.2中國的第一個(gè)記錄的動(dòng)畫電影“駱駝獻(xiàn)舞”1935年，明星影片公司聘請知名電影制片人WJH兄弟來準(zhǔn)備最早記錄于歷史中國動(dòng)畫電影“駱駝獻(xiàn)舞”。在這一點(diǎn)上，中國的生產(chǎn)和技術(shù)不僅滯后于西方，而西方拍攝的技術(shù)封鎖是一個(gè)麻煩。 WJH兄弟用智慧中國的電影制片人，堅(jiān)持通過各種技術(shù)難點(diǎn)突破，創(chuàng)建組通過實(shí)驗(yàn)合成立體聲錄音模式后拍攝的磁帶的方式，完美解決了“駱駝提供”在最困難的一個(gè)鏡頭“笑舞”。 “駱

6、駝獻(xiàn)舞”的成功奠定了中國的基礎(chǔ)音頻動(dòng)畫電影，使得中國有聲動(dòng)畫電影在極其困難和競爭的市場中生存。3錄音和后期的早期3.1后期錄音后期錄制是簡單的口型同步配音，最早出現(xiàn)于上世紀(jì)20年代30年代初，當(dāng)時(shí)MGM電影需要拍攝幾個(gè)鏡頭，為了趕時(shí)間，節(jié)約成本，電影公司干脆讓片中人物的演員對著臺詞的變化用口型說，只有這樣才能對著意義，開始了后期的錄制（語音）。直到今天，我們的全國大部分的TV動(dòng)畫在采用這種錄制模式。記錄完成后后期制作影片剪輯同時(shí)配電影音樂，跟著電影的節(jié)奏，然后讓樂隊(duì)演奏。只是隨著計(jì)算機(jī)技術(shù)，現(xiàn)代的后期錄音已被更改為數(shù)字音樂合成。后期配音被裁剪在電影中有臺詞的角色，根據(jù)比電影口中變化的人物演員讀

7、他的臺詞。但這種模式有聲動(dòng)畫電影是一個(gè)棘手的問題，口型和配音沒有同時(shí)發(fā)生，動(dòng)漫電影注重畫面和聲音同步的高度，傳染性可以實(shí)現(xiàn)膜的效果。聲音和動(dòng)畫的不同步很大程度上對動(dòng)畫電影的整體外觀和感覺造成了負(fù)面的影響。3.2前期錄音解決了后期錄音的問題，最早一次錄音出現(xiàn)在一個(gè)歷史的時(shí)刻。早期的錄音與后期相反，第一記錄語音，是繪制圖像。配音演員能力的需求這種模式更高，好的演員能塑造角色，有聲動(dòng)畫的主人，好演員的聲音表現(xiàn)演技畫家的靈感之源，有聲畫畫，不僅通過搜索解決的問題了，動(dòng)畫角色更加充滿活力的創(chuàng)作。我國采用的早期模型錄制動(dòng)畫電影代表作包括“牧笛”，“三個(gè)和尚”，“寶蓮燈”。4噪聲的影響噪聲的存在一直是一個(gè)無

8、法回避和難以解決的大問題，環(huán)境噪聲和設(shè)備噪聲，是在電影記錄片所實(shí)際需要的聲音干擾的過程。早在動(dòng)畫電影，噪音致命的“冷漠”，在光線每轉(zhuǎn)錄廣泛的應(yīng)用，音質(zhì)會有很多損失，這種噪聲把用于記錄介質(zhì)本身質(zhì)量原因必須強(qiáng)大的背景音樂所覆蓋，使得電影無法正常播放?，F(xiàn)代觀眾觀看傳統(tǒng)動(dòng)畫電影微微望向你會發(fā)現(xiàn)那個(gè)S動(dòng)畫電影是發(fā)音的工具，而不是在現(xiàn)實(shí)情況下，如激烈的碰撞對象或角色的聲音被暴力的權(quán)重?fù)簦^眾聽到的是敲擊壓力，最典型的代表是深受觀眾喜愛的迪斯尼里的老湯姆和杰瑞，當(dāng)動(dòng)畫里湯姆杰瑞被擊中或發(fā)生碰撞時(shí)，背景音樂的聲音是鼓敲擊在樂器的不同部位。同樣，中國的“蘆葦”在1962年提出采用同樣的方式。電影開頭是中國式的笛

