寫游戲范文(優(yōu)選十七篇)

寫游戲范文(優(yōu)選十七篇)5寫游戲范文(篇一)年，回想起以前的年似乎也就出去看看，有時還要跟弟弟妹妹們玩，但以多少年沒有期待過年了呢？我不由的思考，我似乎也與以前不一樣了。以前也許是因為沒有什么煩惱吧，整天無憂無慮，一直期待過年。而現(xiàn)在，過年，我認為那是一個浪費時間的地方，而且想起家里的那些本子，我便欲哭無淚，都這樣了過什么年！而且隨著我的長大，我也變的比以前孤獨，以前的朋友也以快忘了，就連以前愛玩的東西也卻的幼稚。但是這不是我討厭過年的原因，我不喜歡人們所謂的禮物，所謂的紅包，這些只不過是一場大人之間的游戲，一場沒有任何意義的游戲。所以這樣我就不想出去了?；叵胍郧?，歡聲笑語，煙花的聲音在耳畔回響，可是當年的小孩以要長大，朋友也早已遠去，這些又有什么可高興的呢？滴滴，手機上發(fā)來一大堆的QQ信息，我無意之中看去，發(fā)現(xiàn)大多都是同學發(fā)來的新年快樂的信息，心里的失落稍微好了一點。但隨著翻看，卻越來越心驚，因為發(fā)來的不只現(xiàn)在的同學，還有以前已經(jīng)幾乎不聯(lián)系的小學同學與朋友。我看了看有一些哽咽，也許這才是年味吧，不需要禮物，不需要金錢，只需要一句普通的新年好就可以了。也許是我傻吧，一個群發(fā)的信息比的過金錢，但是我卻認為比的過，因為年味的開始也因是為了這一句所謂的沒用的句子而寫吧，而不是所謂的金錢！寫游戲范文(篇二)人人都有一顆感恩的心，我們要懷著這顆感恩的心，去感謝那些給予我們親情，給予我們無限關(guān)懷的父母。我們總覺得父母對我們的愛是理所當然的，從不知足，直到昨天我才體會到那份親情的無私。昨天，我們班上舉行了親子活動，三十個和他們的準時的來到了塔子山公園。我們的第一項節(jié)目是才藝展示，當父母們看到自己孩子的表演時，臉上無不露出燦爛的笑容，有的還自豪的對別的父母說：“你看，那是我的孩子！”盡管有的的表演不是那么的完美，可家長們?nèi)耘f送上了熱烈的掌聲。第二項是親子游戲，其中一個游戲最有趣。游戲規(guī)則是蒙上孩子的眼睛，讓孩子們摸家長們的手，判斷哪一個是自己的，確認后給他們一個熱烈的擁HowtheSystemWorks抱。大多數(shù)同學都能找對自己的父母，可有幾個同學擁抱錯了人，發(fā)現(xiàn)沒對紅著臉重新?lián)湎蜃约焊改傅膽驯Ю?。從這個游戲中我們知道了我們平常要多于父母交流、溝通，了解父母，這樣才不會出現(xiàn)前面一幕尷尬的事情。父母用那陽光般的親情溫暖著我們幼小的心靈，我們要更加努力的學習來匯報他們，讓他們也能感受到我們對他們的愛！寫游戲范文(篇三)電影制作人使用步驟原稿。建筑師使用藍圖。音樂家使用樂譜。根據(jù)古代的傳說，甚至是宇宙造物主也制作了設(shè)計文件，在最初的文明之光普照大地之前，他讓一小撮先知瞄了一眼——所以有了這個古代傳說。既然神都是這么做的，那么游戲開發(fā)者就以之為榜樣吧。準。另外可以參照的一些內(nèi)容：CreatingAGreatDesignDocumentbyTzviFreemanI’vegottogetproductout.Inthepanicanddizziness,myheadsmashesagainsttheCRTandnextthingIknowthisgeniewhiffsupoutofavirtualbronze-texture-mappedlampandoffersmethreewishes.Withoutmissingabeat,Ianswer,“Ineed…Agreatteamoftalented,skilled,anddedicatedengineersandartists(includingaveryunderstandingwife)withstronginterpersonalskills.Enoughtimeandmoneytoallowforamess-uportwo.Afirstclassdesigndocument.Onceuponatime,whencodingagameinvolvedoneprogrammer(andmaybeanartist)withatake-it-as-you-gobudgetandaloosedeadline,documentationdidn’tneedtobetakensoseriously.Youknewwhatyouwantedtomakeandyoumadeit.Iftherewereafewmajorchangesalongtheway,theonlyonetocomplainwasyou.Nowadays,athoroughandreadabledocumentcanmeanthedifferencebetweenaswiftdescenttobudgetlessHellandasmoothridetoshrinked-wrappedNirvana.Mostgamesgothroughthreedevelopmentstages,fromconceptto“grind.”Inthefirststage,theconceptpaperactsbothasalettertoyourself–settingoutyourgoalsclearlysoyouwon’tlosesightofthem–andasasalestoolforwhomevertakestheproducttomarketdowntheroad.Sometimes,thisstageinvolvesaworkingmini-prototypeaswell,whichgivesyouachancetoexperimentandreviseyourideas.Theintermediatestageofdesigninvolvesalotofdiscussionswithartists,animators,musicians,andengineers–tryingthingsout,andfindingwaystoorganizeandsetdownyourideas.Inthefinalstage,productionmanagementisoftenleftuptosomeexpertinmovingtrainsandtrackswithoutmajorcollisions.Theoriginaldesignermaybeanintegralpartoftheteam,butinmanycases–especiallyinlargecompanies–thedesignerendsupasakindofoutsideconsultant.Withoutquestion,thedesigndocumentiswheretheoriginalparentoftheprojectexercisesthemostinfluenceonhowthislittlebabyisgoingtogrowup.Evenifyou,thedesigner,havedecidedtodoubleasprojectmanager,don’tdeludeyourselfintothinkingthatyouholdallthereins.Acomplexprojectinvolvesmanytalentedpeople.Skilledprogrammersandartiststendtohavemindsoftheirown.Whileyouintendtocreateahorse,theartistmaybeenvisioningaunicornandtheprogrammerahighlyefficientcamel.Agooddocumentensuresthatyouareallplanningtomakethesamething.Agreatdocumentensuresyouallhavethesamefeelfortheinnersoulofthisthing.Thinkofitasabigbandjazzscore–itputseverybody’smindinthesameplace,evenwhenthere’sstillplentyofroomforthestarstoimprovise.Yourdocumentisasortofintermediarybetweenyourmindandtherealworld.Itensuresthatwhatyouhaveinmindissomethingthattherealworldisabletohandle,andthatwhatyouendupwithwillbewhatyouoriginallyhadinmind.Finally,remembertheadagetowhichanysaltygamerwillattest:“Greatartisinthedetails.”Brilliantdetailsflownaturallyfromthegeneralgestaltasthoughtheywerepresentinthatfirstflashofinspiration.Butonceyougetintothehands-onimplementation,it’seasytolosethatspark.TheChallengePrototypingpartsoftheprojectyourselfisdefinitelyagoodidea–makewhateverroughsketchesyoucan.Butagain,it’sthosedetailsthatcount.Themoredetailsyourimaginationcanhold,thegreateramasterpieceyourworkwillbe.Workingfromadocumenthasaflipside,aswell.Developinganexcitinggamehastobeexciting.Someofthebestpartsofmanyprojectswerediscoveredintheheatoflast-minutedeadlinepanic.True,thepressuresoftimeandcostbudgetingdon’tallowforperpetualreiterationofconcept,butyousimplycannotexpectakillergametocomeoutofdry,predictablework.Thechallengeistocreateadesigndocumentthatwillallowyourprojecttotoleratesurpriseadaptationswithoutlosingtheintegrityofitsoriginaldirectionandscope.Table1.Thethreestagesofdocumentation.ContentsPurposeGenretargetaudiencedescriptionmostcompellingfeatures;marketinformation;costandtimetodevelop.Itdefinestheconcept,scope,worthinessandfeasibility;sellstheideatoyourclient,publisher,employer,andventurecapitalist.2.DesignDocumentDescriptionofthebodyandsouloftheentireproject,withallthedetails,andthemethodbywhicheachelementwillbeimplemented.Itensuresthatwhatisproducediswhatyouwanttoproduce.3.ProductionDocumentsTime-managementcharts(Gantt,PERT,andsodatabase.Itimplementsthedesigndocumentontimeandwithinbudget.TenPointsforaSuccessfulDesignDocument1.DESCRIBENOTJUSTTHEBODY,BUTTHESOUL.Ifgamedevelopmentwasjustanautomatedinput/outputissue–somethinglikewritingcodeandbeingabletopredicthowit’sgoingtowork–youcouldgetbywithadry,descriptivedocument.Therealityisthatdevelopmentisdonebypeople,manyofthemcreativepeople,whohavetheirownminds;mostwillwanttoleaveastampofthatmindoneverythingtheydo.Itworkslikethis:Youprovidespecstotheartistsanddiscusswiththemwhattodo.Youthenvisittheprogrammersandgoovertheirspecs.Bothgroupsnodtoeverythingyousay.Thatnight,around2AM,justastheconstellationofC++isrisinginthewest,theprogrammerreachesamid-lifecrisisandbeginstothink,“What,ageekprogrammertherestofmylife?Isthiswhatmymotherexpectedfromme?Why,Icandesignagamejustaswellasanybodyelse!”Andthehandskeeptypingcode.Aroundthesametime,theartisthasjustwokenupbeforehismachine,havingfallenintoadeepstuporwhilewaitingforacomplex3Drenderingtofinish.Unsureandnotreallycaringwhetherhe’sdreamingorisactuallygettingpaidforallthis,immersedinthatwildworldofartisticgeniuswherefantasyandrealityblendasone,thephosphorscometogetherinwayspreviouslyunimagined–certainlynotbyyou.Bythenextmorning,yourhorsehasbecomeaunicornwithtwohumps.Withcreativepeople,instructingisnotgoodenough.Youneedtoinspire.Inyourdesigndocument,don’tsatisfyyourselfwithadetaileddescriptionofeveryarticleandnuance.Taketimetodescribethefeelthatthegameshouldhave,thepurposebehindeachelement,theexperienceeachuserwillhave,andanyotheraspectsofthegame’ssoulyoucanenvisionanddescribe.Forexample,sayyou’redesigningashooter.Youwanttotrainyourplayerstodealwithcertainchallengesbeforetheyactuallymeetthem,soyouplacelesslethalmini-challengesafewstepsinadvance.You’regoingtohavetoexplainthattoeverybodyonthedevelopmentteam,sothey’llunderstandwhycertainthingsarewheretheyareandwhytheyworkthewaytheydo.Thatway,evenif(read:when)yourteamtoyswithandmanglesyourideasastheyexistonpaper,youcanstillharborhopesthattheoutcomewillhavethesameorsimilaroveralleffect.Ormaybeevenbetter.2.MAKEITREADABLE.Goahead,provideyourpeoplewithfullpagesof10-point,sansserif,80-characters-per-linetext,anddemandthattheyreadit.YoumaywanttobundleAdvilinthepackage–forthosewhoactuallytakethepainstoobeyorders.Itrytofollowatleastsomeoftheguidelinesofgoodpagelayout.PlentyofwhitespaceSeriffontforbodytextBoldheadersSpacesbetweenparagraphsShortlinesoftextDirecttheeyetowardsimportantmaterialUseahierarchical,“2D”format(seewhatIwroteaboutoutlinersinthe“DesignDocumentationTools”sidebar)Manyinstancescallforatable,spreadsheet,orchart.Usethemandmakethemsensiblyattractive.3.PRIORITIZE.Nowthatyourealizethatyou’reworkingwithotherconsciousegos,you’llappreciatetheurgencyoftaggingcertaingameelementsassacred.True,therearenoguarantees,butifyouusethetagsparselyenough,itmaygetsomerespect.Butdon’tstopthere.Aslongasyou’retaggingideas,you’llalsowanttodistinguishbetweenthingsthatyouintendtodoandthingsthatyou’dliketodoiftime,budget,skillsets,andtechnicalitiespermit.Thenthere’