這個城市公園是一個超級的建筑

1、這個城市公園是一個超級的建筑，景觀，藝術(shù)結(jié)合體，其包含了60多個不同文化背景城市的展覽，在丹麥哥本哈根市中心這樣一個單一種族的區(qū)域，掀起了一項別開生面的挑戰(zhàn)和展示。三個色彩鮮明的區(qū)域分別有著自己獨特的氛圍和功能，紅色區(qū)域為相鄰的體育大廳提供了延伸的文化體育活動空間，黑色的區(qū)域是當?shù)厝颂烊坏木蹠鏊?，綠色的區(qū)域提供大型體育活動用地。在三個區(qū)域的基礎(chǔ)之上，展示全球60個城市上百件藝術(shù)品。在設(shè)計的過程中，讓當?shù)鼐用癯浞謪⑴c。避免先入為主而實現(xiàn)了最大的公共性。BIG認識到這個項目不僅僅是一個城市設(shè)計，更是一個全球城市最佳展示區(qū)。除了公共家具，在植物的選擇上也強調(diào)物種多樣性：日本的櫻花，落葉松；中國的棕

2、櫚；黎巴嫩的雪松等等。這是一個與公共交通系統(tǒng)，自行車交通系統(tǒng)還有步行系統(tǒng)無縫連接的文化多樣性超級公園。資料收集來自于谷德設(shè)計網(wǎng)和TOOTSY的主頁，感謝提供學習！ The urban parkby BIG + TOPOTEK1 + SUPERFLEX conceived as a giant exhibitionof urbanbest practice by incorporating everyday objects from more than 60 differentcultures,constitutes a rare fusion of architecture, landscap

3、e and art. The kilometer long urban park wedges through the Nrrebro area just north of theCopenhagencity center, creating a different yet unifying space in one of the mostethnicallydiverse and socially challenged neighborhoods in Denmark. The aim of theinvitedcompetition initiated by the City of Cop

4、enhagen and Realdania Foundationbackin 2005 was to create a truly unique urban space with a strong identity on alocaland global scale. The 13.4 million euro development startedconstruction in 2009 andopened to the public in June 2012. Superkilen is divided into three color-coded areas, each with a d

5、istinctatmosphericand functional condition: the large and expansive red squarewhich serves as anextension of the adjacent sports hall offering a rangeof recreational and culturalactivities; the black square as the heart ofthe Superkilen where locals can meet by theMoroccan fountain or a game of ches

6、s; and a linear green stretch as a naturalmeetingplace for large-scale sports activities providing vantage pointsover the surroundings.The three areas form the backdrop to the surrealistcollection of global urban diversityof more than 100 objects from 60cultures which reflect the true nature of the

7、localneighborhood. Theobjects were selected through an intensive curatorial process inclosecollaboration with the local population. “Rather than a public outreach process towards the lowest common denominator orapolitically correct post rationalization of preconceived ideas navigatedaround anypotent

8、ial public resistance we proposed public participationas the driving force ofthe design leading towards the maximum freedom ofexpression. By transformingpublic procedure into proactive proposition wecurated a park for the people by thepeople peer to peer design literally implemented.” Bjarke Ingels,

9、 Founding Partner,BIG. The objects ranging from exercise gear, including muscle beach LA to sewagedrainsfrom Israel, palm trees from China and neon signs from Qatar andRussia are allaccompanied by a small stainless plate inlaid in the grounddescribing each of theobjects and their origin.“When our te

10、am was invited to propose a project in this neighborhood werealized thatwe had to do more than just urban design. Rather than plasteringthe urban area withDanish designs we decided to gather the localintelligence and global experience tocreate a display of global urbanbest practice comprising the be

11、st that each of the 60different culturesand countries have to offer when it comes to urban furniture.” NannaGyldholmMller, Project Leader, BIG. The Copenhagen-based art group Superflex took the public participation furtherinto theextreme by handpicking five groups of people and travelling tothe coun

12、try of their originto document the process of selection. “Our mission was to find the big picture in the extreme detail of a personalmemory orstory, which on the surface might appear insignificant, but oncehunted down andenlarged became super big. A glass of palestinian soil ina living room in Nrreb

13、roserving as a memory of a lost land, enlarged to asmall mountain of palestinian soil inthe park. A distant Mediterraneanflirt in the seventies symbolised by a great iron bull,hunted down andraised on a hill in the park.“, SUPERFLEX Throughout the Superkilen red maple, Japanese cherry trees, larix,

14、palm treesfromChina and Lebanese cedar trees are planted to offer more shade andvegetativeinterest, augmenting the existing trees. The diversity in treeand plant speciescomplements the diversity of the site furniture. “While the Romantic Gardens of the 19th Century attempted to give the visitorsanexotic experience of the world that was still big and hard to travelaround allowingpeople to witness a Chinese pagoda or a Greek temple the Super Park inCopenhagen does the opposite. Rather than perpetuating aperception of Denmark asa mono-ethnic people, the Super Park port