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Unit1ArtReading<日出>印象派<刑罰>文藝復(fù)興Q:Howmanyperiodsofthepaintingsarementionedinthistext?Whatarethey?(20thcenturytotoday)Fast-reading:TheMiddleAgesTheRenaissanceImpressionismModernart(15thto16thcentury)(5thto15thcenturyAD)(late19thtoearly20thcentury)TimeorderCareful-reading:TheMiddleAges(5thtothe15thcenturyAD)Q:Whatarethepaintingsofthisperiodfullof?Theyarefullofreligioussymbols,whichcreatedafeelingofrespectandloveforGod.Q:Whydidtheideachangeinthe13thcentury?Inthe13thcenturywhenpainterslikeGiottodiBondonebegantopaintreligiousscenesinamorerealisticway.WorksoftheMiddleAges_________themes_________symbolsReligiousReligious4.WhatarethetwoimportantdiscoveriesintheRenaissanceperiod?3.Whichofthefollowingisnotthethingstherichpeoplepaidfamousartiststopaint?1.PaintersinRenaissancebegantofocuson_____
A.religionB.humansC.natureD.science2.InRenaissance,paintersreturnedtoclassical_____and______ideasaboutart.A.Roman,ParisB.Greek,LondonC.Roman,GreekTherichpeoplethemselvesB.thegodC.housesandpossessionsD.activitiesandachievementsTheRenaissance(15thto16thcentury)perspectiveB.oilpaintC.religioussymbolsD.impressionistmorerealisticmakecolorslookricheranddeeper__________theme________,newoilpaintsWorksoftheRenaissancerealisticperspectivenewpaintingstylesInthelate19thcentury,Europechanged______________.fromamostly___________societytoamostly__________one.Peoplemovedfrom_____________tothe____________.Therearemany_________________and_________________.agricultural
industrialcountryside
newcitiesnewinventionssocialchangesThepainterswho______________the___________styleofthepaintingwerethe____________.Leadto
Impressionism(late19thtoearly20thcentury)agreatdealbrokeawayfromtraditionalImpressionistsQ:Whydidtheimpressionistshavetopaintquickly?Becausenaturallightchangessoquickly.Atdifferent
timeofthedaylightshadowpaintingswerenotsodetailedindoorsoutdoorsWorksoftheimpressionismPainted_______changesin_____Not___________outdoorslightdetailedModernArt(20thcenturytotoday)Judgethefollowingsentencestrue(T)orfalse(F).1.TheImpressionismisthebeginningofModernArt.()2.TheImpressionismencourageartiststolookattheirenvironmentinoldways.()3.Somemodernartisabstract,thepainterusecolour,lineandshapetorepresenttheobject.()4.Somemodernartisrealisticthattheylooklikephotographs.()5.Wecanpredictthatpaintingstylesinthefuturewillbeabstract.()FTTTFWorksoftheModernArtabstract:concentratedon____________oftheobjectrealistic:like____________qualitiesphotographsAgeMainaimCharacteristicArtist
_____________(5thto15thcenturyAD)torepresent________________fullof______________________inamore__________way(inthe13thcentury)______________TheMiddleAgesreligiousthemesreligioussymbolsrealisticGiottodiBondoneConsolidation:Workingroupstofinishthechartbelow.
AgeMainaimCharacteristicArtist__________________(15thto16thcentury)topaint________________astheyreallywereadoptedamore____________attitudetolifepaintedin____________
Masacciopeopleandnature
perspective
TheRenaissancehumanistic
AgeMainaimCharacteristicArtist__________(late19thto____________________)toshowhow________________fellonobjectsatdifferenttimesofthedaynotas_________aspaintingsofearlypainterscontrover-sialatfirstnotmentionedearly20thcenturylightandshadowdetailedImpressionismAgeMainaimCharacteristicArtist____________(20thcenturytotoday)toconcentrateoncertain_________oftheobjectortomakethepaintingslooklike___________________realisticModernArtqualitiesabstractphotographsnotmentioned
Usethesecharacteristicstotellwhichpaintingstyleeachofthefollowingpaintingsbelongsto.____________________________________________________________________ModernArtTheRenaissanceTheMiddleAgesImpressionismArethesestatementstrueorfalse?Tickthecorrectboxes.Givenareasoniftheanswerisfalse.Westernarthaschangedverylittleoverthelastseventeencenturies.2.PaintingintheMiddleAgesdidnotuseperspective.3.Impressionistspaintedlandscapes.4.Youcannotrecognizeanyobjectinabstractmodernart.5.IntheRe
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