9、子聲音，不但畫面都是傳統(tǒng)的中國水墨畫，背景音樂也是中國傳統(tǒng)的民族樂器，長笛。整部電影沒有露面線，唯一的聲音是悠揚(yáng)的笛聲。隨著霧氣的動(dòng)畫，竹笛的聲音顯得傷感，夢幻，讓觀眾陶醉。雖然錄音技術(shù)隨時(shí)間有很大的進(jìn)步，光學(xué)質(zhì)量也在技術(shù)上已取得進(jìn)步，但噪音一直存在。動(dòng)畫電影的聲音不能代替所有的音樂，滿足字符必須說話，問題就出來了。由于背景噪音太強(qiáng)，配音演員不得不提高音量便拜大聲淹沒的噪音的干擾，這使得配音是很難的。中國的1941年動(dòng)畫電影“鐵扇公主”的問題。盡管電影的宣傳噱頭是“第一個(gè)記錄三維動(dòng)畫片”但對于今天的觀眾，演員對于舞臺的演繹，更多的是強(qiáng)調(diào)臺詞，和立體式發(fā)音，似乎不管什么樣的身份，角色都是在努力的

10、尖叫。演繹的結(jié)果是喜劇更偏向于喜劇，嚴(yán)肅的場景和緊張的場面使得觀眾是更加有開心的感覺，更多的是大笑。噪聲磁粉，直到20世紀(jì)50年代后的電影，已經(jīng)被基本解決，這對涂磁刷粉形成磁性膜聲道頻率響應(yīng)更寬，聲音過去的清楚且明顯，不僅可以確保語音的質(zhì)量，并記錄和轉(zhuǎn)錄的操作簡單，并且可以再現(xiàn)錄音結(jié)果，這比傳統(tǒng)的光學(xué)音軌有一個(gè)質(zhì)的飛躍。這個(gè)發(fā)明使得磁膜配音終于恢復(fù)了正常的音域，同時(shí)，更微妙聲音在自然環(huán)境中可以通過媒體來傳播，1960年動(dòng)畫片“小蝌蚪找媽媽”使用影片拷貝，小蝌蚪幼稚天真的聲音和青蛙媽媽之間溫柔的對話，讓觀眾感受到親情的珍貴的親密關(guān)系。在世界的盡頭，電視的出現(xiàn)給電影的發(fā)展產(chǎn)生了巨大的影響，再加上立

11、體聲家庭影院系統(tǒng)的日益普及，電影再次得到了噪聲及其相關(guān)從業(yè)者的關(guān)注，以及電影和戲劇杜比降噪技術(shù)育成，使影片錄音技術(shù)達(dá)到了一個(gè)新的水平（榮，2002年）。5立體聲的應(yīng)用5.1“神奇的聲音”系統(tǒng)早在1940年11月，立體動(dòng)畫電影“幻想曲”的出現(xiàn)，在技術(shù)人員中間的每一方都加上一個(gè)揚(yáng)聲器，形成了三通道的效果，此時(shí)動(dòng)畫也在使用光的原聲記錄介質(zhì)中，保持與膠片同步，錄音和播放式被稱為“神奇的聲音”系統(tǒng)。然而“神奇的聲音”多達(dá)七噸的重量和昂貴的價(jià)格使其在各大影院都得到了廣泛的傳播。隨著世界的爆發(fā)二戰(zhàn)，這種系統(tǒng)才逐漸淡出人們視線。5.2杜比降噪在上世紀(jì)70年代由杜比發(fā)明了立體聲放音系統(tǒng)，主要是為電影和戲劇進(jìn)行錄

12、音和回放。杜比系統(tǒng)采用光學(xué)聲帶仍然是偉大的生產(chǎn)方式，同時(shí)，成本低，效果好，成為后來的數(shù)字錄音技術(shù)和標(biāo)準(zhǔn)的祖先。在上世紀(jì)80年代，中國電影業(yè)開始使用杜比和SR模擬立體聲系統(tǒng)。到九十年代后期開始升級為高級數(shù)字音響系統(tǒng)和DTS系統(tǒng)。最早使用這種先進(jìn)的音響系統(tǒng)，由于技術(shù)不夠，技術(shù)，也不能充分發(fā)揮其地震作用。在拍攝寶蓮燈時(shí)，盡管使用的是最先進(jìn)的錄音和DTS系統(tǒng)，還不在許多地方令人滿意。例如，有一個(gè)一個(gè)場景，是要劈華山，山體建筑的倒塌，一陣搖晃，應(yīng)該是驚險(xiǎn)電影特效場景。但最終效果很弱，沒有產(chǎn)生聲音來自四面八方，幾乎將把人們所掩蓋的效果，最終生產(chǎn)商的效果必須使用傳統(tǒng)的電子樂器音樂聲音覆蓋。此外，在神圣的戰(zhàn)爭

