翻譯碩士英語(yǔ)

湖北大學(xué)翻譯碩士MTI《翻譯碩士英語(yǔ)》命題思路在舁廳p考試內(nèi)容題型分值時(shí)間（分鐘）1詞匯語(yǔ)法20題多項(xiàng)選擇（10個(gè)詞匯+10個(gè)語(yǔ)法）+1篇改錯(cuò)20+10602閱讀理解2篇選擇+2篇簡(jiǎn)答【第1篇專(zhuān)四難度后3篇專(zhuān)八難度】20+20603外語(yǔ)寫(xiě)作命題彳乍文（400字）【給圖表、詩(shī)歌等英文背景，談看法】3060共計(jì)100180湖北大學(xué)翻譯碩士MTI《翻譯碩士英語(yǔ)》考試樣卷PARTIGrammarandVocabulary(1'x20=20')Directions:Therearefortysentencesinthissection.BeneatheachsentencetherearefourwordsorphrasesmarkedA,B,CandD.Chooseonewordorphrasethatbestcompletesthesentence.Markyouranswersonyouranswersheet.1.Heplaystennistotheofallothersports.A.eradiction B.exclusion2.SheansweredwithanA.eloquent B.effectiveC.extensionD.inclusionNo"totherequestthattheepabeichearingC.emotionalD.emphaticEveryonewhohasvisitedthecityagreesthatitiswithlife.A.vibrantB.violent C.energeticD.fullvehadnoWemetMaryandherhusbandatapartytwomonthsago.wefurthercommunication.vehadnoA.ThereofB.TherebyC.ThereafterD.ThereaboutsTheheatinsummerisnolesshereinthismountainregion/A.concentratedB.extensiveC.intense D.intensiveCouldyoujustgivemeahand?Let'sthecarintomotion;itgotaflameoutjustnow.A.shoveB.nudgeC.promptD.pokeTheriverwaswithwastefromthatfactory.Somemeasuresmustbetakentostopitsproduction.A.corruptedB.consumedC.contaminatedD.infectedThisdiseaseitselfinyellownessoftheskinandeyes.A.manifestsB.modifiesC.magnifiesD.exposesIsthereanypossibleexplanationforhisbadhealthsinceheseemstohavenoobviousdisease?A.psychiatricB.psychologicalC.surgicalD.physicalTheyoungloverswerenotallowedtogetmarriedbecausetheirtwofamilieswereenemies.A.hereditary B.congenital C.innate D.latentlikeeconomics,Ilikesociologymuchbetter.A.Asmuchas B.Somuch C.Howmuch D.Muchasbothsidesaccepttheagreementalastingpeacebeestablishedinthisregion.A.Onlyif,will B.Ifonly,would

C.Should,willD.Unless,wouldC.Should,willIknowhefailedhislasttest,butreallyhe sstupid.A.somethingbut B.anythingbutC.nothingbut D.notbutWhat'sthechanceofageneralelectionthisyear?A.therebeingB.theretobeC.therebeD.theregoingtobeyoufurtherproblemswithyourprinter,contactyourdealerforadvice.A.If???hadB.Have???hadC.Should-haveD.Incase???hadLandbelongstothecity;thereisthingasprivateownershipofland.A.nosuchaB.notsuchC.notsuchaD.nosuchItwaswehadhoped.A.moreasuccessthan B.asuccessmorethanC.asmuchofasuccesasD.asuccessasmuchasIamsurprisedthiscityisadullplacetolivein.A.thatyoushouldthink B.bywhatyouarethinkingC.thatyouwouldthink D.withwhatyouwerethinkingTheopeningceremonyisagreatoccasion.Itisessentialforthat.C.ofustobepreparedD.ourbeingpreparedA.forustobeprepared B.thatweareprepared

C.ofustobepreparedD.ourbeingpreparedLindawastheexperimentamonthago,butshechangedhermindatthelastminute.A.tostart B.tohavestartedC.tobestarting D.tohavebeenstartingPARTIIReadingComprehension（2，乂20=40'）SectionA（2乂10=20（2乂10=20'TEXTAInthe1960s,medicalresearchersThomasHolmesandRichardRahedevelopedachecklistofstressfulevents.Theyappreciatedthetrickypointthatanymajorchangecanbestressful.Negativeeventslike"serious川nessofafamilymember"werehighonthelist,butsoweresomepositivelife-changingevents,likemarriage.WhenyoutaketheHolmes-Rahetestyoumustrememberthatthescoredoesnotreflecthowyoudealwithstress--itonlyshowshowmuchyouhavetodealwith.Andwenowknowthatthewayyouhandletheseeventsdramaticallyaffectsyourchancesofstayinghealthy.Bytheearly1970s,hundredsofsimilarstudieshadfollowedHolmesandRahe.AndmillionsofAmericanswhoworkandliveunderstressworriedoverthereports.Somehow,theresearchgotboileddowntoamemorablemessage.Women'smagazinesranheadlineslike"Stresscausesillness!"Ifyouwanttostayphysicallyandmentallyhealthy,thearticlessaid,avoidstressfulevents.Butsuchsimplisticadviceisimpossibletofollow.Evenifstressfuleventsaredangerous,many--likethedeathofalovedone--areimpossibletoavoid.Moreover,anywarningtoavoidallstressfuleventsisaprescriptionforstayingawayfromopportunitiesaswellastrouble.Sinceanychangecanbestressful,apersonwhowantedtobecompletelyfreeofstresswouldnevermarry,haveachild,takeanewjobormove.Thenotionthatallstressmakesyousickalsoignoresalotofwhatweknowaboutpeople.Itassumeswe'reallvulnerableandpassiveioftladvacety.Butwhatabouthumaninitiativeandcreativity?ManycomethroughperiodsofstresswithmorephysicalandmentalvigorthantheyhadIra.fore.Wealsoknowthatalongtimewithoutchangeorchallengecanleadtoboredom,andphysicalandmentalswain.TheresultofHolmes-Rahe"smedicalresearchtellsus.thewayyouhandlemajoreventsmaycausestresswhatshouldbedonetoavoidstresswhatkindofeventwouldcausestresshowtocopewithsuddenchangesinlifeThestudiesonstressintheearly1970 'sledto.widespreadconcernoveritsharmfuleffectsgreatpanicoverthementaldisorderitcouldcauseanintensiveresearchintostress-related川nessespopularavoidanceofstressfuljobsThescoreoftheHolmes-Rahetestshows.howmuchpressureyouareunderhowpositiveeventscanchangeyourlifehowstressfulamajoreventcanbehowyoucandealwithlife-changingeventsWhyis"suchsimplisticadvice"(Para.3)impossibletofollow?Noonecanstayonthesamejobforlong.Noprescriptioniseffectiveinrelievingstress.Peoplehavetogetmarriedsomeday.D.Youcouldbemissingopportunitiesaswell.Accordingtothepassagepeoplewhohaveexperiencedupsanddownsmaybecome.nervouswhenfacedwithdifficultiesphysicallyandmentallystrainedmorecapableofcopingwithadversityindifferenttowardwhathappenstothemTEXTBThatsummeranarmyofcricketsstartedawarwithmyfather.Theypickedafighttheminutetheyinvadedourcellar.Daddidn 'tcareforbugsmuchmorethanMamma,buthecouldtolerateafewspidersandassortedcreepycrawlerslivinginthebasement.Everyfarmhousehadthem.Apartofrusticlivingandsomethingyouneededtoputupwithifyouwantedthesimplelife.HetoldMamma:nowthatwerelivingouthere,youcan 'tbejerkingyourheadandswallowingyourgumoverwhat in'natpral,Ellen.Butshewasacitygirlthroughandthroughandhadnoearswhenitcametodefendingvermin.Shesaidacricketwasjustanoisycockroach,justadumbhornybugthatwouldn 'tshutup.Ssaidinthecitytherewereblocksofbuildingsoverrunwithcockroacheswithnowayforpeopletogetridofthem.Nosir,nowaycouldshesleepwithallthatchirpinggoingon;thentoproveherpointshewouldnsmokedmyfather'scigarettesandshepacedbetwetgotobed.ShedrankcoffeeandenuchandtheTV.Nextmorningshethreatenedtopackupandleave,soDaddrovetothehardwarestoreandhurriedback.Hesquirtedpoisonfromajugwithaspraynozzle.Hesprayedthebasementandallaroundthefoundationofthehouse.Whenhewasfinishedhetoldusthatwastheendofit.Butwhatheshouldhavesaidwas:thisisthebeginning,thebeginningofourwar,thebeginningofourdestruction.Ioftenthinkbacktothatsummerandtrytoimaginehimdeliveringaspeechwithwordslikethat,becauseforthenextfourteendaysmammakeptfinddeadcricketsinthecleanlaundry.Shedshakeoutatowelorasheetandadeadblackcricketwouldrollacrossthelinoleum.Sometimesthecatwouldcornerone,andswatitaroundlikehewasplayinghockey,thencarryitawayinhismouth.Dadsaidswallowingafewdeadcricketswouldn 'thurtaslongasthecatdidn'teattoomany.EachtimeMammacomplainedhetoldheritwasonlynaturalthatwe'dbefindingacoupleofdeadonesforawhile.Soonlivecricketsstartedshowingupinthekitchenandbathroom.Mammafreakedbecauseshethoughttheywerethedeadcricketscomebacktohaunt,butDadsaidthesewasdefinitelyanewbatch,probablycominguponthepipes.Hefetchedhisjugofpoisonandsprayedbeneaththesinkandbehindthetoiletandallalongthebaseboarduntilthewholehousesmelledofpoison,andthenhesprayedthecellaragain,andthenhewentoutsideandsprayedallaroundthefoundationleavingafoot-widemoatofpoison.Foracoupleofweekswewentbacktofindingdeadcricketsinthelaundry.Dadtoldustokeepasharplookout.Hesuggestedthatwe 'dallbebetterofftohidasmanyawecouldfrommamma.IfedafewdozentothecatwhoIdidn 'tlikebecausehescratchedandbitfornoreason.Ihopedthepoisonmightkillhimtoosowecouldgetapuppy.Acoupleofweekslater,whenbothliveanddeadcricketskeptturningup,heemptiedthecellarofjunk.Thenheburnedalotofbundlednewspapersandmagazineswhichhesaidthecricketshadturnedintonests.Hestoodoverthatfirewitharakeinonehandandagardenhoseintheother.Hewouldn'tleaveitevenwhenMammasentmeouttofetchhimforsupper.Hewouldn'tleavethefire,andshewouldn 'tthuttabppeBoihmybrothers

