往屆英語專業(yè)畢業(yè)論文范文

1、A Research into the Construction of Englishness in Bleak HousebyLiu YiyanA thesis presented to the College of Foreign Languages of Zhejiang University of Technology in partial fulfillment of the requirements for the degree of Bachelor of ArtsMay, 2013Advisor: Zhang SanAcknowledgementsMy deepest grat

2、itude goes first and foremost to Professor Luo Jieying, my supervisor, for her constant encouragement and guidance. She has walked me through all the stages of the writing of this thesis. Without her consistent and illuminating instruction, this thesis could not have reached its present form. Second

3、, I would like to express my heartfelt gratitude to my teachers who help me to develop the fundamental and essential academic competence. I also owe my sincere gratitude to my friends and my fellow classmates who gave me their help and time in listening to me and helping me work out my problems duri

4、ng the difficult course of the thesis.Last but not least, Id like to thank all the people who had helped me and thank the help and support from college. AbstractRecently, “Englishness” has been an important and hot subject of debate in the western literary criticism. “Englishness” is the identity of

5、 British own nation and the process to delimitate their own estates. English novel, as the significant literary carrier of “Englishness”, is turned into the significant research field of “Englishness” unquestionably. The United Kingdom is a mighty state in the Victorian age, when “Englishness” is pr

6、esented prominently. Bleak House is one of the novels written by Charles Dickens in his peak stage. This novel describes the lives of different classes under the new industrial revolution in the middle of the Victorian age. And in this novel there is deliberate contrast between city and countryside.

7、 This thesis interprets the construction of “Englishness” through the visual description of house, idyllic landscape as well as the street and buildings in London in the novel Bleak House. Key words: Englishness; national identity; house; countryside; London內(nèi)容摘要近年來，“英國(guó)性”成為西方評(píng)論界的一個(gè)重要主題，所謂英國(guó)性即英國(guó)人自己對(duì)本民

8、族的理解和認(rèn)可，是自我身份的界定過程。作為“英國(guó)性”重要載體的英國(guó)小說自然是“英國(guó)性”研究的重要領(lǐng)域。維多利亞時(shí)期是英國(guó)最強(qiáng)盛的時(shí)期，英國(guó)性在這一階段得到突出體現(xiàn)。小說荒涼山莊是查爾斯·狄更斯在其創(chuàng)作最繁榮時(shí)期的重要小說之一，描寫了維多利亞時(shí)期工業(yè)革命下英國(guó)不同階級(jí)的生活狀態(tài)，其中描繪的城市與鄉(xiāng)村有著一個(gè)鮮明的對(duì)比。本論文欲從小說荒涼山莊中山莊及鄉(xiāng)村景色和倫敦街道及建筑等的視覺性描寫畫面解讀英國(guó)性的構(gòu)建問題。關(guān)鍵詞：英國(guó)性；民族認(rèn)同；山莊；鄉(xiāng)村；倫敦 ContentsI. Introduction .11.1 An Introduction to Bleak House and th

9、e Englishness in Victorian Age.11.2 The Studies of Englishness heretofore.2II. The Country House and Englishness .42.1The Vigorous Perseveration of the English Country House. .52.2 Englishness and the English Countryside7 2.2.1 Anticipation to the Traditional Countryside.7 2.2.2 The Tendency of Engl

10、ishness Loss in Countryside.9III. The Portrait of the City and Englishness .103.1 The Downfall of the buildings in London.103.2 The Urge to Keep the Traditional Englishness in the City.12V. Conclusion.13References .14I. Introduction1.1 An Introduction to Bleak House and the Englishness in Victorian

11、AgeBleak House is a novel by Charles Dickens, published in 20 monthly installments between March 1852 and September 1853. It is the first of Dickens great panoramic novels, and it is as much a modern as a Victorian work in its embodiment of a contradiction in our thinking about society and the indiv

