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TaoYuanmingSujieLiSchoolofEnglish,BISU2016-11-21第一頁,共25頁。HistoricalbackgroundTheculturalsceneoftheEasternJin(317-420)TheterritoryoftheEasternJinwasmuchdiminished,withtheNorthfallenundertheruleofrivalstates,andthesouthwest(modernSichuan)dominatedbytheCheng-Hankingdomuntil347;butterritorialreductionisnotnecessarilyproportionatetointellectualvigorandculturalsplendor.TheEasternJinandtheensuingfourdynastiesintheSouth–Song,Qi,Liang,andChen–representarichnessofculturalaccomplishmentonascaleunparalleledinpre-TangChina.2第二頁,共25頁。Jiankang(建康)wastogrowintoathrivingmetropolis,theworld’smostpopulatedcityintheearlysixthcentury,withapopulationtwicethatofConstantinople,and,aboveall,adazzlingculturalandintellectualcenterthatlasteduntilanortherndynasty,theSui,unitedChinain589andorderedthecityrazedtotheground.六朝時期的建康城是世界上第一個人口超過百萬的城市,以建康為代表的南朝文化,與西方的古羅馬被稱為人類(rénlèi)古典文明的兩大中心,在人類(rénlèi)歷史上產(chǎn)生了極其深遠的影響。建康城規(guī)模極其龐大,以建康皇宮(建康臺城)為中心,無外郭城,東西各四十里,人口眾多。Thesouth,forthefirsttimeinChinesehistory,ceasedbeingaperipherytotheheartlandintheYellowRivervalley.3第三頁,共25頁。Thewideuseofpaper:Bythefourthcentury,paperwasbecomingthemostimportantwritingmedium.Lightweightandeasytouse,itcontributedtotheproliferationofwriting.(140writersrecordedin《隋書(suíshū)》,almosttwicethatofHanwriters)Theconvergenceofdiverseinfluences:arcanediscourseonLaoziandZhuangzi(Daoism),Buddhism,practicalityRelativepeaceandsocialstability:Duringthesecenturies,thesouthremainedmostlyfreefromlarge-scalewaranddestruction,offeringanopportunityforliteraryandscholarlyundertakings.4第四頁,共25頁。ImportantliterarydevelopmentPoetry:atransitionfromfour-characterlinestofiveProse:Evenmorethanpoetry,proseplayedaprominentroleinthesocialworld.Fu(賦),history(史)Zhiguai(志怪),“strangetales”or“anomalyaccounts”,thatgaveaccountofsupernaturalphenomena,exoticlocales,andfantasticfloraandfauna(paradoxography).ThisnewgenrecameintomaturityintheEasternJin,withGanBao’sInSearchoftheSupernatural(Soushenji,干寶,《搜神記》)asitsrepresentativework.landscaperepresentationinprose,poetry,andpainting山水詩,山水畫,(曹操)、陶淵明、謝靈運,王羲之twomaintopics:“wanderinglikeanimmortal”,“becomingarecluse”Thesouthernyuefusongs南朝樂府(yuèfǔ)民歌木蘭詩5第五頁,共25頁。InthehandsofthelateEasternJinpoetTaoYuanming(365?–427,alsoknownasTaoQian),theconventionalvocabularyandimagesofpoemsonreclusionweretransformedintoamuchmorepersonalizedpoetrynotonlyaboutthepoet’sdecisiontowithdrawfrompublicservice,but,moreimportantly,abouthowhelivedandstruggledwithhisdecisionfromdaytoday.TaoYuanming’swritingswereatestimonytodiscoveringandjustifyingthevaluesofprivatelifeasopposedtothedemandsofthepublicworld;thisaspectofhisworkwasdeeplyembeddedintheculturalandintellectualcontextsofhisage.6第六頁,共25頁。TaoYuanming7第七頁,共25頁。Abriefintroduction陶淵明(352或365年—427年),字元亮,又名潛,字淵明,自號“五柳先生”,去世后友人私謚“靖節(jié)”,世稱“靖節(jié)先生”、“陶靖節(jié)”,潯陽柴桑(cháisānɡ)(今江西省九江市)人。東晉末至南朝宋初期偉大的詩人、辭賦家。曾任江州祭酒、建威參軍、鎮(zhèn)軍參軍、彭澤縣令等職,最末一次出仕為彭澤縣令,八十多天便棄職而去,從此歸隱田園。他是中國第一位田園詩人,被稱為“古今隱逸詩人之宗”,著有《陶淵明集》。ThecareerofTaoYuanmingorTaoQianwasdividedbetweentheJinandSongdynasties.HewasbornatChaisanginXunyang,nowJiujianginJiangxi,becameaminorofficialat29andthenresignedtotilltheland.Unabletosupporthisfamily,hewaspersuadedtoacceptthemagistracyofPengze.When80dayslateritwassuggestedhesprucehimselfupforavisitfromhissuperiorheretorted,“Iwillnotbowdowntoacountryboyforfivepecksofrice,”andimmediatelyleftforhome,abandoninghispost.Eveninseclusionhewashoundedbymisfortune.Hishouseburneddownwhenhewas44,andhislasttwodecadeswerepassedindestitution,thoughherefusedofficialaidwithcontempt.8第八頁,共25頁。
