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2023年考研考博考博英語中南大學(xué)考試高頻考點(diǎn)參考題庫帶答案(圖片大小可自由調(diào)整)答案解析附后第1卷一.綜合題(共20題)1.單選題Thespeciousargumentsusedbythe(

)werecertaintodeceivemanypeople.問題1選項(xiàng)A.candidateB.politicianC.theologianD.demagogue2.單選題Someworksofliteratureholdone’sinterestintheverylastpage,butothersservesonlyasa(

),tobekepthandilyatabedsidetable.問題1選項(xiàng)A.reminderB.referenceC.decorationD.soporific3.單選題Amanwhocannotwinhonorinhisownagewillhaveaverysmallchanceofwinningitfrom(

).問題1選項(xiàng)A.posterityB.immigrantsC.criticsD.improvisation4.單選題Archaeologyasaprofessionfacestwomajorproblems.First,itisthepoorestofthepoor.Onlypaltrysumsareavailableforexcavatingandevenlessisavailableforpublishingtheresultsandpreservingthesitesonceexcavated.Yetarchaeologistsdealwithpricelessobjectseveryday.Second,thereistheproblemofillegalexcavation,resultinginmuseum-qualitypiecesbeingsoldtothehighestbidder.Iwouldliketomakeanoutrageoussuggestionthatwouldatonestrokeprovidefundsforarchaeologyandreducetheamountofillegaldigging.Iwouldproposethatscientificarcheologicalexpeditionsandgovernmentalauthoritiessellexcavatedartifactsontheopenmarket.Suchsaleswouldprovidesubstantialfundsfortheexcavationandpreservationofarchaeologicalsitesandthepublicationofresults.Atthesametime,theywouldbreaktheillegalexcavator’sgriponthemarket,therebydecreasingtheinducementtoengageinillegalactivities.Youmightobjectthatprofessionalsexcavatetoacquireknowledge,notmoney.Moreover,ancientartifactsarepartofourglobalculturalheritage,whichshouldbeavailableforalltoappreciate,notsoldtothehighestbidder.Iagree.Sellnothingthathasuniqueartisticmeritorscientificvalue.But,youmightreplyeverythingthatcomesoutofthegroundhasscientificvalue.Herewepartcompany.Theoretically,youmaybecorrectinclaimingthateveryartifacthaspotentialscientificvalue.Practically,youarewrong.Irefertothethousandsofpotteryvesselsandancientlampsthatareessentiallyduplicatesofoneanother.InonesmallexcavationinCyprus,archaeologistsrecentlyuncovered2,000virtuallyindistinguishablesmalljugsinasinglecourtyard,EvenpreciousroyalsealimpressionsknownasL’melekhHandleshavebeenfoundinabundance——morethan4,000examplessofar.Thebasementsofmuseumsaresimplynotlargeenoughtostoretheartifactsthatarelikelytobediscoveredinthefuture.Thereisnotenoughmoneyeventocataloguethefinds;asaresult,theycannotbefoundagainandbecomeasinaccessibleasiftheyhadneverbeendiscovered.Indeed,withthehelpofacomputer,soldartifactscouldbemoreaccessiblethanarethepiecesstoredinbulgingmuseumbasements.Priortosale,eachcouldbephotographedandthelistofthepurchaserscouldbemaintainedonthecomputer.ApurchasercouldevenberequiredtoagreetoreturnthepieceifitshouldbecomeneededforscientificpurposesItwouldbeunrealistictosuggestthatillegaldiggingwouldstopifartifactsweresoldontheopenmarket.Butthedemandfortheclandestineproductwouldbesubstantiallyreduced.Whowouldwantanunmarkedpotwhenanotherwasavailablewhoseprovenancewasknown,andthatwasdatedstratigraphicallybytheprofessionalarchaeologistwhoexcavatedit?1.Whichofthefollowingismentionedinthepassageasadisadvantageofstoringartifactsinmuseumbasements?2.TheauthormentionstheexcavationinCyprustoemphasizewhichofthefollowingpoints?3.Theauthor’sargumentconcerningtheeffectoftheofficialsaleofduplicateartifactsonillegalexcavationisbasedonwhichofthefollowingassumptions?4.Theauthoranticipateswhichofthefollowinginitialobjectionstotheadoptionofhisproposal?5.TheauthorimpliesthatallofthefollowingstatementsaboutduplicateartifactsaretrueEXCEPT(

).問題1選項(xiàng)A.Museumofficialsrarelyallowscholarsaccesstosuchartifacts.B.Spacethatcouldbebetterusedfordisplayistakenupforstorage.C.Artifactsdiscoveredinoneexcavationoftenbecomeseparatedfromeachother.D.Suchartifacts’oftenremainuncataloguedandthuscannotbelocatedoncetheyareputinstorage.問題2選項(xiàng)A.Ancientlampsandpotteryvesselsarelessvaluable,althoughmorerare,thanroyalsealimpressions.B.Artifactsthatareverysimilartoeachotherpresentcataloguingdifficultiestoarchaeologists.C.Artifactsthatarenotuniquelyvaluable,andthereforecouldbesold,areavailableinlargequantities.D.Cyprusisthemostimportantlocationforunearthinglargequantitiesofsalableartifacts.問題3選項(xiàng)A.Prospectivepurchaserswouldprefertobuyauthenticatedartifacts.B.Thepriceofillegallyexcavatedartifactswouldrise.C.Moneygainedfromsellingauthenticatedartifactscouldbeusedtoinvestigateandprosecuteillegalexcavators.D.Illegalexcavatorswouldbeforcedtosellonlyduplicateartifacts.問題4選項(xiàng)A.Anoversupplyofsalableartifactswillresultandthedemandforthemwillfall.B.Artifactsthatwouldhavebeendisplayedinpublicplaceswillbesoldtoprivatecollectors.C.Illegalexcavatorswillhaveanevenlargersupplyofartifactsforresale.D.Counterfeitingofartifactswillbecomemorecommonplace.問題5選項(xiàng)A.AmarketforsuchartifactsalreadyexistsB.SuchartifactsseldomhavescientificvalueC.Suchartifactsfrequentlyexceedinqualitythosealreadycataloguedinmuseumcollec?tionsD.Museumsarewellsuppliedwithexamplesofsuchartifacts5.單選題Usuallythefirsttospotdatathatwereinconsistentwithotherfindings,inthisparticularexperimentsheletanumberof(

