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TheJazzSceneByBBrettandNIngramTheJazzSceneByBBrettandN1UnderstandingtheTitleTheJazzScenemeans

A.TheJazzperformanceB.ThebackgroundofJazzC.Thenoisy,heavilyrhythmicJazzmusicD.IntroductiontoJazz

(D)Scenemeans“anovervieworabriefaccount”.Thisoverviewincludestwoparts:thebackground(development)ofJazzandthedifferentformsofJazzmusicUnderstandingtheTitleTheJaz2StagesofdevelopmentofJazzasaformofmusicalartGap-filling:songsandhymnsofthewhitesEarlysadsongsFaster,heavilyrhythmicJazzBluesStagesofdevelopmentofJazz3StagesofdevelopmentofJazzasaformofmusicalart(cont.)blacks’strongrhythmsongsandhymnsofthewhitesBitter-sweetnessEarlysadsongsFaster,heavilyrhythmicJazzBluesBrighteningupStagesofdevelopmentofJazz4DifferentformsofJazzmusicFormofMusicCharacteristics1.Bluesdepressed,unhappy2.1.2.Mostoftheplayersarewhite.3.1.imitatesthe“unprepared”characteristicsofjazz2.4.Jazz(asummary)1.2.3.DifferentformsofJazzmusicF5DifferentformsofJazzmusic(cont.)FormofMusicCharacteristics1.BluesDepressed,unhappy2.Ragtime1.Similartojazzinmanyways2.mostoftheplayerswhite3.Swing1.imitatesthe“unprepared”characteristicsofjazz2.attachesittobigbandsandorchestrations4.Jazz(asummary)1.fast,heavilyrhythmic2.Bothvocalandinstrumental3.Twoseparatestyles:the“way-out”advancedkindandthepopularkindDifferentformsofJazzmusic(6ThelegendarylifeandcareerofGlenMillerWithitsuniquejazzsound,theGlennMillerOrchestraisconsideredtobeoneofthegreatestbandsofalltime.

Glenndisbandedhismusicalorganizationin1942,attheheightofitspopularity,volunteeredfortheArmyandthenorganizedandledthefamousGlennMillerArmyAirForceBand.Thelegendarylifeandcareer7ThelegendarylifeandcareerofGlenMiller(cont.)OnDecember15,1944,MajorMillertookoffinasingle-engineplanefromEnglandtoprecedehisbandtoFrance,nevertobeseenagain.Thearmydeclaredhimofficiallydeadayearlater.ThepresentGlennMillerOrchestrawas

formedin1956andhasbeentouringconsistentlysince.Thelegendarylifeandcareer8Theheavy-weightJazzgenius

—CountBasieCountBasiewasanincrediblefigurein20thcenturymusic.Hisdecadesofplayinghelpdefinethewords“jazz”and“swing”.Hisstyleofpianoplayingwasto-the-pointandfocusedontheblues,relyingonsimplemelodicphrases.In1936hefoundedtheCountBasieOrchestra.Bytheendofthe30s,theBasiebandwasoneofthemostpopularintheworld.Theheavy-weightJazzgenius

9

AsampleofCountBasie'smusic—SwingtheBluesAnothersampleofCountbasie'smusic

—EverydayIhavetheblues大連外國語大學(xué)課件The-Jazz-Scene10AnothericonofJazz

—BennyGoodmanIn1938,Benny'sbandbecamethefirstbandtoplayinCarnegieHall.

DuringtheSwingPeriod,ifaclarinetistwasnotplayingin"theGoodmanStyle,"hewasnotplayingcorrectly.BennyGoodmandiedonJune13,1996,butwillremainforeverasaniconofJazz-abandleader,aclarinetist,andtheKingofSwing.AnothericonofJazz

—BennyGo11Now,let'senjoyBennyGoodman'sTexasTeaParty大連外國語大學(xué)課件The-Jazz-Scene12AnalysisofthewritingtechniquesusedinthetextThistextisapieceofexpositorywriting.Themajorwaysofdevelopmentusedinclude:comparisonandcontrast—differentstagesandformsofJazzexemplification—variousformsandstylesoftheJazzmusicOthertechniquesthataddvariationandvividnesstothetext—choiceofwords,quotations,etc