werecrying.Finallyshewentoutandgothimherself.Andwhileweate,thewindliftedsomeembersontothewoodpile.Theonlygasolinewasinthelawnmowersfueltankbutthatwasenoughtocreateanexplosionbigenoughtoreachthehouse.Oncetheroofcaught,therewasn'tmuchanyonecoulddo.Theword“rustic"inthefirstparagraphprobablymeansA.urban B.rural C.metropolitanD.extravagantWhichofthefollowingisCORRECTaboutDadandMamma?ComparedwithMamma,DadwasmoretolerantofbugsMammatookDad'sadvicetoputupwithsomecrawlers.Dadcouldbeartohavespidersmorethanbugs.Mammaoftenswallowedherguminthehouse.DadhadtogotothehardwarestoretobuyA.somepesticide. B.atoxicjug.C.aspraynozzle. D.somecigarettes.DadsprayedpoisoninallofthefollowingplacesEXCEPTA.kitchen. B.basement. C.bathroom. D.sitting-room.TheimmediatecauseofthefireisD.thematerialsoftheroof.A.thewind. B.someembers.D.thematerialsoftheroof.C.theexplosionofthefueltank.SectionB:Directions:Inthissectiontherearetwopassagesfollowedbyanumberofquestions.Youarerequiredtogiveabriefanswerintwoorthreelinestoeachofthequestions.( 2'X5=10’)TEXTATheearliestcontroversiesabouttherelationshipbetweenphotographyandartcenteredonwhetherphotograph'sfidelitytoappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughoutthenineteenthcentury,thedefenceofphotographywasidenticalwiththestruggletoestablishitasafineart.Againstthechargethatphotographywasasoulless,mechanicalcopyingofreality,photographersassertedthatitwasinsteadaprivilegedwayofseeing,arevoltagainstcommonplacevision,andnolessworthyanartthanpainting.Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.Seriousphotographersvariouslyclaimtobefinding,recording,impartiallyobserving,witnessingevents,exploringthemselves-anythingbutmakingworksofart.Theyarenolongerwillingtodebatewhetherphotographyisorisnotafineart,excepttoproclaimthattheirownworkisnotinvolvedwithart.ItshowstheextenttowhichtheysimplytakeforgrantedtheconceptofartimposedbythetriumphofModernism:thebettertheart,themoresubversiveitisofthetraditionalaimsofart.s.Photographers'disclaimfranyinterestinmakingarttellusmoreabouttheharriedstatusofthecontemporarynotionofartthanaboutwhetherphotographyisorisnotart.Forexample,thosephotographerswhosupposethat,bytakingpictures,theyaregettingawayfromthepretensionsofartasexemplifiedbypaintingremindusofthoseAbstractExpressionistpainterswhoimaginedtheyweregettingawayfromtheintellectualausterityofclassicalModernistpaintingbyconcentratingonthephysicalactofpainting.Muchofphotography'sprestigetodayderivesfromtheconvergenceofitsaimswiththoseofrecentart,particularlywiththedismissalofabstractartimplicitinthephenomenonofPoppaintingduringthe1960Appreciatingphotographsisarelieftosensibilitiestiredofthementalexertionsdemandedbyabstractart.ClassicalModernistpainting-thatis,abstractartasdevelopedindifferentwaysbyPicasso,Kandinsky,andMatissepresupposeshighlydevelopedskillsoflookingandafamiliaritywithotherpaintingsandthehistoryofart.Photography,likePoppainting,reassuresviewersthatartisnothard;photographyseemstobemoreaboutitssubjectsthanaboutart.s.Photography,however,hasdevelopedalltheanxietiesandself-consciousnessofaclassicModernistart.Manyprofessionalsprivatelyhavebeguntoworrythatthepromotionofphotographyasanactivitysubversiveofthetraditionalpretensionsofarthasgonesofarthatthepublicwillforgetthatphotographyisadistinctiveandexaltedactivity—inshort,anart.Whatistheauthormainlyconcernedwith?WhydoestheauthorintroduceAbstractExpressionistpainter?Howdidthenineteenth-centurydefendersofphotographystressthephotography?CouldyounameafewoftheClassicalModernistpainters?whatdoestheauthorwanttotellusbysayingIronically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.”