月亮和六便士的英語讀后感

月亮和六便士的英語讀后感導(dǎo)語：月亮和六便士是一本經(jīng)典的國外名著，給我們講訴了對于想要追求精神自由但又無勇力去實踐的人，或安慰或被擊中，總之能收獲些什么。那怎么可以不記錄下來，并翻譯成為英語作文!歡迎閱讀，僅供參考，更多相關(guān)的知識，請關(guān)注CNFLA學習網(wǎng)的欄目!

優(yōu)秀精選例文：

Mid-Autumnfestivalaftertwodaysofvacationforthreedays,themoonandsixpencefinishedmaugham,themoonandsixpenceofmaugham’sjournalentry.Firstshowsthebookdoesn’thaveanythingtodowiththemoonorpatall,asIreadatnight,shouldbeatimeofthemonthcirclepersoncircle,skyandsurroundedbyempty.

Theplotofthestoryismorecomplex,aBritishstockexchange’sagent,theexistingstablecareerandposition,ahappyfamily,ismorethanthemiddle,butinfatuationwithpainting,like“wasthedevilbody,”suddenlyleavehome,toParistopursuetheidealofpainting.Heisinaforeigncountryisnotonlythebodyendurepovertyandhunger,spiritalsoenduresuffering.Aftersomebizarrestory,thehero,thelasttoleavethecivilizedworldisolatedfromtoTahiti.Hefinallyfindthesouloftheatmosphereofpeaceandissuitablefortheirownartistictemperament.Hesamenativewomenlivetogether,tocreateapictureandapictureofashocktothelaterwork.BeforehecontractedleprosyblindintheirownhomefourmuralsperformanceagreatworkofthegardenofEden.Butbeforedeath,hehasorderedtheindigenouswomenputthepaintingafterhisdeath.

Thewonderfuldegreeisfarfromtheauthorofthisstorythestoryitself.Adream,abandonallfamilywifeandchildrenwork,topursuethedream.Suchpeople,especiallytheStricklandinthestory,isselfish,irresponsible,escapedarenotfacereality,andevensomecold-bloodedandsecularvaluesabsolutelyagainstthealiensociety,gavehisallchains,hewantstogetridofsocietytofindtheirownwayoflife,evenifitistoendurehungerandtorturedbysuffering,complaintorregret.Soletapersonfeelhate,becauseifeveryonelikeStrickland,thesocietyorthoroughlymixed,orcommunismisrealized.Butsuchapersontoletapersonadmire,envy,evenheisstrong,havethecourageandperseverance.Nomatterwhattheendresultis,hecanfindhisorherowndreamorliveinthedreamworld,hehasbeenasuccess.Doyourowndream,letotherssay!Maugham,intheprocessofstorytellingfromtheperspectiveofallkindsofpeople,occasionallysomeofhiscomments,willherincisivelyandvividly.Hispenastheknife,carvingoutthephenomenonofrichandvivid.

Thestoryofthesomeofthecool,thenitseemstomeistheflavorofthefairytale.Stricklandislonely,“weeachlifeintheworldislonely.Everyonewasjailedinatower,canonlyrelyonsymbolstoconveytheirideaswithothers;andthevalueofthesesymbolsisnotcommon,sotheirmeaningisvagueanduncertain.Weareverypoortosendhiswealthinthehearttoothers,buttheydidn’tacceptthewealthability.Sowecanonlywalkalone,thoughthebodynexttoeachotherbutnottogether,doesn’tknowsomeoneelseandnotforotherstoknow,weliketoliveinaforeigncountry,forthelanguageofthecountryknowverylittle,eventhoughwehaveallkindsofwonderful,esotericthingstosay,butonlylimitedtothesessiononthemanualonthebanalwords.Ourmindisfullofallkindsofthoughts,andwecansayisjustlikea‘gardeneraunthasanumbrellainthehouse’thiskindofwords.”Histhiskindoflonelinessisillusion,illusioncannottouch.Somedetachedattitude,hislifecan’timaginearealisticsociallifeinthemorethan40years,livea“normal”life,cangiveupeverythingovernight.Hereflectedhissenseofvaluestotheevaluationoflove:“Idon’tneedtolove.Ihavenotimetomakelove.Thisistheweaknessofhumannature.Iamaman,sometimesIneedawoman.ButonceIgotthelustofthemeet,I’mgoingtodosomethingelse.Icannotovercometheirowndesires,Ihateit,itheldmyspirit.Ihopetoonedayinthefuture,Iwillnolongercontrolledbythedesire,nolongersubjecttoanyblockupthewholeheartintomywork.Becausewomeninadditiontolovewon’tdoanything,sotheyleaveloveseeveryimportant,almosttothepointofridiculous.Theyalsowanttopersuadeus,thatwealsobelievethattheperson’swholelifeislove.Infactpartofloveistrivialinlife.Ionlyknowlust.Thisisnormal,healthy.Loveisakindofdisease.Thewomanisatoolformypleasure,Iproposedtothemwhatcareerassistant,theserequirementsareveryhatelifepartner.”

Thesewordstheeccentric,suchasaheresy.“Sexualhungeronstrickland’spositionisverysmall,isnotveryimportant,orrather,lethimfeelaversion.Hissoulisanotherthing.Sometimesdesireseizehim,drovehimindulge4themselves,butforthedeprivedhimquietselfsustaininginstinctheisverytired,heevendislikehimtheindispensablepartnerintheministries,indulgence,afterhimtocontrolhis,seethelusttoventhiswoman,heevenwithashudder.Histhoughtsatthistimewillquietlyfloatingoverninedays,andforthewomanfeltdisgustandterrible,maybeitfeltlikeaflutteringanddancingintheflowersofthebutterfly,itsuccessfullysheddingbodyoutofthedirtypuparium.”Sothathecanthrowhiswife,whenhemetthesecondwomanhaslost.

