Analysis of the landscape in contemporary Chinese traditional aesthetics and modern

1、 analysis of the landscape in contemporary chinese traditional aesthetics and modernpaper keywords: contemporary chinese traditional aesthetics of modern landscape design landscape abstract: combined with the modernization of chinas landscape development, landscape development appear in the collisio

2、n of tradition and modernity are discussed, and when the two collide with each other the status of the various manifestations of the analysis put forward manipulation of contemporary landscape design in china “traditional aesthetics” and “modern” method of integration. 1 of the background after refo

3、rm and opening up, chinas largest city has made great economic success. this situation in particular in: “in particular, chinas coastal areas, the per capita income and material well-being greatly increased. employment and a corresponding expansion of educational opportunities, people can choose a m

4、ore diversified way of life. “ although the reform and opening up the countrys growing economic wealth, the middle class have increased the size and strength, but he is still a relatively small class. “so, the middle class in the hands masters voice is relatively very weak. as a “middle class” part

5、of this social class landscape architect, because of its size and power is still small, the right to speak at their disposal is still relatively weak, so in the land development and construction of the market, their power is more is minimal. but as part of the designers of social responsibility, the

6、y often think about the problem from another angle, such as follow chinas historical tradition, concerned about chinas unique cultural identity. now, philosopher and historian of chinese thought that mr. li zehou concept of “secondary school with modern western style” that “the content and the chine

7、se form of modern” thinking has been widespread concern. where the “modern content” in the field of landscape design is a modern form of the west, while “china in the form” meaning refers to chinese traditional aesthetics at the level of traditional values can be applied to landscape design practice

8、. 2 summary of chinese traditional aesthetics in the modern landscape and modernization these economic base and social background, constituted to promote the development of contemporary chinese landscape, impact theory to explore the landscape and the development of modern landscape provides a rare

9、opportunity. from china over the past nearly 30 years of landscape history of the development of lessons learned point of view, must be cool-headed to re-landscape of chinese contemporary balance of traditional aesthetics and modern - the “body” and “use” to make the balance of reflection, in order

10、to find a clear development of skills and a reasonable theory framework, thus avoiding the construction of chinas landscape development in the future again and encounter more twists and turns. however, to explore the characteristics of the landscape as the landscape itself is not so easy to evaluate

11、. we all know, the landscape characteristics of an entity in itself constitute the basis of the landscape. because of these characteristics of the landscape sparked the response to this thing - they either agree or fierce opposition, or held by the ambiguity ambiguous attitude. for example, peis suz

12、hou museum of garden design, he has been criticized as a european-style octagonal form; katayama flavor with a dry landscape; the courtyard with loneliness , desolate sense of bitter meditation. although it is mixed, but this is where his landscape features. precisely because it is in suzhou, as a p

13、articular environment, by using the unique symbol of suzhou gardens will soon be the majority persons identity - it is about chinese classical garden content. conversely, if the applied mechanically to another urban environment, it will because of the lack of the suzhou traditional culture and envir

14、onment of local atmosphere, easy for people to have no sense of identity. with the development of society, some of the landscape design of the “traditional aesthetics” and “modernization” of the combine to produce a relative harmony. for example, many of the traditional landscape elements become mor

15、e abstract language, the language is no longer the modern landscape elements such as strong as it originally was. but landscape construction itself, this “traditional aesthetics” and “modernization” of the debate will be ongoing, especially in the old neighborhood landscape transformation and transf

16、ormation of life and the people of such a life, spiritual needs closely related to the reflected landscape. landscape in the “traditional aesthetics,” the application of more outstanding performance in the cultural needs of the more high-level blocks (community) environment, such as beijing, ju chil

17、dren transform and vanke v alley park, using the chinese are very good “traditional aesthetics” of the modern real case. in addition, the performance of modern landscape has been a large number of techniques applied to the contemporary landscape design. a large town square, landscape road, theme par