12、idual. It is held to be one of Dickens' finest novels, and in none of Dickens novels is the effect of division and discontinuity more pervasive than that in Bleak House, with its double plot, double time-scheme and double narrative conducted by two separate narrators with markedly different voic

13、es, perspectives and value systems; particularly as Dickens avoids all the obvious ways of conferring symmetry on the divisions. At the novel's core is long-running litigation in England's Court of Chancery, Jarndyce v.s. Jarndyce, which has far-reaching consequences for all involved. This c

14、ase revolves around a testator who apparently made several wills. The litigation, which already has consumed years and between £60,000 and £70,000 in court costs, is emblematic of the failure of Chancery. His harsh characterization of the slow, arcane Chancery law process gave memorable fo

15、rm to pre-existing widespread frustration with the system. Besides, in Bleak House, as a panoramic novel, are there amount of description about the countryside, city, the houses and the lives of different classes to show the social presence in Victorian age, which will be the main vehicle in this th

16、esis to explore the construction of Englishness in Bleak House.This thesis mainly researches the Englishness in Victorian age in Bleak House which Dickens revealed intentionally or unintentionally. This thesis tries to delve into the corners of English life in Bleak House, and it proceeds from the a

17、ssumption that a definition of Englishness is not insular or unitary. The concept of Englishness is not a quantitative one but a relative one, which keeps firmly in the variations in the history. With the industrial revolution, Victorian age sees the development of cities, the innovation in technolo

18、gy and the corresponding changes in life as well as the powerful empirethe empire on which the sun never sets. In this period, Englishness is complex and specifically regional. It can be divided into two sides, the “Southern” and “Northern” of Englishness, “with the Southern standing for order and t

19、radition and defined as romantic, illogical, muddled, divinely lucky, Anglican, aristocratic, traditional, frivolous, and the Northern projecting a nation which is pragmatic, empirical, calculating, Puritan, bourgeois, enterprising, adventurous, scientific, serious and believes in struggle ” (Matles

20、s 1998: 17). The two sides seem opposite and contradictory; however, they actually fuse together in confliction. English want to find a balance among all the above, so they have to compromise in the process to construct a more complex and diversified new Englishness. This thesis analyses the English

21、ness in Victorian age that English swing from the tradition to modern, from inheritance to reform through the novel Bleak House. Charles Dickens or Britain is neither willing to give up their tradition and history, nor willing to miss the chance to develop the industry, economic, society and nationa

22、l power. Therefore, English compromise with the two sides to form the Englishness in Victorian age.1.2 The Studies of Englishness heretoforeWhat is Englishness? The question has already been explored in the past by a wealth of studies but it continues to fascinate and to provoke thought. It is now a

23、cknowledged that the definition anyone gives of Englishness depends on his or her own nationality: whether it is endogenous or exogenous, the definition will necessarily be very different. The fact is that the English have always been reluctant to provide their definition of Englishness. However, it

24、 is in fact very difficult to place the advent of Englishness as a feeling of nationalistic belongings, and Englishness was indeed not just a cultural and a religious phenomenon but also a fact of social and economic culture. There are indeed many ways of defining Englishness: the essentialists are

25、in search of a common and stable identity. Kate Fox, a social anthropologist, acknowledges that her aim was to:“Identify the commonalities in rules governing English behaviorthe unofficial codes of conduct that cut across class, age, sex, region, subcultures and other social boundaries. . . . By loo

26、king beyond the “ethnographic dazzle” of superficial differences, I found that Womens Institute members and bikers, and other groups, all behave in accordance with the same unwritten rulesrules that identify our national identity and character.” (Fox 2004: 2)Fox mainly focus on the same unwritten ru

27、les governing English behavior which is a view from the domestic perspective. She also maintains, with George Orwell, that this identity is continuous, it stretches into the future and the past; there is something in it that persists. Fox provides us a grammar of English behavior.The problem with Or