sthetrashbin–thingsthatsoundedgreat,butweretrashedforgoodreason.Refertothemexplicitlyandexplainthereasonthattheyweretrashed.Ifyoudon’t,Icanalmostguaranteethattheywillberesurrected.Here’syourlistoftags:IndispensableImportantIfPossibleRejectedYoumaywishtousevisualsymbolstorepresentthese.Don’trelyoncolor,sincedocumentsaren’talwaysprintedincolor.4.GETINTOTHEDETAILS.Adocumentwithoutdetailsisuseless.Generalitiescanbeinterpretedbyanybodyinanywaythattheylike.“ThouShaltNotKill”meantonethingtoMosesandanothertoaSpanishconquistador.Detailingwhomyoushouldn’tkillandunderwhichcircumstanceswouldhavebeenmorehelpful.Thesameholdstrueforyourdocument:Onceyou’vedescribedsomepracticaldetailsandgivensomeexamples,yourideabecomesmoreconcrete–andhardertoshovearound.Forexample,don’tjustsay,“Bronzebirdisinvincible.”Describeexactlywhathappenstothiscreatureineachpossibleinstanceofitsbeinghit,andhowitrecoversafterward.True,iftheanimatorhasanyspunkandartisticdignity,youcanrestassuredthathewon’tfollowyourspecifications.Butatleasthe’llhaveaclearideaofwhatyouwanttoachieve,andhismodificationswon’tseriouslyaltertherelatedportionsofthegame.Don’tjustsay,“Atthispoint,userswillhavetopressthejumpkeywiththearrowkeytoclimbthewall.”Describewhatwillhappenifaplayertriesanythingelse.Explainwhyyouthinkuserswillbeabletofigureoutthecombinationthatyou’veprovided.Explainwhatabouttheenvironmentsuggeststhatit’spossibletoclimbthiswall.Again,yourartistwillcomeupwithsomethingelse,perhapssomethingevenmoresuitablethanwhatyouoriginallyconceived.That’srealsuccess:Whenyourdevelopers’resultscomeoutevenclosertoyouroriginalflashofconceptionthanwhatyouwereabletodescribeonpaper.Butthiswon’thappenunlessyoufirstlucidlydescribeyourconcept.Don’tjustsay,“BongoManisstrongerthanBongoBoy,butBoyhasfasterreflexes.”Usetables,spreadsheets,andchartstoassignrealvaluestothecharacter’sspeedofmovement,howmanyhitsthecharactercantake,howmuchdamagethecharacter’shitsdo,howmanycelsittakestoanimateahit,andsoon.ThissortofspreadsheetisinvaluableintheQ/Aandtweakingstagesofproduction.Don’tjustsay,“Mostpeoplewillfigureoutthewholegameinafewdays.”Makeachartofpredictedproductlifeindifferenthouseholds,indicatingatwhichpointsintimeyouexpectvariousfeaturestobediscovered.Usertestingwilllaterprovidevaluablefeedbackfordesigningyournextgame.5.SOMETHINGSMUSTBEDEMONSTRATED.Sometimesafewroughsketchesareenough,butiftheideaistrulyimportanttoyourconceptoftheproject,youmaywanttomakearoughanimationyourself.Whenbehaviorsofelementsbecometoocomplexandambiguoustodescribeonpaper,you’llwanttomakeaprototype.Asidebenefitofprototypingisthatthispracticeoftenleadstoasimpler,moreelegantsolution.Evenwhenyouprovideanimationsandprototypes,puttheconceptinwordsaswell.True,ananimationisworthagigabyteofwords,butwordscancommunicateinwaysthatanimationscan’t.Wordsalsoclearlyspelloutthevitalnuancesthatmaybemissedwhenwatchingtheanimation.UTHOWIntherealworldthehowdeterminesthe“what.”Forexample,supposeyou’veoptedforclaymation.Workouttheprocessofhowtheimageswillbecapturedanddocumenteverything.Whatmaterialandwhatcolorshouldthebackdropbe?Whatcamerashouldbeusedandwhy?Whatarethestepsforprocessingthecapturedframes?Andonandon.Ifyou’vetriedit,you’llknowthatanyoneofthesefactorscanhaveaseriousimpactontheendresult.Orsupposeyou’reworkingonamotorcycleracinggame.Youstatethatthemotorbikesmustbebalancedbytheirdifferingprosandcons.Youevenprovideachartthatshowshowbalancedtheyare.Thenyoustatethattweakingwillbenecessary.Statehowyouplantotweak–whatistheprocess?SupposethemaincharacterinyourgameisthePhantomoftheOpera.Describehowtheplayer’skeyboardismappedasapipeorgan.Provideamapofeachkey.Specifyhowmanychannelsofsoundwillbeavailable.Talkitoverwithyourprogrammerandworkouteverydetailofhow.Thendocumentit.Twodifferent“hows”canmeantwoverydifferentresults.7.PROVIDEALTERNATIVES.ProjectmanagersspendalotoftimewiththeirGanttsandPERTs.Personally,Ican’treallysaythatthisstuffiseffectiveforgamedevelopment–principallybecausetherearejustsomanyunknowables.Themoreradicalandpioneeringyourgametechnology,thelesspredictablethedevelopmentstreamisgoingtobe.Thebestthingyoucandotoensurethatyourteamreachesyourmilestonesonscheduleistoprovidemorethanonewayofdoingthings.Letsgobacktothekeyboardaspipeorganexample.Yourengineerdescribestoyoutheultimatemethodofgettingawesomeandfunkyresultswithtremendouspoweranddepthtotheuser–atacostofabout50person-hourstoimplement.Aswitheverythingelsewe’vediscussed,youdocumentthewholething.Youcan’tstopthere.You’vegottoask,“Whatwouldittakeifwejustwantedatrimmed-down,eight-channelpipe-organ?Andwhatwillweneedtoachievethebareminimum?Andwhatifwejusthadsomeassistantdoingthis?”Andthenyoudocumentallthataswell.WhentheFedExtruckisonitswayoverforthefinaldailypickup,you’llbeabletosaveyourskinwithasimple,“OK,doPlanC.”O(jiān)neofthebiggestmistakesI’vemadeinproductdesignisaskingengineers,“Canitbedone?”Unlessyou’reaskingafirst-classprogrammer,thequestionisuseless.Morespecifically,responsesfallintooneofthreecategories:(Lousyprogrammer)“Sure,that’snoproblem.”(Mediocreprogrammer)“Nope.Can’tbedone.”(First-classprogrammer)“Icoulddoitlikethisandit’lltaketwoweeks.OrIcouldmakeaslightmodificationlikethisandit’lltakefivehours.”Alwaysaskformorethanonealternativeandanestimateofhowlongeachwilltake.Thenindicateyourpreference–dothisisifwehavetime,orthisifwedon’t.8.GIVEITALIFE.I’vealreadywarnedyouagainststranglingtheinspirationandspontaneouscreativitythatcomeswiththeexcitementandfunofseeingideasbecomelivingobjectsinyourhands.