)resultsslipby.問題1選項(xiàng)A.anomalousB.salientC.redundantD.verifiable6.單選題TheFrenchandtheAmericanshaveaverydifferentrelationshiptomoney,(

)andostentation.問題1選項(xiàng)A.obnoxiousB.obfuscateC.optimumD.opulence7.單選題(

),thefactorieshadnotclosed,andthosewhoneededworkmostweregivenachancetosurviveduringtheeconomicdisaster.問題1選項(xiàng)A.BlithelyB.MercifullyC.GlamorouslyD.Importunately8.單選題Theyareevidencethata(

)ofevolutionaryexperimentationwasgoingonatthetime,outofwhichthehumanlineagesomehowemerged.問題1選項(xiàng)A.fermentB.glamourC.jubilationD.fragment9.單選題Ourbiologicaluniquenessrequiresthattheeffectsofasubstancemustbeverifiedby(

)experiments,evenafterthousandsoftestsoftheeffectsofthatsubstanceonanimals.問題1選項(xiàng)A.evolutionaryB.humanC.randomD.replicated10.寫作題Writeanessayofabout300wordsonthetopic“LearningandStudyingasISeeIt”accordingtotheideagivenbelowandoutlinedinChinese.

求知和探究被古人認(rèn)為是人生中步履荊棘的歷程。王國維先生就有著做學(xué)問的三大境界,其一曰“昨夜西風(fēng)凋碧樹,獨(dú)上高樓,望盡天涯路”;其二曰“衣帶漸寬終不悔,為伊消得人憔悴”;最后才會(huì)“眾里尋他千百度,驀然回首,那人卻在燈火闌珊處”。請(qǐng)結(jié)合自己求學(xué)的經(jīng)歷或體會(huì),分析你對(duì)這個(gè)命題的理解和看法。11.單選題Asseriousassheisaboutthebullfight,shedoesnotallowrespectto(

)hersenseofwhimsywhenpaintingit.問題1選項(xiàng)A.inspireB.provokeC.suppressD.satisfy12.單選題FollowingtheguidelinesforspeakingandvotingestablishedbythebookRobert'sRulesofOrder,(

