浙江大學在職研究生報名簡章大全

PAGEPAGE8《專業(yè)外語》教案2010-2011學年度第2學期適用適用專業(yè)文化產業(yè)管理適用年級2009級本科主講教師王萍文學院2011年Subjectname:SpecializedEnglishMajor:MasterofCultureAdministrationClass:2009upgraduateUnit1PrefaceIntroducemyselfSubjectschemeAbouttheclassdisciplineDomesticResearchesonCultureIndustryIntroducesomenationalwebsitesonthismajorA.Comprehensivewebsites（綜合性網站）:（中國文化產業(yè)網）（中國文化創(chuàng)意產業(yè)網）（文化產業(yè)網）①中國文化產業(yè)網（）是中國權威文化產業(yè)門戶和全國文化產業(yè)項目服務工程唯一發(fā)布平臺。開設產業(yè)要聞、產業(yè)政策、書畫藝術、委、傳媒出版、影視音像、創(chuàng)意設計、娛樂演藝、動漫游戲等欄目，是國內為數不多的關于文化產業(yè)的專業(yè)實際操作網站。②中國文化創(chuàng)意產業(yè)網（）是關于中國文化產業(yè)研究的網站，主要包括學術、新聞、管理三大板塊內容，每一版塊又有若干小欄目，內容豐富詳實。③文化產業(yè)網（）是北京工商聯(lián)文化產業(yè)商會主辦的綜合性大型門戶網站。本商會的宗旨是與旅游聯(lián)合，挖掘北京民間工藝金礦、打造首都文化產業(yè)名牌。/（中國文化產業(yè)學術網）B.Specializedwebsites（專業(yè)研究網站）：（國家文化產業(yè)創(chuàng)新與發(fā)展研究基地）http://www.ciipku.con（北京大學文化產業(yè)研究所）/indesx.aspx（清華大學文化產業(yè)研究中心）（山西省文化產業(yè)研究中心）/ciiyun（云南大學文化產業(yè)研究所）①國家文化產業(yè)創(chuàng)新與發(fā)展研究基地（）。國家文化產業(yè)創(chuàng)新與發(fā)展研究基地是中華人民共和國文化部和上海交通大學共同建設的國家級研究基地。就我國文化產業(yè)政策、文化產業(yè)理論、文化產業(yè)發(fā)展戰(zhàn)略、國家文化產業(yè)創(chuàng)新體系、國家文化安全等建設中國文化產業(yè)體系所涉及的廣泛領域，開展多層次、跨學科研究。②北京大學文化產業(yè)研究所（http://www.ciipku.con）。北京大學文化產業(yè)研究員整合北京大學文化產業(yè)相關研究資源，深化文化產業(yè)理論和政策的研究，培養(yǎng)高級經營管理人才，促進產、學、研一體化，推動我國文化產業(yè)發(fā)展。山東大學歷史文化學院2003年成立文化產業(yè)管理系，是“文化產業(yè)管理”專業(yè)首批承擔者，。2004年該院的“傳統(tǒng)文化”博士點也開始以“文化資源與文化產業(yè)研究”為方向，正式招生博士研究生。2004年9月，中國首批60名“文化產業(yè)管理”專業(yè)本科生進入山東大學學習。至2005年9月，山東大學歷史文化學院的博士后流動站開始招收“文化產業(yè)研究”方向的博士后。至此，該院文化產業(yè)管理專業(yè)已形成了從本科、碩士到博士、博士后的一套完整教育體系。③清華大學文化產業(yè)研究中心（/indesx.aspx）。清華大學文化產業(yè)研究中心是跨院系援救機構，以傳播學、工商管理、公共管理、設計藝術學等學科為依托，以清華控股有限公司和其他大型揣及文化產業(yè)集團為企業(yè)支撐，實行人員流動的運行機制，研究人員由校內外專職和兼職人員構成。④山西省文化產業(yè)研究中心（）。山西省文化產業(yè)研究中心是為建設文化強省，依托陜西財經大學而成立的專門從事文化產業(yè)研究的機構，為山西建設文化強省提供智力支持。⑤云南大學文化產業(yè)研究所（/ciiyun）。云南大學文化產業(yè)研究所是一所產、學、研一體化的新型研究機構，主要進行民族文化及其產業(yè)化的理論研究、文化產業(yè)開發(fā)的運用研究、文化產業(yè)的相關政策、法規(guī)研究等。云南大學文化產業(yè)管理系是在文化產業(yè)研究所基礎上成立的系所合一的教學、科研單位。云南大學文化產業(yè)研究所成立于2003年10月，是一個產、學、研一體化的新型研究機構。該系致力于培養(yǎng)掌握文化產業(yè)經營與管理方面的基本知識、基本技能和基本理論，能從事文化藝術管理、文化產業(yè)創(chuàng)意、民族文化產業(yè)開發(fā)等領域的理論研究和實際操作的復合型人才。IntroducesomenationaluniversitiesandcollegesShandongYunnanOceanUniversityofChina山東文化產業(yè)網（http://www.sdci.）山東文化產業(yè)基地山東省文化產業(yè)研究基地。山東省文化創(chuàng)意產業(yè)研發(fā)基地。山東文化產業(yè)理論創(chuàng)新基地。山東文化產業(yè)人才培養(yǎng)研究基地。山東文化產業(yè)網（http://www.sdci.）由山東省委宣傳部文化體制改革與發(fā)展辦公室指導、山東大學山東文化產業(yè)研究基地主辦，是山東省文化產業(yè)系統(tǒng)專業(yè)信息門戶和對外宣傳平臺。該網站以建設文化產業(yè)“信息交流平臺，學術研究基地，工作指導載體，人才集聚橋梁”為目標，及時提供政策咨詢，致力服務全省文化產業(yè)發(fā)展。網站目前設有公共信息、學術研究、產業(yè)信息、其他專業(yè)信息四大板塊和文化資源、文化創(chuàng)意、政策法規(guī)、行業(yè)動態(tài)等36個頻道。山東文化產業(yè)網2006年山東文化產業(yè)基地為促進文化產業(yè)發(fā)展，加快文化強省建設步伐，山東省相繼設立文化產業(yè)四大基地。