You’vegottoallowyourdocumenttotoleratechange–byyouorby(hopefullyintelligent)others.IfirstlearnedthislessonasamusiccompositionmajorattheUniversityofBritishColumbia.Withmuchtoil,Ihadwrittenaneo-renaissancebrassquintetofwhichIwasquiteproud.Myprofessorlikedit,too.Whenwebroughtittothecollege’sstarbrassquintetforrehearsal,however,Ipassedthroughseveralstagesofhorror,disbelief,indignation,andclinicaldepressionwithintenseconds.Thequintetbegantoplay,thenstoppedonsignalfromthetubaplayer.Thefellowtookouthispencilandbegantochangeafewnotes,andtheneveryonecontinued.Ithappenedmorethanonce.Myprofessor,notingmysuddenfaintstateofhealth,turnedtomeandcommented,“Don’tworry,theydidthattoMozartaswell.Andthey’reusuallyright.”Thefactis,nomatterhowgoodsomethinglooksonpaper,thegreatestexpertstillmodifiesthingswhenitenterstheconcreteworldofobjectiveperception.Nevertheless,youdon’twanttowitnesstheruthlessrapeofyourdesignanddreams.Rather,you’rehopingforakindoforganicgrowth–ideasgrowingnaturallyoutoftheseedsyou’veplantedwithoutneedingforeignlimbsandbodiesgraftedontothem.Herearesometipsforcreatingadocumentthatcantoleratechangewithoutcorruptingtheoriginalideaorsabotagingthedevelopmentprocess:Makecertaintoengraveinstonethoseaspectsthataresoessentialtothegameconceptthattheymustnotbechanged.Makecertaineverybodyunderstandsthefeelthatthegameissupposedtohaveandthepurposeofeachofitsdetails.Ifinformationisrepeated,itmustbecross-referenced.Otherwise,iftherearechanges,youcanendupwithcontradictoryinstructions.Andherearesometipsfortheactualimplementationstage:Whenachangeissuggested,checkbackinyourdesigndocumentandseeifitisinconcordancewiththe“soul”ofyourgame.Checkwhetherthisisjustanisolatedchange,orit’sofmajorglobalecologicalimpact(see“TheEcologyofImprovement”).Ifit’sthelatter,saveitforyournextproject.Updatethedesigndocumentandincludethereasonsforthechange.Orifyoudidn’tmakethechange,saysoandexplainwhyitwasrejected.Changes,deletions,andrejectedideasshouldberetainedinamasterdocumenttoavoiddiscussingthesamethingtwice.Everyonemustbeworkingfromthesameversion.Pastversionsshouldbedestroyed.Crucial,Vital,andUrgent:Thedesigndocumentmustbemaintainedunderoneperson’ssupervisiononly.9.NOBODYSHOULDBEABLETOSAY,“IDIDITTHATWAYBECAUSEICOULDN’TFINDANYREFERENCETOITINTHEDOCUMENT.”I’veseendocumentsthatdidn’tevenhavethepagesnumbered.Andthentheycomplainthatpeopledidn’tfollowinstructions.Everygoodwordprocessorwillauto-numberpagesandprintthedateandtitleintheheaderorfooterofeverypage.Somewillevenallowyoutochangetheheaderatnewchapters.Useboldtexttodirectattentiontoimportantmaterial.Repeatyourselfindifferentpartsofthedocumentasmuchasyoulike,aslongasyoucross-referencesoyoucanupdateeverythingtogetheraswell.MakeathoroughTableofContents.YoumaywishtowriteyourdocumentusingHTMLandprovidehotlinks.SomeprogressivewordprocessorsprovidehotlinkcapabilitieswithoutHTML.Butrememberthatmoreoftenthannot,peopleprefertoworkfromahardcopy.