)duringthemeeting.問題1選項(xiàng)A.andavoidlargedecision-makingorganizations’proceduralcanfusionB.largedecision-makingorganizationsavoidproceduralconfusionC.isproceduralconfusionavoidedbylargedecision-makingorganizationsD.areavoidingproceduralconfusioninlargedecision-makingorganizations13.單選題ThatLouiseNevelsonisbelievedbymanycriticstobethegreatesttwentieth-centurysculptorisallthemoreremarkablebecausethegreatestresistancetowomenartistshasbeen,untilrecently,inthefieldofsculpture.SinceNeolithictimes,sculpturehasbeenconsideredtheprerogativeofmen,partly,perhaps,forpurelyphysicalreasons;itwaserroneouslyassumedthatwomenwerenotsuitedforthehardmanuallaborrequiredinsculptingstone,carvingwood,orworkinginmetal.Ithasbeenonlyduringthetwentiethcenturythatwomensculptorshavebeenrecognizedasmajorartists,andithasbeenintheUnitedStates,especiallysincethedecadesofthefiftiesandsixties,thatwomensculptorshaveshownthegreatestoriginalityandcreativepower.TheirrisetoprominenceparallelsthedevelopmentofsculptureitselfintheUnitedStates;whiletherehadbeenafewtalentedsculptorsintheUnitedStatesbeforethe1940,itwasonlyafter1945——whenNewYorkwasrapidlybecomingtheartcapitaloftheworld——thatmajorsculpturewasproducedintheUnitedStates.Someofthebestwastheworkofwomen.ByfarthemostoutstandingofthesewomenisLouiseNevelson,whointheeyesofmanycriticsisthemostoriginalfemaleartistalivetoday.Onefamousandinfluentialcritic,HiltonKramer,saidofherwork.“Formyself,IthinkMs.Nevelsonsucceedswherethepaintersoftenfail.”HerworkshavebeencomparedtotheCubistconstructionsofPicasso,theSurrealisticobjectsofMiro,andtheMerzbauofSchwitters.Nevelsonwouldbethefirsttoadmitthatshehasbeeninfluencedbyallofthese,aswellasbyAfricansculpture,andbyNativeAmericanandpre-Columbianart,butshehasabsorbedalltheseinfluencesandstillcreatedadistinctiveartthatexpressestheurbanlandscapeandtheaestheticsensibilityofthetwentiethcentury.Nevelsonsays,“Ihavealwayswantedtoshowtheworldthatartiseverywhere,exceptthatithastopassthroughacreativemind.”Usingmostlydiscardedwoodenobjectslikepackingcrates,brokenpiecesoffurniture,andabandonedarchitecturalornaments,allofwhichshehashoardedforyears,sheassemblesarchitecturalconstructionsofgreatbeautyandpower.Creatingveryfreelywithnosketches,shegluesandnailsobjectstogether,paintsthemblack,ormorerarelywhiteorgold,andplacestheminboxes.Theseassemblages,walls,evenentireenvironmentscreateamysterious,almostawe-inspiringatmosphere.Althoughshehasdeniedanysymbolicorreligiousintentinherworks,theirthree-dimensionalgrandeurandeventheirtitles,suchasSkyCathedralandNightCathedral,suggestsuchconnotations.Insomeways,hermostambitiousworksareclosertoarchitecturethantotraditionalsculpture,blitthenneitherLouiseNevelsonnorherartfitsintoanyneatcategory.1.Thepassagefocusesprimarilyonwhichofthefollowing?2.Whichofthefollowingstatementsissupportedbyinformationgiveninthepassage?3.ItcanbeinferredfromthepassagethattheauthorbelieveswhichofthefollowingaboutNevelson’ssculptures?4.WhichofthefollowingstatementsaboutNevelson’ssculpturescanbeinferredfromthepassage?問題1選項(xiàng)A.Ageneraltendencyintwentieth-centuryartB.TheworkofaparticularartistC.TheartisticinfluencesonwomensculptorsD.Criticalresponsestotwentieth-centurysculpture問題2選項(xiàng)A.Priorto1945therewaslittlemajorsculptureproducedbymenorwomensculptorsworkingintheUnitedStates.B.Since1950sculptureproducedintheUnitedStateshasbeenthemostoriginalandcreativesculptureproducedanywhere.C.From1900to1950womensculptorsinEuropeenjoyedmorerecognitionfortheirworkthandidwomensculptorsintheUnitedStates.D.Priorto1945thereweremanywomensculptorswhoseworkwasignoredbycritics.問題3選項(xiàng)A.Theyshowtheinfluenceoftwentieth-centuryarchitecture.B.TheydonothavequalitiescharacteristicofsculptureC.Theyaremysteriousandawe-inspiring,butnotbeautiful.D.Theysuggestreligiousandsymbolicmeanings.問題4選項(xiàng)A.Theyaremeantfordisplayoutdoors.B.Theyareoftenpaintedinseveralcolors.C.Theyaresometimesverylarge.D.Theyarebuiltaroundacentralwoodenobject.14.寫作題Writeanessayofabout250to300wordsonthetopic“ScienceandArts:theIntegrationintheDisciplineResearched"accordingtotheideagivenbelowandoutlineinChinese.

科學(xué)和藝術(shù)是促進(jìn)人類社會(huì)發(fā)展的兩個(gè)翅膀,一個(gè)強(qiáng)調(diào)嚴(yán)謹(jǐn),客觀,深遂而鍥而不舍地探究自然和社會(huì)的內(nèi)在構(gòu)架和發(fā)展路徑,一個(gè)表現(xiàn)華麗,張揚(yáng),豐富多彩而魅力四射地展示著人們獨(dú)具的感知和想象的夢(mèng)境。兩者各具不同的特點(diǎn)但卻互相關(guān)聯(lián)著,在學(xué)術(shù)研究中,注重科學(xué)活動(dòng)過程的科學(xué)性和藝術(shù)性的這種相輔相成也會(huì)為我們的不同專業(yè)研究帶來絢麗而又實(shí)誠的果實(shí)。請(qǐng)你結(jié)合自己的學(xué)科專業(yè)研究實(shí)際的例證,談?wù)勓芯炕顒?dòng)中科學(xué)性和藝術(shù)性關(guān)系會(huì)對(duì)自己未來發(fā)展的影響作用。1)科學(xué)和藝術(shù)定義及其相輔相成的關(guān)系。2)本專業(yè)學(xué)術(shù)研究中的科學(xué)性和藝術(shù)性相輔相成的特點(diǎn)。3)用實(shí)例說明兩者結(jié)合會(huì)為我的專業(yè)發(fā)展和研究帶來重要的突破和發(fā)展。15.單選題Onestrategyissimplytopersuadepeopletostaylonger,whichprovidesmoretimeforemployerstospotand(