一是山東省文化產業(yè)研究基地。該基地于2003年11月成立，掛靠山東大學歷史文化學院，是一個由省社科院規(guī)劃小組批準成立的從事文化產業(yè)理論研究、人才培養(yǎng)、戰(zhàn)略咨詢和文化產業(yè)運作的機構，致力為山東文化產業(yè)發(fā)展提供學術、智力和人才支持。二是山東省文化創(chuàng)意產業(yè)研發(fā)基地。該基地于2006年9月三是山東文化產業(yè)理論創(chuàng)新基地。該基地于2003年11月成立，掛靠山東社會科學院，由山東省委宣傳部、山東省文化體制改革與發(fā)展領導小組領導下，依托山東社科院專業(yè)理論研究優(yōu)勢，充分發(fā)揮跨學科就特點，致力為山東文化產業(yè)發(fā)展提供決策咨詢和理論創(chuàng)新支持。四是山東文化產業(yè)人才培養(yǎng)研究基地。該基地于2007年6月IntroducethelayoutofEnglishpublishedbookHowdoyoureadtheEnglishpublishedbooks?1theauthorortranslator2thepublishedtime3thepublisher4thecopyright5contents6thesummaryinthecoverorbackExample1:TheCultureIndustry,Theodor·W·Adorno,Routledge(London),1991Example2:CultureIndustry,HeinzSteinert,translatedbySally-AnnSpencer,PolityPress,2003Unit2IntroducethebookCultureIndustry(byHeinzSteinert)TheprefaceThebackgroundTheimportanceofthesocialsciencesCross-culturaldialogueThecooperatorsAboutthecoverofthebookTheCultureIndustry(byTheodor·W·Adorno)Questions1:WhatdoyouthinkaboutT·W·Adorno？Questions2:Whatcanyoulearnfromthisbook？Questions3:Howdoyourevolutethisbook？Unit3SupplementaryExpressionsandReadingMaterial(1)A.SomeSupplementaryexpressions看世界（電視欄目）==AroundtheWorld/WindowontotheWorld/AcrosstheWorld拳頭產品==knockoutproduct/hard-punchproduct/coreproduct/productwithacompetitiveedge/market-penetratingproduct假冒偽劣產品==fakeandinferiorgoods/counterfeitandshoddygoods打假==tocrackdownoncounterfeitgoods公章==officialseal黃金地段==prime/central/ideallocation外向型企業(yè)==export-orientedmanufacturing以外貿企業(yè)為龍頭==withforeigntradefirmsasthelocomotive/flagship保稅區(qū)==bondedzone/free-tradezone進出口商品結構==themake-up/compositionofimportsandexports小商品博覽會==generalmerchandiseshow/expo機場班車==airportshuttlebus/airportshuttle空調公共汽車==air-conditionalbus旅游熱點==apopulardestinationoftourists/apopulartouristattraction/aMeccaoftourists超值享受==enjoymentwithextrabenefits人文奧運==Cultural-EnrichedOlympics科技奧運==Technology-Empowered/PropelledOlympics免淘米==pre-washedrice三通==Utilityservices,telecommunicationsandpaveroadareavailable不得弄虛作假！==Nocounterfeitandcheating!我們改革開放的步子要邁得更大一些！==Takeabroaderapproachtoeconomicreformandopeningup!熱烈歡迎國內外嘉賓參加貿易洽談會！==WarmwelcometoallhonoredguestsbothathomeandabroadtoattendtheTradeTalks！歡迎國內外嘉賓光臨本市1==Youarewelcometovisitthiscity,guestsofhonorfromhomeandabroad!B.SupplementaryReadingMaterial1.CultureMinister–China’sCultureIndustryAchievedGreatSuccessinthePast60YearsChineseMinisterofCultureCaiWusaysChina'scultureindustryhasexperiencedrobustdevelopmentoverthelast60years,contributinggreatlytothedevelopmentofthenationaleconomy.Healsopledgedtoprovideafavorablepolicyenvironmentforprivatecapitalinvestmentintheculturalsector.Zhangchenghasmore.