(para.2)TextB:PopstarstodayenjoyastyleoflivingwhichwasoncetheprerogativeonlyofRoyalty.Wherevertheygo,peopleturnoutintheirthousandstogreetthem.Thecrowdsgowildtryingtocatchabriefglimpseoftheirsmiling,colorfullydressedidols.ThestarsaretransportedintheirchauffeurdrivenRolls-Royces,privatehelicoptersorexecutiveaeroplanes.Theyaresurroundedbyapermanententourageofmanagers,pressagentsandbodyguards.Photographsofthemappearregularlyinthepressandalltheircomingsandgoingsarereported,for,likeRoyalty,popstarsarenews.IftheyenjoymanyoftheprivilegesofRoyalty,theycertainlysharemanyoftheinconveniencesaswell.Itisdangerousforthemtomakeunscheduledappearancesinpublic.Theymustbeconstantlyshieldedfromtheadoringcrowdswhichidolizethem.Theyarenolongerprivateindividuals,butpublicproperty.Thefinancialrewardstheyreceiveforthissacrificecannotbecalculated,fortheirratesofpayareastronomical.Andwhynot?Societyhasalwaysrewardeditstopentertainerslavishly.ThegreatdaysofHollywoodhavebecomelegendary:famousstarsenjoyedfame,wealthandadulationonanunprecedentedscale.Bytoday 'sstandards,theexcessesofHollywooddonotseemquitesospectacular.Asinglegramophonerecordnowadaysmayearnmuchmoreinroyaltiesthanthefilmsofthepasteverdid.Thecompetitionforthetitle 'TopofthePops'isfierce,buttherewardsaretrulycolossal.Itisonlyrightthatthestarsshouldbepaidinthisway.Don 'tthetopmeninindustryearnenormoussalariesfortheservicestheyperformtotheircompaniesandtheircountries?Popstarsearnvastsumsinforeigncurrencyoftenmorethanlargeindustrialconcerns-andthetaxmancanonlybegratefulfrotheirmassiveannualcontributionstotheexchequer.Sowhowouldbegrudgethemtheirrewards?It'sallverywellforpeopleinhumdrumjobstomoanaboutthesuccessesandrewardsofothers.Peoplewhomakeenviousremarksshouldrememberthatthemostfamousstarsrepresentonlythetipoftheiceberg.Foreveryfamousstar,therearehundredsofothersstrugglingtoearnaliving.Amanworkinginasteadyjobandlookingforwardtoapensionattheendofithasnorighttoexpectveryhighrewards.Hehaschosensecurityandpeaceofmind,sotherewillalwaysbealimittowhathecanearn.Butamanwhoattemptstobecomeastaristakingenormousrisks.Heknowsattheoutsetthatonlyahandfulofcompetitorsevergettotheverytop.Heknowsthatyearsofconcentratedeffortmayberewardedwithcompletefailure.Butheknows,too,thattherewardsforsuccessareveryhighindeed:theyaretherecompenseforthehugerisksinvolvedandifheachievesthem,hehascertainlyearnedthem.That'stheessenceofprivateenterprise.WhydoesthewriterbelievethatPopstarsstyleoflivingcouldbecomparedtothatofRoyalty?Theword“astronomical"inpara.onemeans.Inwhatwayhasthesocietyrewardeditstopentertainerslavishly?Whatdoes“thetipoftheiceberg"meaninthesenwhocmakeenviPuoplremarksshouldrememberthatthemostfamousstarsrepresentonlythetipoftheiceberg"？(para.4)Whatisthewriter'sattitudetowardsthetopic?PartIIIProofreading&ErrorCorrection(1 'X10=20')Thepassagecontains10errors.EachindicatedlinecontainsamaximumofONEerror.Ineachcase,onlyONEwordisinvolved.Youshouldproofreadthepassageandcorrectitinthefollowingway:Forawrongword, underlinethewrongwordandwritethecorrectoneintheblankprovidedattheendoftheline.Foramissingword,markthepositionofthemissingwordwithaA”sign"andwritethewordyoubelievetobemissingintheblankprovidedattheendoftheline.Foranunnecessaryword,crosstheunnecessaryworkwit