13、場面，沉香，二郎神在天上，兩人在薄霧中，雖然不語，但空氣中彌漫著濃濃的強(qiáng)烈感覺，在這一刻的聲學(xué)應(yīng)該建立一個(gè)場合，緊張的氣氛，可以在電影插曲嚴(yán)肅的背景音樂，導(dǎo)致戰(zhàn)爭的激烈減少了許多，是非常令人遺憾的事情。作為國內(nèi)電影人更多的運(yùn)用SR和DTS系統(tǒng)的技能，在生產(chǎn)過程中，類似于“寶蓮燈”的聲音問題已完全解決。，大部分地區(qū)的影院仍主要采用雙立體聲播放模式。由于成本問題，目前國內(nèi)影院還沒有全部得到充分的使用數(shù)字立體聲系統(tǒng)，部分影院還采用模擬立體聲。隨著技術(shù)的進(jìn)步和成本的降低，未來的中國影院將采用數(shù)字立體聲播放模式，它將大大提高電影的音效和觀看的質(zhì)量。5.3環(huán)繞聲在杜比SR和DTS升級版的基礎(chǔ)上，加上周圍有

14、左、右立體環(huán)繞聲環(huán)繞著，使得周圍的觀眾可以創(chuàng)造一個(gè)更真實(shí)場景的聲音。該系統(tǒng)的應(yīng)用可以準(zhǔn)確區(qū)分觀眾在運(yùn)動(dòng)方向上的聲音。例如，當(dāng)運(yùn)動(dòng)的后方方向，人的耳朵可以準(zhǔn)確地判斷什么是后面的移動(dòng)到左或右后方。在快速移動(dòng)的物體或動(dòng)作的技術(shù)性能，可以導(dǎo)致更生動(dòng)的聲音效果。6結(jié)論在動(dòng)畫片中，有時(shí)演員創(chuàng)造的人物帶來鮮明的個(gè)性的角色，并要求認(rèn)真尋找更高得境界。現(xiàn)代中國動(dòng)畫電影錄制技術(shù)已經(jīng)經(jīng)歷了無聲電影的時(shí)代，通過下一代電影人的不懈努力取得了長足的進(jìn)步。隨著技術(shù)的發(fā)展，中國動(dòng)畫電影的制作水平也在不斷上升。在現(xiàn)代計(jì)算機(jī)和網(wǎng)絡(luò)技術(shù)的推動(dòng)下，中國的動(dòng)畫電影錄音技術(shù)將趕上國際先進(jìn)水平，形成自己獨(dú)特的風(fēng)格。參考文獻(xiàn) 1白，Z. Y

15、.（2013） 現(xiàn)代中國動(dòng)畫的起源與發(fā)展。蘭臺的話，31，118-1192榮，噸（2002） 中國電影產(chǎn)業(yè)化問題。南開管理評論，5，71-743太陽，D（2014） 分析了動(dòng)畫電影聲音的產(chǎn)生。戲劇的家，17，1682.外文原文The Development of Modern ChineseAnimation Film Recording TechnologyYing man LiuAbstractModern Chinese animation film is accompanied by recording the continuous development of technologic

16、al innovation, from the original subtitles instead of the sound development of the contemporary surround sound. The Chinese animation film recording technology has made great progress. The first recorded animation film of China has been introduced in this paper, for example, analyzing the recording

17、and the early late, the influence of noise and the application of stereo, so as to provide reference for animation filmmakers and related practitioners.KeywordsModern Animation, Movie Recording Technology, China1. IntroductionThe development of the modern Chinese animation film is not only the imagi

18、ng process of constant reform and innovation, but also a recording from the text alternative to the process of evolution of stereo sound. Studying modern Chinese animation film recording technology aims to promote the development of Chinese animation movie on the recording technology of pioneering a

19、nd enterprising spirit. Through different historical periods Chinese animation recording technology of situation representation shows how Chinese animation film is first blockaded by foreign counterparts technology and animated movie and how Chinese animation film is self-reliant to break from the d

20、ifficult position, after continuous research and development and application of new technology and new way (Bai, 2013), introducing the process of animation film with Chinese characteristics to the world.Animation movie recording technology development and live-action film, originally started with s