Heisoutofstep,findingneverland,“Ithinksomepeoplearebornatacertainplacemaysayitisnot.Chancecasuallythrowingthemintoanenvironment,andtheyhavebeenthinkingofathemselvesdon’tknowwhereislocatedinthehometown.Borninplace;theyseemtobeapasser-bysincechildhoodisveryfamiliarwiththeshadeofgreenalley,withthefriendofthepopulousJieQugame,fortheyareanightstandforthetrip.Thepeopleinhisfamilyandfriendsmaylifetimeandwidowhood,alsointheironlyfamiliarenvironmentawayalwaysbealone.MaybeitwasinMaythisstrangenesstoforcethemtotravel,lookingforapermanentresidentoftheapartment.Maybestillconcealedintheirdeephearthowmanygenerationsagoancestorshabitsandhobbies,calledbacktothosewhowandershadleftthelandoftheirancestorsinancient.Sometimesapersonaccidentallycametoaplace,willfeelthisismysteriouslyhisshelter,ishometohehasbeenlookingfor.Soheintheseneverspeciallyscenery,nevermetthecrowdtosettledown,buteverythinghereisfamiliaritysincehewasachild.Hefinallyfoundthepeacehere.”

Thenovel,tothepursuitofspiritualfreedom,buthavenostrengthtopractice,orcomfortorhit,inshortwhatcanbeharvested.

Finally,theoriginofthetitle.Accordingtotheexplanationofthetranslator,themoon,onhigh,suchastheideal;P,isthesmallestcurrencyunit,asreality.Realityandidealconflict,istheeternalthemeinhumans.

參考翻譯：

中秋三天的假期的后兩天，看完了毛姆的《月亮和六便士》，毛姆《月亮和六便士》讀后感。首先說明這書壓根和月亮或者便士就沒有任何關(guān)系，就如我讀書的夜里，雖應(yīng)是月圓人圓的時節(jié)，天上和四周卻空空蕩蕩一樣。

故事的情節(jié)不算多復(fù)雜，一個英國證券交易所的經(jīng)紀人，本已有牢靠的職業(yè)和地位、美滿的家庭，可謂中產(chǎn)有余了，但卻迷戀上繪畫，像”被魔鬼附了體”，突然棄家出走，到巴黎去追求繪畫的理想。他在異國不僅肉體受著貧窮和饑餓煎熬，精神亦在忍受痛苦折磨。經(jīng)過一番離奇的遭遇后，主人公最后離開文明世界，遠遁到與世隔絕的塔希提島上。他終于找到靈魂的寧靜和適合自己藝術(shù)氣質(zhì)的氛圍。他同一個土著女子同居，創(chuàng)作出一幅又一幅使后世震驚的杰作。在他染上麻風病雙目失明之前，曾在自己住房四壁畫了一幅表現(xiàn)伊甸園的偉大作品。但在逝世之前，他卻命令土著女子在他死后把這幅畫作付之一炬。

這個故事的精彩程度遠遠沒有作者講故事本身精彩。一個追求夢想的人，拋棄家庭妻子孩子工作一切，去追求夢想。這樣的人，特別是故事中的Strickland，是自私、不負責任、逃避現(xiàn)實不敢面對、甚至有些冷血的與世俗價值觀絕對違背的社會異類，他妄圖擺脫社會給他的一切枷鎖，尋找自己的生存方式，哪怕是忍受饑寒交迫和種種折磨苦難，都無怨無悔。這樣的人讓人覺得可恨，因為如果大家都向Strickland一樣，這個社會要么徹底亂套，要么就是實現(xiàn)了共產(chǎn)主義。但這樣的人又讓人佩服，甚至羨慕，他無疑是強大的，有勇氣與毅力。無論最終的結(jié)果是什么，他能夠找到自己的夢或者過上夢里的世界，他都已經(jīng)成功了。做自己的夢，讓別人說去吧!毛姆在講故事的過程中，從各種人的角度出發(fā)，間或夾雜些自己的評論，將主人公刻畫的淋漓盡致。他的筆就如刀，雕刻出的現(xiàn)象豐滿生動。

這個有些冷峻的的故事，再我看來卻很有童話的味道。Strickland是孤獨的，”我們每個人生在世界上都是孤獨的。每個人都被囚禁在一座鐵塔里，只能靠一些符號同別人傳達自己的思想;而這些符號并沒有共同的價值，因此它們的意義是模糊的、不確定的。我們非常可憐地想把自己心中的財富傳送給別人，但是他們卻沒有接受這些財富的能力。因此我們只能孤獨地行走，盡管身體互相依傍卻并不在一起，既不了解別人也不能為別人所了解，我們好像住在異國的人，對于這個國家的語言懂得非常少，雖然我們有各種美妙的、深奧的事情要說，卻只能局限于會話上手冊上那幾句陳腐平庸的話。我們的腦子里充滿了各種思想，而我們能說的只不過是像’園丁的姑母有一把傘在屋子里’這類話?！彼倪@種孤獨很有幻覺的成分，虛幻不可觸摸。他的生活有些超然物外，無法想象一個在現(xiàn)實社會生活了四十多年，過著”正?！鄙畹娜?，能夠一夜之間就放棄一切。他對愛情的評價體現(xiàn)了他的價值觀：”我不需要愛情。我沒有時間搞戀愛。這是人性的弱點。我是個男人，有時候我需要一個女性。但是一旦我的情欲得到了滿足，我就準備做別的事了。我無法克服自己的欲望，我恨它，它囚禁著我的精神。我希望將來能有一天，我會不再受欲望的支配，不再受任何阻礙地全心投到我的工作上去。因為女人除了談情說愛不