認(rèn)知語(yǔ)言學(xué)論文認(rèn)知語(yǔ)言學(xué) 詩(shī)歌隱喻 概念整合理論 翻譯整合網(wǎng)

1、認(rèn)知語(yǔ)言學(xué)論文：從認(rèn)知視角論詩(shī)歌隱喻的翻譯【中文摘要】”散文是井然有序的文字,詩(shī)是巧然成序的絕妙好詞?！庇?guó)詩(shī)人柯勒律治的這句評(píng)論充分體現(xiàn)了詩(shī)歌作為最重要的文學(xué)形式,所具有的獨(dú)特價(jià)值。然而,美國(guó)詩(shī)人弗羅斯特卻說(shuō):“詩(shī)就是在翻譯中所喪失的東西?！边@句話不但道出了詩(shī)歌翻譯之艱難,也成為了詩(shī)歌不可譯觀點(diǎn)的代表。自國(guó)際交流產(chǎn)生以來(lái),人們從未停止過(guò)對(duì)詩(shī)歌的譯入和譯出,這個(gè)事實(shí)使詩(shī)歌不可譯論不攻自破。真正的詩(shī)是屬于全世界的,它自身散發(fā)的光芒吸引著譯者們?nèi)シg它、傳播它。誠(chéng)然,在翻譯的過(guò)程中,隨著語(yǔ)言形式的轉(zhuǎn)變,一首詩(shī)原有的聲音、韻律和節(jié)奏等詩(shī)歌所特有的音樂(lè)性元素很難在譯文中幸存,這是每一位詩(shī)歌譯者不得不面

2、對(duì)的宿命,也就是弗羅斯特所說(shuō)的“喪失的東西”。接受這一宿命的詩(shī)歌譯者們唯有盡力將詩(shī)意傳遞。詩(shī)人往往通過(guò)在詩(shī)歌中使用隱喻性語(yǔ)言反映其對(duì)世界的認(rèn)識(shí),表達(dá)某種情感。傳統(tǒng)的隱喻研究認(rèn)為隱喻是一種修辭方法、一種意義轉(zhuǎn)移的表達(dá)方式。認(rèn)知語(yǔ)言學(xué)的出現(xiàn),改變了人們對(duì)隱喻的成見(jiàn)。認(rèn)知語(yǔ)言學(xué)家認(rèn)為,隱喻是以具象的事件或經(jīng)驗(yàn)來(lái)理解和體驗(yàn)抽象的事件或經(jīng)驗(yàn),隱喻是人類(lèi)普遍的認(rèn)知方式和思維方式。詩(shī)人取道隱喻,是在傳達(dá)其他途徑無(wú)法言說(shuō)的東西。因此,同樣作為詩(shī)歌的一項(xiàng)基本元素隱喻的翻譯,決定著一首詩(shī)精.【英文摘要】”P(pán)rose is words in their best order; poetry is the best

3、words in their best order.”Coleridges remark demonstrates the unique value of poetry as the most important literary genre. However, by contending“poetry is what gets lost in translation”, Frost represents an opinion that poetry is untranslatable. This is true in a sense that every poem is the unity

4、of form and meaning, with linguistic transformation, certain poetic elements such as sound, meter and rhythm, inevitably get lost in translation. Then how .【關(guān)鍵詞】認(rèn)知語(yǔ)言學(xué) 詩(shī)歌隱喻 概念整合理論 翻譯整合網(wǎng)絡(luò) 概念結(jié)構(gòu) 異化與歸化【英文關(guān)鍵詞】cognitive linguistics poetic metaphor conceptual integration theory blending network of translati

5、on conceptual structure foreignization and domestication【索購(gòu)全文】聯(lián)系Q1：138113721 Q2：139938848【目錄】從認(rèn)知視角論詩(shī)歌隱喻的翻譯Abstract5-6摘要7-11Chapter 1 Introduction11-151.1 Research Background and Significance11-131.2 Methodology and Organization of the Thesis13-15Chapter 2 About Poetic Metaphor15-272.1 On Metaphor15-

6、18 The Aristotelian View on Metaphor15-16 The Cognitive Approach to Metaphor16-182.2 On Poetic Metaphor18-23 Defining Poetic Metaphor18-21 The Function of Poetic Metaphor21 The Attributes of Poetic Metaphor21-232.3 On Translation of Poetic Metaphor23-27revious Studies on Translation of Metaphor23-25

7、 Main Conflicts in Translation of Poetic Metaphor: Originality vs. Culture25-27Chapter 3 Conceptual Integration View on Translation27-333.1 Theory of Conceptual Integration Network27-293.2 Conceptual Blending Network of Translation29-303.3 Conceptual Structure30-33Chapter 4 Blending Network of Trans

8、lation Specified for Poetic Metaphor33-474.1 Input Space 1: Two Levels of Meaning of the Source Text33-38 The Micro Level of Meaning33-36 The Macro Level of Meaning36-384.2 Input Space 2：TranslatorMental Space38-394.3 Generic Space: A Trade-off between Structures39-414.4 Running the Blend41-434.5 Bl

9、end：Emergent Structure43-47Chapter 5 Comparative Study of Auguries of Innocence and Xiangchou (Nostalgia)47-655.1 Study of Auguries of Innocence47-56 Different Blends48-50 Generic Space: the Problem Pinpointed50-51 Micro Level: Performances in Copying the Conceptual Structures51-52 Macro Level: the Themes Derived52-55 Summary55-565.2 Study of Xiangchou (Nostalgia)56-65 Different Blends57-59 Micro Level: Performances in Copying the Conceptual Structures59-60 Generic Space: the Problem Pinpointed60-62 Macro Level: Performances Compared in Communicating Em