版權(quán)說(shuō)明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)
文檔簡(jiǎn)介
梁丹娜Macbeth.KeyfactsofMacbethPlotoverviewMajorconflictCharacterListSymbolsMotifsStudyQuestions..KeyFactsfulltitle
·
TheTragedyofMacbethauthor
·
WilliamShakespearetypeofwork
·
Playgenre
·
Tragedylanguage
·
Englishtimeandplacewritten
·
1606,Englandtone
·
Darkandominous,suggestiveofaworldturnedtopsy-turvybyfoulandunnaturalcrimesprotagonist
·
Macbeth.PlotoverviewMacbeth&Banquo—thebattleWitches’prophecyDuncan’sdeathThedeathofBanquo&theescapeofhissonWitches’prophecyTherevengeMacbeth’sdeath.majorconflicts
ThestrugglewithinMacbethbetweenhisambitionandhissenseofrightandwrong;thestrugglebetweenthemurderousevilrepresentedbyMacbethandLadyMacbethandthebestinterestsofthenation,representedbyMalcolmandMacduff.themes
·
Thecorruptingnatureofuncheckedambition;therelationshipbetweencrueltyandmasculinity;thedifferencebetweenkingshipandtyrannymotifs
·
Thesupernatural,hallucinations,violence,prophecysymbols
·
Blood;thedaggerthatMacbethseesjustbeforehekillsDuncaninAct2;theweather.Forshadowing:ThebloodybattleinAct1foreshadowsthebloodymurderslateron;whenMacbeththinkshehearsavoicewhilekillingDuncan,itforeshadowstheinsomniathatplaguesMacbethandhiswife;Macduff’ssuspicionsofMacbethafterDuncan’smurderforeshadowhislateroppositiontoMacbeth;allofthewitches’propheciesforeshadowlaterevents..CharacterListMacbeth
-
MacbethisaScottishgeneralandthethaneofGlamiswhoisledtowickedthoughtsbythepropheciesofthethreewitches,especiallyaftertheirprophecythathewillbemadethaneofCawdorcomestrue.Macbethisabravesoldierandapowerfulman,butheisnotavirtuousone.Heiseasilytemptedintomurdertofulfillhisambitionstothethrone,andoncehecommitshisfirstcrimeandiscrownedKingofScotland,heembarksonfurtheratrocitieswithincreasingease.Ultimately,Macbethproveshimselfbettersuitedtothebattlefieldthantopoliticalintrigue,becausehelackstheskillsnecessarytorulewithoutbeingatyrant.Hisresponsetoeveryproblemisviolenceandmurder.UnlikeShakespeare’sgreatvillains,suchasIagoin
Othello
andRichardIIIin
RichardIII,
Macbethisnevercomfortableinhisroleasacriminal.Heisunabletobearthepsychologicalconsequencesofhisatrocities..LadyMacbethLadyMacbethisoneofShakespeare’smostfamousandfrighteningfemalecharacters.Whenwefirstseeher,sheisalreadyplottingDuncan’smurder,andsheisstronger,moreruthless,andmoreambitiousthanherhusband.SheseemsfullyawareofthisandknowsthatshewillhavetopushMacbethintocommittingmurder.Atonepoint,shewishesthatshewerenotawomansothatshecoulddoitherself.ThisthemeoftherelationshipbetweengenderandpoweriskeytoLadyMacbeth’scharacter:herhusbandimpliesthatsheisamasculinesoulinhabitingafemalebody,whichseemstolinkmasculinitytoambitionandviolence.Shakespeare,however,seemstouseher,andthewitches,toundercutMacbeth’sideathat“undauntedmettleshouldcompose/Nothingbutmales”(1.7.73–74).Thesecraftywomenuse
female