(Thatwaythere’ssomethingtoreadwhilerebootingafterthehourlysystemcrash.)10.DELIVERITINGOODCONDITION.Afterallthis,youneedtodowhateveryoucantofacilitateeveryoneactuallyreadingandusingthething.Apileofpapersdoesn’tgetread–itdoesn’tlookimportantenough.Onlythingswithhardcoverslookimportant.Createalistofeveryonewhoissupposedtohaveacopy.Keepthelist.Printoutthewholethingwiththedateintheheaderofeachpage.Haveholesmadeandputitinbinders.Labelthespineandcoverofeachbinder.Whenthereareupdates,provideeveryonewiththerevisedpages.Atsomepoints,youmayneedtoprovidenewbooksandthrowouttheoldones.InSumCheck…Moviemakersusemovescripts.Architectsuseblueprints.Musiciansuseascore.Accordingtoancienthearsayevidence,eventheCosmicCreatorcreatedadesigndocument–whichHelaterletafewprophetstakeapeekat–beforetheprimal“Lettherebelight!”Sogamedevelopers,followingtheirSupernalRoleModel,cancertainlydothesame.Doitrightandit’ssmoothsailingtherestoftheway.TzviFreemanteachesGameDesignandDocumentationatDigipenSchoolofComputerGaminginVancouver,BritishColumbia,Canada.Hehasdesignedseveralcommercialgamesandhasactedasaconsultantonmanyothers.HecanbereachedatTzviF@.(source:gamasutra)寫游戲范文(篇四)這次作文課，老師教我們玩了一個游戲——寫紙條。游戲規(guī)則是這樣的：先把十六人分成四個組，第一個組寫是誰、第二個組寫在什么時候、第三個組寫在什么地方、第四個組寫在干嘛。我是屬于第三組的，我想了一個地址，寫在紙上——“在太平洋”。開始拼裝起來讀紙條了，我們爭先恐后地舉起手來，都迫不及待的想讀一讀！我從每個組的紙條里分別抽了一張，然后連起來就變成了這樣一句話：貍貓在火車作文站吃飯！“終于來了一個正常點的！”同學們異口同聲地說道。原來，前面組裝的句子都十分搞笑，同學們哈哈大笑，有的甚至笑得滾到地上去了。比如：列寧在廁所里打灰太狼，恐龍在太陽系自殺……聽到這些怪句子，我開始胡思亂想了，我想出一個十分好笑的句子：公雞在天上飛翔。怎么樣？我編的這一句，是不是也很好笑呀！這個游戲讓我明白了一個道理：我們組詞造句要符合規(guī)則和常理，不然會鬧出很多笑話。寫游戲范文(篇五)學校要舉行游戲節(jié)的消息像長了翅膀一樣，飛到校園的各個角落。每個班級都八仙過海，各顯神通，紛紛開始準備各自的游戲節(jié)目。那我們班是什么游戲呢？哦！原來是“小貓釣魚”。也許你會覺得奇怪，魚在哪里呢？到了傍晚，老師布置了一個奇怪的作業(yè)——自己動手做魚！哦！原來是制作“紙魚”。第二天，同學們興高采烈地拿來了許多魚交給老師。老師一邊把魚裝進了袋子魚?。　蔽疑扉L脖子，好奇地一看袋子，哇噻！里面有很多奇形怪狀的魚呢！這次可有好戲看啦！盼星星，盼月亮，終于盼到了游戲節(jié)，操場上一下子變成了歡樂的海洋。我們班的游戲地點設(shè)在音樂教室，美其名曰“釣魚館”。我們的地盤，我做主！經(jīng)過商量，我們制定了游戲規(guī)則：只有2分鐘時間，不能用手去拉魚線，你如果一條也釣不上是“哭臉”，一條以上的是“笑臉”。鈴聲響了，那些在外面等的同學都迫不及待想擠了進來，可是每次只能來十個始！”同學們飛快地沖上前，抓過一個魚竿，抖開線。一甩魚鉤，便開始專心致志地釣起魚來。我緊張地握著魚竿，像熱鍋上的螞蟻，心里盼著魚兒快上鉤。好不容易釣了一條，可是快到了又掉了下去。真是心急吃不了熱豆腐，我急得手心里都冒出了細汗。后來，老師微笑著”在老師的鼓勵下，我終于如愿以償?shù)蒯灥搅艘粭l“大魚”。耶！我成功了！一股自豪感油然而生。今天的游戲，玩得可開心呢！寫游戲范文(篇六)“叮鈴鈴……”，一節(jié)漫長又難熬的語文課終于下課了，酈老師像往常一樣夾著書本走出了教師室。平靜的教室一下子活躍了起來，我和幾個要好的伙伴也相約走出了教師室?？粗渌瑢W都在跑來跑去，我們也按捺不住，商量玩什么游戲好。有人提議，我們玩扔跳繩的游戲吧，反正酈老師看不見。我們輪流把跳繩拋向空中，看誰拋的高，接得的穩(wěn)。輪到我了，我非常自信的把跳繩用力向空中拋去，揉成團的跳繩像火箭一樣發(fā)射了出去。沒想到這次扔偏了，我一下子擔心起來，眼看跳繩就要越過過道圍欄，砸向一樓去了。這時正是下課時間，樓下到處都是一年級的學生，我不由自主地蒙起了自己的雙眼。半分鐘過去了，似乎什么也沒有發(fā)生，讓我緊張的心情放松了許多，我慢慢地睜開了眼睛，準備去找回跳繩繼續(xù)玩。就在我轉(zhuǎn)身的時候，突然看見一位披著紅色披風的人向我走來，完全是一副超：“小朋友，這是你的跳繩吧？”