)thebestperformers.問題1選項(xiàng)A.extinguishB.siegeC.seduceD.estimate16.單選題Ragtimeisamusicalformthatsynthesizesfolkmelodiesandmusicaltechniquesintoabriefquadrille-likestructure,designedtobeplayed—exactlyaswritten—onthepiano.AstronganalogyexistsbetweenEuropeancomposerslikeRalphVaughanWilliams,EdvardGrieg,andAntonDvorakwhocombinedfolktunesandtheirownoriginalmaterialsinlargercompositionsandthepioneerragtimecomposersintheUnitedStates.ComposerslikeScottJoplinandlamesScottwereinasensecollectorsormusicologists,collectingdanceandfolkmusicinBlackcommunitiesandconsciouslyshapingitintobriefsuitesoranthologiescalledpianorags.Ithassometimesbeenchargedthatragtimeismechanical.Forinstance,WilfredMellerscomments,“ragsweretransferredtothepianolarolland,evenifnotplayedbyamachine,shouldbeplayedlikeamachine,withmeticulousprecision.”However,thereisnoreasontoassumethatragtimeisinherentlymechanicalsimplybecausecommercialmanufacturersappliedamechanicalrecordingmethodtoragtime,theonlywaytorecordpianosatthatdate.Ragtime’sisnotamechanicalprecision,anditisnotprecisionlimitedtothestyleofperformance.Itarisesfromragtime’sfollowingawell-definedformandobeyingsimpleruleswithinthatform.Theclassicformulaforthepianoragdisposesthreetofivethemesinsixteenth-barstrains,oftenorganizedwithrepeats.Theragopenswithabright,memorablestrainortheme,followedbyasimilartheme,leadingtoatrioofmarkedlyricalcharacter,withthestructureconcludedbyalyricalstrainthatparallelstherhythmicdevelopmentsoftheearlierthemes.Theaimofthestructureistorisefromonethemetoanotherinastair-stepmanner,endingonanoteoftriumphorexhilaration.Typically,eachstrainisdividedintotwo8-barsegmentsthatareessentiallyalike,sotherhythmic-melodicunitofragtimeisonlyeightbarsof2/4measure.Therefore,themesmustbebriefwithclear,sharpmelodicfigures.Notconcernedwithdevelopmentofmusicalthemes,theragtimecomposerinsteadsetsathemedownintact,infinishedform,andlinksittovariousrelatedthemes.Tensioninragtimecompositionsarisesfromapolaritybetweentwobasicingredients:acontinuousbass―calledbyjazzmusiciansaboom-chickbass—inthepianist’slefthand,anditsmelodic,syncopatedcounterpartintherighthand.Ragtimeremainsdistinctfromjazzbothasaninstrumentalstyleandasagenre.Ragtimestylestressesapatternofrepeatedrhythms,nottheconstantinventionsandvariationsofjazz.Asagenre,ragtimerequiresstrictattentiontostructure,notinventivenessorvirtuosity.Itexistsasatradition,asetofconventions,abodyofwrittenscores,separatefromtheindividualplayersassociatedwithit.Inthissenseragtimeismoreakintofolkmusicofthenineteenthcenturythantojazz.1.Accordingtothepassage,eachofthefollowingisacharacteristicofragtimecompositionsthatfollowtheclassicragtimeformulaEXCEPT(

).2.Theauthorrejectstheargumentthatragtimeisamechanicalmusicbecausethatargument(

).

3.Itcanbeinferredfromthepassagethattheessentialnatureofragtimehasbeenobscuredbycommentariesbasedon(

).

4.Whichofthefollowingismostnearlyanalogousinsourceandartisticcharactertoaragtimecompositionasdescribedinthepassage?問題1選項(xiàng)A.syncopationB.abasslinedistinctfromthemelodiclineC.risingrhythmic-melodicintensityD.fulldevelopmentofmusicalthemes問題2選項(xiàng)A.improperlyidentifiescommercialragtimemusicwiththesubtlerclassicragtimestyle.B.doesnotaccuratelydescribethesoundofragtimepianolamusic.C.confusesthemeansofrecordingandtheessentialcharacterofthemusic.D.exaggeratestheinfluenceoftheperformancestyleofprofessionalragtimeplayersonthereputationofthegenre.問題3選項(xiàng)A.thewayragtimemusicwasfirstrecordedB.themusicalsourcesusedbyScottJoplinandJamesScottC.thedancefashionsthatwerecontemporaryragtimeD.earlyreviewers’accountsofcharacteristicstructure問題4選項(xiàng)A.Symphonicmusicderivedfromcomplexjazzmotifs.B.Anexperimentalnovelbasedonwell-knowncartooncharacters.C.Adramaticproductioninwhichactorsinventscenesandimproviselines.D.Aballetwhosedisciplinedchoreographyisbasedonfolk-dancesteps.17.單選題Beforeabout1960,virtuallyallaccountsofevolutionassumedmostadaptationtobeaproductofselectionatthelevelofpopulations;recentstudiesofevolution,however,havefoundnobasisforthis(

)viewofselection.問題1選項(xiàng)A.controversialB.pervasiveC.unchallengedD.renowned18.單選題Manyartistsbelievethatsuccessfulimitation,farfrombeingsymptomaticofalackof(

),isthefirststepinlearningtobecreative.問題1選項(xiàng)A.eleganceB.resolutionC.sympathyD.originality19.翻譯題ReadthefollowingshortparagraphcarefullyandthentranslateitintoEnglish.

我確信,在這個(gè)世界上有許多令人驚喜的事情,有某種比驚喜深刻得多的東西,某種持久而有意義的東西。那些生活在地球上美和神奇的東西之間的人們,不管他是作為科學(xué)家的成人還是非科學(xué)家的孩子,永遠(yuǎn)不會(huì)孤單或?qū)ι罡械絽捑耄粺o論他們的個(gè)人生活有什么問題和憂慮,他們的思想都能找到通往內(nèi)心的滿足和對(duì)生活重燃激情的途徑。那些凝視地球之美的人能找到它們終身受用的力量?jī)?chǔ)備。他們看到在鳥類的遷徙中,在潮水的漲落之中,既有著具體的驚奇,更有著深遂的美。在大自然的反反復(fù)復(fù)循壞中,有一種具備無限治愈力的東西,黑暗過去是黎明,冬天過后是春天這一永恒的保障。20.單選題Thesinger’sperformancewassoexcitingthatmanyofhisfanswere(