Analysisofthewritingtechni13UsefulPhrasesintheTextside(adj.)development:sideeffect/street/issue,etcdrive(n.):Peoplearesofullofdriveinthisnewcountry.Heissmartenough,butheseemstobelackinginthedrivetosucceed.Hibernationisfarmorethansleep.TheEnglishword“olive”derivesfrom/isderivedfromtheLatinword“oliva”.UsefulPhrasesintheTextside14UsefulPhrasesintheText(cont.)Hospitalityischaracteristicofthepeopleinthisregion.Theuseofbightcolorsandboldshapesischaracteristicoftheseartists.Shewantedtolaugh,buthernobleupbringinggotintheway.Peoplewillgrowweakerastheygeton(inyears.)UsefulPhrasesintheText(con15TheJazzSceneByBBrettandNIngramTheJazzSceneByBBrettandN16UnderstandingtheTitleTheJazzScenemeans

A.TheJazzperformanceB.ThebackgroundofJazzC.Thenoisy,heavilyrhythmicJazzmusicD.IntroductiontoJazz

(D)Scenemeans“anovervieworabriefaccount”.Thisoverviewincludestwoparts:thebackground(development)ofJazzandthedifferentformsofJazzmusicUnderstandingtheTitleTheJaz17StagesofdevelopmentofJazzasaformofmusicalartGap-filling:songsandhymnsofthewhitesEarlysadsongsFaster,heavilyrhythmicJazzBluesStagesofdevelopmentofJazz18StagesofdevelopmentofJazzasaformofmusicalart(cont.)blacks’strongrhythmsongsandhymnsofthewhitesBitter-sweetnessEarlysadsongsFaster,heavilyrhythmicJazzBluesBrighteningupStagesofdevelopmentofJazz19DifferentformsofJazzmusicFormofMusicCharacteristics1.Bluesdepressed,unhappy2.1.2.Mostoftheplayersarewhite.3.1.imitatesthe“unprepared”characteristicsofjazz2.4.Jazz(asummary)1.2.3.DifferentformsofJazzmusicF20DifferentformsofJazzmusic(cont.)FormofMusicCharacteristics1.BluesDepressed,unhappy2.Ragtime1.Similartojazzinmanyways2.mostoftheplayerswhite3.Swing1.imitatesthe“unprepared”characteristicsofjazz2.attachesittobigbandsandorchestrations4.Jazz(asummary)1.fast,heavilyrhythmic2.Bothvocalandinstrumental3.Twoseparatestyles:the“way-out”advancedkindandthepopularkindDifferentformsofJazzmusic(21ThelegendarylifeandcareerofGlenMillerWithitsuniquejazzsound,theGlennMillerOrchestraisconsideredtobeoneofthegreatestbandsofalltime.

Glenndisbandedhismusicalorganizationin1942,attheheightofitspopularity,volunteeredfortheArmyandthenorganizedandledthefamousGlennMillerArmyAirForceBand.Thelegendarylifeandcareer22ThelegendarylifeandcareerofGlenMiller(cont.)OnDecember15,1944,MajorMillertookoffinasingle-engineplanefromEnglandtoprecedehisbandtoFrance,nevertobeseenagain.Thearmydeclaredhimofficiallydeadayearlater.ThepresentGlennMillerOrchestrawas

formedin1956andhasbeentouringconsistentlysince.Thelegendarylifeandcareer23Theheavy-weightJazzgenius

—CountBasieCountBasiewasanincrediblefigurein20thcenturymusic.Hisdecadesofplayinghelpdefinethewords“jazz”and“swing”.Hisstyleofpianoplayingwasto-the-pointandfocusedontheblues,relyingonsimplemelodicphrases.In1936hefoundedtheCountBasieOrchestra.Bytheendofthe30s,theBasiebandwasoneofthemostpopularintheworld.Theheavy-weightJazzgenius

24

AsampleofCountBasie'smusic—SwingtheBluesAnothersampleofCountbasie'smusic

—EverydayIhavetheblues大連外國語大學(xué)課件The-Jazz-Scene25AnothericonofJazz

—BennyGoodmanIn1938,Benny'sbandbecamethefirstbandtoplayinCarnegieHall.

DuringtheSwingPeriod,ifaclarinetistwasnotplayingin"theGoodmanStyle,"hewasnotplayingcorrectly.BennyGoodmandiedonJune13,1996,butwillremainforeverasaniconofJazz-abandleader,aclarinetist,andtheKingofSwing.AnothericonofJazz

—BennyGo26Now,let'senjoyBennyGoodman'sTexasTeaParty大連外國語大學(xué)課件The-Jazz-Scene27AnalysisofthewritingtechniquesusedinthetextThistextisapieceofexpositorywriting.Themajorwaysofdevelopmentusedinclude:comparisonandcontrast—differentstagesandformsofJazz

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