18、ks, scenic zone, leisure square, commercial plaza, landscape planning, commercial and residential area are the most typical representatives. there are two reasons: 1) prior to this there have been few or no similar demand for landscape form and landscape; 2) the development of the environment in chi

19、na , to the modern development is the inevitable trend, “modern content and modern forms are inextricably linked,” which in the town square, commercial plaza, commercial pedestrian street in the landscape design was particularly prominent. links to free papers download center 3 modern landscape of c

20、hinas future thinking and the beginning of modern architecture was introduced to china generated when the opposite phenomenon, in the large-scale urban renewal, the landscape design of the initiative lies in the hands of the majority. government departments outside the new things that take a close c

21、ompletely open mind. these government intervention, “l(fā)ighting engineering, performance engineering” and other environmental improvement projects, some grandiose hold the leadership of the right to speak, they often use some designers meet their design tastes, so completely copy or part of an improve

22、d plaza, the landscape forms abound in chinas various regions. for example, in various cities of the most typical representative of the feat of engineering - the peoples square to see this scene: a large square empty and deserted, wide landscape trail only vehicle figure, nondescript roman column st

23、ands in the city square. although relatively far-sighted part of the landscape architect has put forward in combining chinese and western theory way, but in practice did not really focus on this idea reflected. by studying the history of southern gardens known, “hermit” in the city the concept of ur

24、ban forests is a traditional chinese garden pursuit of artistic conception. and in the manufacture of such a mood to play a significant role in some of the anthropomorphic elements, such as: pine, bamboo, plum, chrysanthemum, orchids, noble character who intended to blending plants, when they are on

25、ly used as landscaping in a simple element, it lost the culture of subjectivity; and when it is given a particular meaning of the environment, its cultural subjectivity is manifested. to rely on traditional forms of landscape elements and traditional landscape transformation can not be achieved due

26、to a modern environment: 1) the traditional form of the spatial distribution function is difficult to meet the needs of the modern landscape and larger scales of spatial planning; 2) was found in the traditional space layout element is difficult to find at first glance, except to some extreme landsc

27、ape to express the symbolic meaning of the unique; 3) is the main reason, the traditional chinese landscape garden in the context of culture in contemporary society has been difficult felt. people utilitarian social thought and fast-paced social life has been the environment that people feel the tra

28、ditional atmosphere of the garden had disappeared damage. when work needs to clearly express it is based on the traditional landscape of the familiar frame of reference, the only from the space or a specific element to be considered can not meet this requirement, from the imitation of the traditiona

29、l chinese garden in recent decades construction can clearly see this. in addition, from the modern advocates of traditional-based landscape architect landscape works, to distinguish different people by the master of the traditional landscape and cultural and historical knowledge is not the same. des

30、ign teachers are often the traditional layout of landscape elements and more familiar with, and understanding of the essential characteristics of the small space. this often will result in the expression of its design work and acceptance of the imbalance. today, the state of this imbalance has been

31、a strong challenge, faced with the problem how to use traditional symbols to express and maintain a fitting sense of cultural identity. undeniably, the traditional culture in the contemporary landscape is still fresh vitality. study of its the reason is the breadth of mind of chinese traditional cul

32、ture of the modern landscape due to the potential inclusion; is the traditional form to create a garden is very familiar with the sense of intimacy and culture, especially when the landscape design for specific use those services is particularly prominent. thus, the contemporary style of chinese lan

33、dscape design is not just the problem, it is the idea of creating a landscape problem. if you can recognize this, then there will be greater landscape architect room for creativity, even close to the hou “modern form of the content and the chinese” aesthetic to think. 4 conclusion landscape from the

34、 development of contemporary international practice, chinas not going to landscape design from the trend of international development presents a unique nationalization, localization of the face. in todays increasingly frequent international exchanges under , contemporary landscape design, like english as international practice, has become a common international language. onl