)enthusiasm.問題1選項(xiàng)A.stirredupwithB.fantasizedwithC.takebackwithD.carriedawaywith第1卷參考答案一.綜合題1.【答案】C【解析】考查名詞辨析。A選項(xiàng)candidate“候選人;應(yīng)試者”;B選項(xiàng)politician“政客;政治家”;C選項(xiàng)theologian“神學(xué)者;空頭理論家”;D選項(xiàng)demagogue“煽動(dòng)者;煽動(dòng)政治家”。句意:······使用的似是而非的論據(jù)肯定會(huì)欺騙許多人。句中提到“似是而非的論據(jù)”,可知正確答案為C“空頭理論家”。2.【答案】B【解析】考查名詞詞義辨析。reminder提醒者;reference參考書,參考文獻(xiàn);decoration裝飾;soporific催眠劑。句意:有些文學(xué)作品自始至終都十分吸引人,但有些文學(xué)作品只起參考書的作用,為了方便查閱而放在床邊小茶幾上。由but及空格后的內(nèi)容可知B項(xiàng)符合句意。3.【答案】A【解析】考查名詞辨析。A選項(xiàng)posterity“子孫;后裔”;B選項(xiàng)immigrant“移民”;C選項(xiàng)critics“評(píng)論家;批評(píng)者”;D選項(xiàng)improvisation“即興創(chuàng)作;即席演奏”。句意:一個(gè)在他這個(gè)年齡不能贏得榮譽(yù)的人,從······獲得榮譽(yù)的機(jī)會(huì)很小。前半句提到“他這個(gè)年齡”,因此空格處出詞語應(yīng)與“時(shí)間、年齡相關(guān)”。綜合句意可知,A選項(xiàng)符合句意。4.【答案】第1題:D第2題:C第3題:A第4題:B第5題:C【解析】1.細(xì)節(jié)事實(shí)題。定位到倒數(shù)第二段“Thereisnotenoughmoneyeventocataloguethefinds:asaresult,theycannotbefoundagainandbecomeasinaccessibleasiftheyhadneverbeendiscovered.甚至沒有足夠的錢來對(duì)這些發(fā)現(xiàn)進(jìn)行分類:結(jié)果是,它們?cè)僖舱也坏搅耍兊孟駨奈幢话l(fā)現(xiàn)過一樣難以接近。”可知D項(xiàng)“這些藝術(shù)品經(jīng)常沒有被分類,所以一旦它們被存儲(chǔ)起來就找不到了”正確。2.細(xì)節(jié)事實(shí)題。由第四段中的“InonesmallexcavationinCyprus,archaeologistsrecentlyuncovered2,000virtuallyindistinguishablesmalljugsinasinglecourtyard,EvenpreciousroyalsealimpressionsknownasL’melekhHandleshavebeenfoundinabundance——morethan4,000examplessofar.在塞浦路斯的一個(gè)小發(fā)掘中,考古學(xué)家最近在一個(gè)院子里發(fā)現(xiàn)了2000個(gè)幾乎無法分辨的小罐子,甚至還發(fā)現(xiàn)了珍貴的皇家印章印記,被稱為L(zhǎng)'melekh手柄——迄今為止有4000多個(gè)例子?!币约暗谌文┚洹皔oumaybecorrectinclaimingthateveryartifacthaspotentialscientificvalue.Practically,youarewrong.你可能認(rèn)為您聲稱每個(gè)工件都有潛在的科學(xué)價(jià)值這一觀點(diǎn)是正確的。實(shí)際上,你錯(cuò)了。”可知C項(xiàng)“工藝品不是唯一有價(jià)值的,因此可以出售的工件,可以大量獲得?!狈项}意。3.細(xì)節(jié)事實(shí)題。定位到末段最后一句“Whowouldwantanunmarkedpotwhenanotherwasavailablewhoseprovenancewasknown當(dāng)另一個(gè)罐子的來源已經(jīng)知道了的時(shí)候,誰會(huì)想要一個(gè)沒有標(biāo)記的罐子?!笨芍?xiàng)A項(xiàng)“潛在的購買者更愿意購買經(jīng)過認(rèn)證的產(chǎn)品。”符合題意。4.推理判斷題由“scientificarchaeologicalexpeditionsandgovernmentalauthoritiessellexcavatedartifactsontheopenmarket科學(xué)考古探險(xiǎn)隊(duì)和政府當(dāng)局在公開市場(chǎng)上出售出土文物。”以及"Youmightobjectthatprofessionalsexcavatetoacquireknowledge,notmoney你可能會(huì)反對(duì)專業(yè)人士挖掘是為了獲取知識(shí),而不是金錢”,可知作者建議在公開市場(chǎng)上出售出土文物。故B項(xiàng)“本應(yīng)在公共場(chǎng)所展出的文物將出售給私人收藏家?!迸c作者建議相反。5.判斷推理題。AB兩項(xiàng)的內(nèi)容“已經(jīng)有復(fù)制品的市場(chǎng)存在,比如非法交易市場(chǎng),而且這些復(fù)制品的科學(xué)價(jià)值不是很高?!痹诘诙蔚哪┪埠偷谌蔚拈_頭有提及。C項(xiàng)“這類文物的質(zhì)量常常超過那些已經(jīng)列入博物館收藏目錄的文物”文中沒有提及。5.【答案】A【解析】考查形容詞詞義辨析。anomalous異常的;不恰當(dāng)?shù)?;不一致的;salient顯著的;跳躍的;redundant多余的;累贅的;verifiable可證實(shí)的;可檢驗(yàn)的。句意:她經(jīng)常最先發(fā)現(xiàn)與其他調(diào)查結(jié)果不一致的數(shù)據(jù),不過在這個(gè)特殊的試驗(yàn)中她卻讓一些不一致的結(jié)果溜走了。