《飲酒(yǐnjiǔ)·其五》
結廬(jiélú)在人境,而無車馬喧。問君何能爾?心遠地自偏。采菊東籬下,悠然見南山。山氣日夕佳,飛鳥相與還。此中有真意,欲辨已忘言。9第九頁,共25頁。PoemsonDrinkingWine
楊憲益戴乃迭譯
Ihavebuiltmycottageamongstthethrongofmen,Andyetthereisnonoiseofhorseandofcarriage.Youaskme,howcanitbe?AndIreply:Whenmyheartisabsentthelaceitselfisabsent;ForIpickchrysanthemumsundertheeasternhedge,AndfarawaytothesouthIcanseethemountains,Andthemountainsmistsarelovelyatmorningandevening,Whilebirdskeepflyingacrossandbackagain.Inallthesethingsthereliesaprofoundmeaning.Iwasgoingtoexplain…butnowIforgetwhatitwas.10第十頁,共25頁。DrinkingWine(V)
許淵沖譯
Inpeople’shauntIbuildmycot;Ofwheel’sandhoof’snoiseIhearnot.Howcanitleaveonmenotrace?Secludedheartmakessecludedplace.Ipickfencesideastersatwill;CarefreeappearstheSouthernHillThemountainair’sfreshdayandnight;Togetherbirdsgohomeinflight.Whatrevelationatthisview?WordsfailmeifItrytotellyou.11第十一頁,共25頁。桃花源記(táohuāyuánjì)12第十二頁,共25頁。AmongTaoYuanming’sprosepieces,“TheRecordofPeachBlossomSpring”(Taohuayuanji)isoneofthemostbelovedtextsinclassicalChineseliterature.Itdescribesautopiancommunitywheretherearenousualsocialconstraintssuchastaxationandhierarchy,andeveryonelivesincontentment.Hiddenawayinthemountains,thecommunityisaccidentallydiscoveredbyafisherman.Later,thefishermantriestoretracehissteps,buthecanneverfindthecommunityagain.ThestoryofthePeachBlossomSpringhasinspirednumerouswritingsinlatertimesandbecomeaminorliterarytraditioninitself.13第十三頁,共25頁。桃花源記(táohuāyuánjì)晉太元中,武陵人捕魚為業(yè)。緣溪行,忘路之遠近。忽逢桃花林,夾岸數(shù)百步,中無雜樹,芳草鮮美(xiānměi),落英繽紛,漁人甚異之。復前行,欲窮其林。林盡水源,便得一山,山有小口,仿佛若有光。便舍船,從口入。初極狹,才通人。復行數(shù)十步,豁然開朗。土地平曠,屋舍儼然,有良田美池桑竹之屬。阡陌交通,雞犬相聞。其中往來種作,男女衣著,悉如外人。黃發(fā)垂髫,并怡然自樂。見漁人,乃大驚,問所從來。具答之。便要還家,設酒殺雞作食。村中聞有此人,咸來問訊。自云先世避秦時亂,率妻子邑人來此絕境,不復出焉,遂與外人間隔。問今是何世,乃不知有漢,無論魏晉。此人一一為具言所聞,皆嘆惋。余人各復延至其家,皆出酒食。停數(shù)日,辭去。此中人語云:“不足為外人道也?!奔瘸?,得其船,便扶向路,處處志之。及郡下,詣太守,說如此。太守即遣人隨其往,尋向所志,遂迷,不復得路。南陽劉子驥,高尚士也,聞之,欣然規(guī)往。未果,尋病終,后遂無問津者。14第十四頁,共25頁。ATaleoftheFountainofthePeachBlossomSpring
IntheyearofTaiyuanoftheJinDynasty,therelivedamaninWulingjunwhoearnedhislivingbyfishing.Oneday,herowedhisboatalongastream,unawareofhowfarhehadgonewhenallofasudden,hefoundhimselfinthemidstofawoodfullofpeachblossoms.Thewoodextendedseveralhundredfootstepsalongbothbanksofthestream.Therewerenotreesofotherkinds.Thelushgrasswasfreshandbeautifulandpeachpetalsfellinriotousprofusion.Thefishermanwassocuriousthatherowedon,inhopesofdiscoveringwherethetreesended.15第十五頁,共25頁。Attheendofthewoodwasthefountainheadofthestream.Thefishermanbeheldahill,withasmallopeningfromwhichissuedaglimmeroflight.Hesteppedashoretoexplorethecrevice.Hisfirststepstookhimintoapassagethataccommodatedonlythewidthofoneperson.Afterheprogressedaboutscoresofpaces,itsuddenlywidenedintoanopenfield.Thelandwasflatandspacious.Therewerehousesarrangedingoodorderwithfertilefields,beautifulponds,bamboogroves,mulberrytreesandpathscrisscrossingthefieldsinalldirections.Thecrowingofcocksandthebarkingofdogswerewithineveryone'searshot.Inthefieldsthevillagerswerebusywithfarmwork.Menandwomenweredressedlikepeopleoutside.Theyall,oldandyoung,appearedhappy.16第十六頁,共25頁。