Reporter:

AtapressconferenceonMonday,ChineseMinisterofCultureCaiWusaidthatsinceChina'sreformandopeningupin1978,China'scultureindustryhasdevelopedatafasterpaceandachievedgreatsuccess.

HesaysthatthepresenttimeisoneofthebestagesinhistoryforChina'scultureindustry.

"SinceChina'sreformandopeningup,Chinahasgraduallyshapeditsculturemarket,includingentertainment,performingarts,movies,theinternetandfinearts.Meanwhile,anopen,orderedmarketsystemhasbeenformed."

CaiWusaidthatinthepast,mostculturalorganizationswerestate-runandfundedbythegovernment,meaningtheyoftendidnotconsiderwhethertheirperformancesweregoodenoughtoattractaudiences.Butthisphenomenonhasslowlychangedoverthelast30yearsasthegovernmenthasbeenrestructuringstate-ownedculturalenterprisestomakethemmoremarket-orientedandeconomicallyefficient.

CaiWusaidChina'scultureindustry,inrecentyears,experiencedrapidgrowthatarateofover15percentyear-on-year.Insomeregions,ithasevenbecomeapillarofeconomicgrowth.

HesaidChinawillencourageallkindsofprivateinvestorstoentertheculturalsector.

"Inthemarketeconomy,bothprivateandstate-runculturalenterprises,suchasfilmandTVprogramstudios,entertainmentagenciesandrecordcompanies,wouldenjoythesametreatment,asawayofmakingthedomesticculturemarketprosperous.Exceptforafewbusinesses,theculturalsectorwillbeopentoforeigninvestorsaswell."

Headdsthatarestructuringofthe268state-ownedpublishinghousesisalreadytakingplaceandisexpectedtobecompletedbytheendofnextyear.

Meanwhile,theministersaidinordertorealizesustainabledevelopmentofthecultureindustry,thegovernmentispreparingtoestablishfinancialandtalents-trainingsystemsfortheculturemarket."WeareconsideringestablishingaculturalfoundationtoattractmoreenterprisestoinvestintoChina'sculturemarket.Moreover,wewillworkoutaseriesoftalentstrainingprogramsandextendtheolivebranchtoprofessionalswithoverseaseducationbackgrounds."