由Usuallythefirsttospotdatathatwereinconsistentwithotherfindings可知A項(xiàng)正確。6.【答案】D【解析】考查形近詞辨析。obnoxious討厭的;obfuscate使模糊;optimum最佳效果;opulence富裕。句意:法國人和美國人在對(duì)待金錢,奢華,以及炫富的關(guān)系上大不相同??崭裉帒?yīng)填入一個(gè)和money并列的名詞。7.【答案】B【解析】考查副詞詞義辨析。blithely愉快地,無憂無慮地;mercifully幸運(yùn)地,寬厚地;glamorously富有魅力地;importunately“纏繞不休地”。句意:幸運(yùn)的是,工廠沒有倒閉,在經(jīng)濟(jì)災(zāi)難中那些最需要工作的人有機(jī)會(huì)生存。由句意可知B項(xiàng)符合題意。8.【答案】A【解析】考查名詞辨析。ferment“發(fā)酵;動(dòng)亂”;glamour“魅力;迷人的美”;jubilation“喜歡;慶祝;歡呼”;fragment“碎片”。句意:它們是那個(gè)動(dòng)亂時(shí)候進(jìn)化實(shí)驗(yàn)蓬勃發(fā)展期的證據(jù),由于某種未知的原因,人類從中開始出現(xiàn)。Outofwhich中which指代空格處的內(nèi)容,分析題干意思知A項(xiàng)符合。9.【答案】B【解析】考查形容詞辨析。evolutionary進(jìn)化的,發(fā)展的;human人類的;random任意的,胡亂的;replicated重復(fù)的。句意:我們生物的唯一性要求一種物質(zhì)的效用必須被人類實(shí)驗(yàn)所證明,甚至是在經(jīng)過對(duì)該物質(zhì)在動(dòng)物身上千萬次的試驗(yàn)以后。根據(jù)句意可知B項(xiàng)符合題意。10.【答案】略11.【答案】C【解析】考查動(dòng)詞辨析。A選項(xiàng)inspire“激發(fā);鼓舞”;B選項(xiàng)provoke“驅(qū)使;激怒”;C選項(xiàng)suppress“抑制;鎮(zhèn)壓;廢止”;D選項(xiàng)satisfy“滿足;說服”。句意:盡管她認(rèn)為斗牛是一件嚴(yán)肅的事,但在繪畫斗牛時(shí),她并沒有讓敬意······自己的奇思異想?!熬匆狻迸c“奇思異想”在本句中應(yīng)為“抑制與被抑制”的關(guān)系,才可體現(xiàn)句中的轉(zhuǎn)折含義。因此C選項(xiàng)正確。12.【答案】B【解析】考查主謂結(jié)構(gòu)。題干主語為Followingtheguidelines,其后的forspeakingandvotingestablishedbythebookRobert'sRulesofOrder是后置定語。句意:遵循羅伯特的《議事規(guī)則》這本書里的指導(dǎo)方針,大型決策機(jī)構(gòu)可以避免會(huì)議中的程序混亂。C項(xiàng)意思不符,D項(xiàng)主謂不一致,A項(xiàng)結(jié)構(gòu)不對(duì),故答案為B。13.【答案】第1題:B第2題:A第3題:D第4題:C【解析】1.主旨大意題。由第一段中第一句“ThatLouiseNevelsonisbelievedbymanycriticstobethegreatesttwentieth-centurysculptorisallthemoreremarkablebecausethegreatestresistancetowomenartistshasbeen,untilrecently,inthefieldofsculpture.”提出“路易絲?奈維爾森(LouiseNevelson)被許多評(píng)論家認(rèn)為是20世紀(jì)最偉大的女雕刻家”及隨后段落講述“路易絲?奈維爾森的藝術(shù)作品特點(diǎn),評(píng)論家對(duì)她的評(píng)論等”可知本文主要講一個(gè)特殊的藝術(shù)家的作品。B項(xiàng)符合題意。A項(xiàng)“二十世紀(jì)藝術(shù)的普遍趨勢(shì)”;C項(xiàng)“對(duì)女性雕塑家的藝術(shù)影響”;D項(xiàng)“對(duì)二十世紀(jì)雕塑的批判回應(yīng)”。2.細(xì)節(jié)事實(shí)題。定位第一段中“...whiletherehadbeenafewtalentedsculptorsintheUnitedStatesbeforethe1940,itwasonlyafter1945——whenNewYorkwasrapidlybecomingtheartcapitaloftheworld—thatmajorsculpturewasproducedintheUnitedStates.Someofthebestwastheworkofwomen.盡管1940年前美國只有很少的有才華的雕刻家,直到1945年,當(dāng)紐約迅速成為世界藝術(shù)之都——主要的雕塑是在美國生產(chǎn)的。其中最好的一些是女性的作品。”可知A項(xiàng)“在1945年之前,美國很少有由男性或女性雕塑家創(chuàng)作的大型雕塑作品?!闭_。3.細(xì)節(jié)事實(shí)題。定位最后一段中“Althoughshehasdeniedanysymbolicorreligiousintentinherworks,theirthree-dimensionalgrandeurandeventheirtitles,suchasSkyCathedralandNightCathedral,suggestsuchconnotations.盡管她否認(rèn)自己的作品中具有任何象征性的或宗教的意圖,但她作品的三維立體的恢宏氣勢(shì)以及它們的標(biāo)題,如《天庭大教堂》以及《黑夜大教堂》等都暗示了如此的含義?!笨芍狣項(xiàng)“它們暗示著宗教和象征意義”正確。答案D。4.