28、wells famous description of “old maids biking to Holy Communion through the mists of the autumn morning . . . solid breakfasts and gloomy Sundays, smoky towns and winding roads, green fields and red pillar boxes”(Orwell 1970:74-75) is that it could have applied to any nation within the United Kingdo

29、m. It is indeed shared, in the sense that is has also become stereotypical. The same goes for John Betjemans definition:“ For me England stands for . . . oil-lit churches, Womens Institutes, modest village inns, arguments about cow-parsley on the altar, the noise of mowing machines on Saturday after

30、noons, local newspapers, local auction branch-line trains, light railways, leaning on gates and looking across fields”(Paxman 2009:151). Although some of these features are still valid as hallmarks of Englishness, they are mostly redolent of the kind of nostalgia expressed by Blake in “Jerusalem”, n

31、ostalgia for an immutable pastoral England. Nostalgia may well be a permanent characteristic of the English people and indeed Ackroyd sees it as a “national mood” pervading the music of Vaughan Williams and Edward Elgar with the Victorian Age in particular a period of unremitting nostalgia. Krishan

32、Kumar contends that “all that the English can really call upon is the highly selective, partly nostalgic and backward looking version of cultural Englishness elaborated in the late nineteenth century and continued into the next” (Kumar 2003: 269). And Jeremy Paxman defines the English as a people “m

33、arching backwards into the future.” It ensues from this that the English look for permanence through change and this is perhaps one of the main paradoxes of Englishness: it is both permanent and ever-changing, continuous and transient, fixed and flexible. As paradoxical as it may appear, the fact is

34、 that traditions look both backwards and forwards. Q. D. Leavis assumption that “a live tradition must obviously contain both continuity and innovation” (Leavis 1983:303) has been taken up again more recently by Eric Hobsbawm who refers to traditions that were invented specifically in fact for polit

35、ical reasonsto fit modern times.And the cross fertilization between historiography, political, social, cultural and literary studies allows for the emergence of a composite image of Englishness as both a reality and an imagined representation. Echoes and correspondences between the different article

36、s show not only that “the art of any country is an exact exponent of its ethical life” (Ruskin 1870: 39) but also that landscape and literature have much to say to each other or politics to music and vice versa. Clearly, Human Geography, Cultural and Literary studies and the new Cultural History hav

37、e gone interdisciplinary. If geography looks at literature, spatial practices are part of cultural studies. Recently years have brought excellent detailed studies of issues of landscape and Englishness in relation to painting, literature, photography and the country house, which arise a debate on th

38、e cultural effects of ruralism, nostalgia, and a concern for heritage. For some these are symptoms of cultural health, denoting a continuing concern for nature, for place, for roots; for others they signal only cultural decline, a country unable to face up to the modern world. Such arguments tend to

39、 assume that the rural, the natural and the historical are at odds with the modern. This thesis will research the construction of Englishness in Charles Dickens Bleak House mainly through the landscape, the rural and the modern city.II. The Country House and Englishness2.1 The Vigorous Perseveration

40、 of the English Country HouseThe English country house has an elitist power, though it has been weakening in face of the devastation of the rural economy and the growing hostility toward the aristocracy. The new industrial revolution brings the U.K. the prosperity of the industrial economy, while th

41、e agriculture begins to lose his dominance. The unprecedented heritage appeals led a large of formerly fertile fields to be changed into the stretches of barren land and a large of once wonderful accommodations look bleak. All of above are presented in the novel Bleak House. The strong desire of Cha

42、rles Dickens to preserve the past as the foundation of individual and collective identity is implied in the country house.此處刪除多段The similar vigorous perseveration can be seen in Richard Carstone, who is deeply involved in the Jarndyce suit. His insistence and crazy about the heritage reflect the imp

43、ortance of the heritage from the family including the houses to him from a side, as “the houses are considered as the symbol of estate and prestige and are the achievement of several generations care” (陳景行 2011：327). Involved in the case, Richard changed much that he is no longer energetic and healt