methodsofachievingpower—thatis,manipulation—tofurthertheirsupposedlymaleambitions.Women,theplayimplies,canbeasambitiousandcruelasmen,yetsocialconstraintsdenythemthemeanstopursuetheseambitionsontheirown..LadyMacbethmanipulatesherhusbandwithremarkableeffectiveness,overridingallhisobjections;whenhehesitatestomurder,sherepeatedlyquestionshismanhooduntilhefeelsthathemustcommitmurdertoprovehimself.LadyMacbeth’sremarkablestrengthofwillpersiststhroughthemurderoftheking—itisshewhosteadiesherhusband’snervesimmediatelyafterthecrimehasbeenperpetrated.Afterward,however,shebeginsaslowslideintomadness—justasambitionaffectshermorestronglythanMacbethbeforethecrime,sodoesguiltplaguehermorestronglyafterward.Bythecloseoftheplay,shehasbeenreducedtosleepwalkingthroughthecastle,desperatelytryingtowashawayaninvisiblebloodstain.Oncethesenseofguiltcomeshometoroost,LadyMacbeth’ssensitivitybecomesaweakness,andsheisunabletocope.Significantly,she(apparently)killsherself,signalinghertotalinabilitytodealwiththelegacyoftheircrimes..theThreeWitches----darkness,chaos,andconflicttreasonandimpendingdoomDuringShakespeare'sday,witcheswereseenasworsethanrebels,"themostnotorioustraytorandrebellthatcanbe."[26]
.TheThreeWitches
-
Three“blackandmidnighthags”whoplotmischiefagainstMacbethusingcharms,spells,andprophecies.TheirpredictionsprompthimtomurderDuncan,toorderthedeathsofBanquoandhisson,andtoblindlybelieveinhisownimmortality.Theplayleavesthewitches’trueidentityunclear—asidefromthefactthattheyareservantsofHecate,weknowlittleabouttheirplaceinthecosmos.InsomewaystheyresemblethemythologicalFates,whoimpersonallyweavethethreadsofhumandestiny.Theyclearlytakeaperversedelightinusingtheirknowledgeofthefuturetotoywithanddestroyhumanbeings.Throughouttheplay,thewitches—referredtoasthe“weirdsisters”bymanyofthecharacters—lurklikedarkthoughtsandunconscioustemptationstoevil.Inpart,themischieftheycausestemsfromtheirsupernaturalpowers,butmainlyitistheresultoftheirunderstandingoftheweaknessesoftheirspecificinterlocutors—theyplayuponMacbeth’sambitionlikepuppeteers..SymbolsMacbeth’sclothingWitches’prophecy-Banquo“Newhonorscomeuponhim,/Likeourstrangegarments,cleavenottotheirmold/Butwiththeaidofuse”(1.3.144-146).And,attheend,whenthetyrantisatbayatDunsinane,Caithnessseeshimasamantryinginvaintofastenalargegarmentonhimwithtoosmallabelt:"Hecannotbucklehisdistemper'dcause/Withinthebeltofrule"(V,2,ll.14–15)Intheend,“Nowdoeshefeelhistitle[thatof“king”]/Hanglooseabouthim,likeagiant’srobe/Uponadwarfishthief”(5.2.20-22).Shakespearenotonlyunifiesthebeginningandendingoftheplay;hefillstheconclusionwithatragicirony..themotifoflightanddark—amotifthatoccursalmostubiquitouslyinworldliteraturesandtheBible.Atthebeginningoftheplay,Duncan,therightfulandnoblekingofScotland,comparestherewardshewillgivetoallthosewhohelpedhimdefeattheinsurrectionthatprecedestheactionoftheplaytothelightofstars.“Butsignsofnobleness,likestars,”heannounces,“shallshine/Onalldeservers”(1.4.41-42.Thisisanarchetypaluseoflightassociatedwithgoodness—amotifgivenoneofitsmostimportantexpressionsintheProloguetotheGospelofJohnwhereitisassociatedwithGodhimself(John1:4-5).MacbethstatesthatthenamingofMalcolmasheirtothethroneisanimpedimenttohisownambitiontobeking.