判斷推理題由Creatingveryfreelywithnosketches,shegluesandnailsobjectstogether,paintsthemblack,ormorerarelywhiteorgold,andplacestheminboxes.她非常自由地創(chuàng)作,沒有素描,她把物體粘在一起,釘在一起,把它們涂成黑色,或者很少涂成白色或金色,然后把它們放在盒子里?!笨赏浦狝項(xiàng)“它們是用來在戶外展示的?!奔癇項(xiàng)“它們經(jīng)常被漆成幾種顏色”不正確;D項(xiàng)“它們經(jīng)常圍繞一個(gè)中心的木制物體而被建造”在文中沒有提到;由最后一段中“Theseassemblages,walls,evenentireenvironmentscreateamysterious,almostawe-inspiringatmosphere.這些裝配藝術(shù)品、墻操,甚至整個(gè)的環(huán)境藝術(shù)品營造出一種神秘的、幾乎是引人恐懼的氛圍?!笨赏浦奥芬捉z?奈維爾森(LouiseNevelson)的一些作品有時(shí)是非常大的”,故C項(xiàng)正確。14.【答案】略15.【答案】D【解析】考查動(dòng)詞詞義辨析。extinguish“熄滅;償清”;siege“圍攻”;seduce“引誘”;estimate“估計(jì);評(píng)價(jià)”。句意:一個(gè)簡(jiǎn)單的策略是盡量挽留員工待久點(diǎn),為雇主提供更長(zhǎng)的時(shí)間來發(fā)掘和評(píng)估最優(yōu)秀的員工。由moretimeforemployerstospot可知D項(xiàng)正確。16.【答案】第1題:D第2題:C第3題:A第4題:D【解析】1.判斷推理題。題干問的是根據(jù)這篇文章,除了哪一項(xiàng)外,下面的每一個(gè)都是拉格泰姆作品的一個(gè)特征?題干問的是根據(jù)這篇文章,除了哪一項(xiàng)外,下面的每一個(gè)都是拉格泰姆作品的一個(gè)特征?定位到第四段中Notconcernedwithdevelopmentofmusicalthemes,theragtimecomposerinsteadsetsathemedownintact,infinishedform,andlinksittovariousrelatedthemes.Tensioninragtimecompositionsarisesfromapolaritybetweentwobasicingredients:acontinuousbass―calledbyjazzmusiciansaboom-chickbass~inthepianist’slefthand,anditsmelodic,syncopatedcounterpartintherighthand.拉格泰姆作曲家不關(guān)心音樂主題的發(fā)展,而是完整地、完整地設(shè)定一個(gè)主題,并把它與各種相關(guān)的主題聯(lián)系起來。拉格泰姆樂曲的張力來自于兩種基本元素之間的對(duì)立:鋼琴師左手彈連續(xù)低音(爵士音樂家稱之為“boom-chickbass”)和右手彈有旋律的切分低音??芍狣項(xiàng)“音樂主題的全面發(fā)展”不是拉格泰姆作曲的特點(diǎn),故D項(xiàng)正確。A項(xiàng)“切分音”和B項(xiàng)“與旋律線不同的低音線”,C項(xiàng)“旋律強(qiáng)度不斷上升”這段均有提及。2.判斷推理題。定位到第二段中Ithassometimesbeenchargedthatragtimeismechanical.Forinstance,WilfredMellerscomments,“ragsweretransferredtothepianolarolland,evenifnotplayedbyamachine,shouldbeplayedlikeamachine,withmeticulousprecision.”However,thereisnoreasontoassumethatragtimeisinherentlymechanicalsimplybecausecommercialmanufacturersappliedamechanicalrecordingmethodtoragtime,theonlywaytorecordpianosatthatdate.Ragtime’sisnotamechanicalprecision,anditisnotprecisionlimitedtothestyleofperformance.Itarisesfromragtime’sfollowingawell-definedformandobeyingsimpleruleswithinthatform.有時(shí)有人指責(zé)拉格泰姆是機(jī)械的。例如,威爾弗雷德?米勒斯評(píng)論道,“拉格泰姆被轉(zhuǎn)移到自動(dòng)鋼琴上,即使不是機(jī)器演奏,也應(yīng)該像機(jī)器演奏一樣具有細(xì)致的精確度。”然而,我們沒有理由僅僅因?yàn)樯虡I(yè)制造者對(duì)拉格泰姆音樂使用了機(jī)械錄音的方法(這是當(dāng)時(shí)記錄鋼琴演奏的唯一方法)就認(rèn)為拉格泰姆本身就是機(jī)械的。拉格泰姆音樂不是機(jī)械的精度,也不局限于精度的表現(xiàn)風(fēng)格。它源于拉格泰姆遵循的一種定義明確的形式,并在該形式中遵循簡(jiǎn)單的規(guī)則??芍狢項(xiàng)“混淆了錄音的手段和音樂的本質(zhì)特征”正確。D項(xiàng)“夸大了專業(yè)的拉格泰姆音樂演奏者表演風(fēng)格對(duì)這種音樂流派的影響”,A項(xiàng)“錯(cuò)誤地將商業(yè)拉格泰姆音樂與更微妙的古典拉格泰姆風(fēng)格區(qū)分開來”;B項(xiàng)“沒有準(zhǔn)確地描述拉格泰姆鋼琴音樂的聲音”;文中均未提及,故答案C3.判斷推理題。題干問:從文中可推斷出拉格泰姆音樂的本質(zhì)被基于什么基礎(chǔ)上的評(píng)論所遮蔽?