Theyweresurprisedatseeingthefisherman,who,beingaskedwherehecamefrom,answeredtheireveryquestion.Thentheyinvitedhimtovisittheirhomes,killedchickens,andservedwinetoentertainhim.Asthewordsofhisarrivalspread,theentirevillageturnedouttogreethim.Theytoldhimthattheirancestorshadcometothisisolatedhaven,bringingtheirfamiliesandthevillagepeople,toescapefromtheturmoilduringtheQinDynastyandthatfromthenonwards,theyhadbeencutofffromtheoutsideworld.Theywerecurioustoknowwhatdynastyitwasnow.TheydidnotknowtheHanDynasty,nottomentiontheWeiandtheJindynasties.Thefishermantoldthemallthethingstheywantedtoknow.Theysighed.Thevillagersofferedhimonefeastafteranother.Theyentertainedhimwithwineanddeliciousfood.Afterseveraldays,thefishermantookhisleave.Thevillagepeopleentreatedhimnottoletothersknowoftheirexistence.17第十七頁,共25頁。Onceout,thefishermanfoundhisboatandrowedhomeward,leavingmarksalltheway.Whenhecamebacktothejun,hereportedhisadventuretotheprefect,whoimmediatelysentpeopletolookfortheplace,withthefishermanasaguide.However,themarkshehadleftcouldnolongerbefound.Theygotlostandcouldnotfindtheway.LiuZijiofNanyangjun,alearnedscholarofhighrepute,wasexcitedwhenheheardthefisherman'sstory.Hedevisedaplantofindthevillage,butitwasnotcarriedout.Liudiedsoonafterwards,andafterhisdeath,nooneelsemadeanyattempttofindit.18第十八頁,共25頁。桃花源的重要(zhòngyào)影響1.早期烏托邦。基于現(xiàn)實運用想象勾勒出的一副理想社會的圖景。“直于污濁世界中另辟一天地”。在桃花源中,只有父子無君臣,人人勞動無剝削,大家平等無壓迫,和平幸福無戰(zhàn)亂,這些都是對當時社會的不滿和否定,“世外桃源(shìwàitáoyuán)”成為人們心目中理想社會的代稱,對后世影響深遠。Anearlyformoftheutopia.2.以漁夫和桃花源中的人進行對比,肯定了桃花源中人的淳樸熱情,婉諷了世俗的背約寡信和邀名號利。3.文章還在虛構的情節(jié)中雜以真人姓名,以增強其真實感,似早期的報告文學。4.敘述簡潔明暢,語言清新省凈,文風真率自然,毫無雕飾,體現(xiàn)了陶淵明文章疏朗清淡的風格。19第十九頁,共25頁。SignificanceofTaoYuanmingThepersonalizedvoiceofapoetTaoYuanmingiscertainlynotthefirstChinesepoettowritepoemsonreclusion,buthisuniquenessliesinthefactthathetransformstheconventionalvocabularyandstockimagesofpoetryonreclusionintoahighlypersonalizedpoetry,andcombinestraditionalthemesandformswithacomplexindividualvoice.Morethananyonebeforehim,hispoetryalludestotheparticularcircumstancesofthepoetinthehistoricalhereandnowratherthantoagenericgentleman-recluse.Suchgesturesofindividuationcanbeseenaspartofalargerdiscursivetendencyfromthethirdcenturyon.TaoYuanming,however,integratesthenarrativeelementintohispoetryitself,makingiteffectivelyapoetryofautobiography,evenifthisautobiographyisahighlyconstructedself-imageratherthanan“objective”documentary.20第二十頁,共25頁。Simplicityinlanguageandstyle:Incontrastwiththeformalsocialversewrittenbyhiscontemporaries,TaoYuanmingusedasimple,unpretentiouslanguagetorecordtheeventsofdailylifeaswellashisthoughtsandfeelings.Thesimplicityofhisstyleshouldnot,however,obscurethepoet’sself-consciousnessandsophistication,whicharerarelyfoundinhiscontemporaries’rhetoricallymoreelaborate,butemotionallylesscomplicated,writings.21第二十一頁,共25頁。
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