InJuly,theStateCouncilpassedaplanforrevitalizingtheculturalindustry.CaiWupointsoutthatthisplanindicatesthatthecountryhasputthecultureindustryontoastrategiclevelandwillensureitsdevelopmentwithfavorablepolicies.

2.PolicychangestopromotecultureindustryThegovernmentisplanningtodevelopthecultureindustrythroughreforms,butmajorsystemicproblemsremain,industryexpertssaidSunday.

TheplanforboostingtheChinesecultureindustryreleasedbytheStateCouncilSaturdayincludesmajorprojectsforculturaldevelopment,whichaimatexpandingdomesticdemand,creatingnewjobsandpromotingeconomicdevelopment,saidaspokesmanfortheStateCouncilansweringreporter’squestionsSunday.

Theplanincludestheaccelerateddevelopmentofkeyculturalsectorssuchascreativeindustries,filmmakingandentertainment,publishing,advertising,culturalexhibitions,anddigitalanimatedcartoonsectors.

Cross-regionandcross-industrymergersorrestructuringareencouragedtospeedupindustrialintegration.dEconomicStudiesatTsinghuaUniversity,toldtheGlobalTimes.

TheStateisbecominglessinvolvedinseveralculture-relatedgroups,amovethatmanygreetasastepinther

Favorablepolicieswillbegrantedforexportofculturalproductsandservicestoexpandtheforeignculturemarket,accordingtotheplan.

China’scultureindustryinrecentyearshasgrownatratesofover15percentyear-on-year.Insomeregions,ithasevenbecomeapillarofeconomicgrowth,CaiWu,ChineseMinisterofCulture,saidatapressconferenceSeptember14whentheplanwasapproved.

Themajorobstacletotheadvancementoftheculturalindustryisthesystem,whichismostlymadeupofgovernmentagenciesandinstitutions,CuiBaoguo,directoroftheCenterofMediaManagementanightdirection.

Oneoftheseorganizations,theChinaOrientalSong&DanceEnsemble,anationalsonganddancetroupe,iscurrentlybeingtransformedfromacentralgovernmentaffiliatedorganizationundertheMinistryofCulture(MOC)toaState-ownedcompany,andexpectstogetitsbusinesslicensebyendoftheyear,ZhangXianhui,deputyheadoftheensemble,toldtheGlobalTimes.

Underthecurrentsystem,theensemblecannotengageinmanyactivitiessuchassigningindependentcontractsforcommercialperformancesandgetfinancingfromsourcesotherthanStatefunding,Zhangexplained.

Inmanycases,theensembleneedstosubmitanapplicationtothesupervisoryministriesforapproval.

"Foranoverseasperformance,theensembleneedstogetapprovalfromtheMOC.WeneedtosubmitanapplicationtotheMOCtogetfundingandforaninvestmentof8million($1.17million),wealsohavetogetapprovalfromtheMinistryofFinance,"Zhangnoted.

Afterthereform,theensembleasacompanywillbeabletosigncontractsanditwillbemucheasiertogetapproval,Zhangsaid.

Therearestillsomeregulationsthatneedtobeironedout,Zhangadded,"afterall,therehasneverbeenasimilarcasebefore,anditwilltakesometimeforthetransitiontobecompleted."

Around100culturalorganizationsnationwidewillbecomecompaniesbyendoftheyear.3.CultureIndustryCultureindustryisatermcoinedby\o"Criticaltheorists"criticaltheorists\o"TheodorAdorno"TheodorAdorno(1903–1969)and\o"MaxHorkheimer"MaxHorkheimer(1895–1973),whoarguedinthefinalchapteroftheir\o"DialecticofEnlightenment"DialecticofEnlightenment,'TheCultureIndustry:EnlightenmentasMassDeception',thatpopularcultureisakintoafactoryproducingstandardizedculturalgoods–through\o"Film"film,\o"Radio"radioand\o"Magazine"magazines–tomanipulatethe\o"Masssociety"massesintopassivity;theeasypleasuresavailablethroughconsumptionof\o"Popularculture"popularculturemakepeopledocileandcontent,nomatterhowdifficulttheir\o"Economic"economiccircumstances.AdornoandHorkheimersawthismass-producedcultureasadangertothemoredifficult\o"Highart"higharts.Cultureindustriesmaycultivatefalseneeds;thatis,needscreatedandsatisfiedby\o"Capitalism"capitalism.Trueneeds,incontrast,are\o"Freedom"freedom,\o"Creativity"creativity,orgenuine\o"Happiness"happiness.Thiswasreferencetoanearlierdemarcationinneedsby\o"HerbertMarcuse"HerbertMarcuse(see\o"ErosandCivilization"ErosandCivilization(1955)).Contents1TheFrankfurtSchool2Thetheory3Elements4Observations5References6Externallinks\o"FrankfurtSchool"FrankfurtSchoolMajorworks\o"ReasonandRevolution"ReasonandRevolution