“Stars,hideyourfires,”Macbethdeclares;“Letnotlightseemyblackanddeepdesires”(1.4.50-51)..Again,Shakespeareunifiesthetextand,inthiscase,underscoresthedeliberate,intentionalnatureofMacbeth’sevildesiretobecomeking.LadyMacbeth,whogoadedMacbethtokillDuncan,hasbeendriveninsanebytheguiltthatheractionandherhusband’sactionshavecausedher.Inherfamoussleepwalkingsceneinactfive,wearetoldthatsheneverwishestobewithoutalightcloseby(5.1.22-23),forthedarkness—associatedwithherhusband’smurderofKingDuncan—terrifiesher.Withonedeftstroke,ShakespeareturnsMacbeth’sconsciousdesirefordarknesstocoverhissinbackuponLadyMacbeth.(5.5.17-28)..TheexamplesfromShakespeare’s
Macbeth
demonstratehowsubtleandnuancedmotifscanbe.Motifsunifynarrativetexts,particularlywhentheactionisprotractedandthereadertendstobecaughtupintheimmediacyoftheeventsatanygivenpointinthestory.Motifsservetorecallearlierincidentsandtherebyemphasizethemesandideasthattheauthorwishesthereadertoremember.Finally,motifscanprovideanironiccommentarylateinanarrativeaboutmotivesandactionsearlierinthestory..MotifsMotifsarerecurringstructures,contrasts,andliterarydevicesthatcanhelptodevelopandinformthetext’smajorthemes.HallucinationsVisionsandhallucinationsrecurthroughouttheplayandserveasremindersofMacbethandLadyMacbeth’sjointculpabilityforthegrowingbodycount.WhenheisabouttokillDuncan,Macbethseesadaggerfloatingintheair.Coveredwithbloodandpointedtowardtheking’schamber,thedaggerrepresentsthebloodycourseonwhichMacbethisabouttoembark.Later,heseesBanquo’sghostsittinginachairatafeast,prickinghisconsciencebymutelyremindinghimthathemurderedhisformerfriend.TheseeminglyhardheadedLadyMacbethalsoeventuallygiveswaytovisions,asshesleepwalksandbelievesthatherhandsarestainedwithbloodthatcannotbewashedawaybyanyamountofwater.Ineachcase,itisambiguouswhetherthevisionisrealorpurelyhallucinatory;but,inbothcases,theMacbethsreadthemuniformlyassupernaturalsignsoftheirguilt..ViolenceMacbeth
isafamouslyviolentplay.Interestingly,mostofthekillingstakeplaceoffstage,butthroughouttheplaythecharactersprovidetheaudiencewithgorydescriptionsofthecarnage,fromtheopeningscenewherethecaptaindescribesMacbethandBanquowadinginbloodonthebattlefield,totheendlessreferencestothebloodstainedhandsofMacbethandhiswife.Theactionisbookendedbyapairofbloodybattles:inthefirst,Macbethdefeatstheinvaders;inthesecond,heisslainandbeheadedbyMacduff.Inbetweenisaseriesofmurders:Duncan,Duncan’schamberlains,Banquo,LadyMacduff,andMacduff’ssonallcometobloodyends.Bytheendoftheaction,bloodseemstobeeverywhere..Prophecysets
Macbeth’splotinmotion—namely,thewitches’prophecythatMacbethwillbecomefirstthaneofCawdorandthenking.Theweirdsistersmakeanumberofotherprophecies:theytellusthatBanquo’sheirswillbekings,thatMacbethshouldbewareMacduff,thatMacbethissafetillBirnamWoodcomestoDunsinane,andthatnomanbornofwomancanharmMacbeth.SavefortheprophecyaboutBanquo’sheirs,allofthesepredictionsarefulfilledwithinthecourseoftheplay.Still,itisleftdeliberatelyambiguouswhethersomeofthemareself-fulfilling—forexample,whetherMacbethwillshimselftobekingorisfatedtobeking.Additionally,astheBirnamWoodand“bornofwoman”propheciesmakeclear,thepropheciesmustbeinterpretedasriddles,sincetheydonotalwaysmeanwhattheyseemtomean...StudyQuestions1.CharacterizetherelationshipbetweenMacbethandLadyMacbeth.Ifthemainthemeof