定位到第二段中“However,thereisnoreasontoassumethatragtimeisinherentlymechanicalsimplybecausecommercialmanufacturersappliedamechanicalrecordingmethodtoragtime,theonlywaytorecordpianosatthatdate.然而,沒有理由僅僅因?yàn)樯虡I(yè)制造商對(duì)拉格泰姆使用了一種機(jī)械錄音方法,就認(rèn)為拉格泰姆本身就是機(jī)械的,這是當(dāng)時(shí)唯一一種錄制鋼琴的方法?!笨芍捎诶裉┠酚昧艘环N機(jī)械錄音法,故A項(xiàng)正確。4.判斷推理題。題干問:下列哪一項(xiàng)在來源和藝術(shù)特征上與文中描述的拉格泰姆樂曲最為相似?A項(xiàng)“從復(fù)雜的爵士主題中衍生出來的交響樂。”;B項(xiàng)“一部以著名卡通人物為原型的實(shí)驗(yàn)性小說”;C項(xiàng)“演員們創(chuàng)造場(chǎng)景并即興創(chuàng)作臺(tái)詞的一種戲劇作品”;D項(xiàng)“以民間舞蹈為基礎(chǔ)的有紀(jì)律的舞蹈編排的芭蕾舞”。定位到第三段中“Theaimofthestructureistorisefromonethemetoanotherinastair-stepmanner拉格泰姆結(jié)構(gòu)的目的是要以階梯狀的方式從一個(gè)主題上升到另一個(gè)主題······與最后一段中“Inthissenseragtimeismoreakintofolkmusicofthenineteenthcenturythantojazz.從這個(gè)意義上說,拉格泰姆音樂更像是十九世紀(jì)的民間音樂,而不是爵士樂。由此對(duì)應(yīng)可推知有“folk-dancesteps民間舞蹈步伐”的D項(xiàng)正確。17.【答案】B【解析】考查形容詞辨析。A選項(xiàng)controversial“有爭(zhēng)議的”;B選項(xiàng)pervasive“普遍的;到處滲透的”;C選項(xiàng)unchallenged“不成問題的;未引起爭(zhēng)論的”;D選項(xiàng)renowned“著名的;有聲望的”。句意:大約在1960年以前,幾乎所有的進(jìn)化理論都認(rèn)為適應(yīng)性是種群水平上的選擇的結(jié)果;然而,對(duì)于這種······的選擇觀點(diǎn),進(jìn)化論的最新研究卻沒有找到任何依據(jù)。前部分提到“幾乎所有進(jìn)化理論都認(rèn)為······”,可知這種觀點(diǎn)是“普遍的”,B選項(xiàng)正確。18.【答案】D【解析】考查名詞辨析。A選項(xiàng)elegance“典雅;高雅”;B選項(xiàng)resolution“分辨率;解決;決心”;C選項(xiàng)sympathy“同情;贊同”;D選項(xiàng)originality“創(chuàng)意;獨(dú)創(chuàng)性;原始”。句意:許多藝術(shù)家認(rèn)為,成功的模仿遠(yuǎn)不是缺乏······的表現(xiàn),而是學(xué)會(huì)創(chuàng)造的第一步。句中出現(xiàn)的“模仿”、“學(xué)會(huì)創(chuàng)造”表明,此處應(yīng)表示“模仿成功不是缺乏創(chuàng)造力的表現(xiàn)”。D選項(xiàng)正確。19.【答案】Iamsurethattherearemanysurprisesinthisworld,somethingmuchdeeperthansurprise,somethinglastingandmeaningful.Thosewholivebetweenthebeautyandthewonderoftheearth,whetherasascientistorasachildofanon-scientist,areneveraloneorboredwithlife;Nomatterwhatproblemsorconcernstheyhaveintheirpersonallives,theirthoughtsfindtheirwaytoinnersatisfactionandrenewedpassionforlife.Thosewhogazeatthebeautyoftheearthfindreservesofpowerthatwilllastthemalifetime.Theysawinthemigrationofbirds,intheebbandflowofthetides,aconcretewonderandaprofoundbeauty.Inthecycleofnature,thereissomethinginfinitelyhealing.Darknessisthedawnofthepast,andwinteristheeternalguaranteeofspring.20.【答案】D【解析】考查固定搭配。carryawaywith表示“使失去自制力”。句意:這位歌手的表演是如此令人興奮,以至于很多他的粉絲狂熱而失去了自制力。D項(xiàng)符合題意。fantasize幻想、想象;stirup煽動(dòng);takeback帶回。第2卷一.綜合題(共20題)1.單選題TheFirstWorldWarbeganinacontextofjargonandverbaldelicacyandcontinuedinacloudofeuphemismas(

)aslanguageandliterature,skillfullyused,couldmakeit.問題1選項(xiàng)A.enthrallingB.impenetrableC.lucidD.deliberate2.單選題Asseriousassheisaboutthebullfight,shedoesnotallowrespectto(

)hersenseofwhimsywhenpaintingit.問題1選項(xiàng)A.suppressB.inspireC.satisfyD.provoke3.單選題Whengiving

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