從沙博理的特殊文化身份透視其翻譯思想

. I 摘要 .n in . 3 . 3 . 4 . 5 . 6 s . 8 s . 8 . 8 . 9 s . 10 s . 12 s . 12 s . 14 s . . 15 s . 16 s . 17 s . 18 s . 19 s . 20 s . 21 . 22 s . 22 s .s . 24 of of . 24 u of . 25 n . 26 s . 27 s . 28 s . 31 s . 31 s . 32 . 33 s of . 35 s of . 36 .I of at on of of as of in a of or of of in 0a to it to on a As a s is on As a s a in of It on of of of s of on s is a in He is of he of s of ins uns of s i i to s on to s of s 要 縱觀古今中外的翻譯研究領(lǐng)域，大多數(shù)學(xué)者都將研究的落腳點放在翻譯理論、翻譯學(xué)及翻譯史的研究上。而作為翻譯主體的譯者卻始終處于一種鮮人問津的境地，關(guān)于譯者主體性的相應(yīng)研究更是鳳毛麟角，作為翻譯領(lǐng)域保證翻譯工作順利進行的譯者始終處于邊緣化的地位。隨著 20 世紀西方翻譯研究“文化轉(zhuǎn)向”的出現(xiàn)，翻譯研究不再是僅僅局限于簡單的文字符號之間的轉(zhuǎn)換，而是被置于更為廣闊的背景下，這使得我們得以從全新的角度對翻譯領(lǐng)域進行研究。由此，對于譯者文化身份的研究亦提上日程，作為翻譯研究領(lǐng)域的一個全新視角，文化身份在整個翻譯過程中都發(fā)揮著極為重要的影響，不論是文本的選擇還是翻譯策略的運用等都承載著譯者文化身份的印記。對于譯者文化身份的探究無疑為翻譯研究開辟了一塊嶄新的天地，并促進翻譯研究向縱深延展。 本文以上述理論背景為依據(jù)， 對翻譯領(lǐng)域一位極其特殊的華籍美裔翻譯家沙博理進行個案研究。探討了翻譯家的文化身份與其翻譯活動之間的關(guān)系。西德尼沙博理是一位非常多產(chǎn)的翻譯家，在中國從事翻譯的半個多世紀，他翻譯了許多部優(yōu)秀的中國文學(xué)作品，如施耐庵的水滸傳 、巴金的家 、茅盾的林家鋪子 、 春蠶 ，趙樹理的李有才板話 、 小二黑結(jié)婚等。本文試圖通過對西德尼沙博理的特殊文化身份進行分析，進而剖析該特殊文化身份對于其翻譯活動及翻譯思想的影響，以期從文化身份的視角重新審視西德尼沙博理的翻譯思想。 關(guān)鍵字： 文化轉(zhuǎn)向 譯者主體性 文化身份 西德尼沙博理 翻譯思想 1 or a on of of on in a to of in 0th a s s As a an in on of at of 0as a a to it to on a on s is on to s is a in He is a of he of to s of s of is an of of an to of In a on of is in 2 is a s is s of of s on in in to s on is a of He to 3 n in ue to of is a of to a in of 0a of in of to to in a of 970s, a to is a of of of a as a of is to be by at a is a to In it is in by of to of of of on 989, in K of in 990, 4 in a in of In on of to of on of or of to as in In in he is by to a to a 980s, a A of in an on it s to of on to as a n of in It in to is up a of as so in to of 006:90). 980s, 5 in in of is of in is of be In to we of if we to a a on to a be of of to in of to by on an on