21、ilent films. At that time, when need to animation actors speak, can temporarily switch screen, the text displayed on the screen, and then switch back to the screen to continue. Silent film era, need animation characters speak, will be like a fish mouth spit bubbles, pop up a dialog, the dialog box s

22、hown in the figure to say. The traditional comic book character to speak in the same way. As for the background music, it will be in the movie theater in the form of a live band. Thus, original animation movie recording actually replaces the voice with words. To the 1920s after the tape recorder, a

23、complete set of recording technology arises at the historic moment; this is a magnetic recording. The potential of this new technology in the film industry is immediately captured by sensitive practitioners, and then put into film production, but the technology is still the original; the operation m

24、ethod is only in bed playing records at the same time; the original band is replaced by a machine (Sun, 2014). Although in todays view this model is original and backward, it still marks a film from the silent movie era to era of sound.2. The First Recorded Animation Film in China2.1. The First Two

25、Movie Recording ModesThe worlds first two movie recording mode is of the 1930s “Vitaphone” and “Movietone”. The former is the movie sound recorded on the record; the latter will be directly recorded on film sound. “Vitaphone” recording mode has an advantage when filming usually take more machines at

26、 the same time, this is to ensure the picture and sound synchronization operation, avoid appearing in the middle of the two lenses again voice “card” or “jump” problem. But its shortcomings also do not allow to ignore, the camera number determines the flight reservation, so the length of the lens ca

27、nnot arbitrarily shortened, which makes the pride of the photography, namely the use of “montage”. In the end “Vitaphone” in 1930. “Vitaphone” due to the recorded on film sound at the same time, there is no camera number of slots and the influence of the length of the lens, so “Vitaphone” after “Vit

28、aphone” are widely accepted in the studios of recording technology.2.2. Chinas First Recorded Animation Film “Camel Offer Dance”In 1935, star film company hired well-known filmmakers WJH brother preparing first recorded in the history of Chinese animation film “camel offer dance”. At this point, the

29、 film production and technology of China not only lagged behind the west, and is blocked by western filming technology of troubles. WJH brothers with the wisdom of the Chinese filmmakers and adhere to break through the various technical difficulties, created the group by means of experiment with sho

30、oting the tape after synthetic stereo recording mode, perfect solved the “camel offer dance” in the most difficult a lens “l(fā)aughter”. “Camel offer dance” success laid the foundation of Chinese audio animation films, making Chinese audio animation film in the extremely difficult and competitive in th

31、e market to survive.3. Recording and Early Late3.1. Post RecordingLate recording is simple lip-synching dubbing, first appeared in the late 1920s early 30s, when MGM film need to shoot a few scenes, in order to catch time and save cost, film companies simply let the actors in the film characters of

32、mouth say change with lines, only to find meaning, started late recording (voice). Until today, our country most TV animation in adopting this recording mode. After the completion of the recording is late in the movie clips produced equals the film music, follow the rhythm of the movie and then let

33、the band playing, just with the computer technology, modern late recording has been changed to digital music synthesis. Late dubbing is clipped a speaking part in the movie, the actor according to the characters in the movie mouth changes than read his lines. But this kind of mode for audio animatio

34、n film is a difficult problem, is the mouth of no late dubbing often happen, animation film pay attention to the height of the picture and sound synchronization, contagious film effect can be attained. Great direct consequence is out of sync to animation film negative impact on the overall look and

35、feel.3.2. Pre-RecordingTo solve the problem of recording of late, with the first recording arises at the historic moment. Early recording and later on the contrary, recording voice first, draw the picture. This pattern of voice actors capability demand is higher, good actor able to shape the role, w

36、ith sound for masters of animation, good actors expressive voice acting is the source of painters inspiration, with sound painting pictures, not only solved the problem by synching up, and the creation of animated characters more full of vitality. Our country adopts the model of early recording anim

37、ated film representative works include “the reed pipe”, “three monks”, “l(fā)otus lantern”.4. The Influence of the NoiseThe presence of noise for film has always been an unavoidable and difficult to solve big problems, environmental noise and noise equipment, are in the process of film recording actual

38、need sound interference by film. Early in the animated film, the noise is deadly “indifference”, was used widely in optical cords every transcription, sound quality will be a lot of loss, this kind of noise for the recording medium itself quality reasons must be covered by powerful background music,

39、 or movies cant play properly. Modern audiences watch traditional animation film slightly look to the you will find that s animated films are instruments of pronunciation instead of the sound in real situation, such as the furious collision objects or role was hit by the violence weights, the audien