\o"DialecticofEnlightenment"DialecticofEnlightenment

\o"MinimaMoralia"MinimaMoralia

\o"ErosandCivilization"ErosandCivilization

\o"One-DimensionalMan"One-DimensionalMan

\o"NegativeDialectics"NegativeDialectics\o"TheTheoryofCommunicativeAction"TheTheoryofCommunicativeActionNotabletheorists\o"MaxHorkheimer"MaxHorkheimer·\o"TheodorW.Adorno"TheodorAdorno

\o"HerbertMarcuse"HerbertMarcuse·\o"WalterBenjamin"WalterBenjamin

\o"FranzLeopoldNeumann"FranzNeumann·\o"FriedrichPollock"FriedrichPollock

\o"ErichFromm"ErichFromm·\o"LeoL?wenthal"LeoL?wenthal

\o"HelmutReichelt"HelmutReichelt·\o"JürgenHabermas"JürgenHabermasImportantconcepts\o"Criticaltheory"Criticaltheory·\o"Dialectic"Dialectic·\o"Praxis(process)"Praxis

\o"Freudo-Marxism"Psychoanalysis·\o"Positivismdispute"Antipositivism

\o"Popularculturestudies"Popularculture·Cultureindustry

\o"Advancedcapitalism"Advancedcapitalism·\o"Privatism"PrivatismAdornoandHorkheimerwerekeymembersofthe\o"FrankfurtSchool"FrankfurtSchool.Theyweremuchinfluencedbythe\o"Dialecticalmaterialism"dialecticalmaterialismand\o"Historicalmaterialism"historicalmaterialismof\o"KarlMarx"KarlMarx,aswelltherevisitationofthe\o"Dialecticalidealism"dialecticalidealismof\o"Hegel"Hegel,inbothofwhicheventsarestudiednotinisolationbutaspartoftheprocessofchange.Asagrouplaterjoinedby\o"JürgenHabermas"JürgenHabermas,theywereresponsiblefortheformulationof\o"CriticalTheory"CriticalTheory.Inworkssuchas\o"DialecticofEnlightenment"DialecticofEnlightenmentandNegativeDialectics,AdornoandHorkheimertheorisedthatthephenomenonofmassculturehasapoliticalimplication,namelythatallthemanyformsofpopularcultureareasinglecultureindustrywhosepurposeistoensurethecontinuedobedienceofthemassestomarketinterests.ThetheoryAlthoughWesterncultureusedtobedividedintonationalmarketsandthenintohighbrow,\o"Middlebrow"middlebrowand\o"Lowbrow"lowbrow,themodernviewofmasscultureisthatthereisasinglemarketplaceinwhichthebestormostpopularworkssucceed.Thisrecognizesthattheconsolidationofmediacompanieshascentralizedpowerinthehandsofthefewremaining\o"Multinationalcorporation"multinationalcorporationsnowcontrollingproductionanddistribution.Thetheoryproposesthatculturenotonlymirrorssociety,butalsotakesanimportantroleinshapingsocietythroughtheprocessesof\o"Standardization"standardizationand\o"Commodification"commodification,creatingobjectsratherthansubjects.Thecultureindustryclaimstoservetheconsumers'needsforentertainment,andisdeliveringwhattheconsumerwants."Thestandardizedforms,itisclaimed,wereoriginallyderivedfromtheneedsoftheconsumers:thatiswhytheyareacceptedwithsolittleresistance.Inreality,acycleofmanipulationandretroactiveneedisunifyingthesystemevermoretightly".