Macbeth
isambition,whoseambitionisthedrivingforceoftheplay—Macbeth’s,LadyMacbeth’s,orboth?TheMacbeths’marriage,likethecouplethemselves,isatypical,particularlybythestandardsofitstime.Yetdespitetheiroddpowerdynamic,thetwoofthemseemsurprisinglyattachedtooneanother,particularlycomparedtoothermarriedcouplesinShakespeare’splays,inwhichromanticfelicityappearsprimarilyduringcourtshipandmarriagestendtobetroubled.Macbethoffersanexceptiontothisrule,asMacbethandhiswifearepartnersinthetruestsenseoftheword.Ofcourse,theironyoftheir“happy”marriageisclear—theyareunitedbytheircrimes,theirmutualmadness,andtheirmountingalienationfromtherestofhumanity..ThoughMacbethisabravegeneralandapowerfullord,hiswifeisfarfromsubordinatetohiswill.Indeed,sheoftenseemstocontrolhim,eitherbycraftymanipulationorbydirectorder.AnditisLadyMacbeth’sdeep-seatedambition,ratherthanherhusband’s,thatultimatelypropelstheplotoftheplaybygoadingMacbethtomurderDuncan.MacbethdoesnotneedanyhelpcomingupwiththeideaofmurderingDuncan,butitseemsunlikelythathewouldhavecommittedthemurderwithouthiswife’spowerfultauntsandpersuasions..2.Animportantthemein
Macbeth
istherelationshipbetweengenderandpower,particularlyShakespeare’sexplorationofthevaluesthatmakeuptheideaofmasculinity.Whatarethesevalues,andhowdovariouscharactersembodythem?HowdoesShakespea
溫馨提示
- 1. 本站所有資源如無(wú)特殊說(shuō)明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
- 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
- 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽,若沒(méi)有圖紙預(yù)覽就沒(méi)有圖紙。
- 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
- 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
- 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請(qǐng)與我們聯(lián)系,我們立即糾正。
- 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。
最新文檔
- 個(gè)人擔(dān)保借款協(xié)議模板在線查看
- 特色小鎮(zhèn)旅游服務(wù)合同
- 激發(fā)創(chuàng)新熱情的研學(xué)旅行合同
- 運(yùn)營(yíng)商長(zhǎng)期技術(shù)服務(wù)合同
- 銀行企業(yè)貸款延期合同
- 服務(wù)合同回響好評(píng)
- 家庭護(hù)工服務(wù)合同模板
- 軟木購(gòu)銷合同模板
- 股份制公司合同協(xié)議簽訂流程范例
- 網(wǎng)絡(luò)服務(wù)合同中的知識(shí)產(chǎn)權(quán)保護(hù)
- 地 理第三章地球的面貌復(fù)習(xí)課件-2024-2025學(xué)年湘教版地理七年級(jí)上冊(cè)
- 2024-2025學(xué)年小學(xué)美術(shù)一年級(jí)上冊(cè)(2024)桂美版(2024)教學(xué)設(shè)計(jì)合集
- 國(guó)際貿(mào)易理論與實(shí)務(wù) 課件 第7章 區(qū)域經(jīng)濟(jì)一體化
- 2024內(nèi)蒙古財(cái)經(jīng)大學(xué)輔導(dǎo)員公開(kāi)招聘(列編招聘)3人及歷年高頻難、易錯(cuò)點(diǎn)500題模擬試題附帶答案詳解
- 2024中國(guó)華電集團(tuán)限公司校招+社招高頻難、易錯(cuò)點(diǎn)500題模擬試題附帶答案詳解
- 國(guó)家開(kāi)放大學(xué)電大《會(huì)計(jì)信息系統(tǒng)》期末終考題庫(kù)及標(biāo)準(zhǔn)參考答案
- 多器官功能障礙綜合征MODS診療及護(hù)理試題
- 安徽省2023-2024學(xué)年七年級(jí)上學(xué)期期末數(shù)學(xué)試題(原卷版)
- 2024年人教版八年級(jí)生物(上冊(cè))期末試卷及答案(各版本)
- 醫(yī)院等級(jí)創(chuàng)建工作匯報(bào)
- 2024至2030年中國(guó)3C電子產(chǎn)品租賃行業(yè)市場(chǎng)深度研究及投資規(guī)劃建議報(bào)告
評(píng)論
0/150
提交評(píng)論