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一般是中間段落首句）2重復(fù)重復(fù)出現(xiàn)的詞，但要注意可能是以同義詞的形式出現(xiàn)3

因果the

reason

is,because

,so…..4

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唯一等絕對詞匯5

問題和答案6例子for

example

such

as

…..7對比反駁觀點（while,in

contrast）8

特殊停頓9重讀加重語氣ReadingJane

Austen(1775-1817)

isone

of

the

most

famous

ofall

English

novelists,

and

today

her

novels

are

morepopular

than

ever,

with

several

recently

adapted

asHollywood

movies.

But

we

do

not

have

many

records

ofwhat

she

looked

like.

For

a

long

time,

the

onlyacceptedimage

of

Austen

was

an

amateur

sketch

of

an

adultAusten

made

by

her

sister

Cassandra.

However

recentlya

professionally

painted,

full-length

portrait

of

a

teenagegirl

owned

by

a

member

of

the

Austen

familyhas

comeup

for

sale.

Although

the

professional

painting

is

nottitled

Jane

Austen,

there

are

good

reasons

to

believe

sheis

the

subject.Main

point:有一副畫上面的人物是簡·奧斯汀,

in

1882,

several

decades

afterAusten’s

death,

Austen’s

family

gavepermission

to

use

the

portrait

as

anillustration

in

an

edition

of

her

letters.Austen’s

family

clearly

recognized

it

as

aportrait

of

the

author.

So,

for

over

acentury

now,

the

Austen

family

itself

hasendorsed

the

claim

that

the

girlin

theportrait

is

Jane

Austen.-Sub

point

1:

這幅畫得到了奧斯汀認可的

Second,

the

face

in

the

portrait

clearlyresembles

the

one

in

Cassandra’s

sketch,

whichwe

know

depicts

Austen.

Though

somewhatamateurish,

the

sketch

communicates

definitedetails

about

Austen’s

face.

Even

though

theCassandra

sketch

is

of

an

adult

Jane

Austen,

thefeatures

are

still

similar

to

those

of

the

teenagegirl

in

the

painting.

The

eyebrows,

nose,

mouth,and

overall

sh of

the

face

are

very

much

likethose

in

the

full-length

portrait.-Sub

point

2:

面容同簡·奧斯汀的另一幅畫很像Third,

although

the

painting

is

unsignedand

undated,

there

is

evidencethat

it

waspainted

when

Austen

was

a

teenager.

Thestyle

links

it

to

Ozias

Humphrey,

a

societyportrait

painter

who

was

the

kind

ofprofessional

the

wealthy

Austen

familywould

hire.

Humphrey

was

active

in

thelate

1780s

and

early

1790s,

exactly

theperiod

when

Jane

Austen

was

ofthe

girl

in

the

painting.-

Sub

point

3:

風(fēng)格上看是奧扎厄斯·漢弗里的作品，此人活躍時期簡·奧斯汀的

同畫作相符材料：The

evidence

linking

this

portrait

to

Jane

Austen

is

not

at

all

convincing.

Sure,

the

painting

has

long

been

somewhat

looselyconnected

to

Austen’s

extended

family

and

theirdescendents,

but

this

hardly

proves

it’s

a

portraitof

Jane

Austen

as

a

teenager.

The

reading’sarguments

that

the

portrait

is

of

Austen

arequestionable

at

best.Main

point:這幅畫中人物不是簡·奧斯汀,

when

the

portrait

was

authorizedfor

use

in

the

1882publication

of

herletters,

Jane

Austen

had

been

dead

for

almost

70

years.

So,

the

family

memberswho

asserted

that

the

painting

was

Janehad

never

actually

seen

her

themselves.They

couldn’t

have

known

for

certain

ifthe

portrait

was

of

Austen

or

not.Sub

point

one:

雖有

人的背書，贊同，但是這些人都沒有見過簡·奧斯汀本人

Second,

the

portrait

could

very

well

be

that

of

a

relative

of

Austen’s,

a

fact

that

would

explainthe

resemblance

between

its

subject

and

that

ofCassandra’s

sketch.

The

extended

Austen

family

was

very

large

and

many

of

Jane

Austen’s

female

cousins

were

teenagers

in

the

relevant

period

or

had

children

who

were

teenagers.

Andsome

of

these

teenage

girls

could

haveresembled

Jane

Austen.

In

fact,

many

expertsbelieve

that

the

true

subject

of

the

portrait

wasone

of

those

relatives,

Marianne

Kempian,

whowas

a

distant

niece

of

Austen’sSub

point

two:

同簡·奧斯汀面容相似的原因可能是畫中人物是簡·奧斯汀的親人

Third,

the

painting

has

been

attributed

toHumphrey

only

because

of

the

style.

But

otherevidence

points

to

a

later

date.

A

stamp

on

theback

of

the

picture

indicates

that

the

blankcanvas,

you

know

the

actual

piece

of

cloth

onwhich

the

picture

was

painted,

was

sold

by

aman

named

William

Legg.

Record

showed

thatWilliam

Legg

did

not

sell

canvases

in

Londonwhen

Jane

Austen

was

a

teenager.

He

onlystarted

selling

canvases

when

she

was

27

yearsold.

So,

it

looks

like

the

canvas

was

used

for

thepainting

at

a

time

when

Austen

was

clearly

olderthan

the

girl

in

the

portrait.Subpointthree:畫布背面的表明這幅畫成畫時，簡·奧斯汀大于畫中人物問題滿分作文Generally,

contrary

to

the

belief

in

thereading

passage

that

the

teenagers

in

theportraits

which

appealed

recently

seemedto

be

Austen,

the

professor

asserts

thatthe

reasons

are

not

convincing.

Thelecture

doesn't

agree

with

what

thereading

indicated.

of

all,

the

writer

presents

an

idea

that

theAusten's

family

gave

permission

to

use

theportrait

as

an

illustration

in

an

edition

of

herletters,

the

Austin's

family

recognized

it

wasAusten.

In

contrast,

the

professor

believes

thatthe

pictured

appeared

after

Austen

has

alreadydead

for

70

years.

In

order

to

prove

his

point

ofview,

he

argues

that

at

that

time,

none

of

theAustin's

family

members

have

actually

seen

theAusten

themselves.

The

lecture

contradicts

towhat

reading

passage

indicates.Besides,

the

listening

material

refutes

theviewpoint

showed

in

the

reading

passage

thatthe

face

in

the

portrait

was

strongly

resemblethe

one

in

Cassandra's

sketch,

by

saying

that

the

portray

may

be

drew

the

relatives

of

theAustin's

descendent.

He

argues

that

the

Austen'sfamily

is

very

large,

and

some

scientists

pointout

that

it

may

be

portrayed

one

of

the

relativesof

Austin

at

the

teenager’s

age

right

now.

This

isanother

part

where

the

lecture

casts

doubt

onthe

reading.Finally,

the

reading

makes

the

point

that

thestyle

of

the

paint

is

likely

to

be

Ozias

Humphery,who

was

at

high

possibility

hired

by

the

wealthyAusten

family

as

a

society

painter.

On