\o""[1]Bystandardizingtheseneeds,theindustryismanipulatingtheconsumerstodesirewhatitproduces.Theoutcomeisthatmassproductionfeedsamassmarketthatminimizestheidentityandtastesoftheindividualconsumerswhoareasinterchangeableastheproductstheyconsume.Therationaleofthetheoryistopromotetheemancipationoftheconsumerfromthetyrannyoftheproducersbyinducingtheconsumertoquestion\o"Belief"beliefsand\o"Ideologies"ideologies.Adornoclaimedthatenlightenmentwouldbringpluralismanddemystification.Unfortunately,societyissaidtohavesufferedanotherfall,corruptedbycapitalistindustrywithexploitativemotives.ElementsAnythingmadebyapersonisamaterialisationoftheirlabourandanexpressionoftheirintentions.Therewillalsobeausevalue:thebenefittotheconsumerwillbederivedfromitsutility.Theexchangevaluewillreflectitsutilityandtheconditionsofthemarket:thepricespaidbythetelevisionbroadcasterorattheboxoffice.Yet,themodern\o"Soapopera"soapoperaswiththeirinterchangeableplotsandformulaicnarrativeconventionsreflectstandardisedproductiontechniquesandthefallingvalueofamassproducedculturalproduct.Onlyrarelyisafilmreleasedthatmakesamorepositiveimpressiononthegeneraldiscourseandachievesahigherexchangevalue,e.g.\o"Patton(film)"Patton(1970)starring\o"GeorgeC.Scott"GeorgeC.ScottastheeponymousAmericangeneral,wasreleasedatatimeofconsiderableanti-warsentiment.TheopeningshotisofPattoninfrontofanAmericanflagmakinganimpassionedspeech.Thiswasaformof\o"Dialectic"dialecticinwhichtheaudiencecouldidentifywiththepatriotismeithersincerely(thethesis)orironically(theantithesis)andsosetthetoneoftheinterpretationfortheremainderofthefilm.However,thefilmismanipulatingspecifichistoricalevents,notonlyasentertainment,butalsoasaformofpropagandabydemonstratingalinkbetweensuccessinstrategicresourcemanagementsituationsandspecifiedleadershipqualities.Giventhatthesubtextwasinstrumentalandnot"valuefree",ethicalandphilosophicalconsiderationsarise.Normally,onlyhighartcriticisestheworldoutsideitsboundaries,butaccesstothisformofcommunicationislimitedtotheeliteclasseswheretherisksofintroducingsocialinstabilityareslight.AfilmlikePattonispopularartwhichintendscontroversyinaworldofsocialorderandunitywhich,accordingtoAdorno,isregressingintoaculturalblandness.ToHegel,orderisgoodapriori,i.e.itdoesnothavetoanswertothoselivingunderit.But,iforderisdisturbed?InNegativeDialectics,Adornobelievedthistendedtowardsprogressbystimulatingthepossibilityofclassconflict.Marx'stheoryofHistoricalMaterialismwas\o"Teleological"teleological,i.e.societyfollowsthroughadialecticofunfoldingstagesfromancientmodesofproductiontofeudalismtocapitalismtoafuturecommunism.ButAdornofeltthatthecultureindustrywouldneverpermitasufficientcoreofchallengingmaterialtoemergeontothemarketthatmightdisturbthestatusquoandstimulatethefinalcommuniststatetoemerge.ObservationsCriticsofthetheorysaythattheproductsof\o"Massculture"massculturewouldnotbepopularifpeopledidnotenjoythem,andthatcultureisself-determininginitsadministration.ThiswoulddenyAdornocontemporarypoliticalsignificance,arguingthatpoliticsinaprosperoussocietyismoreconcernedwithactionthanwiththought.Wiggershaus(1994)notesthattheyounggenerationofcriticaltheoristslargelyignoreAdorno'sworkwhich,inpart,stemsfromAdorno’sinabilitytodrawpracticalconclusionsfromhistheories.AdornoisalsoaccusedofalackofconsistencyinhisclaimstobeimplementingMarxism.WhereasheacceptedtheclassicalMarxistanalysisofsocietyshowinghowoneclassexercisesdominationoveranother,hedeviatedfromMarxinhisfailuretousedialecticasamethodtoproposewaystochange.Marx'stheorydependedonthewillingnessoftheworkingclasstooverthrowtherulingclass,butAdornoandHorkheimerpostulatedthatthecultureindustryhasunderminedtherevolutionarymovement.Adorno'sideathatthemassofthepeopleareonlyobjectsofthecultureindustryislinkedtohisfeelingthatthetimewhentheworkingclasscouldbethetoolofoverthrowingcapitalismisover.Othercriticsnotethat"Highculture"tooisnotexemptfromaroleinthejustificationofcapitalism.Theestablishmentandreinforcementofelitismisseenbythesecriticsasakeyelementintheroleofsuchgenresas\o"Opera"operaand\o"Ballet"ballet.However,despitetheseproblems,theconcepthasinfluencedintellectualdiscourseon\o"Popularculture"popularculture,\o"Popularculturestudies"popularculturestudies,and\o"CulturalInstitutionsStudies"CulturalInstitutionsStudies.References\o""↑Horkheimer,M.andAdorno,T.W.:TheCultureIndustry:EnlightenmentasMassDeception,p.121.ContinuumInternationalPublishingGroup,1976.Adorno,T.W.NegativeDialectics.NewYork:TheSeaburyPress.(1973)Adorno,T.W.\o"http://www.icce.rug.nl/~soundscapes/DATABASES/SWA/Some_writings_of_Adorno.shtml"ASampleofAdorno'sideasonthecultureindustryandpopularmusicAdorno,T.,&Horkheimer,M.DialecticofEnlightenment.StanfordCook,D.TheCultureIndustryRevisited.Rowman&Littlefield.(1996)Hesmondhalgh,D.TheCulturalIndustries.Sage.(2002)Marcuse,H.ErosandCivilization.Beacon.(1955)Steinert,H.CultureIndustry.Cambridge:Polity(2003)Wiggershaus,R.TheFrankfurtSchoolWitkin,R.W.AdornoonPopularCulture.Routledge.(2003)Scott,AllenJ.TheCulturalEconomyofCities.Sage.(2001)Unit4SupplementaryExpressionsandReadingMaterial(2)1.CPPCCmembersdebateoncultureindustryTheindustrializationofcultureisalwaysaninterestingtopicinacountrywithabundantculturalresources.Reporter,XuZhaoqun,wwatchedthedebateamongCPPCCMembersfromtheartsectoronculturedevelopment.Whilehighlypraisingsomeprivateculturalenterprises,renownedfilmdirectorFengXiaogangcriticizedthestateownedarttroupesfortheirpoormanagementskillsandconstantdemandforfinancialsupportfromthegovernment.FengXiaogang,CPPCCmember,said,"Asmallcompany,withoutowningsuperstars,bigmoneyandpolicysupport,hasdevelopedsofastinacoupleofyears.Isn'titanexampleforotherstofollow?"FengwasimmediatelyrefutedbyNiPing,afamousfilmactresswhoinsistedthatFengtookthesideoftheprivatesector.NithenhadsupportfromvocalistYuJunjian.YuJunjian,CPPCCmember,said,"Vulgarityisdominatingourstage.Thisisnotwhatweshouldcarryforward.SomesocalledartistsoccupytheSpringFestivalgalawiththeirvulgaractsandmakeitacommercialfortheirownbusiness."ThestatementalludedtothepopularcomedianZhaoBenshan,whoownsalargeculturalbusiness.Zhao'scomedyatthisyear'sgaladrewheavycriticismfortoomuchproductplacement.SomeCPPCCMembersexpressedtheirworriesaboutthelackofsupportformuseumsandgalleries.Somepointedattheexhibitionofpreciousartworks,andsomeblamedindustrializedpopularculturefordamagingtraditionalartforms.ZhangHuijun,CPPCCmember,said,"JohnWoo'sfilmThreeKingdomschangeshistory.Itisabsolutelyrubbish."Nomatterhowfuriousthedebatewas,Membersadvocatedforreformintheculturesector.YinLi,CPPCCMember,said,"Industrializationisbringingmoremoneytotheculturalsector.Variousenterprisesinthecultureindustryisgoodforimprovingtheircapabilitytowithstandrisks."Adivergenceofopinionsonculturaldevelopmentisob