40、ce heard is percussion stress, the most typical representative is welcomed by the audience favorite Disney old Tom and Jerry, when Tom was Jerry often play was struck or collision, background music is the sound of drums in different instrument parts. Similarly, “reed” made in China in 1962 is adopte

41、d the same way. The reed pipe with pure Chinese style at the head of the film, not only pictures are all traditional Chinese ink painting, background music is also the Chinese traditional ethnic Musical Instruments, flute. The whole movie didnt show up line, the only sound is the melodious flute. Wi

42、th the picture of mist, bamboo flute pathetic, dreaming, audience, intoxicated. Although the optical quality of the vocal cords over time and a great progress has been made in technological progress, but the noise is always exist. Animation film sound cannot replace all to music, meet characters mus

43、t speak, problems arise. Due to the background noise is too strong, voice actors had to raise volume NianBai loudly to swamp the noise interference, this makes the voice acting is hard. Chinas 1941 animated film “princess iron fan” is the problem. Despite the publicity stunt movie is “the first reco

44、rded three-dimensional cartoons”, but in todays audience, actors as if to deduce stage, almost every word is stressed, and the pronunciation all rise, seems to be no matter what kind of identity, role is to be screaming in an effort to show. The dubbing is the result of the drama almost into comedy,

45、 was serious and even tense scenes in the audience was very happy to feel, to laugh almost. The noise magnetic powder until the 1950s after the film was basically solved, this to besmear brushs magnetic powder forming magnetic film sound track wider frequency response, letter voice than obvious than

46、 in the past, can not only ensure quality of voice, and recorded and transcribed the operation is simple, and can reproduce the recording as a result, the instant than traditional optical soundtrack have a qualitative leap. The invention of the magnetic film dubbing finally returned to normal vocal

47、range, at the same time, the more subtle sound in the natural environment can be easily recorded by the media, 1960 animated film “l(fā)ittle tadpole looking for mom” is used the film copy, little tadpoles childish naive voice and frog tenderness as the voice of effects between mother and let the audien

48、ce feel the closeness of precious affection. On the end of the world, the emergence of television formed a huge impact on the development of film, coupled with the growing popularity of the stereo home theater systems, film again to get the noise and its related practitioners, and bred for film and

49、theater Dolby noise reduction technology, make the movie recording technology up to a new level (Rong, 2002).5. The Application of Stereo5.1. “Magic Sound” SystemStereo in early November 1940 Disney animated film “fantasia” have appeared, the technical personnel in the middle of the traditional spea

50、kers each side added a speaker, formed three channel effects, animation at this time also in the use of optical soundtrack recording medium, keep in sync with film screening, the sound recording and playback mode called “magic sound” system. However “magic sound” as much as seven tons of dead weight

51、 and expensive price keeps it from being widely spread in each big cinema. With the outbreak of World War II, the system gradually fades out the line of sight of people.5.2. Dolby Noise ReductionThis is in the 1970s by Dolby stereo playback sound system, mainly for film and theater sound recording a

52、nd playback. Dolby system USES optical soundtrack is still mode, great production at the same time, low cost, good effect, become the ancestor of the later digital recording technology and standards. In the 1980s, Chinas film industry started using Dolby A and SR analog stereo system. To the late ni

53、nety s began to upgrade for the SR digital stereo system and DTS system. First use this advanced sound system, due to insufficient skills in technology, also cannot give full play to its seismic effect. When filming “l(fā)otus lantern”, despite the use of the most advanced recording and DTS system, are

54、still not satisfactory in many places. For example, opened a scene, with the decomposition of cracking of Huashan mountain, mountain building collapsed, it should be a shaking, thrilling movie special effects scene, still can be the final finished product a more thin and failed to generate sound com

55、ing from all directions, almost will be surrounded by people, the effect of final producers have to use the traditional electronic instrumental music sound to cover. In addition, in the celestial war scene, aloes, and Er Lang god absolute being in heaven, and two people in the mist, though not words

56、, but the air is filled with a thick strong, at this moment the acoustics should build an occasion, the tense atmosphere, can be only background music in the film a sideshow elements, lead to the threat of war tension reduced many, is very regrettable thing. As domestic filmmakers to more and more skills in the SR and DTS system, similar to the “l(fā)otus lantern” sound problem during production have been fully resolved. Theaters since in most regions are still mainly use the two stereo playback mode. Due to