我看我不知道是該說謝謝呢？還是該向酈老師道歉。酈老師嚴肅地說：“以后要注意不能再這樣玩了，剛才還好我在樓下接住了跳繩，不然會砸到人的?！蔽倚∫院笪視⒁獾摹！贬B老師拍拍我的肩，微酈老師就是這樣“刀子嘴，豆腐心”。平時很嚴格，卻對我們很好，我們都喜歡她。寫游戲范文(篇七)“往左、往右……”，教室里一片喧鬧，走近一瞧，原來是五(3)班同學在玩一個非常有趣的游戲——貼鼻子，讓我們?nèi)タ纯窗桑∮螒蛞?guī)則：先選兩個同學上來合作，一個人蒙著眼睛，另一個來指揮蒙著眼睛的那個人從指定的位置走到“小熊”前面，把鼻子貼上，如果把鼻子貼錯地方，就要接受一些讓人捧腹大笑，讓大家笑個夠的懲罰，有趣的貼鼻子作文。游戲開始了，做游戲的有：6組合作——xxx和xxxxx，xxx和xxx，彭典范和陸昌弘，夏芷含和朱亞鈴……其中，令我最滿意，印象最深刻的是我和xxx合作的這一次，讓我來給你仔細地講一講這件事情有趣的經(jīng)過吧！一開始，我面帶微笑，而xxx很緊張，同學們一個個又高興又激動，欣喜若狂的，活像心里吃了蜜似的，臉上有說不出的開心與興奮。我和xxx決定——她來蒙眼睛去貼鼻子，而我就來指揮她的步伐。我們商量好以后，心里開始有一點兒小緊張，但不過和面部表情還是信心實足，得意洋洋。老師一聲令下，游戲開始了，xxx耳朵豎起來，在喧鬧的聲音中仔細聽我指揮。步伐小心萬分；走到黑板前，豪不猶豫地把“小熊“貼上了鼻子。頓時，教室里鴉雀無聲，這可把xxx嚇壞了，臉紅成了一個又圓又紅的小蘋果?？僧斈萌パ壅值哪且幻腌?，xxx驚呆了，簡直不敢相信自己的眼睛——鼻子貼得正正的。其實，我們有一個小秘決：喧鬧的全寫游戲范文(篇八)今天，天氣晴朗，陽光燦爛，我和爸爸媽媽去公園游玩。因為天氣很好，公園里的游人很多，剛進公園就遇到我的同學，他們一邊游玩一邊找春天。和他們分手后，我一路小跑，跑到小山坡上，從山上往下看，游：“快看，柳樹發(fā)芽?！蔽姨ь^一看，果然是，柳樹發(fā)出綠油油的嫩芽，原來春姑娘悄悄地來。我們來到游戲樂園，在那里我們玩許多游戲，有：空中飛碟、電子射擊、劃船……這幾項游戲既好玩又能鍛煉我的體力。比如：空中飛碟鍛煉腿部力量，射擊鍛煉眼睛的觀察力，劃船鍛煉平衡力。所有游戲中，最好玩的就是劃船。今天沒有風，湖面非常平靜，像一面大鏡子。湖中有許多的船只，小船駛過，湖面上蕩起一陣漣漪。我握著船舵，用腳使勁的蹬著腳蹬，小船輕飄飄的掠過一個個橋洞。忽然，我發(fā)現(xiàn)湖面上有一抹金色的晚霞，那是夕陽的余暉倒映在水中，微風輕輕吹過，湖面波光粼粼。玩一下午，我們該回家，我十分留戀公園的美景，舍不得離去。如果你有時間的話，也要去看一看、玩一玩哦！寫游戲范文(篇九)父親身材高大魁梧，肩膀?qū)掗?，寬闊的臉上有一雙明亮的眼睛，寬厚的嘴唇上掛著樸素的微笑。爸爸各方面都做的很好。他性格開朗，愛說話愛笑，工作努力，吃苦耐勞。唯一的愛好，也可以說是最大的缺點，就是游戲迷。因為這個原因，我媽不知道勸了我多少次，也改不了，一有時間就坐下來玩。爸爸經(jīng)營一家汽車修理中心。有一天，我爸爸修完車，沒活干了，就打開電腦開始玩游戲。我們叫他吃西瓜，他說:“放那兒！”原來我們叫他吃午飯的時候瓜還在！叫他吃午飯，他連頭都沒抬:“你先去吃吧！”午休結(jié)束，爸爸笑著問:“誰陪我吃面？”我和哥哥說:“我不去?！眹Z叨了幾句后，媽媽和他一起去了。我又一次看到父親狂喜地玩游戲，我告訴他沒有反應(yīng)。但是后來我接到一個電話。聽說有人車半路拋錨，連電腦都沒涉及，趕緊開車出去把車拉回來。我連口水都喝不下。我一直在檢查和修理它。我佩服這樣的父親！我喜歡努力的我爸，我喜歡關(guān)心我們的我爸，我也很佩服克制力很強的我爸，但是我不喜歡老是玩游戲傷害身體的我爸！爸爸，你能不能別玩游戲了？寫游戲范文(篇十)我喜歡玩畫鼻子的游戲，我還喜歡玩運氣球的游戲，但我最喜歡玩射擊游戲。老師今天說要和我們一起玩一個射太陽的游戲，老師說完后我們都議論紛紛，哪里有太陽?。拷又蠋熛褡兡g(shù)一樣變出了老師畫好的靶子，驚得我們目瞪口呆！游戲規(guī)則是分為兩個組，每個組發(fā)九張紙來做子彈，在老師規(guī)定的距離處發(fā)射子彈，射的多的那一組就勝利。老師說完游戲規(guī)則后就給我們每人發(fā)了一紙，我們各自做自己的子彈，等老師宣布游戲開始時，我才發(fā)現(xiàn)同學們做的子彈，可真是五花八門。第一個上臺的是馬天亢，他自信滿滿的走上臺，他歪著頭，瞇著一只眼睛瞄準著，然后把子彈放在眼前，一只腳在前，一只腳在后，仰著身子，瞄的準，射輪到我上臺了，我開心極了，我拿著我的子彈把它放在眼前，用大拇指瞄準，然后把所有力氣都放在右手上然后扔，結(jié)果我的第一發(fā)沒射中。我又再次瞄準，第二發(fā)也沒射中，我的第三發(fā)又沒有射中，結(jié)果我沒有射中一個太陽，只好垂頭喪氣的離開了。最后勝利的是一組，因為他們射中了兩個太陽，而我們只是射中了一個太陽。這個游戲告訴我看花容易，繡花難。想取得勝利可不是一件容易的事，凡事一定要刻苦練習，做好準備才有可能成功。寫游戲范文(篇十一)下課后，老師會帶我們玩給熊貓貼鼻子的游戲。大家聽了，跳了三尺高。游戲開始，才看到大熊貓有一個圓圓的腦袋，兩只毛茸茸的耳朵，一張彎彎的嘴巴，卻沒有鼻子。你搞笑嗎？劉宏宇來到黑板前，老師先把熊貓的黑鼻子遞給他，然后用圍巾蒙住眼睛。他轉(zhuǎn)了三圈，然后慢慢走到黑板前，摸著頭，動著圓圓的鼻子。過了一會兒，他終于找到了“對”的位置，貼在熊貓眼上。突然，教室里的笑聲似乎爆發(fā)了。過了一會兒，輪到我了。我既緊張又害怕。我害怕歪著鼻子。老師用圍巾遮住了我的眼睛。當時真的很黑。我小心翼翼地走到黑板前，想了想。一時拿不定！”我立刻把它塞到鼻子里，但每個人都大笑起來。我立刻抓起圍巾。太可惜了。原來我也是鼻子貼眼睛。我太高興了，不想退縮。我太喜歡這個游戲了。寫游戲范文(篇十二)生活都被紅包包圍了，即使和朋友聚會吃飯時也是一手握著手機，每次群里發(fā)的紅包，幾秒鐘就被搶光了。今年過年真挺累啊?！睂＜遥菏挛锒加袃擅嫘晕⑿偶t包只是一種社交游戲。春節(jié)是什么?對70后、80后、90后來說，除了鞭炮和春聯(lián)福字，最深的記憶當屬收紅包壓歲錢了。省社科院社會學所所長付誠24日表示，微信紅包的高明之處正是在于將移動支付與這種年俗傳統(tǒng)很好的整合到一起，使其在過年的喜慶氛圍中