44、hy but spiritless and tallow-faced. Mr. Woodcourt “found him in a dull room, fadedly furnished; much as I had found him in his barrack-room but a little while before, except that he was not writing, but was sitting with a book before him, from which his eyes and thoughts were far astray” (Dickens 19

45、93: 586). In order to inherit property, Richard pays dearly as he not only spends all his money, sells his military rank and even uses Ada Clares property, but also his health and life. However, Richard never gives up his pursuit to the heritage. Even on his deathbed, Richard is asking “when shall I

46、 go from this place, to that pleasant country where the old times are when shall I go?”(Dickens 1993: 734) The pursuit of Richard to the case of Jarndyce v.s. Jarndyce is precisely the pursuit of the English, which is the process of identifying themselves in the new industrial era.The tragic result

47、of Richard reveals the frustration and helpless of Dickens. Dickens struggled to inherit and keep the tradition or old culture and style, however, all of his striving seems unavailing just like Richard the heritage has been spent up in the judicial proceedings. So Dickens has to compromise to the re

48、ality to accept and adapt himself to the modern life and mindset with nostalgia for the past.2.2 Englishness and the English countryside In the speech delivered on May 6, 1924 on the meanings of Englishness, Stanley Baldwin, the former British prime minister, mentioned the honorable nature of the “E

49、nglishman”. For the home-loving prime minister, the love for England was closely related to an inborn love for home and garden in the English countryside: “nothing can be more touching than to see how the working man and woman after generations in the towns will have their bits of garden if they can

50、, will go to the garden if they can, to look at something they never seen as children, but which their ancestors knew and loved” (Baldwin 1926: 8). He considered the English countryside the symbol of Englishness and also believed that its a kind of ideal home.2.2.1 Anticipation to the Traditional Co

51、untrysideIn the mind of Charles Dickens, country should remain the traditional landscape of country, while the city should keep his urbanism. This idea is same with what David Matless supported, “Let Urbanism prevail and preponderate in the town and let the country remain rural” (Matless 1998: 32).

52、They reach a consensus that the distinction should be kept clear rather than hermaphrodites. So every time Dickens put his pen into the countryside life and the idyllic scenery, his tone will be leisure, free and easy.In Bleak House, Dickens shows and describes the countryside mainly through the eye

53、 of Estber Summerson. And much of his description expresses idyllic life of yearning and pursuit, which actually is a kind of romanticism in Englishness. They enjoy themselves in the countryside life and live a natural, simple, peaceful and leisurely life. Even Dickens anima

54、l has a free and wild life.“There may be some motions of fancy among the lower animals at Chesney Wold. The horses may contemplate some mental pictures of fine weather on occasions, and may be better artists at them than the grooms. The old roan, so famous for cross-country work, turning his large e

55、yeball to the grated window near his rack, may remember the fresh leaves that glisten there at other times, and the scents that stream in, and may have a fine run with the bounds.”(Dickens 1993:72) 此處刪除多段In Bleak House, Dickens also expresses his affection to the countryside landscape by Estber Summ

56、ersons sickened eyes. When Estber Summerson just recovers from a dangerous illness and recuperate in the countryside, she totally immerse in the pastoral scenes. “It was delightful weather. The green corn waved so beautifully, the larks sung so joyfully, the hedges were so full of wild flowers, the

57、trees were so thickly out in leaf, the bean-fields, with a light wind blowing over them, filled the air with such a delicious fragrance!”(Dickens 1993:212) These pastoral scenes are delectable and relaxing, however, its not the choice of Dickens but the model which is the inevitable choice of Englis

58、h novel. “The green corn, larks, hedges as well as the greenwood are all the symbol of the traditional country life”(姜士昌 2008:206). In the eye of Estber Summerson, the all above appeared in the country are very harmonious and have the magic power of nature and humanity. “On everything, house, garden, terrace, green slopes, water, old oaks, fern, moss, woods again, and far away across the openings in the prospect, to the distance lying wide before us with